Mukurtu is an indigenous content management system and digital archive tool that was created as a community project. It allows indigenous communities to repatriate cultural materials and implement cultural protocols for access. Mukurtu provides customizable features for communities to create protocols, add content from various categories, and manage access by users according to these protocols.
After the return digitizal repatriationkimchristen
The document discusses the Smithsonian Collections & Archives Program and its efforts to work collaboratively with source communities on managing its large anthropology and archival collections. It coordinates various funding, curatorial, and programmatic initiatives to facilitate collaboration and dialogue between curators, collections staff, archivists, and community members. Some of the collections discussed include over 750,000 photographs, 8,000 sound recordings, 2,000 hours of video footage, and various native art and cartographic materials.
The document discusses the current state of digital humanities and calls for more inclusive and collaborative approaches. It notes that digital humanities is at a critical moment and must justify its activities. It advocates for progressive models that recognize diverse perspectives and create tools to support community-defined protocols for managing cultural information. Indigenous groups are highlighted as using technology to advance self-representation. The document concludes by emphasizing the need to consider different ways of seeing and learning.
This document contains information about Dr. Kimberly Christen who works in the Department of Critical Culture, Gender and Race Studies at Washington State University. Her website is listed as well as her focus on digital repatriation and community protocols for indigenous communities.
Kimberly Christen presented at the Traditional Cultural Expression Conference in Washington D.C. on November 14, 2008. The presentation discussed developing collaborative management of indigenous materials through recognition, respect, and reciprocal curation between indigenous communities and institutions. It also covered creating an indigenous archive tool and community metadata, as well as sharing protocols, access parameters, and user profiles to enable reciprocal curation and collaborative research that connects knowledge through layered voices and alternative views.
The document discusses traditional knowledge labels and licenses that aim to empower ethical exchange of information. It describes different labels like "verified", "attribution", "non-commercial", and "community use only" that can be mixed and matched. It also discusses protocols for community use and the importance of local contexts in managing traditional knowledge.
The document discusses how archivists can connect communities and collections in an era of shifting technology and uncertain funding. It highlights the importance of digital return and repatriation of collections to indigenous communities to support cultural production, linguistic revitalization, and intergenerational transmission. Examples are provided of projects collaborating with indigenous communities to open archives and empower ethical exchange of information.
After the return digitizal repatriationkimchristen
The document discusses the Smithsonian Collections & Archives Program and its efforts to work collaboratively with source communities on managing its large anthropology and archival collections. It coordinates various funding, curatorial, and programmatic initiatives to facilitate collaboration and dialogue between curators, collections staff, archivists, and community members. Some of the collections discussed include over 750,000 photographs, 8,000 sound recordings, 2,000 hours of video footage, and various native art and cartographic materials.
The document discusses the current state of digital humanities and calls for more inclusive and collaborative approaches. It notes that digital humanities is at a critical moment and must justify its activities. It advocates for progressive models that recognize diverse perspectives and create tools to support community-defined protocols for managing cultural information. Indigenous groups are highlighted as using technology to advance self-representation. The document concludes by emphasizing the need to consider different ways of seeing and learning.
This document contains information about Dr. Kimberly Christen who works in the Department of Critical Culture, Gender and Race Studies at Washington State University. Her website is listed as well as her focus on digital repatriation and community protocols for indigenous communities.
Kimberly Christen presented at the Traditional Cultural Expression Conference in Washington D.C. on November 14, 2008. The presentation discussed developing collaborative management of indigenous materials through recognition, respect, and reciprocal curation between indigenous communities and institutions. It also covered creating an indigenous archive tool and community metadata, as well as sharing protocols, access parameters, and user profiles to enable reciprocal curation and collaborative research that connects knowledge through layered voices and alternative views.
The document discusses traditional knowledge labels and licenses that aim to empower ethical exchange of information. It describes different labels like "verified", "attribution", "non-commercial", and "community use only" that can be mixed and matched. It also discusses protocols for community use and the importance of local contexts in managing traditional knowledge.
The document discusses how archivists can connect communities and collections in an era of shifting technology and uncertain funding. It highlights the importance of digital return and repatriation of collections to indigenous communities to support cultural production, linguistic revitalization, and intergenerational transmission. Examples are provided of projects collaborating with indigenous communities to open archives and empower ethical exchange of information.
The document discusses a collaboration funded by IMLS and NEH between Washington State University, CoDA, and Pantheon to develop Mukurtu, an open source content management system for digital heritage. Mukurtu allows communities to manage and share their cultural heritage collections and has over 432 members with 250 hosted installations. Version 2.0 of the Mukurtu Mobile app was released in summer 2014.
