Modern and Contemporary Art Part 2: Dallas #5224 November 14, 2015.

modern & contemporary art
november 14, 2015 ❘ dallas
Part II: Dallas

Front Cover Lot: 70066
Inside Front Cover Lot: 70035
Inside Back Cover Lot: 70098
Back Cover Lot: 70052

ISBN: 978-1-63351-160-6
9 7 8 1 6 3 3 5 1 1 6 0 6
9 0 0 0 0
© 2015 Heritage Auctioneers & Galleries, Inc.
PRICE • $50

38986
Heritage Signature®
Auction #5224
Signature®
Floor Sessions 1-2
(Floor, Telephone, HERITAGELive!®
, Internet, Fax, and Mail)
Heritage Auctions Design District Annex
1518 Slocum Street • Dallas, TX 75207
Session 1 - modern & contemporary Art
Saturday, November 14 • 11:00 AM CT • Lots 70001-70144
Session 2 - modern & contemporary prints
(see separate catalog)
Saturday, November 14 • 2:00 PM CT • Lots 70200-70305
LOT SETTLEMENT AND PICK-UP
Available immediately following the floor sessions or
weekdays 9:00 AM – 5:00 PM CT by appointment only.
Lots are sold at an approximate rate of 65 lots per hour, but it is not uncommon to
sell 50 lots or 85 lots in any given hour.
Buyer’s Premium: 25% on the first $100,000 (minimum $14), 20% of any amount
between $100,000 and $1,000,000, and 12% of any amount over $1,000,000.
TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Scott Peterson
13256; Bob Merrill 13408; Mike Sadler 16129; Kathleen Guzman 16142; Andrea
Voss 16406; Jacob Walker 16413; Paul Minshull 16591; Chris Dykstra 16601; Edward
Beardsley 16632; Alissa Ford 17104; Jennifer Marsh 17105; Shawn Schiller 17111;
Mark Prendergast 17118; Brian Nalley 17134; Mike Provenzale 17157; Amelia Barber
17364; Nathan Schar 17365; Sarah Davies 17505; Anthony Singleton 17507; Helen
Goblirsch 17508; Caroline Ervin 17509; Marina Medina 17512; Holly Culbreath
17513; Gary Fournerat 17514
Phone: 214-528-3500 • 877-HERITAGE (437-4824)
Fax: 214-409-1425
Direct Client Service Line: 866-835-3243
Email: Bid@HA.com
Preliminary LOT VIEWING (Highlights Only)
Heritage Auctions, Beverly Hills
9478 W. Olympic Blvd. • Beverly Hills, CA 90212
Monday, October 19 – Wednesday, October 21
10:00 AM – 5:00 PM PT
2 E. 79th Street • New York, NY 10075
(Ukrainian Institute of America at the Fletcher-Sinclair Mansion)
Monday, October 26 – Wednesday, October 28
10:00 AM – 5:00 PM ET
LOT VIEWING
Heritage Auctions Design District Annex
1518 Slocum Street • Dallas, TX 75207
Thursday, November 12 – Friday, November 13
10:00 AM – 5:00 PM CT
View lots & auction results online at HA.com/5224
BIDDING METHODS
® 1
Bidding
Bid live on your computer or mobile, anywhere in the
world, during the Auction using our HERITAGELive!®
program at HA.com/Live
Live Floor Bidding
Bid in person during the floor sessions.
Live Telephone Bidding (floor sessions only)
Phone bidding must be arranged on or before Friday,
November 13, by 12:00 PM CT.
Client Service: 866-835-3243
Internet Absentee Bidding
Proxy bidding ends one hour prior to the session start time.
Live Proxy bidding continues through the session.
HA.com/5224
Fax Bidding
Fax bids must be received on or before Friday,
November 13, by 12:00 PM CT. Fax: 214-409-1425
Mail Bidding
Mail bids must be received on or before
Friday, November 13.
Modern & Contemporary Art
Part II: Dallas
November 14, 2015 | Dallas
This Auction is cataloged and presented by Heritage Auctioneers & Galleries, Inc.,
doing business as Heritage Auctions.
HERITAGE is a registered trademark and service mark of Heritage Capital
Corporation, registered in U.S. Patent and Trademark Office.
1
Patent No. 9,064,282

Consignment Directors: Frank Hettig, Holly Sherratt, Leon Benrimon
Cataloged By: Elizabeth Bell
Steve Ivy
CEO
Co-Chairman of the Board
Jim Halperin
Co-Chairman of the Board
Paul Minshull
Chief Operating Officer
Todd Imhof
Executive Vice President
Greg Rohan
President
Worldwide Headquarters
3500 Maple Avenue • Dallas, Texas 75219
Phone 214-528-3500 • 877-HERITAGE (437-4824)
HA.com/Modern
Fine & Decorative Arts Department Specialists
Frank Hettig
Director, Modern &
Contemporary Art
Holly Sherratt
Director, Modern &
Contemporary Art
San Francisco
Leon Benrimon
Director, Modern &
Contemporary Art
New York
Ed Beardsley
Vice President and
Managing Director
Ed Jaster
Senior Vice
President

Session One
Modern & Contemporary Art
Lot 70077

4 To view full descriptions, enlargeable images and bid online, visit HA.com/5224
70001
Pablo Picasso (Spanish, 1881-1973)
Plate K (from Black Face service), 1948
Glazed ceramic plate
9-1/2 inches (24.1 cm) diameter
Ed. 100
Inscribed ‘K,’ with the Madoura Plein Feu and D’après
Picasso stamps on the reverse
LITERATURE:
A. Ramié, 46.
Estimate: $2,000-$3,000
70002
Profil de Taureau, 1956
Glazed ceramic
10 inches (25.4 cm) diameter
Ed. 450
Stamped with ‘Empreinte Originale de Picasso’ and
‘Madoura Plein Feu’ on the reverse
LITERATURE:
A. Ramié, 317.
Estimate: $2,000-$3,000

Session One, Auction #5224 | Saturday, November 14, 2015 | 11:00 AM CT 5
70003
Le Taureau, 1957
Partially glazed terracotta plate
15 inches (38.1 cm) diameter
Ed. 148/250
Numbered and inscribed with ‘Edition Picasso Madoura’ and
stamped with ‘Edition Picasso’ and ‘Madoura Plein Feu’ on
the reverse
LITERATURE:
A. Ramié, 392;
G. Ramié, 529.
NOTE:
This work was reproduced as the poster image for the
Vallauris 10th Biennale Internationale de Céramique d’Art,
1986.
Estimate: $5,000-$7,000
70004
Bull plate
Glazed ceramic plate
6-1/2 inches (16.5 cm) diameter
Inscribed ‘Edition Picasso’ with the Madoura Plein Feu
stamped on the reverse
Estimate: $700-$900

70005
Figure de Proue, 1952
Partially glazed ceramic pitcher
8 x 10 x 4 inches (20.3 x 25.4 x 10.2 cm)
Ed. 154/300
Inscribed with ‘Edition Picasso’ and ‘Madoura’ and
numbered on the underside
LITERATURE:
G. Ramié, 712;
A. Ramié, 244.
Estimate: $4,000-$6,000
70006
La Source, 1954
11-1/4 inches (28.6 cm) high
Ed. 78/100
Inscribed, numbered, and stamped with ‘Edition
Picasso’ and ‘Madoura’ on the underside
LITERATURE:
G. Ramié, 721;
A. Ramié, 225.
Estimate: $6,000-$8,000

70007
Hibou, 1954
Glazed ceramic pitcher
Ed. 500
Inscribed ‘Edition Picasso Madoura,’ with the Madoura Plein Feu
and Edition Picasso stamps on the underside
LITERATURE:
A. Ramié, 253.
Estimate: $3,000-$5,000
70008
Tetes, 1956
Partially glazed earthenware pitcher
5 inches (12.7 cm) high
Ed. 500
Inscribed with ‘Edition Picasso’ on the underside
LITERATURE:
A. Ramié, 367.
Estimate: $4,000-$6,000

70009
Quatre visages, 1959
Glazed and painted earthenware pitcher
9-3/8 inches (23.9 cm)
Ed. 11/300
Inscribed and stamped ‘Edition Picasso’ and ‘Madoura’ on the underside
LITERATURE:
A. Ramié, 436.
Estimate: $5,000-$7,000
70010
Chouette aux taches, 1951
Glazed ceramic vase with enamel
Ed. 300
Inscribed and stamped ‘Edition Picasso’ and ‘Madoura’ on the underside
LITERATURE:
A. Ramié, 120.
Estimate: $4,000-$6,000

70011
Tarasque, 1954
14 x 12 x 8 inches (35.6 x 30.5 x 20.3 cm)
Ed. 28/50
Inscribed with ‘Edition Picasso’ and numbered on the underside
LITERATURE:
G. Ramié, 722;
A. Ramié, 247.
Estimate: $20,000-$30,000

70012
Face, 1969
Ed. 290/500
Incised with ‘9.1.69’ along the base
Stamped ‘Edition Picasso Madoura Plein Feu,’ and incised ‘Edition
Picasso 290/500 Madoura’ on the underside
LITERATURE:
A. Ramié, 611.
Estimate: $5,000-$7,000
70013
Face, 1955
12 inches (30.5 cm) high
Ed. 500
Inscribed ‘Edition Picasso Madoura,’ with the Madoura Plein Feu and
Edition Picasso stamps on the underside
LITERATURE:
A. Ramié, 288.
Estimate: $5,000-$7,000

70014
Visage au nez noir, 1969
Ed. 81/200
Stamped ‘Edition Picasso’ and ‘Madoura Plein Feu,’ and incised ‘Edition Picasso 81/200 Madoura’ on the underside
LITERATURE:
A. Ramié, 609.
Estimate: $25,000-$35,000

70015
Petit visage solaire and Masque rieur (two works), 1968
Terracotta tiles
6-5/8 x 6-5/8 x 3/4 inches (16.8 x 16.8 x 1.9 cm) (each)
Ed. 54/200; Ed. 28/200
Each numbered and inscribed, with the Edition Picasso
and Madoura Plein Feu stamps on the reverse
LITERATURE:
A. Ramié, 551 & 562.
Estimate: $1,200-$1,800
70016
Face
Painted and partially glazed terracotta tile
8-3/8 x 8-3/8 x 1/2 inches (21.3 x 21.3 x 1.3 cm)
Ed. 12/100
Numbered and inscribed ‘J. 126 C’ with ‘Empreinte Originale de
Picasso’ stamped on the reverse
Estimate: $1,500-$2,500

70017
Square with Female Dancer (A. R. 613), Lozange au barbu (A.R. 628), and Square with Dancers B (A.R. 615) (three works), 1971
Terracotta tiles
6 x 6 x 0-1/4 inches (15.2 x 15.2 x 0.6 cm) (each)
Ed. 174/500; 254/500; 204/500
Each numbered and inscribed ‘Madoura,’ with the Poinçon Original de Picasso and Madoura Plein Feu stamps on the reverse
Estimate: $600-$800

70018
Hans Hofmann (American, 1880-1966)
Untitled, 1944
Mixed media on paper
17-5/8 x 23-1/2 inches (44.7 x 59.7 cm)
Signed in ink lower left: Hans Hofmann
Stamped with the artist’s estate stamp and inscribed verso: 825-3
PROVENANCE:
André Emmerich, New York (label verso);
Marisa del Re Gallery, New York;
Private collection, New York, acquired from the above.
Estimate: $18,000-$24,000

