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This is a musical score for an adagio by Tomaso Albinoni featuring alto saxophone and piano. The score contains detailed instructions for tempo, dynamics, articulation, and expression over its 112 measures. It moves through several sections with variations in tempo, dynamics, and texture between the saxophone and piano parts.

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  Adagio Alto Sax  A Ad da ag gio o T.Albinoni (1671-1750)     p             12                    3 3 3 19       mf                                26 1.  2.    p        f         30     rit.           a tempo  p               34     ad libitum                                  f        38                                   p         42            mf           ad libitum                           45              f                   48                         p    From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
51   f                           3 63               p               3 70     mp                 pp       3 3 76      mf                      83       f                                      89                     ff   95                   101                   107         sostenuto                112                       Alto Sax From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
      Adagio    A A A Ad d d da a ag g g gi io o o o T.Albinoni (1671-1750) Alto Sax Piano        mp                                                         6     p                       3                     continue                  11            3        3                                3                             16      3           mf           3            3                                              From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
21                                                                      25 1. 1.         p                                                            27 2. 2.        f              rit.                    mf                   rit.                                      32  a tempo   p                          ad libitum                                        a tempo                                    From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
37  f                                     p                                                                  42            mf           ad libitum                                       f                                                             47                                 p                                                                 53              cresc.                     3 3 mf                            From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
58  f                                                                                          62        3              3                 3            3              3          3                              66  p                                                         p                     72  mp             3         pp  3          mf                        pp                                    From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
78                     mp                     mf                               83       f                                                   f                                                                   87                                                                                                       91              ff                                      ff                                               From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
95                                                                                                101                                                                                      106           sostenuto                                                                             111                                               pp                         From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com

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kupdf.net_albinoni-adagio-alto-saxpdf.pdf

  • 1.
      Adagio Alto Sax  A Ad da ag gio o T.Albinoni (1671-1750)    p             12                    3 3 3 19       mf                                26 1.  2.    p        f         30     rit.           a tempo  p               34     ad libitum                                  f        38                                   p         42            mf           ad libitum                           45              f                   48                         p    From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 2.
    51   f                          3 63               p               3 70     mp                 pp       3 3 76      mf                      83       f                                      89                     ff   95                   101                   107         sostenuto                112                       Alto Sax From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 3.
          Adagio    A A A Ad d d da a ag g g gi io o o o T.Albinoni (1671-1750) Alto Sax Piano       mp                                                         6     p                       3                     continue                  11            3        3                                3                             16      3           mf           3            3                                              From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 4.
    21                                                                     25 1. 1.         p                                                            27 2. 2.        f              rit.                    mf                   rit.                                      32  a tempo   p                          ad libitum                                        a tempo                                    From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 5.
    37  f                                    p                                                                  42            mf           ad libitum                                       f                                                             47                                 p                                                                 53              cresc.                     3 3 mf                            From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 6.
    58  f                                                                                         62        3              3                 3            3              3          3                              66  p                                                         p                     72  mp             3         pp  3          mf                        pp                                    From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 7.
    78                    mp                     mf                               83       f                                                   f                                                                   87                                                                                                       91              ff                                      ff                                               From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com
  • 8.
    95                                                                                               101                                                                                      106           sostenuto                                                                             111                                               pp                         From the archives of the Clarinet Institute of Los Angeles www.clarinetinstitute.com