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Camille Baker, PhD Digital Media
Media artist/researcher/lecturer
Digital Media/Broadcast
Brunel University, London, UK
Dublin, Ireland
April 27, 2012
Tech Garments &
Mobile Media Performance
Mediamorphosis
May10, 2013
Westminster University, London
Camille Baker, PhD Digital Media
background/ interests
online portfolio http://www.swampgirl67.net/
• mobile media art and
participatory performance,
• participatory video and
electronic media installation,
• wearable devices, smart
fashion, synaesthetic
interfaces,
• networked & telematic
performance;
• responsive environments
design and interaction;
• digital and electronic art,
interactive and performance
media curating.
background /bio
research interests
still from video piece ©2001
online portfolio http://www.swampgirl67.net/
SMARTlab PhD media art research 2006-2011:
MINDtouch mobile performance
–to uncover any new understandings of the
sensations of ‘liveness’ and ‘presence’ that may
emerge when using mobile technologies and
wearable devices in performance contexts–
MINDtouch: mobile devices as non-verbal expression
first video collection workshop in Vancouver June 2007
key points
Image from MINDtouch 2007 Dublin
MINDtouch: mobile devices as non-verbal expression
Images© 2007 C. Baker - stills from participants’ videos from Dublin workshop October 2007
MINDtouch: mobile devices as non-verbal expression
Video Love Letters’ involves developing a novel method to repurpose the mobile phone,
To send video message to wearable technologies and smart textiles to touch the skin.
Images from MINDtouch 2007-2008
MINDtouch: mobile devices as non-verbal expression
sensors + software
Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software
MINDtouch: prototype 2: garment
Images © 2009 C. Baker – beta garment with embedded electronics by Tara Baoth Mooney and Rachel Lesebikan
(completed August
2009)
MINDtouch: 1st participatory event - July 2009
MINDtouch: still of mixes for broadcast 2009-10
Graphic by Dave Palmer 2012
a collaborative
research project with
dance artist
/choreographer Kate
Sicchio
sensors, soft circuits +
DIY electronics
Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software
Hacking the Body
Hacking the Body
Image by Camille Baker 2012
Image by Camille Baker 2013
Hacking the Body
Handmade sensor experiments
http://vimeo.com/56206772 and in the dark http://vimeo.com/56206771
Hacking the Body
!
Image from Sander Veenhof 2011
Images by Kasia Molga 2012 and Camille Baker 2010
Hacking the Body
Hacking the Body
Image by Kate Sicchio 2013
Image by Kate Sicchio 2012
Hacking the Body
Images from live events for MINDtouch C.Baker 2009-2010
participatory events and installation
For Hacking the Body we are:
1) working with open-source and live coding with custom
interfaces and emerging devices in performance, focusing
on revealing hidden, intimate and sensuous ‘code’ of the
body for interaction and play;
2) working with inexpensive electronics kits with easy to learn
open-source programming environments, soft circuits and
other technologies for wearable crafting;
3) consider the possibilities of playful, expressive, gestural,
live coding, as well as using the DIY maker ethos in multi-
sensory participatory performances with new devices;
4) developing artworks that explore a new performance
aesthetic using mobile and other ‘hacked’ devices for live
coding, performance and interactive artworks;
For Hacking the Body we are:
5) adapting to and developing new technologies, creating
generative visual and sensual pieces with custom
software and mobile media ‘apps’ and sensors (GPS,
Accelerometers, QR readers, AR apps etc.) and
gestural gaming interfaces (Wii, Kinect, OmniTouch);
6) developing visual methods for tagging & categorising
network media to create ambient narrative
constructions and performance interactions, generative
elements incorporated into custom interfaces for
various platforms;
7) learning from dancers, live artists, musicians and others
in the DIY and ‘Maker’ movement to create new
wearable electronics and mobile applications;
http://www.iheartswitch.com
http://www.fashioningtech.com/
http://www.kobakant.at/DIY/
current activity – “DIY” Fashion & Tech crafting explosion
current developments – fabric and textile innovations
Fabric stretch sensors – knitted