70019
Hans Hofmann (American, 1880-1966)
Untitled, 1944
Gouache on paper
23 x 18-1/2 inches (58.4 x 47.0 cm)
Signed in ink lower center: Hans Hofmann
Stamped with the artist’s estate stamp and inscribed verso: M 810-12
PROVENANCE:
André Emmerich Gallery, New York;
Marisa del Re Gallery, New York;
Estimate: $12,000-$18,000

70020
Hans Richter (American, 1888-1976)
Untitled, 1916
Pencil on paper
9 x 6-3/4 inches (22.9 x 17.1 cm) (sheet)
Initialed and dated twice lower right: HR 16
PROVENANCE:
Collection of Bernard and Rebecca Reis, New York;
Collection of Barbara Poe Levee, Los Angeles, California, by descent;
Private collection, Denver, Colorado, by descent.
NOTE:
This work is accompanied by a letter from the artist to Bernard and Rebecca Reis
stating, “To my friends the Reis - Becky & Bernard - as they have nothing from the
Dada period 1916. Here is one authentical! Love, Friedl + Hans Richter / Xmas
N.Y. 54”
Estimate: $1,000-$1,500
70021
Hans Richter (American, 1888-1976)
Untitled, 1968
Pastel on paper
8-1/4 x 5-3/4 inches (21.0 x 14.6 cm)
Initialed and dated lower right: HR 68
Initialed, dated, and inscribed in blue ink verso (crossed out): For Bethna Filipinelli
/ Hans Richter 68
PROVENANCE:
Estimate: $1,000-$1,500

70022
Jacques Lipchitz (French, 1891-1973)
Melancholy, 1928-1930
Bronze with brown patina (unique)
11-1/2 x 8-3/4 x 6-1/2 inches (29.2 x 22.2 x 16.5 cm)
Signed on base: J Lipchitz
Stamped with foundry mark ‘C. Valsuani’ on base
PROVENANCE:
EXHIBITED:
Marlborough-Gerson Gallery, New York, Lipchitz: The Cubist Period, 1913-1930, March-April 1968.
LITERATURE:
Lipchitz: The Cubist Period, 1913-1930, Marlborough-Gerson Gallery, New York, 1968, cat. no. 59, illus.;
A.M. Hammacher, Jacques Lipchitz, Harry N. Abrams, Inc., New York, 1975, cat. no. 95, illus.;
A. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonne, Volume One: The Paris Years, 1910-1940,
Thames & Hudson, Inc., London, 1996, p. 86 and p. 197, cat. no. 243, illus.
Estimate: $80,000-$100,000

70023
Francisco Zúñiga (Mexican, 1912-1998)
Two Figures, 1971
Conté crayon on paper
66-1/2 x 35 inches (168.9 x 88.9 cm) (sight)
Signed and dated lower left: Zúñiga / 1971
PROPERTY FROM THE ESTATE OF ROD MCKUEN
NOTE:
We want to thank Mr. Ariel Zúñiga who confirmed the authenticity of this lot.
This work will be included in the forthcoming catalogue raisonné V of Francisco
Zúñiga’s drawings.
Estimate: $8,000-$12,000

70024
Ricardo Roque Carpani (Argentinian, 1930-1997)
Untitled, 1966
Oil on canvas
51 x 38 inches (129.5 x 96.5 cm)
Signed and dated lower right: Carpani / 66
PROVENANCE:
Private Latin American Art collection, Pennsylvania;
Acquired by the present owners from the estate of the above, 2005.
Estimate: $12,000-$18,000

70025
Diego Rivera (Mexican, 1886-1957)
Velorio, 1928
Watercolor on rice paper
15-1/4 x 11 inches (38.7 x 27.9 cm)
Signed and dated lower left: Diego Rivera 1928
PROVENANCE:
Frida Kahlo, Mexico;
Hans Teichert, Chicago, Illinois;
Milton Holland Appraisers, Los Angeles, California;
Private collection, acquired from the above;
By descent to the present owner.
LITERATURE:
S. Ramos, Diego Rivera Acuarelas, 1935-1945: Colección Frieda Kahlo, Mexico City, 1948, pl. 19, np, illus.;
Diego Rivera: 50 años de su labor artística, Exposición de Homenaje Nacional, Mexico City, 1951, Instituto Nacional de Bellas
Artes, Museo Nacional de Artes Plásticas, pl. 1, p. 136, illus.
Estimate: $40,000-$60,000

70026
Mario Carreño (Cuban, 1913-1999)
Untitled, 1943
Crayon on paper
8-1/2 x 11-1/2 inches (21.6 x 29.2 cm) (sight)
Signed and dated upper right: Carreño - 43
Inscribed verso: To Mary - my good friend / Mario Carreño 43
Estimate: $7,000-$9,000

70027
Alexander Calder (American, 1898-1976)
Baseball, 1966
Gouache on Arches paper
29-1/2 x 42-1/2 inches (74.9 x 108.0 cm)
Signed and dated lower right: Calder 66
PROVENANCE:
Galerie Maeght, Paris, France;
Joel Boggart Gallery, New York, 1978;
Private collection, Michigan;
Marscha Goodkin Gallery, Chatsworth, California;
Private collection, Roscoe, Illinois, circa 1990;
A.B. Levy’s Fine Art, Palm Beach, Florida, October 26, 2014, lot 300;
Private collection, Miami Beach, Florida, 2014.
EXHIBITED:
Fondation Maeght, St. Paul de Vence, “Calder,” April 2-May 31, 1969, no. 244;
[The above exhibition also traveled to] Louisiana Museum of Modern Art, Humlebaeq, Denmark, June 29-September 7, 1969, no. 203, and Stedelijk
Museum, Amsterdam, Holland, October 4-November 16, 1969, no. 178;
Haus der Kunst, Munich, Germany, “Calder,” May 10-July 13, 1975, no. 145;
[The above exhibition also traveled to] Kunsthaus Zürich, Zürich, Germany, August 23-November 2, 1975, no. 145..
LITERATURE:
Fondation Maeght, Calder, St. Paul de Vence, 1969, exhibition catalogue, p. 188, no. 244, illustrated in black and white;
Archives Maeght, Calder, l’artiste et l’oeuvre, Paris, 1971, p. 118, illustrated in black and white.
NOTE:
This work is registered in the archives of the Calder Foundation, New York, under no. A00822.
Estimate: $30,000-$40,000

70028
Moshe Elazar Castel (Israeli, 1909-1992)
Hallelujah
Oil on canvas
19-3/4 x 25-3/4 inches (50.2 x 65.4 cm)
Signed lower left: Castel
Estimate: $6,000-$8,000

70029
Lea Nikel (Israeli, 1918-2005)
Color Interlude, 1961
Oil on canvas
21-1/2 x 15 inches (54.6 x 38.1 cm)
Signed and dated lower right: Lea Nikel 61
Estimate: $8,000-$12,000

70030
Michael Ayrton (British, 1921-1975)
The Minotaur
Bronze with brown patina
11 x 8-1/4 x 11 inches (27.9 x 21.0 x 27.9 cm)
Ed. 10/12
Signed and numbered along the base
PROPERTY FROM THE ESTATE OF ROD MCKUEN
Estimate: $10,000-$15,000

70031
Jacques Lipchitz (French, 1891-1973)
Study for Return of the Child, 1941
Bronze
11-3/4 x 5 x 4-1/2 inches (29.8 x 12.7 x 11.4 cm)
Ed. 5/7
Signed and numbered with thumbprint impression on the base
Foundry mark ‘Modern Art Fdry N.Y.’ stamped along the base
PROVENANCE:
LITERATURE:
H.H. Aranson, Jacques Lipchitz, Sketches in Bronze, New York, 1969, p. 159, no. 125 (another cast
illustrated);
A.G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonné, The American Years 1941-
1973, New York, 2000, vol. 2, p. 26, no. 346 (another cast illustrated).
Estimate: $10,000-$15,000

70032
André Marfaing (French, 1925-1987)
Composition, June 10, 1960
Oil on canvas
51-1/2 x 51-1/2 inches (130.8 x 130.8 cm)
Signed and dated lower right: Marfaing 60
Dated verso: Juin 60 / 10
PROVENANCE:
Galerie Claude Bernard, Paris (label verso);
Collection of Mr. and Mrs. John Leavell, Dallas, acquired through Larry Aldrich from the above, 1961.
Estimate: $8,000-$12,000

70033
Toshimatsu Imai (Japanese, 1928-2002)
Untitled (Eclissi), 1962
Oil on canvas laid on board
14-1/2 x 22-1/2 inches (36.8 x 57.2 cm)
Signed, titled, and dated on the reverse: Toshimatsu Imai / “Eclissi” / Sept. 1962 / Imai Paris / 1962
PROVENANCE:
Jane SoRelle, Rome, Italy;
Private collection, USA
NOTE:
This lot is accompanied by photographs of Jane SoRelle with the artist.
Estimate: $20,000-$30,000

70034
Willem de Kooning (American, 1904-1997)
Untitled #10, 1969
8-1/2 x 2-1/4 x 1-1/2 inches (21.6 x 5.7 x 3.8 cm)
Ed. 3/6
Incised with initals and numbered on the reverse: W de K. 3/6
PROVENANCE:
Estate of the artist, New York;
Matthew Marks Gallery, New York.
EXHIBITED:
Sidney Janis Gallery, New York, “An Exhibition by de Kooning Introducing His Sculpture and New Paintings,” October-
November 1972;
Minneapolis, Walker Art Center; Ottawa, National Gallery of Canada; Washington, D.C., The Phillips Collection; Buffalo,
Albright-Knox Gallery; Houston, The Museum of Fine Arts; St. Louis, Washington University Gallery of Art, “de Kooning:
Drawings/Sculpture,” March 1974-June 1975;
Edinburgh, Fruit Market Gallery; London, Serpentine Gallery, “The Sculptures of de Kooning with Related Paintings,
Drawings & Lithographs,” October 1977-January 1978;
Museum of Art, Carnegie Institute, Pittsburgh, “Willem de Kooning/Pittsburgh International Series,” October-January 1980;
Xavier Fourcade, Inc., New York, “Willem de Kooning: The Complete Sculpture, 1969-1981,” May-June 1983;
Josef-Haubrich-Kunsthalle, Cologne, “Willem de Kooning: Skulpturen,” Sepcember-October 1983;
New York, Whitney Museum of American Art; Berlin, Akademie der Künste; Paris, Musee National d’Art Moderne, Centres
de Georges Pompidou, “Willem de Kooning: Drawings, Paintings, Sculpture,” December 1983-September 1984;
Das Mönchehaus Museum, Goslar, “Exhibition on the occasion of the presentation of Kaiserring to Willem de Kooning,”
September-October 1984;
Matthew Marks Gallery, New York, “Willem de Kooning Sculpture,” May-June 1996.
LITERATURE:
Sidney Janis Gallery, An Exhibition by de Kooning Introducing His Sculpture and New Paintings, New York, 1972, n.p., no. 39
(another cast illustrated);
Minneapolis, Walker Art Center; Ottawa, National Gallery of Canada; Washington, D.C., The Phillips Collection; Buffalo,
Albright-Knox Gallery; Houston, The Museum of Fine Arts; St. Louis, Washington University Gallery of Art, de Kooning:
Drawings/Sculpture, 1975, n.p., no. 136 (another cast illustrated);
Edinburgh, Fruit Market Gallery; London, Serpentine Gallery, The Sculptures of de Kooning with Related Paintings, Drawings
& Lithographs, 1978, n.p., no. 10 (another cast illustrated);
Museum of Art, Carnegie Institute, Willem de Kooning/Pittsburgh International Series, Pittsburgh, 1980;
Xavier Fourcade, Inc., Willem de Kooning: The Complete Sculpture, 1969-1981, New York, 1983;
Josef-Haubrich-Kunsthalle, Willem de Kooning: Skulpturen, Cologne, 1983, pp. 52-53 and 122, no. 10 (another cast
illustrated);
New York, Whitney Museum of American Art; Berlin, Akademie der Künste; Paris, Musee National d’Art Moderne, Centres
de Georges Pompidou, Willem de Kooning: Drawings, Paintings, Sculpture, December 1983-September 1984, p. 252, no.
266 (another cast illustrated);
Das Mönchehaus Museum, Exhibition on the occasion of the presentation of Kaiserring to Willem de Kooning, Goslar, 1984;
Matthew Marks Gallery, Willem de Kooning Sculpture, New York, 1996, p. 54, no. 10 (another cast illustrated).
Estimate: $40,000-$60,000