The document provides updates for an upcoming class including that blog post 5 is due next Thursday and the class on Tuesday will cover the remix manifesto video. It also discusses factors for determining fair use, how digital technology has revolutionized and democratized recycling and reuse of content, and how copying can be both homage and subversion. Finally, it mentions that the final project groups should generate research questions and ideas for their project.
The document contains updates to a schedule, noting that blog post 4 is due on Friday and that work on a final project should begin. It also discusses several topics relating to copyright law and issues of authorship, including the author-centric nature of copyright, Edward Curtis's extensive photographic collection of Native American peoples, and the relationship between creators and owners. The document closes by outlining the requirements for blog post 4, asking students to discuss issues of authorship and ownership through analyzing the travels and use of an image.
The document discusses topics around ethics, privacy, and access relating to online and offline interactions. It provides an overview of ethical positions such as monism, pluralism and relativism. It also examines concepts of privacy, data and metadata, and the benefits and trade-offs of privacy online. Videos are linked to explore these topics further.
Social media platforms are used to spread information about causes and social issues, allowing for electronic calls to action that can raise awareness through sharing content. However, some support for social causes comes through passive or low-effort engagement online, termed "slacktivism," rather than meaningful participation in addressing injustices. Overall, modern activism increasingly utilizes websites and social networks to rapidly inform about and promote issues.
Social activism in the digital age utilizes online platforms like social media to intentionally address injustices. While some online activism, known as "slacktivism", provides only partial or superficial support, true digital activism fully leverages interactive online spaces to actively work towards solving real-world problems. The presentation discusses how social media and the internet can be harnessed for social change and improving society.
This document discusses different types of online activities, including how information and social media can provide power and communal value, how social activism and online activism allow for participatory civic value and valuable information circulation, and how slacktivism involves personal passive online social activity. Overall, it addresses how activism has evolved to include both passive and active involvement across various online platforms.
The document discusses how social activism in 2014 originated from diverse individuals using online platforms to take action for societal causes through digital campaigns, though minimal contributions were made without intentional social changes.
This document discusses different forms of online activism and engagement, including how information spreads on social media, how social action and online activism are practiced, and the concept of "slacktivism" or low-effort online engagement. It seems to analyze trends in online activism in the year 2014.
The document discusses the role of social media in social activism and creating social change. It covers topics like how social activism aims to produce structural and everyday changes in society through both intentional action and a focus on social justice and democracy. It also discusses how social media can help social movements frame key issues, offer alternatives, create dialogue, and force changes in debates. However, social media activism alone may not create lasting change and must be combined with on-the-ground action and clearly defined goals.
The document discusses social media history, definitions, and predictions for the present and future. It provides statistics on current social media use in the US, such as 73% of online adults using social networking sites. The document also references several links on topics like the history of social media sites, what happens to online profiles after death, and predictions for social media in 2014 from Google and other experts.
The document appears to be notes from a class discussing various topics related to information and technology. It includes definitions and short descriptions of terms like hashtags, algorithms, collective intelligence, digital footprints, and more. Dates listed indicate this was a series of notes taken on February 9, 2014 related to a unit on information and groups for a project.
The document discusses the abundance of digital information available online through search engines and social media platforms and some of the challenges and opportunities that presents. It raises questions about how people can make use of all the available information, how search and algorithms work, and whether trends revealed on platforms like Twitter truly provide meaningful insights.
The document discusses several examples of crowdsourcing initiatives by Lego and others. It describes how Lego used crowdsourcing on its Cuusoo platform to generate new product ideas and engage customers. It also discusses how Lego's Bionicles toys originally incorporated cultural elements from Maori and Pacific Island cultures without proper consultation, but that various Maori groups later approached Lego and negotiations led to changes. The document considers both the potential and limitations of using crowdsourcing and crowds more broadly to share information.
The document outlines the agenda for a class on January 21st that will discuss the history of information, new technologies, the information superhighway, information in the present day wrapped in digital lives, and the work of Jenkins on convergence and participatory culture. It divides the class into groups to discuss what key concepts mean, why they matter, and how they differ from the past, using examples.
This document discusses various topics related to information including how information is perceived, the impact of culture and bias, information overload, key concepts related to Web 2.0 like participation and tagging, metadata, information shadows, and Facebook usage statistics. It also notes that while many claim "everyone is online", in reality 84% of the world is not using the internet.
