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An Interdisciplinary
Collaboration in
3D Printing
Monica Dean
Allison Lehr Samuels
Zoe Sheehan Saldaña
▪  3rd Largest Public
University System
▪  Nation’s Largest
Urban University
▪  540,000 Students
(46% of New York’s
College
population)
▪  24 Institutions
▪  11 Senior Colleges
▪  7 Community
Colleges
Baruch	
  
Baruch College
• 18,000+ students, ~82% are New York City residents
and 67% major in business
• 170+countries represented; 110 languages spoken
• 41% of students are first in family to attend college
Students
• 14,082 (80.4%) Undergraduates
• 3,423 (19.6%) Graduate
• Female 49.4%; Male 50.6%
Enrollment
• 39.9% Asian
• 34.7% White
• 14.3% Hispanic
• 10.9% Black
• .2% American Indian
Ethnicity
• School of Public Affairs
• Weissman School of Arts and Sciences
• Zicklin School of Business
(Fall	
  2014)	
  
Schools
Baruch
Computing
and
Technology
Center
Weissman
School of Arts
and Sciences
&
Zicklin School
of Business
Bernard L.
Schwartz
Center for
Communication
Lawrence N.
Field Center
for
Entrepreneurship
Key Players
MGT 4993:
Business Meets 3D Digital
Design and Fabrication
Interested in 3D printing, product design and the
DIY movement? This course will explore how the
choices and processes one makes when
designing and creating three-dimensional
objects are also a series of business choices,
processes and decisions. Readings, case studies,
and hands-on projects emphasize the
development of critical skills and their
application to business and design issues of
the present. Students will learn some of the
fundamental principles of three-
dimensional design (line-plane-volume-
mass-space-light) and have access to using
digital tools in the design and creation
process such as computer-aided design
(CAD) programs and rapid prototyping (RP)
technologies for three-dimensional visualization.
The course focuses on the business context of
entrepreneurial and startup ventures. 
ART 3041:
Three-Dimensional
Digital Design
This course examines the creation of
three-dimensional forms (including
construction, rendering, and output)
using digital tools. Investigation of the
fundamental principles of three-
dimensional design (line-plane-volume-
mass-space-light). Applied study of
computer-aided design (CAD) programs
and rapid prototyping (RP) technologies
for three-dimensional visualization.
Readings, case studies, and hands-on
projects emphasize the development of
critical skills and their application to
design issues of the present. Potential
applications for packaging, product, and
industrial design as well as architecture,
art, and new media.
Resources
•  Departmental support
•  Printers
•  Laptops
•  Scanners
•  3D design software
•  Tech support
•  Computer lab for classes
•  Classroom for workshops & lectures
•  Blogs@Baruch support
MGT 4993 and ART 3041
Interdisciplinary Collaboration
Zicklin
School of
Business
Weissman
School of Arts
and Sciences
Undergrad
Business
Students
Fine and Performing
Art Professor
MGT 4993
ART 3041
FUNCTIONED AS ONE COURSE
Entrepreneurship
Professors
Undergrad Liberal
Arts Students
Shared Resources
Studio time
3D Printers
Faculty
Combined blog
& Blackboard site
Shared Course Structure
Same guest speakers
All instructors taught
Combined teams
Met at same time
Worked in teams
Assignments & reading
Year 1:
Transporting Coffee
Class Projects
Year 2:
Accessing Water
Year 3:
???
Design Thinking
(Kelley & Kelly, 2013)
Define
IdeateEmpathize
Prototype
Test
http://dschool.stanford.edu/dgift/
Research
activities
informs
empathy
Focus on
defining one
need
Brainstorm
on solutions
Develop 2D
sketches and 3D
digital designs
Print
prototype
and
presented
business
model pitch
Ideation Sketchup model
Failed print Successful print
h0ps://blsciblogs.baruch.cuny.edu/3dfall2013/?page_id=183	
  
Group 9: INSTIRR
INSTIRR
Theoretical Framework:
Entrepreneurship Method
(Neck and Green, 2011)
Expect &
embrace
failure
Design
Do-Learn Reflection
Practice
Applied the pedagogy by:
▪ Designing assignments to be
iterative and ambiguous
▪ Highlighting failure
▪ Offering opportunities to
“practice” taking risks
▪ Emphasizing reflection
▪ Giving students a “toolkit”
▪ Accepting the unknown
Results
Learn	
  by	
  Doing	
  