70035
Conrad Marca-Relli (American, 1913-2000)
Sleeping Figure (J-L-16-66), 1966
Oil, charcoal, and canvas collage on canvas
53 x 60 inches (134.6 x 152.4 cm)
Signed, titled, and dated verso: “Sleeping Figure” / Marca-Relli / J-L-16-66
PROVENANCE:
Marisa del Re Gallery, New York (label verso);
Private collection, New York.
NOTE:
This work is registered with the Archivo Marca-Relli, Parma, as archive number
MARE-6142 / © Archivio Marca-Relli, Parma.
Estimate: $60,000-$80,000

70036
Pietro Consagra (Italian, 1920-2005)
Biglietto and Studies for Sculpture (two works), 1961
Bronze with gold patina; ink on paper
15-1/4 inches (38.7 cm) high on a 1-3/4 inches
(4.4 cm) wooden base
13-5/8 x 19-3/4 inches (34.6 x 50.1 cm) (sheet)
Inscribed lower right: Consagra 61
Signed and dated lower right: Consagra 56
PROVENANCE:
James Goodman Gallery, Buffalo, New York
(on label verso of drawing).
Estimate: $10,000-$15,000

70037
Sam Gilliam (American, b. 1933)
Untitled (double-sided work), 1968
Mixed media on handmade wove paper
17-1/2 x 23 inches (44.5 x 58.4 cm)
Signed and dated recto and verso lower right: Sam Gilliam 68
Estimate: $3,000-$5,000

70038
Sam Gilliam (American, b. 1933)
Butterfly Days (from the Butterfly series)
Mixed media collage
52 x 48 inches (132.1 x 121.9 cm)
Signed, titled, and inscribed on the reverse: Butterfly Days # / 119 x 52 Sam Gilliam
PROVENANCE:
William Weege, assistant to the artist;
Private collection, acquired from the above, circa 1980s.
Estimate: $8,000-$12,000

70039
Paul Jenkins (American, 1923-2012)
Phenomena House of Prince, 1979
Acrylic on canvas
29-3/4 x 24-3/4 inches (75.6 x 62.9 cm)
Signed lower left: Paul Jenkins
Signed, titled, and dated on the reverse:
Paul Jenkins ‘Phenomena House of Prince’ 1979
PROVENANCE:
Gimpel & Weitzenhoffer Ltd, New York (label verso);
Private collection, acquired from the above.
Estimate: $8,000-$12,000

70040
Untitled
Watercolor on paper
43 x 31 inches (109.2 x 78.7 cm)
Signed lower right: Paul Jenkins
PROVENANCE:
Estimate: $5,000-$7,000

70041
Phenomena Spiral Cauldron, 1979
Oil on canvas
35 x 88 inches (88.9 x 223.5 cm)
Signed lower center: Paul Jenkins
Signed, titled, and dated in ink on stretcher: Paul Jenkins “Phenomena Spiral Cauldron” 1979
PROVENANCE:
Carone Gallery, Fort Lauderdale, Florida;
Private collection, Florida, acquired from the above, 1980.
Estimate: $40,000-$60,000

70042
Thomas Albert Sills (American, 1914-2000)
Color Study
Oil on canvas
44 x 48-1/2 inches (111.8 x 123.2 cm)
Signed lower right: T. Sills
PROVENANCE:
Dord Fitz Gallery and School, Amarillo, Texas;
Private collection, Dallas, Texas, acquired from
the above, 1965.
Estimate: $3,000-$5,000

70043
Larry Poons (American, b. 1937)
Abstract, 1990
Acrylic and mixed media on canvas
26-1/4 x 57 inches (66.7 x 144.8 cm)
Signed, dated, and inscribed verso: Larry Poons / 1990 / 90A-4
Estimate: $10,000-$15,000

70044
Ilya Bolotowsky (American, 1907-1981)
Small Pale Blue Tondo, 1981
Oil on canvas
23-1/2 inches (59.7 cm) (diameter)
Signed and dated lower right: Ilya Bolotowsky / 81
Titled, dated, and inscribed verso
PROVENANCE:
Private collection, New York, acquired directly from the artist.
Estimate: $10,000-$15,000

70045
Leon Polk Smith (American, 1906-1996)
Correspondence - Black-White (Twin Peaks), 1964
Oil on canvas
58-3/4 inches (149.2 cm) (diameter)
Signed, titled, dated, and inscribed verso: Leon Polk Smith / Correspondence - Black-White / S 58-3/4” diameter 1964 / S 7C
PROVENANCE:
Dord Fitz Gallery and School, Amarillo, Texas;
Private collection, Dallas, Texas, acquired from the above, 1965.
Estimate: $15,000-$20,000

70046
Giò Pomodoro (Italian, 1930-2002)
Moon, 1964
Bronze with gold patina
9-1/4 x 9-1/2 x 2-1/2 inches (23.5 x 24.1 x 6.4 cm) on a 1 inch (2.54 cm) high base
Ed. 5/6
Incised with initials, date, and number on the base
PROVENANCE:
Estimate: $15,000-$20,000

70047
Arnaldo Pomodoro (Italian, b. 1926)
Foglio IV, 1986
Bronze with gold patina
12-3/4 x 8-1/4 inches (32.4 x 21 cm)
Ed. 9
Signed and numbered indistinctly on the base
PROVENANCE:
Marisa del Re Gallery New York;
LITERATURE:
Flaminio Gualdoni, Arnaldo Pomodoro. Catalogo ragionato della scultura, tomo II, Skira Editore,
Ginevra, Milano, 2007, p. 684, no. 798.
Estimate: $12,000-$18,000

70048
Charles B. Hinman (American, b. 1932)
Red Lean-In, 1968
Acrylic on shaped canvas, in two parts
37-1/2 x 58 x 11 inches (95.3 x 147.3 x 27.9 cm)
Signed, titled, and dated verso: “Red Lean-In” / Hinman 68
PROVENANCE:
Richard Feigen Gallery, New York (label verso).
Estimate: $8,000-$12,000

70049
Harry Bertoia (Italian/American, 1915-1978)
Untitled (Sonambient), circa 1970s
Beryllium copper and brass
PROVENANCE:
Private collection, Dallas, Texas.
NOTE:
We want to thank Mr. Val Bertoia to confirm
the authenticity of this lot.
Estimate: $20,000-$30,000

70050
Jesús Rafael Soto (Venezuelan, 1923-2005)
Vibrations metalliques, 1969
Painted metal with metal rod with nylon string
10-5/8 x 11-5/8 x 5 inches (26.9 x 29.5 x 12.7 cm)
Ed. 37/250
Signed on label verso
Published by Editions Denise René, Paris
LITERATURE:
Palacio de Velázquez del Parque del Retiro, Soto, Madrid, 1982, no. M 10 (another example illustrated).
Estimate: $10,000-$15,000

70051
Jesús Rafael Soto (Venezuelan, 1923-2005)
Multiple V (from the Jai-Alai series), 1969
Wood with four square metal sections
19 x 8-1/2 x 6 inches (48.3 x 21.6 x 15.2 cm)
Ed. 64/300
Signed and numbered on the base
Estimate: $10,000-$15,000

70052
Victor Vasarely (French, 1906-1997)
Xanor, 1979
Acrylic on canvas
29 x 29 inches (73.7 x 73.7 cm)
Signed in pencil lower center: Vasarely
Signed, titled, dated, and inscribed verso: 3.045 Vasarely /
“Xanor” / 73 x 73 / 1979 / Vasarely
NOTE:
The authenticity of the present work has been confirmed by
Pierre Vasarely. It will be included in the forthcoming catalogue
raisonné de l’oeuvre peint de Victor Vasarely, which is currently
being compiled by the Fondation Vasarely, Aix-en-Provence.
Estimate: $50,000-$70,000

70053
Attributed to Victor Vasarely (French, 1906-1997)
Sans Titre, circa 1985
Acrylic on board
PROVENANCE:
Dyansen Gallery, New York (label verso).
NOTE:
According to Pierre Vasarely, this work was painted for an edition of serigraphs that his grandfather
created circa 1985. We would like to thank Mr. Vasarely for assisting with the catalog.
Estimate: $8,000-$12,000

70054
Victor Vasarely (French, 1906-1997)
Sans Titre, 1984
Acrylic on board
24-1/2 x 19-1/2 inches (62.2 x 49.5 cm) (image)
27-3/4 x 22 inches (67.9 x 55.8 cm) (sheet)
Signed lower right: Vasarely
PROVENANCE:
Dyansen Gallery, New York (label verso).
NOTE:
The authenticity of the present work has been confirmed by Pierre Vasarely, who explained that his grandfather
painted it for the 1984 serigraph Sarajevo. The work will be included in the forthcoming catalogue raisonné de
l’oeuvre peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en-Provence. We
would like to thank Mr. Vasarely for assisting with the catalog.
Estimate: $8,000-$12,000

70055
Salvador Dalí (Spanish, 1904-1989)
Untitled (Sea Horse)
Pencil on board
17 x 14 inches (43.2 x 35.6 cm) (sheet)
Signed center right: Dali
NOTE:
We are grateful to Mr. Bruce Hochman of the Salvador Dali Gallery,
San Juan Capistrano to confirm the authenticity of this lot. This lot is
accompanied by a letter signed by Alfred Field from The Salvador Dali
Archives, dated June 25, 1996.
Estimate: $8,000-$12,000

70056
François-Xavier Lalanne (French, 1927-2008)
Carpe d’Or, 1987
Resin with gold leaf
11-3/4 x 21-5/8 x 4-5/8 inches (30.0 x 54.9 x 11.7 cm)
Ed. 35/250
Underside embossed with: ARTCURIAL/LALANNE/FXL and incised 35/250
Published by Artcurial, Paris
Estimate: $25,000-$30,000

70057
Wayne Thiebaud (American, b. 1920)
Figures in a Valley Landscape
Gouache on board
Signed in pencil lower right: Thiebaud
PROVENANCE:
Taylor’s Art Center, Sacramento, California (label verso);
Private collection, Los Angeles, California.
Estimate: $8,000-$12,000

70058
Larry Rivers (American, 1925-2002)
Untitled, circa 1950
Watercolor and pencil on paper
22-1/2 x 30-1/2 inches (57.2 x 77.5 cm)
Signed in pencil lower right: Rivers
PROVENANCE:
Camillos Kouros Gallery, New York (label verso);
Estimate: $8,000-$12,000