This document provides context about the historical treatment of Native Americans in the United States, which serves as the backdrop for Sherman Alexie's book. It discusses issues like the dispossession of Native lands, broken treaties, the establishment of reservations, and acts like the Indian Removal Act and Dawes Act. It also mentions how dominant versions of Indians in popular culture and media often rely on stereotypes rather than accurate representation, setting the stage for Alexie's narrative approach known as "reservation realism".
The document summarizes key aspects of the history of the Maori people in New Zealand, including:
1) Early contact with Europeans in the 1500s-1600s through trading, followed by British settlement starting in the 1800s which massively disrupted Maori way of life.
2) The 1840 Treaty of Waitangi that was signed by some Maori chiefs and the British Crown but had differing interpretations, granting the British sovereignty over New Zealand.
3) Post-settlement policies from 1861-1945 that negatively impacted Maori land rights and culture, though peaceful resistance emerged.
The document discusses digital repatriation and reciprocal curation of Native knowledge and cultural heritage. It addresses the ethics of circulating digital cultural materials and the need for community-driven protocols for access, circulation and content management. Examples are provided of existing digital archives and content management systems developed collaboratively with Native communities to respect community needs and priorities for controlling access to culturally sensitive materials.
The document discusses a collaboration funded by IMLS and NEH between Washington State University, CoDA, and Pantheon to develop Mukurtu, an open source content management system for digital heritage. Mukurtu allows communities to manage and share their cultural heritage collections and has over 432 members with 250 hosted installations. Version 2.0 of the Mukurtu Mobile app was released in summer 2014.
The document provides updates for an upcoming class including that blog post 5 is due next Thursday and the class on Tuesday will cover the remix manifesto video. It also discusses factors for determining fair use, how digital technology has revolutionized and democratized recycling and reuse of content, and how copying can be both homage and subversion. Finally, it mentions that the final project groups should generate research questions and ideas for their project.
The document contains updates to a schedule, noting that blog post 4 is due on Friday and that work on a final project should begin. It also discusses several topics relating to copyright law and issues of authorship, including the author-centric nature of copyright, Edward Curtis's extensive photographic collection of Native American peoples, and the relationship between creators and owners. The document closes by outlining the requirements for blog post 4, asking students to discuss issues of authorship and ownership through analyzing the travels and use of an image.
The document discusses topics around ethics, privacy, and access relating to online and offline interactions. It provides an overview of ethical positions such as monism, pluralism and relativism. It also examines concepts of privacy, data and metadata, and the benefits and trade-offs of privacy online. Videos are linked to explore these topics further.
Social media platforms are used to spread information about causes and social issues, allowing for electronic calls to action that can raise awareness through sharing content. However, some support for social causes comes through passive or low-effort engagement online, termed "slacktivism," rather than meaningful participation in addressing injustices. Overall, modern activism increasingly utilizes websites and social networks to rapidly inform about and promote issues.
Social activism in the digital age utilizes online platforms like social media to intentionally address injustices. While some online activism, known as "slacktivism", provides only partial or superficial support, true digital activism fully leverages interactive online spaces to actively work towards solving real-world problems. The presentation discusses how social media and the internet can be harnessed for social change and improving society.
This document discusses different types of online activities, including how information and social media can provide power and communal value, how social activism and online activism allow for participatory civic value and valuable information circulation, and how slacktivism involves personal passive online social activity. Overall, it addresses how activism has evolved to include both passive and active involvement across various online platforms.
The document discusses how social activism in 2014 originated from diverse individuals using online platforms to take action for societal causes through digital campaigns, though minimal contributions were made without intentional social changes.
This document discusses different forms of online activism and engagement, including how information spreads on social media, how social action and online activism are practiced, and the concept of "slacktivism" or low-effort online engagement. It seems to analyze trends in online activism in the year 2014.
The document discusses the role of social media in social activism and creating social change. It covers topics like how social activism aims to produce structural and everyday changes in society through both intentional action and a focus on social justice and democracy. It also discusses how social media can help social movements frame key issues, offer alternatives, create dialogue, and force changes in debates. However, social media activism alone may not create lasting change and must be combined with on-the-ground action and clearly defined goals.
The document discusses social media history, definitions, and predictions for the present and future. It provides statistics on current social media use in the US, such as 73% of online adults using social networking sites. The document also references several links on topics like the history of social media sites, what happens to online profiles after death, and predictions for social media in 2014 from Google and other experts.
The document appears to be notes from a class discussing various topics related to information and technology. It includes definitions and short descriptions of terms like hashtags, algorithms, collective intelligence, digital footprints, and more. Dates listed indicate this was a series of notes taken on February 9, 2014 related to a unit on information and groups for a project.