fabrics coated with conductive
material
Conductance
Deep breathing vs short shallow
breathing
current developments – multi-sensors & techniques
current developments – skin-like electronics
Electronic Fingertip / smart surgical gloves and stick on ”tattoo” electronics
commercial work – functional wearables
Voltaic – solar powered bag
Heated gloves
iPod jacket
Solar panel bikini, TISCH,
NYU
ChanelRodarteHussein Chalayan
Suzanne
Lee
BioCouture
current developments – bio-fabric/skin-like textiles
Ande Domaske - German
microbiologist - Milk
Fabric
Emily Crane
Micro-Nutrient Couture
current developments – bio-fabric textiles
Donna Franklin,
Fibre Reactive, Coded Cloth
Exhibition
current developments – bio-fabric textiles
Pia Interlandi
Symbiotica Lab, Australia
current developments – conductive inks and paints
Bare Conductive Ink
Hacking the Body
A media performance research
project that explores ways to
‘Hack’ the data from the body
and create new visual and
performance feedback
mechanisms for users to
engage and play with their
mobile devices
ImageS from Kate Sicchio 2011
Panel Topic Questions:
1) How do bio tools provide new strategies for
communicating sensory experience and exploring subtle
bodily impulses through performance work?
2) How might Open-Sourcing biosensor technologies play
an important part in the development of these tools and
bio-sensing performance culture?
3) How, as practitioners, do we assess the efficacy of the
tools we are using, both in development and through
feedback after a performance?
4) How do we balance garnering information about interior
states from technology whilst working with our senses
directly?
5) What role does visualising and sonifiying bodily signals
have in defining how authentic our mediated experiences
are?
contact details:
Camille, Baker, PhD Digital Media
Media Artist / Curator / Lecturer
Brunel University< London
www.swampgirl67.net
camille@swampgirl67.net
Kate Sicchio, PhD Dance Technology
Choreographer/ Media artist Performer
Lincoln University, Lincoln
www.sicchio.com
kate@sicchio.com
Kate Sicchio and Camille Baker August 2010

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Mediamorphosis 2013: Hacking the Body

  • 1. Camille Baker, PhD Digital Media Media artist/researcher/lecturer Digital Media/Broadcast Brunel University, London, UK Dublin, Ireland April 27, 2012 Tech Garments & Mobile Media Performance Mediamorphosis May10, 2013 Westminster University, London Camille Baker, PhD Digital Media
  • 2. background/ interests online portfolio http://www.swampgirl67.net/
  • 3. • mobile media art and participatory performance, • participatory video and electronic media installation, • wearable devices, smart fashion, synaesthetic interfaces, • networked & telematic performance; • responsive environments design and interaction; • digital and electronic art, interactive and performance media curating. background /bio research interests still from video piece ©2001 online portfolio http://www.swampgirl67.net/
  • 4. SMARTlab PhD media art research 2006-2011: MINDtouch mobile performance –to uncover any new understandings of the sensations of ‘liveness’ and ‘presence’ that may emerge when using mobile technologies and wearable devices in performance contexts–
  • 5. MINDtouch: mobile devices as non-verbal expression first video collection workshop in Vancouver June 2007
  • 6. key points Image from MINDtouch 2007 Dublin MINDtouch: mobile devices as non-verbal expression
  • 7. Images© 2007 C. Baker - stills from participants’ videos from Dublin workshop October 2007 MINDtouch: mobile devices as non-verbal expression
  • 8. Video Love Letters’ involves developing a novel method to repurpose the mobile phone, To send video message to wearable technologies and smart textiles to touch the skin. Images from MINDtouch 2007-2008 MINDtouch: mobile devices as non-verbal expression
  • 9. sensors + software Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software
  • 10. MINDtouch: prototype 2: garment Images © 2009 C. Baker – beta garment with embedded electronics by Tara Baoth Mooney and Rachel Lesebikan (completed August 2009)
  • 11. MINDtouch: 1st participatory event - July 2009
  • 12. MINDtouch: still of mixes for broadcast 2009-10
  • 13. Graphic by Dave Palmer 2012 a collaborative research project with dance artist /choreographer Kate Sicchio
