SlideShare a Scribd company logo
1 of 3
More Information <br />http://bit.ly/fm9FcC<br />List two to three characteristics of Orientalism<br />The Orient was not an inert and passive object of nature, but a human construction created through generations of intellectuals, artists, writers and orientalists, providing the discourses with which the West had constructed its image of the Orient.Said called these assumptions orientalism and defined the term using three characteristics. Firstly, he applied it to the academic discipline used to construct the field of knowledge regarding the Orient. Secondly, he used the term to describe the system of thought which ontologically and epistemologically distinguished the Orient from the Occident; a difference that had been forged over centuries and which is found in the works of such diverse and distanced authors as Esquilo, Dante, Flaubert and Marx... And finally, he employed it to denominate the projection of power by the West which sought to dominate, restructure and control the Orient in order to create a discourse that would be at the service of imperial and colonial power.Of these three definitions, the first two were linked to the creation and textual construction of the Orient. The texts created a reality of the Orient, but did not allow its inhabitants the possibility of expression. The European textural representations were offered as forms with which the Orient was made to speak, but without granting it a voice. That is to say, through foreign and exterior discourses which obviated self-representation of the East. In this way, these texts went on to demonstrate the assumptions and doctrines of Europe itself, while at the same time they constituted the forms of the study of the Europeans, instead of representing the inhabitants of the Orient. For Said, the texts stood up as a source of other realities. Interweaved as they were in the vast network of relationships of the world – political, social, and cultural – they allowed an approximation and interpretation of many other situations (Said, 1983). He had drawn this consideration from the work of Foucault, one of the philosophers whom Said recognised as a source of his textual criticism. Foucault's work suggested how a determined cultural order could be studied from its discursive definitions, which are rife with habits, unwritten rules, and suppositions, and could therefore also be considered as sources of social knowledge.<br />More Information <br />http://bit.ly/fm9FcC<br />
Orientalism's Three Characteristics
Orientalism's Three Characteristics

More Related Content

What's hot

Modernism in Literature
Modernism in Literature Modernism in Literature
Modernism in Literature Monir Hossen
 
Dryden's view on drama
Dryden's view on dramaDryden's view on drama
Dryden's view on dramanidhijasani
 
Nature of the linguistic sign
Nature of the linguistic sign Nature of the linguistic sign
Nature of the linguistic sign St:Mary's College
 
Literary Criticism - Essay on Dramatic Poesy
Literary Criticism - Essay on Dramatic PoesyLiterary Criticism - Essay on Dramatic Poesy
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
 
Orientalism explained
Orientalism explainedOrientalism explained
Orientalism explainedLajja Bhatt
 
T S ELIOT AS A CRITIC
T S ELIOT AS A CRITICT S ELIOT AS A CRITIC
T S ELIOT AS A CRITICSREEKUMAR V R
 
Apology for poetry (sir philip sidney)
Apology for poetry (sir philip sidney)Apology for poetry (sir philip sidney)
Apology for poetry (sir philip sidney)Rozi Khan
 
Mathew Arnold
Mathew ArnoldMathew Arnold
Mathew ArnoldAnjaliR24
 
Heart of Darkness - Autobiographical elements... ele...
Heart of Darkness - Autobiographical elements... ele...Heart of Darkness - Autobiographical elements... ele...
Heart of Darkness - Autobiographical elements... ele...Faheem Akram Shah
 
The theory of Impersonality by T.S. Eliot
The theory of Impersonality by T.S. Eliot  The theory of Impersonality by T.S. Eliot
The theory of Impersonality by T.S. Eliot Monir Hossen
 
Sound and the fury
Sound and the furySound and the fury
Sound and the furyDisha Kariya
 
theory of imitation g1.pptx
theory of imitation g1.pptxtheory of imitation g1.pptx
theory of imitation g1.pptxBismaIshfaq3
 
Milton’s Grand style
Milton’s Grand styleMilton’s Grand style
Milton’s Grand styleTouqeer Raza
 
Characteristics of Absurd Theatre
 Characteristics of Absurd Theatre Characteristics of Absurd Theatre
Characteristics of Absurd TheatreLatta Baraiya
 

What's hot (20)

Modernism in Literature
Modernism in Literature Modernism in Literature
Modernism in Literature
 
On the sublime
On the sublime On the sublime
On the sublime
 
Dryden's view on drama
Dryden's view on dramaDryden's view on drama
Dryden's view on drama
 
Nature of the linguistic sign
Nature of the linguistic sign Nature of the linguistic sign
Nature of the linguistic sign
 
Preface wordsworth
Preface wordsworthPreface wordsworth
Preface wordsworth
 
Orientalism
OrientalismOrientalism
Orientalism
 
Literary Criticism - Essay on Dramatic Poesy
Literary Criticism - Essay on Dramatic PoesyLiterary Criticism - Essay on Dramatic Poesy
Literary Criticism - Essay on Dramatic Poesy
 
Orientalism
OrientalismOrientalism
Orientalism
 
Orientalism explained
Orientalism explainedOrientalism explained
Orientalism explained
 
T S ELIOT AS A CRITIC
T S ELIOT AS A CRITICT S ELIOT AS A CRITIC
T S ELIOT AS A CRITIC
 
Apology for poetry (sir philip sidney)
Apology for poetry (sir philip sidney)Apology for poetry (sir philip sidney)
Apology for poetry (sir philip sidney)
 
Mathew Arnold
Mathew ArnoldMathew Arnold
Mathew Arnold
 
Heart of Darkness - Autobiographical elements... ele...
Heart of Darkness - Autobiographical elements... ele...Heart of Darkness - Autobiographical elements... ele...
Heart of Darkness - Autobiographical elements... ele...
 