The document discusses the abundance of digital information available online through search engines and social media platforms and some of the challenges and opportunities that presents. It raises questions about how people can make use of all the available information, how search and algorithms work, and whether trends revealed on platforms like Twitter truly provide meaningful insights.
The document discusses several examples of crowdsourcing initiatives by Lego and others. It describes how Lego used crowdsourcing on its Cuusoo platform to generate new product ideas and engage customers. It also discusses how Lego's Bionicles toys originally incorporated cultural elements from Maori and Pacific Island cultures without proper consultation, but that various Maori groups later approached Lego and negotiations led to changes. The document considers both the potential and limitations of using crowdsourcing and crowds more broadly to share information.
The document outlines the agenda for a class on January 21st that will discuss the history of information, new technologies, the information superhighway, information in the present day wrapped in digital lives, and the work of Jenkins on convergence and participatory culture. It divides the class into groups to discuss what key concepts mean, why they matter, and how they differ from the past, using examples.
This document discusses various topics related to information including how information is perceived, the impact of culture and bias, information overload, key concepts related to Web 2.0 like participation and tagging, metadata, information shadows, and Facebook usage statistics. It also notes that while many claim "everyone is online", in reality 84% of the world is not using the internet.
This document provides context about the historical treatment of Native Americans in the United States, which serves as the backdrop for Sherman Alexie's book. It discusses issues like the dispossession of Native lands, broken treaties, the establishment of reservations, and acts like the Indian Removal Act and Dawes Act. It also mentions how dominant versions of Indians in popular culture and media often rely on stereotypes rather than accurate representation, setting the stage for Alexie's narrative approach known as "reservation realism".
The document summarizes key aspects of the history of the Maori people in New Zealand, including:
1) Early contact with Europeans in the 1500s-1600s through trading, followed by British settlement starting in the 1800s which massively disrupted Maori way of life.
2) The 1840 Treaty of Waitangi that was signed by some Maori chiefs and the British Crown but had differing interpretations, granting the British sovereignty over New Zealand.
3) Post-settlement policies from 1861-1945 that negatively impacted Maori land rights and culture, though peaceful resistance emerged.
The document discusses digital repatriation and reciprocal curation of Native knowledge and cultural heritage. It addresses the ethics of circulating digital cultural materials and the need for community-driven protocols for access, circulation and content management. Examples are provided of existing digital archives and content management systems developed collaboratively with Native communities to respect community needs and priorities for controlling access to culturally sensitive materials.
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
How to Download & Install Module From the Odoo App Store in Odoo 17Celine George
Custom modules offer the flexibility to extend Odoo's capabilities, address unique requirements, and optimize workflows to align seamlessly with your organization's processes. By leveraging custom modules, businesses can unlock greater efficiency, productivity, and innovation, empowering them to stay competitive in today's dynamic market landscape. In this tutorial, we'll guide you step by step on how to easily download and install modules from the Odoo App Store.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
1. mukurtu.org
an indigenous content management system and digital archive tool
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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2. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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4. community project
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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5. digital repatriation
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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6. ritual affiliations
kinship
country relationships
deceased
gender
cultural protocols > access
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.05.11
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7. protocols
analog content management
file cabinet at the Nyinkka Nyunyu Art and
Culture Centre in Tennant Creek photo by
Kimberly Christen, Feb. 2006
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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8. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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9. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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10. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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11. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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12. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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13. WIPO NMAI
world intellectual national museum of
property organization the american indian
AFS CoDA
library of congress, center for digital
american folklife center archaeology
partners and advisers
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.05.11
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14. *powered by
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.05.11
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15. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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16. customize
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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17. mukurtu documentation wiki
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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18. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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19. create cultural protocols
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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20. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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21. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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22. Flying Fox Elders Male
OR OR
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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23. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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24. Flying Fox Elders Male
AND AND
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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25. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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26. create communities
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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27. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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28. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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29. create categories
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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32. add users
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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33. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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34. populate
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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35. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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36. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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37. mukurtu core
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38. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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39. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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40. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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41. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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42. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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43. traditional knowledge licenses
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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44. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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45. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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46. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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47. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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48. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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53. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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54. www.mukurtu.org
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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55. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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56. Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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57. development
✓easy import/export
✓built in crosswalks
✓dashboards
✓expanded backend control
(workbench)
✓preservation standards
✓multiple themes
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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58. thanks
Dr. Kimberly Christen | www. kimchristen.com | Department of Critical Culture, Gender and Race Studies | Washington State University | 10.11
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