70059
William Theophilus Brown (American, 1919-2012)
Untitled (Seated Woman), 1982
Pencil on paper
29 x 23 inches (73.7 x 58.4 cm)
Signed and dated lower left: Jan 8.82 Theophilus Brown
PROVENANCE:
Collection of Barbara Poe Levee, Los Angeles, California;
Estimate: $2,000-$3,000
70060
Untitled, 1963
Charcoal and ink wash on paper
14 x 17 inches (35.6 x 43.2 cm)
Signed, dated, and inscribed lower right: For Barbara /
Wm Theo Brown 63
PROVENANCE:
Estimate: $2,000-$3,000

70061
Untitled (Dog in the Moonlight), 1974
Gouache and pencil on paper
11 x 14-7/8 inches (27.9 x 37.8 cm)
Signed and dated lower right: Wm Theo Brown 74
PROVENANCE:
Estimate: $2,000-$3,000

70062
Paul Wonner (American, 1920-2008)
Flower in Cup, 1967
Watercolor and gouache on paper
Signed lower right: Paul Wonner
Titled verso: N.Y. Flower in Cup
PROVENANCE:
Felix Landau Gallery, Los Angeles, California;
EXHIBITED:
San Francisco Museum of Modern Art, San Francisco, California, n.d. (label verso).
Estimate: $4,000-$6,000

70063
Paul Wonner (American, 1920-2008)
Lantana, 1967
Watercolor on paper
17 x 14-7/8 inches (43.2 x 37.8 cm)
Signed lower right: Paul Wonner
PROVENANCE:
Felix Landau Gallery, Los Angeles, California (label verso);
Estimate: $4,000-$6,000

70064
Roland Petersen (American, b. 1926)
Summer Picnic, 2010
Oil on canvas
43-1/2 x 69 inches (110.5 x 175.3 cm)
Signed and dated center left: Roland Petersen 2010
Estimate: $30,000-$50,000

70065
Roland Petersen (American, b. 1926)
The Rockaway Picnic, 2011
Oil on canvas
40 x 30 inches (101.6 x 76.2 cm)
Signed and dated lower right: Roland Petersen 2011
Signed, titled, and dated in pencil on the overlap: The Rockaway Picnic Roland Petersen 2011
Estimate: $15,000-$25,000

70066
Andy Warhol (American, 1928-1987)
Campbell’s Soup Box (Chicken Rice), 1986
Acrylic and silkscreen ink on canvas
14 x 14 inches (35.6 x 35.6 cm)
Signed and dated on the overlap: Andy Warhol 86
PROVENANCE:
Martin Lawrence Galleries;
Acquired by the present owner from the above.
LITERATURE:
Michael Kohn Gallery, Los Angeles, California, Warhol: Campbell’s Soup Boxes,
December 1986-January 1987, cat. no. 148, p. 31, illustrated in color.
Estimate: $150,000-$200,000

70067
Standing Male Figure, circa 1955
Ink on paper
Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps
and numbered ‘266.003’ in pencil on the reverse
PROVENANCE:
Susan Sheehan Gallery, New York (label verso);
Acquired from the above by the present owner.
Estimate: $8,000-$12,000

70068
Female Figure, circa 1955
Ink on paper
Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘246.016’ in
pencil on the reverse
PROVENANCE:
Estimate: $12,000-$18,000

70069
Man with Toy, circa 1955
Ink on paper
Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc.,
stamps and numbered ‘246.008’ in pencil on the reverse
PROVENANCE:
Estimate: $10,000-$15,000

70070
Two Girls, Full Figure, circa 1957
Ink and aniline dye on paper
Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘301.008’ in
pencil on the reverse
PROVENANCE:
Robert Miller Gallery, New York (label verso);
Paul Kasmin Gallery, New York (label verso);
Estimate: $10,000-$15,000

70071
Woman, 1950s
Blotting ink on paper
10-7/8 x 8-1/4 inches (27.6 x 21.1 cm)
Stamped with the Estate of Andy Warhol and the
Andy Warhol Foundation for the Visual Arts, Inc.,
stamps and numbered ‘PM08.009’ in pencil on the reverse
PROVENANCE:
Susan Sheehan Gallery, New York.
Estimate: $8,000-$12,000

70072
Seasons Greetings, 1957
Ink, gouache, and tempera on paper
Signed in ink lower right: Andy Warhol
Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps
and numbered ‘324.031’ in pencil on the reverse
PROVENANCE:
Estimate: $12,000-$18,000

70073
Mr. & Mrs. Dean, circa 1974
Pencil on paper
41 x 28-1/8 inches (104.1 x 71.4 cm)
Numbered ‘113.001’ in pencil on the reverse
Estimate: $18,000-$24,000

70074
Claes Oldenburg (American, b. 1929)
Study for a Sculpture in the Form of a Porte-Monnaie, 1996
Crayon, watercolor, and pencil on paper
Titled in black crayon lower right: Porte Monnaie
PROVENANCE:
The artist;
Estimate: $15,000-$20,000

70075
Jenny Holzer (American, b. 1950)
Under a Rock
Three-color LED sign
4 x 5 x 1-1/2 inches (10.2 x 12.7 x 3.8 cm)
Estimate: $1,500-$2,000
70076
Edward Kienholz (American, 1927-1994)
For $105.00, 1969
Watercolor and ink stamp on paper
11-1/2 x 15-1/2 inches (29.2 x 39.4 cm)
Signed and dated with artist’s thumbprint
lower right: Kienholz 69
PROVENANCE:
Eugenia Butler, Los Angeles, California (label
verso)
Private collection, Los Angeles, California.
EXHIBITED:
Whitney Museum of American Art, New
York, “Kienholz: A Retrospective,” February
29-June 2, 1996.
LITERATURE:
W. Hopps, Whitney Museum of American
Art, Kienholz: A Retrospective, New York,
1996, p. 141 (other examples illustrated).
Estimate: $4,000-$6,000

70077
Michelangelo Pistoletto (Italian, b. 1933)
Frattali, 1999/2000
Acrylic on shaped mirror
22-1/4 x 29-5/8 inches (56.5 x 75.2 cm)
Signed, titled, and dated in white paint pen verso: Pistoletto 1999/2000 / < Frattali >
NOTE:
This lot is unique and accompanied by a photographic certificate of authenticity signed by the artist and stamped by the Associazione Culturale Arte
Nova, Pescara.
Estimate: $4,000-$6,000

70078
Robert Indiana (American, b. 1928)
Italian Love, circa 1995
Chrome-dyed, hand-carved tufted archival New Zealand wool on stretched canvas with natural latex backing
120 x 120 inches (304.8 x 304.8 cm)
Ed. 4/75
Signed and numbered in ink on label verso
Published by Master Contemporary Original Artists Rugs, New York
Estimate: $7,000-$9,000

70079
Ed Ruscha (American, b. 1937)
“S” (on Fodor’s Spain - 1971 Edition), 2001
Bleach on book cover
7-1/4 x 4-7/8 x 1-1/2 inches (18.4 x 12.4 x 3.8 cm)
Titled, dated, and inscribed on the artist’s studio label verso
PROVENANCE:
Hamilton-Selway Fine Art, Los Angeles, California;
Private collection, Beverly Hills, California.
Estimate: $12,000-$18,000

70080
Hannah Wilke (American, 1940-1993)
Untitled, 1979
Gum mounted on museum board in acrylic case
2-5/8 x 2-5/8 x 1-1/8 inches (6.7 x 6.7 x 2.9 cm)
Signed and dated in pencil right lower corner: Wilke 79
PROVENANCE:
Kim Light, Los Angeles, California;
Thomas Solomon, Los Angeles, California.
Estimate: $5,000-$7,000

70081
Hannah Wilke (American, 1940-1993)
Marxism & Art, 1977
Poster on heavy stock
10 x 8 inches (25.4 x 20.3 cm)
Ed. 15/25
Signed, dated, and numbered in ink in lower margin
PROVENANCE:
Hannah Wilke Collection & Archive, Los Angeles, California (label verso);
Alison Jacques Gallery, London (label verso);
Estimate: $4,000-$6,000

70082
John Chamberlain (American, 1927-2011)
Untitled (from the Foil series), circa 1972
Aluminum foil with acrylic lacquer and polyester resin
5 x 4-1/4 x 5-1/4 inches (12.7 x 10.8 x 13.3 cm)
PROVENANCE:
Stanley Marsh 3, Amarillo, Texas;
Private collection, Austin, Texas.
Estimate: $30,000-$50,000

70083
After Keith Haring (American, 1958-1990)
Keith Haring Sesame Street Breakdancers Animation Cels (three works),
1987
Marker on overhead sheet
10-1/2 x 12 inches (26.7 x 30.5 cm) (each)
Estimate: $1,500-$2,000

70084
Keith Haring (American, 1958-1990)
Study for Dusseldorf Sculptures, 1987
Pencil and felt-tip pen on paper
22 x 29-7/8 inches (55.9 x 75.9 cm)
Signed, titled, dated, and inscribed along lower edge: MARCH 20 1987 KO STUDIO K. Haring DUSSELDORF SCULPTURES
PROVENANCE:
Galerie Jerome de Noirmont, Paris;
Private collection, acquired from the above, 1999;
Bonhams, New York; Contemporary Art, Nov. 12, 2013, lot 125;
EXHIBITED:
Galerie Jerome de Noirmont, Paris, “Keith Haring, 12 Sculptures,” June 4 - July 23, 1999 (illustrated p. 25).
Estimate: $50,000-$70,000

70085
Arman (French/American, 1928-2005)
Hot Wheels (Car Accumulation), 1985
Toy car and and poly-resin multiple
8-3/4 x 12-1/4 x 3 inches (22.2 x 31.0 x 7.6 cm)
Published by The Friends of the Detroit Institute of Arts
PROVENANCE:
Marisa del Re Gallery, new York;
Estimate: $8,000-$12,000

70086
John Baldessari (American, b. 1931)
Jacob’s Ladder: Love (Yellow, Red, Blue and Black and
White); War (Orange, Violet, Green and Black and White),
2004
Multiple with movable parts printed on both sides of six
aluminum panels, contained in anodized aluminum frame
and base with electric motor and gear system
29 x 11-7/8 x 7-1/8 inches (73.7 x 30.2 x 18.1 cm)
Ed. 36/50
Incised with signature, date, and stamp numbered on the
back of the base, with the ‘Edition No. 29’ on the underside
Published by Deutsche Guggenheim, Berlin
LITERATURE:
Sharon Coplan Hurowitz, 136.
Estimate: $10,000-$15,000

70087
Damien Hirst (British, b. 1965)
Skull Spin Painting
Acrylic on paper
13 x 13 inches (33.0 x 33.0 cm)
Signed in ink and studio stamped verso
PROVENANCE:
Private collection, Texas.
Estimate: $3,000-$5,000

70088
Gun Spin Painting
Acrylic on paper
13 x 18 inches (33.0 x 45.7 cm)
Signed in ink and studio stamped verso
PROVENANCE:
Private collection, Texas.
Estimate: $3,000-$5,000