Eco Criticism
Eco CriticismEco Criticism
Eco Criticism
 
Marxism and literature
Marxism and literatureMarxism and literature
Marxism and literature
 
The theory of Impersonality by T.S. Eliot
The theory of Impersonality by T.S. Eliot  The theory of Impersonality by T.S. Eliot
The theory of Impersonality by T.S. Eliot
 
Sound and the fury
Sound and the furySound and the fury
Sound and the fury
 
theory of imitation g1.pptx
theory of imitation g1.pptxtheory of imitation g1.pptx
theory of imitation g1.pptx
 
Milton’s Grand style
Milton’s Grand styleMilton’s Grand style
Milton’s Grand style
 
Characteristics of Absurd Theatre
 Characteristics of Absurd Theatre Characteristics of Absurd Theatre
Characteristics of Absurd Theatre
 

Viewers also liked

An Introduction of Orientalism (Post Colonialism Literature)
An Introduction of Orientalism (Post Colonialism Literature)An Introduction of Orientalism (Post Colonialism Literature)
An Introduction of Orientalism (Post Colonialism Literature)bhumivajani88
 
orientalism
orientalismorientalism
orientalismJen W
 
Hybridity in Postcolonialism
Hybridity in PostcolonialismHybridity in Postcolonialism
Hybridity in PostcolonialismAnis Zulaikha
 
Crisis [in orientalism] ppt
Crisis [in orientalism] pptCrisis [in orientalism] ppt
Crisis [in orientalism] pptAparnaAiyar
 

Viewers also liked (8)

An Introduction of Orientalism (Post Colonialism Literature)
An Introduction of Orientalism (Post Colonialism Literature)An Introduction of Orientalism (Post Colonialism Literature)
An Introduction of Orientalism (Post Colonialism Literature)
 
Orientalism
OrientalismOrientalism
Orientalism
 
orientalism
orientalismorientalism
orientalism
 
Orientalism
OrientalismOrientalism
Orientalism
 
Hybridity in Postcolonialism
Hybridity in PostcolonialismHybridity in Postcolonialism
Hybridity in Postcolonialism
 
Orientalism
OrientalismOrientalism
Orientalism
 
Crisis [in orientalism] ppt
Crisis [in orientalism] pptCrisis [in orientalism] ppt
Crisis [in orientalism] ppt
 
Concept of Orientalism
Concept of OrientalismConcept of Orientalism
Concept of Orientalism
 

Similar to Orientalism's Three Characteristics

3689 10771-1-pb
3689 10771-1-pb3689 10771-1-pb
3689 10771-1-pbjakajmmk
 
Orientalism maimoona
Orientalism maimoonaOrientalism maimoona
Orientalism maimoonaHameel Khan
 
A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...
A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...
A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...Leslie Schulte
 
II New Historicism
II New HistoricismII New Historicism
II New Historicismpvillacanas
 
The anthropology of sexuality discourse and sex work
The anthropology of sexuality  discourse and sex workThe anthropology of sexuality  discourse and sex work
The anthropology of sexuality discourse and sex workUniversity of Dhaka
 
Contemporary Literary Theory _ Study Material
Contemporary Literary Theory _ Study MaterialContemporary Literary Theory _ Study Material
Contemporary Literary Theory _ Study MaterialDr. Aareena Nazneen
 
Indian post colonial theorists
Indian post colonial theoristsIndian post colonial theorists
Indian post colonial theoristsAjit Kaliya
 
Sujay theories of cultural change final final final final final
Sujay theories of cultural change final final final final finalSujay theories of cultural change final final final final final
Sujay theories of cultural change final final final final finalSujay Rao Mandavilli
 
Sujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdf
Sujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdfSujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdf
Sujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdfSujay Rao Mandavilli
 
History and its methods.ppt
History and its methods.pptHistory and its methods.ppt
History and its methods.pptevan450135
 
Modernism in literature by Monir Hossen
Modernism in literature by Monir Hossen Modernism in literature by Monir Hossen
Modernism in literature by Monir Hossen Monir Hossen
 
A CRITICAL FRAMEWORK FOR TEXTUAL ANALYSIS
A CRITICAL FRAMEWORK FOR TEXTUAL ANALYSISA CRITICAL FRAMEWORK FOR TEXTUAL ANALYSIS
A CRITICAL FRAMEWORK FOR TEXTUAL ANALYSISBryce Nelson
 
Social Anth. Module 1 Topics 1&2 (1) (1).pptx
Social Anth. Module 1 Topics 1&2 (1) (1).pptxSocial Anth. Module 1 Topics 1&2 (1) (1).pptx
Social Anth. Module 1 Topics 1&2 (1) (1).pptxcharlycabal12
 

Similar to Orientalism's Three Characteristics (20)

Russian Formalism
Russian FormalismRussian Formalism
Russian Formalism
 
3689 10771-1-pb
3689 10771-1-pb3689 10771-1-pb
3689 10771-1-pb
 
Orientalism maimoona
Orientalism maimoonaOrientalism maimoona
Orientalism maimoona
 
Orientalism
Orientalism Orientalism
Orientalism
 
A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...
A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...
A Postcolonial Reading Of George Orwell S Shooting An Elephant With Special R...
 