Issues	
  
Grade	
  
Concerns	
  
Fear	
  of	
  
Ambiguity	
  
Role	
  of	
  
Failure	
  
Monica dean   inside3 d-printing2015final

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Monica dean inside3 d-printing2015final

  • 1. An Interdisciplinary Collaboration in 3D Printing Monica Dean Allison Lehr Samuels Zoe Sheehan Saldaña
  • 2. ▪  3rd Largest Public University System ▪  Nation’s Largest Urban University ▪  540,000 Students (46% of New York’s College population) ▪  24 Institutions ▪  11 Senior Colleges ▪  7 Community Colleges Baruch  
  • 3. Baruch College • 18,000+ students, ~82% are New York City residents and 67% major in business • 170+countries represented; 110 languages spoken • 41% of students are first in family to attend college Students • 14,082 (80.4%) Undergraduates • 3,423 (19.6%) Graduate • Female 49.4%; Male 50.6% Enrollment • 39.9% Asian • 34.7% White • 14.3% Hispanic • 10.9% Black • .2% American Indian Ethnicity • School of Public Affairs • Weissman School of Arts and Sciences • Zicklin School of Business (Fall  2014)   Schools
  • 4. Baruch Computing and Technology Center Weissman School of Arts and Sciences & Zicklin School of Business Bernard L. Schwartz Center for Communication Lawrence N. Field Center for Entrepreneurship Key Players
  • 5. MGT 4993: Business Meets 3D Digital Design and Fabrication Interested in 3D printing, product design and the DIY movement? This course will explore how the choices and processes one makes when designing and creating three-dimensional objects are also a series of business choices, processes and decisions. Readings, case studies, and hands-on projects emphasize the development of critical skills and their application to business and design issues of the present. Students will learn some of the fundamental principles of three- dimensional design (line-plane-volume- mass-space-light) and have access to using digital tools in the design and creation process such as computer-aided design (CAD) programs and rapid prototyping (RP) technologies for three-dimensional visualization. The course focuses on the business context of entrepreneurial and startup ventures.  ART 3041: Three-Dimensional Digital Design This course examines the creation of three-dimensional forms (including construction, rendering, and output) using digital tools. Investigation of the fundamental principles of three- dimensional design (line-plane-volume- mass-space-light). Applied study of computer-aided design (CAD) programs and rapid prototyping (RP) technologies for three-dimensional visualization. Readings, case studies, and hands-on projects emphasize the development of critical skills and their application to design issues of the present. Potential applications for packaging, product, and industrial design as well as architecture, art, and new media.
  • 6. Resources •  Departmental support •  Printers •  Laptops •  Scanners •  3D design software •  Tech support •  Computer lab for classes •  Classroom for workshops & lectures •  Blogs@Baruch support
  • 7. MGT 4993 and ART 3041 Interdisciplinary Collaboration Zicklin School of Business Weissman School of Arts and Sciences Undergrad Business Students Fine and Performing Art Professor MGT 4993 ART 3041 FUNCTIONED AS ONE COURSE Entrepreneurship Professors Undergrad Liberal Arts Students Shared Resources Studio time 3D Printers Faculty Combined blog & Blackboard site Shared Course Structure Same guest speakers All instructors taught Combined teams Met at same time Worked in teams Assignments & reading
  • 8. Year 1: Transporting Coffee Class Projects Year 2: Accessing Water Year 3: ???
  • 9. Design Thinking (Kelley & Kelly, 2013) Define IdeateEmpathize Prototype Test http://dschool.stanford.edu/dgift/ Research activities informs empathy Focus on defining one need Brainstorm on solutions Develop 2D sketches and 3D digital designs Print prototype and presented business model pitch
  • 10. Ideation Sketchup model Failed print Successful print h0ps://blsciblogs.baruch.cuny.edu/3dfall2013/?page_id=183   Group 9: INSTIRR
  • 12. Theoretical Framework: Entrepreneurship Method (Neck and Green, 2011) Expect & embrace failure Design Do-Learn Reflection Practice Applied the pedagogy by: ▪ Designing assignments to be iterative and ambiguous ▪ Highlighting failure ▪ Offering opportunities to “practice” taking risks ▪ Emphasizing reflection ▪ Giving students a “toolkit” ▪ Accepting the unknown
  • 13. Results Learn  by  Doing   Issues   Grade   Concerns   Fear  of   Ambiguity   Role  of   Failure