70089
Richard Prince (American, b. 1949)
Set of Ten Celebrity Portraits, 1999
Ink on photographs
10-5/8 x 9-7/8 inches (27.0 x 25.1 cm)
Ed. 5/26
Each signed: Richard Prince
Published by Sadie Coles HQ, London
NOTE:
The complete set of ten photographs (seven in colors), on Fujichrome Professional paper, with full margins, signed and lettered in black
ink on the colophon (the edition was 26 lettered A-Z and 4 artist’s proofs), published by Sadie Coles HQ, London. Accompanied by the
original red fabric covered book with artist’s name and title embossed on the front in gold and snap closure.
Estimate: $10,000-$15,000

70090
Russell Young (British, b. 1960)
Marilyn Suicide (nude + black), 2013
Acrylic, silkscreen, and diamond dust on canvas
36 x 28 inches (91.4 x 71.1 cm)
Signed, titled, and dated verso: Russell Young / 2013 / Marilyn Suicide / nude + black
PROVENANCE:
Estimate: $12,000-$18,000

70091
Ronnie Cutrone (American, 1948-2013)
Woody Woodpecker, 1989
Mixed media on black paper
39 x 29 inches (99.1 x 73.7 cm)
Signed and dated along lower edge: Ronnie Cutrone 89
PROVENANCE:
Private collection, California.
Estimate: $3,000-$5,000
70092
Ronnie Cutrone (American, 1948-2013)
Lifesavers, 1990
Watercolor and graphite on paper
Signed and dated in graphite in lower margin: Ronnie Cutrone 1990
PROVENANCE:
Martin Lawrence Galleries (label verso);
Private collection, California.
Estimate: $2,000-$30,001

70093
David Salle (American, b. 1952)
Sugar Bowl with Carved Bird, 1988
Oil and acrylic on canvas, on two panels
41 x 56 inches (104.1 x 142.2 cm)
PROVENANCE:
Mary Boone Gallery, New York (label verso).
Estimate: $30,000-$50,000

70094
Martin Kippenberger (German, 1953-1997)
Untitled (Don’t Wake Daddy), 1995
Crayon on hotel stationery
10-1/2 x 7-1/4 inches (26.7 x 18.4 cm)
Initialed and dated lower right: M.K. 95
PROVENANCE:
Metro Pictures, New York (label verso).
Estimate: $15,000-$25,000

70095
Martin Kippenberger (German, 1953-1997)
Untitled (Four Portraits), 1990
Oil crayon and pastel on hotel stationery
11-5/8 x 8-1/4 inches (29.5 x 21 cm)
Initialed and dated lower right: M.K. 90
PROVENANCE:
Works on Paper, Inc., Los Angeles, California (label verso);
London Projects, London (label verso).
Estimate: $15,000-$25,000

70096
Sam Francis (American, 1923-1994)
Untitled, 1984
Acrylic on canvas
12-1/2 x 10-3/4 inches (31.8 x 27.3 cm)
Signed and inscribed verso: For Ed / love from Sam / Sam Francis
PROVENANCE:
Edwin Janss, Jr., California;
Dagny Janss Corcoran, California;
Butterfield & Butterfield, San Francisco, California, October 23, 1997, lot 5374 [Sold to benefit the Alliance for the Arts Plaza, Thousand
Oaks, California];
Private collection, Los Angeles, California, acquired from the above.
NOTE:
This work is included in the Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings, published by the University of California
Berkeley Press (UC Press: 2011) under the No. SFF.1104 and is also registered in the archives of the Sam Francis Foundation with the No.
SFP84-309. This information is subject to change as scholarship continues by the Sam Francis Foundation.
Estimate: $5,000-$7,000

70097
Untitled, 1969
Acrylic on paper
29-3/4 x 22 inches (75.6 x 55.9 cm)
Signed, dated, and inscribed in litho pencil on verso: Sam Francis 1969 P.M.
Stamped with the Sam Francis Estate logo stamp on verso
Also inscribed (by studio assistant) with Litho Shop identification and inventory numbers in pencil on verso: S2-32AA SF69-1008
PROVENANCE:
Estate of the artist, California, 1994;
Greenberg Van Doren Gallery, St. Louis, Missouri, November 2002;
Ikon, Ltd., Santa Monica, California;
Phillips de Pury & Company, New York, May 12, 2006, lot 133;
Private collection, New York;
Casa d’Aste Meeting Art S.p.A., Italy, June 26, 2010, lot 841;
Gio Arte s.r.l., Mestre, Italy;
Aste Boetto, Genoa, Italy, April 12, 2011, lot 1298;
Private collection, Italy;
Dorotheum, Vienna, Austria, May 16, 2013, lot 1642;
Private collection, Miami Beach, Florida, acquired from the above.
EXHIBITED:
Lawrence Rubin Greenberg Van Doren Fine Art, New York, “Sam Francis: Works from the Early 1960s,” October 4-November 3, 2000.
NOTE:
This work is identified with the interim identification number of SF69-1008 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of
Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.
Estimate: $40,000-$60,000

70098
Tony Cragg (British, b. 1949)
Outlook, 2008
22 x 21-1/2 inches (55.9 x 54.6 cm)
EA (aside from an edition of 6)
Signed and inscribed with the ‘Schmake Dusseldorf’ foundry stamp on the base
PROVENANCE:
Studio of the artist;
Private collection, Germany.
Estimate: $80,000-$120,000

70099
Untitled, 1976
Acrylic on paper
22-1/2 x 30 inches (57.2 x 76.2 cm)
Stamped with the Sam Francis Estate logo and facsimile signature
stamps on verso
Also inscribed (by studio assistant) in pencil with dimensions and
inventory numbers on verso: SF76-523 S1-39-0 25 5/16 x 30 1/8” LA
SF76-523
PROVENANCE:
Estate of the artist, California, 1994;
Manny Silverman Gallery, Los Angeles, California, October 1997;
Martin Lawrence Galleries;
Private collection, Boston, Massachusetts, June 2003;
Bonhams, Los Angeles, California, October 21, 2013, lot 00063;
ArtNet Auctions, November 25, 2013, lot 94331;
Private collection, Miami Beach, Florida, acquired from the above.
EXHIBITED:
Frederick R. Weisman Museum of Art, Pepperdine University,
Malibu, California, “Sam Francis: The Archetypal Image,” January
11-March 30, 1997;
Sala de las Alhajas, Fundación Caja de Madrid, Madrid, “Sam
Francis: Elementos y arquetipos,” April 26-June 23, 1997;
Las Vegas Art Museum, Las Vegas, Nevada, “Sam Francis: Remaking
the World,” March 7-April 21, 2002.
LITERATURE:
Sala de las Alhajas, Fundación Caja de Madrid, Sam Francis:
Elementos y arquetipos, Madrid, exhibition catalogue, 1997, p. 71,
illustrated in color;
Las Vegas Art Museum, Sam Francis: Remaking the World, Las
Vegas, exhibition catalogue, 2002, p. 20, illustrated in color.
NOTE:
This work is identified with the interim identification number
of SF76-523 in consideration for the forthcoming Sam Francis:
Catalogue Raisonné of Unique Works on Paper. This information
is subject to change as scholarship continues by the Sam Francis
Foundation.
Estimate: $30,000-$50,000

70100
Jules Olitski (American, 1922-2007)
Diosa - 1, 1982
Acrylic on canvas
51 x 84-1/4 inches (129.5 x 214.0 cm)
Signed, titled, dated, and inscribed verso: Jules Olitski / ‘82 / Diosa -
1 / 51 x 84-1/4 / water base acrylic / 82-00-8
THE BONELL SILVERMAN ESTATE
Estimate: $15,000-$25,000

70101
Jules Olitski (American, 1922-2007)
The Greek Princess - 7, 1976
Acrylic on canvas
91-3/4 x 64-3/4 inches (233.0 x 164.5 cm)
Signed, titled, dated, and inscribed verso: Jules / Olitski / ‘76 / The Greek
Princess - 7 / 91-3/4” x 64-3/4” / water base acrylic / 76/028
Estimate: $20,000-$30,000

70102
Robert Arthur Goodnough (American, 1917-2010)
Development with White
Acrylic on canvas with tape collage
60 x 150 inches (152.4 x 381 cm)
Signed and titled in ink verso: Goodnough / “Development with White”
PROVENANCE:
Rago Fine Arts, October 1, 2004, lot 544;
Acquired by the present owner from the above.
Estimate: $7,000-$9,000

70103
Robert Arthur Goodnough (American, 1917-2010)
Vertical - Gray Blue Brown, 1984
Acrylic and oil on canvas
70 x 52 inches (177.8 x 132.1 cm)
Signed, titled, dated, and inscribed verso: “Vertical - Gray Blue Brown” / Goodnough / 1984 / 70 x 52 / acrylic and oil
PROVENANCE:
André Emmerich Gallery, New York (label verso).
Estimate: $6,000-$8,000

70104
Michael Goldberg (American, 1924-2007)
Untitled, 1974
Mixed media on canvas
72 x 72 inches (182.9 x 182.9 cm)
Signed and dated verso: Goldberg / ‘74
PROVENANCE:
Rago Arts and Auction Center, Lambertville, New Jersey, April 24, 2004, lot 412;
Private collection.
Estimate: $6,000-$8,000

70105
Mark Flood (American, b. 1957)
Euphrates, 2005
Acrylic on canvas laid on panel
60 x 48 inches (152.4 x 121.9 cm)
Signed, titled, and dated on the overlap: Euphrates Mark Flood 2005
PROVENANCE:
Marty Walker Gallery, Dallas, Texas;
EXHIBITED:
Marty Walker Gallery, Dallas, Texas, “Mark Flood,” March 2006.
Estimate: $20,000-$30,000

70106
Mark Grotjahn (American, b. 1968)
Untitled, 1996
Acrylic on canvas
11 x 13 inches (27.9 x 33.0 cm)
NOTE:
This lot is accompanied by a certificate of authenticity from Mark Grotjahn Studio Inc., signed by the artist and dated July 17, 2012.
Estimate: $10,000-$15,000

70107
Roberto Burle Marx (Brazilian, 1909-1994)
Untitled, 1986
Acrylic on canvas cloth
53 x 77 inches (134.6 x 195.6 cm)
Signed and dated lower right: R. Burle Marx, 1986
PROVENANCE:
The artist;
Sergio Almeida Prado, gift from the above, 1987;
Acquired by the present owner from the above, 2001.
Estimate: $20,000-$30,000

70108
James Hayward (American, b. 1943)
Abstract #29, 2001-2005
Oil on canvas on wood panel
27 x 21 inches (68.6 x 53.3 cm)
Signed and dated verso: Abstract #29 / 2001 JH / repainted 2005
PROVENANCE:
Private collection, acquired in 2007.
Estimate: $7,000-$9,000

70109
Alex Hoda (British, b. 1980)
Vanity Fair, 2009
Aluminum, polyester resin, fiberglass, polyurethane rubber, pigment
59-3/8 x 41-1/4 x 12-1/4 inches (150.9 x 104.9 x 31.0 cm)
Artist proof, edition Red
PROVENANCE:
Studio of the artist;
EXHIBITED:
Dickinson Roundell, Inc., New York, “Alex Hoda: Pipedreams,” November 6-December 18, 2009.
Estimate: $4,000-$6,000

70110
Caio Fonseca (American, b. 1959)
Pietrasanta Painting CO3.32, 2003
Mixed media on canvas
37 x 52 inches (94.0 x 132.1 cm)
Signed, titled, dated, and inscribed verso: Caio Fonseca / Pietrasanta
Painting CO3.32 / 2003 / mixed media on canvas / Caio Fonseca
Estimate: $10,000-$15,000