Deprived of Free Will: Antihumanism in Harold Pinter’s The Birthday Party
 Deprived of Free Will: Antihumanism in Harold Pinter’s The Birthday Party  Deprived of Free Will: Antihumanism in Harold Pinter’s The Birthday Party
Deprived of Free Will: Antihumanism in Harold Pinter’s The Birthday Party
 
MLS
MLSMLS
MLS
 
II New Historicism
II New HistoricismII New Historicism
II New Historicism
 
The anthropology of sexuality discourse and sex work
The anthropology of sexuality  discourse and sex workThe anthropology of sexuality  discourse and sex work
The anthropology of sexuality discourse and sex work
 
Contemporary Literary Theory _ Study Material
Contemporary Literary Theory _ Study MaterialContemporary Literary Theory _ Study Material
Contemporary Literary Theory _ Study Material
 
Indian post colonial theorists
Indian post colonial theoristsIndian post colonial theorists
Indian post colonial theorists
 
Modernism In Literature
Modernism In LiteratureModernism In Literature
Modernism In Literature
 
Sujay theories of cultural change final final final final final
Sujay theories of cultural change final final final final finalSujay theories of cultural change final final final final final
Sujay theories of cultural change final final final final final
 
Sujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdf
Sujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdfSujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdf
Sujay Theories of Cultural change FINAL FINAL FINAL FINAL FINAL.pdf
 
History and its methods.ppt
History and its methods.pptHistory and its methods.ppt
History and its methods.ppt
 
-MIDTERM - arts -7.30.pptx
-MIDTERM - arts -7.30.pptx-MIDTERM - arts -7.30.pptx
-MIDTERM - arts -7.30.pptx
 
Modernism in literature by Monir Hossen
Modernism in literature by Monir Hossen Modernism in literature by Monir Hossen
Modernism in literature by Monir Hossen
 
A CRITICAL FRAMEWORK FOR TEXTUAL ANALYSIS
A CRITICAL FRAMEWORK FOR TEXTUAL ANALYSISA CRITICAL FRAMEWORK FOR TEXTUAL ANALYSIS
A CRITICAL FRAMEWORK FOR TEXTUAL ANALYSIS
 
Social Anth. Module 1 Topics 1&2 (1) (1).pptx
Social Anth. Module 1 Topics 1&2 (1) (1).pptxSocial Anth. Module 1 Topics 1&2 (1) (1).pptx
Social Anth. Module 1 Topics 1&2 (1) (1).pptx
 
International relations
International relationsInternational relations
International relations
 

Orientalism's Three Characteristics

  • 1. More Information <br />http://bit.ly/fm9FcC<br />List two to three characteristics of Orientalism<br />The Orient was not an inert and passive object of nature, but a human construction created through generations of intellectuals, artists, writers and orientalists, providing the discourses with which the West had constructed its image of the Orient.Said called these assumptions orientalism and defined the term using three characteristics. Firstly, he applied it to the academic discipline used to construct the field of knowledge regarding the Orient. Secondly, he used the term to describe the system of thought which ontologically and epistemologically distinguished the Orient from the Occident; a difference that had been forged over centuries and which is found in the works of such diverse and distanced authors as Esquilo, Dante, Flaubert and Marx... And finally, he employed it to denominate the projection of power by the West which sought to dominate, restructure and control the Orient in order to create a discourse that would be at the service of imperial and colonial power.Of these three definitions, the first two were linked to the creation and textual construction of the Orient. The texts created a reality of the Orient, but did not allow its inhabitants the possibility of expression. The European textural representations were offered as forms with which the Orient was made to speak, but without granting it a voice. That is to say, through foreign and exterior discourses which obviated self-representation of the East. In this way, these texts went on to demonstrate the assumptions and doctrines of Europe itself, while at the same time they constituted the forms of the study of the Europeans, instead of representing the inhabitants of the Orient. For Said, the texts stood up as a source of other realities. Interweaved as they were in the vast network of relationships of the world – political, social, and cultural – they allowed an approximation and interpretation of many other situations (Said, 1983). He had drawn this consideration from the work of Foucault, one of the philosophers whom Said recognised as a source of his textual criticism. Foucault's work suggested how a determined cultural order could be studied from its discursive definitions, which are rife with habits, unwritten rules, and suppositions, and could therefore also be considered as sources of social knowledge.<br />More Information <br />http://bit.ly/fm9FcC<br />