  • 14. sensors, soft circuits + DIY electronics Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software
  • 16. Hacking the Body Image by Camille Baker 2012
  • 17. Image by Camille Baker 2013 Hacking the Body
  • 18. Handmade sensor experiments http://vimeo.com/56206772 and in the dark http://vimeo.com/56206771
  • 19. Hacking the Body ! Image from Sander Veenhof 2011
  • 20. Images by Kasia Molga 2012 and Camille Baker 2010 Hacking the Body
  • 21. Hacking the Body Image by Kate Sicchio 2013
  • 22. Image by Kate Sicchio 2012 Hacking the Body
  • 23. Images from live events for MINDtouch C.Baker 2009-2010 participatory events and installation
  • 24. For Hacking the Body we are: 1) working with open-source and live coding with custom interfaces and emerging devices in performance, focusing on revealing hidden, intimate and sensuous ‘code’ of the body for interaction and play; 2) working with inexpensive electronics kits with easy to learn open-source programming environments, soft circuits and other technologies for wearable crafting; 3) consider the possibilities of playful, expressive, gestural, live coding, as well as using the DIY maker ethos in multi- sensory participatory performances with new devices; 4) developing artworks that explore a new performance aesthetic using mobile and other ‘hacked’ devices for live coding, performance and interactive artworks;
  • 25. For Hacking the Body we are: 5) adapting to and developing new technologies, creating generative visual and sensual pieces with custom software and mobile media ‘apps’ and sensors (GPS, Accelerometers, QR readers, AR apps etc.) and gestural gaming interfaces (Wii, Kinect, OmniTouch); 6) developing visual methods for tagging & categorising network media to create ambient narrative constructions and performance interactions, generative elements incorporated into custom interfaces for various platforms; 7) learning from dancers, live artists, musicians and others in the DIY and ‘Maker’ movement to create new wearable electronics and mobile applications;
  • 27. current developments – fabric and textile innovations Fabric stretch sensors – knitted fabrics coated with conductive material Conductance
  • 28. Deep breathing vs short shallow breathing current developments – multi-sensors & techniques
  • 29. current developments – skin-like electronics Electronic Fingertip / smart surgical gloves and stick on ”tattoo” electronics
  • 30. commercial work – functional wearables Voltaic – solar powered bag Heated gloves iPod jacket Solar panel bikini, TISCH, NYU ChanelRodarteHussein Chalayan
  • 31. Suzanne Lee BioCouture current developments – bio-fabric/skin-like textiles Ande Domaske - German microbiologist - Milk Fabric
  • 32. Emily Crane Micro-Nutrient Couture current developments – bio-fabric textiles
  • 33. Donna Franklin, Fibre Reactive, Coded Cloth Exhibition current developments – bio-fabric textiles Pia Interlandi Symbiotica Lab, Australia
  • 34. current developments – conductive inks and paints Bare Conductive Ink
  • 35. Hacking the Body A media performance research project that explores ways to ‘Hack’ the data from the body and create new visual and performance feedback mechanisms for users to engage and play with their mobile devices ImageS from Kate Sicchio 2011
  • 36. Panel Topic Questions: 1) How do bio tools provide new strategies for communicating sensory experience and exploring subtle bodily impulses through performance work? 2) How might Open-Sourcing biosensor technologies play an important part in the development of these tools and bio-sensing performance culture? 3) How, as practitioners, do we assess the efficacy of the tools we are using, both in development and through feedback after a performance? 4) How do we balance garnering information about interior states from technology whilst working with our senses directly? 5) What role does visualising and sonifiying bodily signals have in defining how authentic our mediated experiences are?
  • 37. contact details: Camille, Baker, PhD Digital Media Media Artist / Curator / Lecturer Brunel University< London www.swampgirl67.net camille@swampgirl67.net Kate Sicchio, PhD Dance Technology Choreographer/ Media artist Performer Lincoln University, Lincoln www.sicchio.com kate@sicchio.com Kate Sicchio and Camille Baker August 2010