70111
Gu Wenda (Chinese, b. 1955)
Untitled (Pseudo Character)
Ink on paper
44-1/2 x 30 inches (113.0 x 76.2 cm)
Estimate: $12,000-$18,000

70112
Eleanore Mikus (American, b. 1927)
Dark Red Fold, 1996
India ink and colored inks on folded rag paper
12-3/4 x 11-5/8 inches (32.5 x 29.5 cm)
PROVENANCE:
Robert Steele Gallery, New York (label verso).
Estimate: $3,000-$5,000

70113
Sam Falls (American, b. 1985)
Untitled Roll Fade (Pink), 2011
Sun fade on paper
25-1/2 x 19-1/4 inches (64.8 x 48.9 cm)
PROVENANCE:
China Art Objects Galleries, Los Angeles, California (label verso).
Estimate: $6,000-$8,000

70114
Tim Bavington (British, b. 1966)
Brand New Start (PIN), 2011
Synthetic polymer on canvas
32 x 32 inches (81.3 x 81.3 cm)
Signed, titled, and dated verso: Brand New Start (PIN) Tim Bavington ‘11
Estimate: $4,000-$6,000

70115
Tim Bavington (British, b. 1966)
12 Bar Blues (YG), 2009
Synthetic polymer on canvas
36 x 36 inches (91.4 x 91.4 cm)
Signed, titled, and dated verso: “12 Bar Blues (YG)” Tim Bavington 2009
PROVENANCE:
Jack Shainman Gallery, New York (label verso).
Estimate: $4,000-$6,000

70116
Mathew Cerletty (American, b. 1980)
Untitled N, 2005
Oil on linen
11-3/4 x 10 inches (29.8 x 25.4 cm)
Signed and dated in pencil verso: Mathew Cerletty / 2005
PROVENANCE:
Private collection.
EXHIBITED:
Royal Academy of Arts, London, “USA TODAY: New American Art from the Saatchi Gallery,” October
6-November 4, 2006.
LITERATURE:
P. Ellis and N. Rosenthal, USA TODAY: New American Art from the Saatchi Gallery, Royal Academy of Arts,
London 2006, p. 84, illus.
Estimate: $500-$700

70117
Marc Handelman (American, b. 1975)
Plan for Victory, 2005
Oil on canvas
89-1/2 x 75-7/8 inches (227.3 x 192.7 cm)
PROVENANCE:
The artist;
EXHIBITED:
Saatchi Gallery, London, “The Triumph of Painting,” January 26-October 30, 2005;
Royal Academy of Arts, London, “USA TODAY: New American Art from the Saatchi Gallery,” October 6-November 4,
2006.
LITERATURE:
P. Ellis and N. Rosenthal, USA TODAY: New American Art from the Saatchi Gallery, Royal Academy of Arts, London 2006,
p. 168, illus.;
J. Cape, Abstract America: New Painting and Sculpture, Saatchi Gallery, London 2008, p. 129, illus.
Estimate: $2,000-$3,000

70118
Ry Fyan (American, b. 1978)
The Things in Front of the Eye, 2006
Acrylic, enamel, and ink on metal plate
17 x 19-1/2 inches (43.2 x 49.5 cm)
The viewing device is 23 inches long.
PROVENANCE:
Private collection.
Estimate: $1,000-$2,000

70119
Michael Phelan (American, b. 1968)
The Best Way Out is Through (#4), 2005
Dye on linen
84 x 70 inches (213.4 x 177.8 cm)
Signed, titled, and dated on stretcher: The best way out is through (#4) Michael Phelan 2005
PROVENANCE:
Daniel Reich Gallery, New York (label verso);
Private collection.
Estimate: $1,500-$2,000

70120
Angelina Gualdoni (American, b. 1977)
Praca dos Tres Poderes (Morning), 2005
Acrylic and oil on canvas
48 x 72 inches (121.9 x 182.9 cm)
Signed, titled and dated on the overlap
PROVENANCE:
Kavi Gupta Gallery, New York;
Estimate: $1,500-$2,000

70121
Casey Cook (American, b. 1971)
Gentle Butcher, 1997
Oil and acrylic on two wooden boards
72 x 72 inches (182.9 x 182.9 cm)
PROVENANCE:
Private collection.
Estimate: $1,000-$1,500

70122
Damian Gonzalez (Cuban, b. 1967)
Calidoscopio, 2011
Oil on canvas
39 x 52 inches (99.1 x 132.1 cm)
Signed and dated lower right: Damian Gonzalez -2011-
Signed, titled, dated, and inscribed verso: “Calidoscopio” / 215 Damian Gonzalez / oil -2011-
Estimate: $10,000-$15,000

70123
David Michael Bates (American, b. 1952)
Apple Blossoms II, 1997
Painted bronze relief
13 x 7-3/4 x 3 inches (33 x 19.7 x 7.6 cm)
Signed lower right: Bates
Incised with signature, date, and foundry mark on the reverse: © 1997 Walla/Walla Bates
Estimate: $20,000-$30,000

70124
Elling Reitan (Norwegian, b. 1949)
Red Processions, 2012
Oil on canvas
39-1/2 x 31-3/4 inches (100.3 x 80.6 cm)
Signed lower right: Elling Reitan
Signed and titled verso: “Red / Processions” / “Rod /
Prosesjoner” / Elling Reitan / 2012
Estimate: $3,000-$5,000

70125
Eva Struble (American, b. 1981)
Mountain Architecture, 2005
Oil and acrylic on canvas
84-1/2 x 95-1/2 inches (214.6 x 242.6 cm)
Signed, titled and dated verso: Eva Struble / 2005 / “Mountain
Architecture”
PROVENANCE:
Private collection.
Estimate: $1,500-$2,000

70126
Rirkrit Tiravanija (Thai, b. 1961)
Untitled (Demonstration no. 24), 2002
Pencil on paper
20-1/2 x 28-3/4 inches (52.1 x 73 cm)
PROVENANCE:
Gavin Brown’s Enterprise, New York.
Estimate: $6,000-$8,000

70127
Rirkrit Tiravanija (Thai, b. 1961)
Untitled (Demonstration no.11) , 2002
Pencil on paper
19-1/2 x 30-1/2 inches (49.5 x 77.5 cm)
PROVENANCE:
Gavin Brown’s Enterprise, New York.
Estimate: $6,000-$8,000

70128
Richard Louderback (American)
Majick, 2005
Oil on board
20 x 20 inches (50.8 x 50.8 cm)
Signed and dated verso: 2005 / Richard Louderback
PROVENANCE:
Private collection.
Estimate: $500-$700
70129
Christoph Schmidberger (Austrian, b. 1974)
I Am Open For Everything, Don’t Get Me Wrong, 2005
Oil on canvas
71 x 50 inches (180.3 x 127 cm)
Signed lower right: Christoph Schmidberger
Signed and dated three times on the overlap: Christoph
Schmidberger July 2005
PROVENANCE:
Goff + Rosenthal, New York (label verso);
Private collection.
EXHIBITED:
Royal Academy of Arts, London, “USA TODAY: New American Art
from the Saatchi Gallery,” October 6-November 4, 2006.
LITERATURE:
P. Ellis and N. Rosenthal, USA TODAY: New American Art from the
Saatchi Gallery, Royal Academy of Arts, London 2006, p. 316, illus.
Estimate: $2,000-$3,000

70130
Robin Lowe (American, b. 1959)
Young Mr. Hahn, 1994
Oil on panel
24 x 48 inches (61 x 121.9 cm)
Initialed, titled, and dated verso: Young Hahn, 1994 / RL
PROVENANCE:
Tanya Bonakdar Gallery, New York (label verso);
Private collection.
Estimate: $500-$700
70131
Lothar Hempel (German, b. 1966)
Morning Rain, 2005
Installation comprised of four color stones, found umbrella,
butterfly, metal wire, nails and screws, neoprene, string, fabric,
fabric flowers and adhesive on metal rod, painted wooden doll
with fabric, leather strips, cotton, synthetic hair and buttons on
a painted wooden base
67-1/4 x 40 x 33 inches (170.8 x 101.6 x 83.8 cm)
PROVENANCE:
Anton Kern Gallery, New York;
Phillips, New York, May 4, 2010, lot 422;
Private collection.
LITERATURE:
F. Derieux, ed., Lothar Hempel: Alphabet City, Zurich, 2007,
p.125, illus.
Estimate: $2,000-$3,000

70132
Anne Chu (American, b. 1959)
Tombstone for a King and Queen, 2001
Painted wood
43-3/4 x 65-3/4 inches (111.1 x 167.1 cm)
PROVENANCE:
Victoria Miro Gallery, London;
Private collection, acquired from the above, 2001.
EXHIBITED:
Victoria Miro Gallery, London, “Anne Chu,” May 22-June
23, 2001;
Museum of Contemporary Art (MOCA), Los Angeles,
California, “Anne Chu: Untitled,” April 14-July 3, 2005.
Estimate: $3,000-$5,000
70133
Christian Holstad (American, b. 1972)
Cacoon, 2007
Vintage aluminum lawn chair, paint, 2xist underwear
elastic, vintage mohair sweater, Xerox transfers, wool, felt,
vintage exercise boots, sand
36 x 22 x 25 inches (91.4 x 55.9 x 63.5 cm) (chair)
Dimensions variable
PROVENANCE:
Daniel Reich Gallery, New York;
Private collection, acquired from the above, 2007.
EXHIBITED:
Dusseldorf, Kunsthalle Dusseldorf, “Compilation IV,” May
30-August 9, 2009
LITERATURE:
Kunsthalle Dusseldorf, ed., Compilation IV, exhibition
catalogue, Dusseldorf, 2009, illus.;
J. Cape, Shape of Things to Come, Saatchi Gallery,
London, 2009, pp. 454-455, illus.
Estimate: $2,000-$3,000

70134
Robin Lowe (American, b. 1959)
Garden State/Gary, 1994
Oil on wood
48 x 38 inches (121.9 x 96.5 cm)
Initialed, titled, and dated verso : Garden State/Gary, 1994 / RL
PROVENANCE:
Tanya Bonakdar Gallery, New York (label verso);
Private collection.
Estimate: $600-$800

70135
Roe Ethridge (American, b. 1969)
Shells and Shuttlecock, 2005-07
Dye coupler
21-7/8 x 28-1/8 inches (55.6 x 71.4 cm)
Ed. 3/5
Signed, titled, dated and numbered verso
Estimate: $3,000-$5,000

70136
Zhang Dali (Chinese, b. 1963)
200141A, 2002
Dye coupler
35-1/2 x 24 inches (90.2 x 61 cm)
Ed. 7/10
Signed, titled, and numbered in lower margin and verso
Estimate: $3,000-$5,000

70137
Can Xin (Chinese, b. 1953)
To Raise an Anonymous Mountain by One Meter, 1995
Black and white photograph
23-1/4 x 37-1/4 inches (59.1 x 94.6 cm)
Ed. 10/10
Signed, titled, dated, and inscribed in Chinese verso
Estimate: $7,000-$9,000

70138
Qui Zhijie (Chinese, b. 1969)
Tattoo Series No. 5, 1994
Dye coupler
39-1/4 x 31-1/4 inches (99.7 x 79.4 cm)
Ed. 6/10
Signed, titled, dated, and numbered verso
Estimate: $3,000-$5,000

70139
Tierney Gearon (American, b. 1963)
Untitled (from I am a Camera), 2000
Dye coupler
57-1/2 x 71-1/2 inches (146.1 x 181.6 cm)
PROVENANCE:
Private collection, acquired directly from the
artist.
Estimate: $800-$1,200

