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Tom will be seen packing clothes from his bed while getting ready to go away, with the camera placed to his right, watching him. For another shot, Tom will be sitting at a desk writing a letter for his parents, with the camera behind him as if looking over his shoulder to see what he is writing.
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The document discusses two editing techniques used in the movie Goodfellas. The first is a long take and tracking shot that follows Henry as he introduces each character to the camera, breaking the fourth wall. This fluid shot makes the introductions feel smooth. The second example is a scene that cross cuts between Jimmy and Henry talking in a diner and a scene of Tommy being made but then killed. The cross cutting between the two scenes makes the viewer feel they experience the emotions of learning about Tommy's death at the same time as Jimmy.
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This document discusses three potential filming locations for a school media project trailer:
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2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
3) Ashtead Common, where a murder scene will be filmed. Potential hazards include traffic when traveling to the location and public interference. Permission from the public will be required.
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This document summarizes various potential filming locations for a school media project, a trailer for a soap opera. For each location, it describes what scene would be filmed there, potential hazards, and proposed solutions to address those hazards. The locations include a street to set the scene, a coffee shop for a discussion scene, a messy bedroom to represent a drug addict's home, a school kitchen for a baking scene, woods for a flashback murder scene, a living room for a domestic argument scene, an alleyway for a conflict scene, and a pond for establishing shots of the picturesque town that contrast with the drama. Potential hazards addressed include traffic, spills, knives, slippery paths, and interfering pedestrians or vehicles.
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2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
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The document contains reviews and feedback on three opening film scenes. Key points made include:
1) The use of different camera angles and shots was effective in showing the scenes and building tension.
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3) Sound quality was an issue in one scene where background rain noise made dialogue hard to understand.
4) One fight scene went on too long and risked losing the audience's interest.
The reviews highlight lessons on using varied camera techniques, choosing appropriate settings, ensuring clear sound, and optimizing scene lengths to improve future film openings.
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1) Lizzie's House, where most of the trailer will be filmed due to its variety of rooms and proximity to other locations. Potential hazards include traffic and cable clutter.
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This summary provides an overview of the shots used in a video match between Marcus Groome and another individual. The first shot was a long shot that established the surroundings where the scene would take place. Subsequent shots included Marcus walking through a door to his seat. Additional shots followed criteria for shot reverse shots between Marcus and the other individual, using over-the-shoulder shots and the same camera angles to convince viewers they were in the same room conversing. Facial close-ups and a variety of shot angles were employed to maintain interest and meet directing criteria.
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The document outlines the scenes, locations, characters, and props needed to film a short film over several class periods. It details that scenes include Aaron eating krave in class, Mr. Chopper buying the last krave box and getting angry, the murderer beating and killing Mr. Chopper, the police finding the body by a pond, forensics finding krave traces in Mr. Chopper's blood, and the police arresting the murderer in the car park. The document lists the camera, sound equipment, characters, and props needed for each scene.
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The document discusses camera shots and techniques that will be used in a slasher film trailer. It will include close-ups of victims' fearful faces and jump scares with the villain's mask. High and low angle shots will be used to portray the villain's power and the victim's vulnerability. Handheld and point-of-view shots from behind following teenagers will create a sense that someone is watching them. A Canon 700D camera on a tripod will capture tracking shots.
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Recce
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Descent camera shots
The document describes various camera shots used in a scene from the film Descent. It begins with close up shots of a birthday cake and Sarah in a hospital bed, indicating it may be a flashback to a birthday. Later shots include a mid shot of Sarah waking from a dream, an establishing shot of her in a deserted hospital corridor looking confused, a trombone shot zooming in on her facial expression showing discomfort, and a steadicam shot following Sarah as she runs down the corridor in fright. An arc shot is also used to get tight close shots of two subjects interacting in a tight space.
Micro elements in film opening
The document discusses how different camera shots are used in opening sequences to create meaning and tension. An extreme close-up of a zombie's eyes shows blood and desperation. A close-up from a POV perspective shows the scariness and expression of a zombie about to eat someone. A medium shot clearly shows a man running from a zombie, showing his movement and pace. The long shots show the location and zombies attacking, with an extreme long shot establishing the living area setting.
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3:国家专业人才认证中心颁发入库证书
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一比一原版(QUT毕业证)昆士兰科技大学毕业证成绩单如何办理
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
A Brief Introduction About Hadj Ounis
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2024 MATFORCE Youth Poster Contest Winners
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
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