Landscape photography
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The document discusses photographing landscapes. It recommends looking for highlights and shadows that overlap pleasingly to create texture and a feeling of depth, rather than relying on light alone. The tonal differences are more important than the light. It also mentions an Oslo-based photographer who questions romantic views of landscapes, as his images turn out to be digitally stitched with no single perspective.
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Landscape photography
- 4. High tonal contrast, even light. The texture and feeling of depth in the photo isn't going to be created by the light, but rather by the tonal differences. Look for highlights and shadows that overlap in a pleasing way.
- 7. Oslo based photographer Mikkel McAlinden is questioning the romantic modes of viewing landscape. On close inspection they turn out to be digitally stitched images which refuse Albertian perspective.