70140
Lee Jaffe (American, b. 1950)
Untitled (Portrait Jean-Michel Basquiat), 1983
Gelatin silver
30 x 40 inches (76.2 x 101.6 cm)
Ed. 1/15
NOTE:
A version of this photograph has been or will be exhibited at:
Basquiat: The Unknown Notebooks
-Brooklyn Museum, Brooklyn, NY (April 3, 2015 - August 23, 2015)
-Portland Art Museum, Portland, OR (October 10, 2015 - January 10, 2016)
-High Museum of Art, Atlanta, GA, (February 21, 2016 - May 29, 2016)
-Perez Art Museum Miami, Miami, FL (August 8, 2016 - October 23, 2016)
Estimate: $5,000-$7,000
70141
Lee Jaffe (American, b. 1950)
Untitled (Jean-Michel Basquiat contact sheet), 1984
Gelatin silver
20 x 16 inches (50.8 x 40.6 cm)
Ed. 1/35
NOTE:
A version of this photograph has been or will be exhibited at:
Basquiat: The Unknown Notebooks
-Brooklyn Museum, Brooklyn, NY
(April 3, 2015 - August 23, 2015)
-Portland Art Museum, Portland, OR
(October 10, 2015 - January 10, 2016)
-High Museum of Art, Atlanta, GA,
(February 21, 2016 - May 29, 2016)
-Perez Art Museum Miami, Miami, FL
(August 8, 2016 - October 23, 2016)
Estimate: $2,500-$3,500

70142
Martin Kersels (American, b. 1960)
Falling Photos (three works), 1994-1996
Gelatin silver
30 x 40 inches (76.2 x 101.6 cm) (each)
PROVENANCE:
Jay Gorney Fine Arts, New York;
Private collection.
Estimate: $800-$1,200

70143
Roe Ethridge (American, b. 1969)
Debora Muller, 2008
Dye coupler
43 x 33 inches (109.2 x 83.8 cm)
Ed. 3/5
Signed on label verso
Estimate: $4,000-$6,000

70144
Chuck Close (American, b. 1940)
Mark (Morrisroe) Diptych II, 1984
Polaroid polacolor prints flush-mounted to aluminum
84-1/2 x 40-1/2 inches (214.6 x 102.9 cm)
Unique
Signed, titled, and dated in ink in lower margins
EXHIBITED:
Thread Waxing Space, New York, and elsewhere, “Collection in Context: Selected Contemporary Photographs of Hands from the
Collection of Henry M. Buhl,” September-October 1996;
Guggenheim Museum, New York, “Speak with Hands: Photographs from The Buhl Collection, June-September 2004.
LITERATURE:
M. Courville, Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry M. Buhl, New York,
1996, pl. 10;
J. Blessing, Speaking with Hands: Photographs from the Buhl Collection, Guggenheim Foundation, 2004, pp. 69 and 208.
Estimate: $40,000-$60,000
End of Session One

modern & contemporary prints
november 14, 2015 ❘ dallas
Part II: Dallas

Front Cover Lot: 70238
Inside Front Cover Lot: 70299
Inside Back Cover Lot: 70295
Back Cover Lot: 70283

ISBN: 978-1-63351-159-0
9 7 8 1 6 3 3 5 1 1 5 9 0
9 0 0 0 0
PRICE • $50

Session Two
Modern & Contemporary Prints
Lot 70223

70200
Francis Bacon (British, 1909-1992)
Study for Self-Portrait 1982, 1984
Offset lithograph in colors
32 x 24 inches (81.3 x 61 cm)
A proof aside from a numbered edition of 182
Signed and inscribed in pencil in lower margin
Published by Marlborough Graphics, New York
Estimate: $3,000-$5,000

Session Two, Auction #5224 | Saturday, November 14, 2015 | 2:00 PM CT 5
70201
Marc Chagall (French/Russian, 1887-1985)
Double Portrait au Chevalet, 1976
Lithograph in colors
13-1/2 x 10-1/4 inches (34.3 x 26 cm)
Ed. 28/50
Signed and numbered in pencil in lower margin
LITERATURE:
Mourlot, 835.
Estimate: $6,000-$8,000

70202
Marc Chagall (French/Russian, 1887-1985)
Le cirque ambulant, 1969
Lithograph in colors
14-1/2 x 21-1/4 inches (36.8 x 54.1 cm)
Epreuve d’artiste XVII/XXV (aside from an edition of 50)
Signed and inscribed in pencil
LITERATURE:
Mourlot, 583.
Estimate: $8,000-$12,000

70203
After Marc Chagall (French/Russian, 1887-1985)
The Tribe of Levi (from Twelve Maquettes of Stained Glass Windows for
Jerusalem), 1964
Lithograph in colors on Arches paper
24-1/8 x 18-1/8 inches (61.3 x 46 cm)
Ed. 55/200
Published by Mourlot, Paris
Printed by Charles Sorlier, Paris
LITERATURE:
Mourlot/Sorlier, 14.
Estimate: $4,000-$6,000
70204
After Marc Chagall (French/Russian, 1887-1985)
The Tribe of Benjamin (from Twelve Maquettes of Stained Glass Windows for
Jerusalem), 1964
24-1/8 x 18-1/8 inches (61.3 x 46 cm)
Ed. 89/150
Published by Mourlot, Paris
Printed by Charles Sorlier, Paris.
LITERATURE:
Mourlot/Sorlier, 23.
Estimate: $6,000-$8,000

70205
L’enfant sauterelle (The Grasshopper Child), circa 1933-1934
Etching on Arches paper
14-1/2 x 11-3/4 inches (36.8 x 29.8 cm)
Ed. 39/100
Published and printed by M. Cazou/Lacourière, Paris
LITERATURE:
Michler/Lopsinger, 7;
Field, 32-2.
NOTE:
We are grateful to Mr. Bruce Hochman of the
Salvador Dali Gallery, San Juan Capistrano to
confirm the authenticity of this lot.
Estimate: $8,000-$12,000
70206
Venus aux fourrures, 1969
Portfolio of 16 colored drypoints on Japon nacré
12-1/2 x 9-3/8 inches (31.8 x 23.9 cm)
Ed. 114/145
Each signed and numbered in pencil in lower margin
Published by Edition Pierre Agrilet, Paris
LITERATURE:
Michler/Lopsinger, 557-572;
Field, 68-6 B-P and d.
NOTE:
We are grateful to Mr. Bruce Hochman of the Salvador Dali
Gallery, San Juan Capistrano to confirm the authenticity of
this lot.
Estimate: $18,000-$24,000

70207
Roi, je t’attends à Babylone, 1973
Folio of 12 full-page etchings, reworked by Dali in drypoint and printed on sheepskin
24 x 17 inches (61 x 43.2 cm)
H.C./X (aside from the edition of 160)
Each of the 12 drypoints is signed and numbered in pencil by Dali
Preliminary leaf is signed by Dali, Malraux, and Albert Skira
Published by Albert Skira, Geneva
This is the complete portfolio with text by André Malraux in French. All text and two additional unsigned etching were printed on Rives wove
paper with a a watermark after a drawing by Dali on each leaf. The portfolio is contained in the original wrapper folder, leather-backed
parchment over boards chemise, and a full leather slipcase. There was a total of 160 ever produced.
LITERATURE:
Michler/Löpsinger, 592-605;
Field, 73-8.
NOTE:
We are grateful to Mr. Bruce Hochman of the Salvador Dali Gallery, San Juan Capistrano to confirm the authenticity of this lot.
Estimate: $10,000-$15,000

70208
La Conquete du Cosmos II (Conquest of Cosmos II) (six works), 1977
Six engravings and lithographs in colors on BFK Rives paper
29-1/2 x 21-1/2 inches (74.9 x 54.6 cm) (each)
Ed. CLXVII/CLXXXXV
Each signed and inscribed in pencil
Published by Jean Lavigne, Paris
LITERATURE:
Field, 74-12.G; H; I; J; K; L.
NOTE:
We are grateful to Mr. Bruce Hochman of the Salvador Dali Gallery, San Juan Capistrano to confirm the authenticity of this lot.
Estimate: $6,000-$8,000

70209
Richard Diebenkorn (American,
1922-1993)
Untitled #5, 1993
Lithograph
11-1/4 x 15-1/4 inches
(28.6 x 38.7 cm) (sheet)
Ed. 46/68
Numbered in pencil and stamped
with initials in lower margin with
the blindstamps of the artist’s estate
and the publisher
Published by Gemini G.E.L., Los
Angeles
LITERATURE:
Gemini, 15.16.
Estimate: $2,000-$3,000
70210
Richard Diebenkorn (American,
1922-1993)
Untitled #6, 1993
Lithograph
11-1/4 x 15-1/4 inches
(28.6 x 38.7 cm) (sheet)
Ed. 36/65
Numbered in pencil and stamped
with initials in lower margin with
the blindstamps of the artist’s
estate and the publisher
Published by Gemini G.E.L., Los
Angeles
LITERATURE:
Gemini, 15.17.
Estimate: $2,000-$3,000

70211
Jim Dine (American, b. 1935)
Heart at the Opera, 1983
Lithograph in colors on Dieu Donné paper
47 x 35 inches (119.4 x 88.9 cm)
Ed. 32/50
Signed, dated, and numbered in pencil in lower margin with the blindstamp
of the publisher
Published by ULAE, West Islip
PRIVATE COLLECTION, SANTA FE, NEW MEXICO
LITERATURE:
D’Oench/Feinberg, 149.
Estimate: $3,000-$5,000
70212
Jim Dine (American, b. 1935)
Self-Portrait as a Negative, 1975
Intaglio with etching, drypoint, and power tool on Fabriano black paper
9-3/4 x 6-7/8 inches (24.8 x 17.5 cm)
Ed. 30/39
Signed, dated, and numbered in white pencil with the blindstamp of the
publisher
Printed by Zigmunds Priede
LITERATURE:
Williams College, 196.
Estimate: $1,000-$1,500

70213
Jean Dubuffet (French, 1901-1985)
Objectador (from Presences Fugaces), 1973
Screenprint in colors
19-5/8 x 13-1/4 inches (49.8 x 33.7 cm)
Ed. 43/100
Initialed, dated and numbered in pencil
Published by Pace Editions, New York
LITERATURE:
Webel, 1162.
Estimate: $2,500-$3,000
70214
Jean Dubuffet (French, 1901-1985)
Denegator (from Presences Fugaces), 1973
19-5/8 x 13-1/4 inches (49.8 x 33.7 cm)
Ed. 43/100
Initialed, dated, and numbered in pencil in lower margin
Published by Pace Editions, Inc., New York
LITERATURE:
Webel, 1164
Estimate: $2,500-$3,000

70215
Helen Frankenthaler (American, 1928-2011)
I Need Yellow (in Orange) with Crayon and Paint, 1973-76
Lithograph with handcoloring on Nepalese handmade paper
16-3/4 x 11 inches (42.5 x 27.9 cm)
Unique proof
Signed, titled, and dated in pencil in lower margin
Estimate: $3,000-$5,000
70216
Helen Frankenthaler (American, 1928-2011)
Bronze Smoke, 1978
Lithograph in colors on J. Green Katuash handmade paper
24-3/4 x 18-3/4 inches (62.9 x 47.6 cm)
Ed. 23/38
Signed, dated, and numbered in pencil in lower margin with the
blindstamp of the publisher
LITERATURE:
Pegram Harrison, 71.
Estimate: $2,000-$4,000

70217
Mark Grotjahn (American, b. 1968) and Takashi Murakami (Japanese, b. 1962)
Untitled (Scarlet Lake and Indigo Blue Butterfly 826) and Untitled (Canary Yellow and Black Butterfly 830) (two works), 2010
Offset lithographs in colors on wove paper
27-1/8 x 21-5/8 inches (69 x 55 cm) (each)
Ed. 167/300
Each signed in black and silver inks lower right
Published by KaiKai Kiki Co., Japan
Estimate: $2,000-$3,000

70218
Wang Guangyi (Chinese, b. 1957)
Coca Cola (Red)
Lithograph in colors on wove paper
29-1/2 x 26-1/4 inches (74.9 x 66.7 cm)
Ed. 113/199
Estimate: $2,500-$3,000

70219
Cai Guo-Qiang (Chinese, b. 1957)
Transparent Monuments, 2006
Woodcut on rice paper
75 x 51-1/2 inches (190.5 x 130.8 cm)
Ed. 15/20
Estimate: $2,000-$3,000
70220
Richard Hamilton (British, b. 1922)
Berlin Interior, 1979
Photogravure, engraving and hard-ground etching with roulette,
aquatint and burnishing on Rives BFK paper
19-1/4 x 27-1/8 inches (48.9 x 68.9 cm)
Ed. 23/100
Published by Waddington Graphics, London
Printed by the artist and Aldo Crommelynck at Atelier Crommelynck,
Paris, and etched at Harrison & Sons, Ltd., High Wycombe
LITERATURE:
Lullin, 109.
Estimate: $2,500-$3,500

70221
Best Buddies, 1990
21-3/4 x 28 inches (55.1 x 71.1 cm)
Ed. 59/200
Titled and numbered in pencil in lower
margin with the blindstamp of the
publisher
Published by Durham Press, Durham
Estimate: $6,000-$8,000
70222
Flowers III, 1990
39-1/4 x 51 inches (99.8 x 129.5 cm)
Ed. 70/100
Signed, dated, and numbered in pencil
in margin
Published by Tony Shafrazi Editions,
New York
Estimate: $6,000-$8,000

70223
Pharmaceuticals, 2005
Inkjet print in colors
41-1/2 x 33 inches (105.4 x 83.8 cm)
Ed. 21/75
Signed, titled, dated, and numbered in pencil lower margin
Published by Other Criteria Ltd., London
Estimate: $25,000-$35,000

70224
David Hockney (British, b. 1937)
Bora Bora, 1980
34-3/8 x 48 inches (87.4 x 121.9 cm)
Ed. 42/100
Signed, dated ‘79,’ and numbered in pencil along lower edge with the blindstamp of the publisher
Published by Tyler Graphics Ltd., Mount Kisco
LITERATURE:
MCA Tokyo, 213.
Estimate: $8,000-$12,000

70225
On It May Stay His Eye (from The Blue Guitar), 1979
Hardground and softground etching, and aquatint in colors on wove paper
13-1/2 x 16-3/4 inches (34.3 x 42.4 cm)
Ed. 117/200
Published by Petersburg Press, New York and London
LITERATURE:
Scottish Arts Council, 215;
MCA Tokyo, 194.
Estimate: $1,000-$2,000

70226
Mist (from the Weather series), 1973
Lithograph in colors on Arjomari paper
28-3/4 x 25 inches (73 x 63.5 cm)
Ed. 2/98
Signed, titled, dated, and numbered in blue crayon with the blindstamp of the publisher
Published by Gemini G.E.L., Los Angeles
Printed by Serge Lozingot
LITERATURE:
Gemini G.E.L., 23.9;
MCA Tokyo, 129.
Estimate: $4,000-$6,000

70227
Six Fairy Tales from the Brothers Grimm, 1969/1970
The complete portfolio, with title, text, table of contents, and justification, comprising 39 bound etchings and 6 loose
etchings, all on Hodgkinson handmade wove paper, with the original blue leather-bound book, porfolio, and slipcase
17-1/2 x 12 inches (44.5 x 30.5 cm) (sheet, each)
Ed. A 61/100
Signed and numbered in pencil on the justification page
Each loose print signed in pencil recto, inscribed ‘Grimm Ed. A’ and numbered in brown ink on the verso
Published by Petersburg Press, London
LITERATURE:
Scottish Arts Council, 70-108;
MCA Tokyo, 67-105.
Estimate: $20,000-$30,000

70228
One Night (from Illustrations for Fourteen Poems from C.P. Cavafy), 1966
Etching and aquatint on Crisbrook handmade wove paper
13-5/8 x 8-3/4 inches (34.6 x 22.2 cm)
Ed. 29/75
Signed, dated, and numbered in pencil in lower margin
Published by Editions Alecto Limited, London
LITERATURE:
MCA Tokyo, 56.
Estimate: $1,000-$2,000
70229
A Moving Still Life (from The Blue Guitar), circa 1976-1977
Etching with aquatint in colors
18 x 20-3/4 inches (45.7 x 52.6 cm)
Ed. 97/200
Signed and numbered in pencil with title stamped on verso
LITERATURE:
Scottish Arts Council, 216.
Estimate: $1,500-$2,000

70230
John Hockney, 1980
Lithograph on Arches paper
Ed. 66/100
Signed, dated, and numbered in red crayon
along the upper edge
LITERATURE:
MCA Tokyo, 242.
Estimate: $1,000-$1,500
70231
Homage to Michelangelo (from Omaggio a
Michelangelo), 1975
Etching and aquatint in colors on Rives BFK
paper
18-1/8 x 26-1/4 inches (46 x 66.7 cm)
Ed. 190/200
Signed, dated, and numbered in pencil in
lower margin with the blindstamp of the
printer
Published by Studio Bruckmann, Munich
Printed by Crommelynck, Paris
LITERATURE:
MCA Tokyo, 162.
Estimate: $2,000-$4,000

70232
Robert Indiana (American, b. 1928)
The American Dream, 1997
The complete book bound with 24 screenprints in color and a suite of 6 separate loose screenprints in colors on wove paper
22-1/2 x 17 inches (57.2 x 43.2 cm) (book)
Ed. 162/395
Each of the six prints are signed and numbered in pencil
Published by Marco Fine Arts Contemporary Atelier, El Segundo
The book includes poetry by Robert Creeley, a foreword by Susan Ryan, and captioning by Michael McKenzie. Contained in its
original black calf binding with the artist’s name in red on the front and spine, the book also comes in its original cardboard holding
box.
This work is accompanied by a certificate of authenticity from Marco Fine Arts signed by both the president of the publisher and by
the artist.
The six suite of separate loose screenprints include: The American Dream, 1960-61; Love, 1966; The Metamorphosis of Norma Jean
Mortenson, 1967; Highball on the Redball Manifest, 1963; One Indiana Square, 1970; Picasso, 1974.
Estimate: $7,000-$10,000

70233
Jasper Johns (American, b. 1930)
0-9 (A Set of 10 Numerals), 1975
Etchings with lift-ground aquatint, soft-ground, and open bite on Barcham Green paper
2-1/2 x 2-1/8 inches (6.4 x 5.3 cm)
Ed. 90/100
Each signed, dated, and numbered in pencil in lower margin
EXHIBITED:
Orlando Museum of Art, Orlando, Florida, “Jasper Johns: Prints, Drawings and Multiples
from Area Collections,” March 14-May 17, 1992 (label verso).
LITERATURE:
ULAE, 156-165.
Estimate: $30,000-$50,000

70234
Savarin 4 (Oval), 1978
Lithograph on Richard de Bas paper
16-1/4 x 11-1/4 inches (41.3 x 28.6 cm)
Ed. 17/42
Signed, dated, and numbered in lower margin with the blindstamp of the publisher
EXHIBITED:
Orlando Museum of Art, Orlando, Florida, “Jasper Johns: Prints, Drawings and Multiples from Area Collections,”
March 14-17, 1992.
LITERATURE:
ULAE, 194.
Estimate: $8,000-$12,000

70235
Voice 2, 1983
Lithograph in colors on Dieu Donné paper
8-1/2 x 18-1/2 inches (21.6 x 47 cm)
Ed. 30/41
Signed, dated, and numbered in pencil in lower margin with the
blindstamp of the publisher
LITERATURE:
ULAE, 231.
Estimate: $4,000-$6,000
70236
Alex Katz (American, b. 1927)
Camp, from Carnegie Hall 100th Anniversary Portfolio, 1990
Woodcut in colors on Japanese paper
60 x 40 inches (152.4 x 101.6 cm)
Ed. 55/60
Signed and numbered in pencil lower left
Published by Carnegie Hall Development Fund for the Carnegie Hall
Centennial Portfolio, New York
Printed by John C. Erickson, Vinalhaven Press, Vinalhaven
Estimate: $2,000-$2,500

70237
Roy Lichtenstein (American, 1923-1997)
Bull VI (from the Bull Profile series), 1973
Lithograph, screenprint, and line-cut in colors on Arjomari paper
24-3/4 x 32-1/2 inches (62.9 x 82.6 cm)
Ed. 100/100
Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisher
LITERATURE:
Gemini G.E.L., 31.49;
Corlett, 121.
Estimate: $7,000-$9,000

70238
The Oval Office, 1992
Screenprint in colors on Rives BFK paper
29-3/4 x 39-1/4 inches (75.6 x 99.7 cm)
Ed. 166/175
Co-published by the artist and Ronald Feldman Fine Arts, Inc., New York
LITERATURE:
Corlett, 277.
Estimate: $15,000-$25,000

70239
Sandwich and Soda (from Ten Works by Ten Painters), 1964
Screenprint in colors on clear plastic
19 x 23 inches (48.3 x 58.4 cm)
From the edition of 500 (total edition includes 10 artist’s proofs)
Published by Wadsworth Atheneum, Hartford
LITERATURE:
Corlett, 35.
Estimate: $2,000-$3,000

70240
Forms in Space, 1985
Screenprint in colors on Rives BFK paper
31 x 47-1/2 inches (78.7 x 120.7 cm)
Ed. 35/125
Published by the artist for the Institute of Contemporary Art, Philadelphia
Printed by Styria Henrici, New York
LITERATURE:
Corlett, 217.
Estimate: $30,000-$50,000

70241
Fang Lijun (Chinese, b. 1963)
2006.6.3
Woodcut on Japan paper
47-1/2 x 31-1/2 inches (120.7 x 80 cm)
Ed. 23/65
Signed, titled, and numbered in ink
LITERATURE:
Stone Face - China Art Now First Group Printing Exhibition, Beijing, 2004 (other examples illustrated);
Li Xianting, Pi Li and Shu Hewen ed., Fang Lijun, Changsha, 2001, pp. 196-199, illustrated in color.
Estimate: $3,000-$5,000

Modern and Contemporary Art Part 2: Dallas #5224 November 14, 2015.

Modern and Contemporary Art Part 2: Dallas #5224 November 14, 2015.

Recommended

Recommended

More Related Content

What's hot

What's hot (11)

Similar to Modern and Contemporary Art Part 2: Dallas #5224 November 14, 2015.

Similar to Modern and Contemporary Art Part 2: Dallas #5224 November 14, 2015. (20)

Recently uploaded

Recently uploaded (19)

Modern and Contemporary Art Part 2: Dallas #5224 November 14, 2015.