Kidulthood
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The opening two minutes introduce two female characters dressed in disheveled school uniforms with strong London accents. Through mid-shots of their interactions in a run-down looking school setting, these establishing shots begin to set the scene and tone for a gritty British realistic drama focused on unknown youth actors in a single location.
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Kidulthood
The opening two minutes of the film Kidulthood establish the main characters and setting through shots of the characters in their school uniforms or casual clothes that provide clues to their personalities. Financing from HanWay Films and Stealth Films is also briefly noted. Mid shots are mostly used to frame the characters and show two girls who seem separate from other crowds at their school.
Shooting schedule sheet
The document outlines the shooting schedule for the film The Pyre produced by Third Eye Productions. It lists the producer, director, and production staff and schedules 3 days of filming on November 28th and 29th, 2013. The first day will film scenes at Tunstall Courts in Hartlepool including Adena walking around and three boys trespassing, requiring burnt clothes and makeup. The second day will film a school flashback scene for Adena at Brinkburn HSFC in Hartlepool.
Shooting Schedule
The document outlines the shooting schedule for the film The Pyre produced by Third Eye Productions. It will be filmed over three days from November 28-29, 2013 in Hartlepool, UK. The first day will film scenes at Tunstall Courts involving actors Chloe, Mark, Ben, and Lewis along with stand-ins Alex and Doug. The second day will film a flashback scene at Brinkburn HSFC involving actors Chloe, Mat, and Lewis.
Photo Plan
The document provides shooting details for a photography project, including shot types, actors, dates, times, locations, and costumes for the front cover, contents, and back cover photos. Pictures on the front cover and contents include close-ups and group shots of the actors in various campus locations and costumes. The back cover photo will be a long shot of the main actor in the photography department, appearing professionally shot with minimal costume and effects.
The Pyre- Shooting Schedule
Third Eye Productions will be filming The Pyre over three days from November 14-16, 2013. Doug Macaskill will serve as both producer and first assistant director, while Thomas Curtis will direct. On the first day of shooting at Tunstall Courts in Hartlepool, scenes involving characters Chloe, Mark, Ben, and Lewis trespassing on the property will be filmed. The second day of shooting will take place at Brinkburn High School Football Club and will involve a flashback scene of character Adena's school days with Chloe, Mat, and Lewis.
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The opening two minutes of the film Kidulthood establish the main characters and setting through shots of the characters in their school uniforms or casual clothes that provide clues to their personalities. Financing from HanWay Films and Stealth Films is also briefly noted. Mid shots are mostly used to frame the characters and show two girls who seem separate from other crowds at their school.
Shooting schedule sheet
The document outlines the shooting schedule for the film The Pyre produced by Third Eye Productions. It lists the producer, director, and production staff and schedules 3 days of filming on November 28th and 29th, 2013. The first day will film scenes at Tunstall Courts in Hartlepool including Adena walking around and three boys trespassing, requiring burnt clothes and makeup. The second day will film a school flashback scene for Adena at Brinkburn HSFC in Hartlepool.
Shooting Schedule
The document outlines the shooting schedule for the film The Pyre produced by Third Eye Productions. It will be filmed over three days from November 28-29, 2013 in Hartlepool, UK. The first day will film scenes at Tunstall Courts involving actors Chloe, Mark, Ben, and Lewis along with stand-ins Alex and Doug. The second day will film a flashback scene at Brinkburn HSFC involving actors Chloe, Mat, and Lewis.
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The document provides shooting details for a photography project, including shot types, actors, dates, times, locations, and costumes for the front cover, contents, and back cover photos. Pictures on the front cover and contents include close-ups and group shots of the actors in various campus locations and costumes. The back cover photo will be a long shot of the main actor in the photography department, appearing professionally shot with minimal costume and effects.
The Pyre- Shooting Schedule
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Opening sequence
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Media as (opening scenes)
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The director conveys multiple genres in the opening scenes of Edward Scissorhands through the use of visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale elements are displayed with gingerbread pieces and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone to appeal to wider audiences. Romance is seen through the warm bedroom scene and relationship between the little girl and grandmother. Throughout the opening, the director juxtaposes shots of the gothic castle representing horror with scenes of the colorful neighborhood and use of comedy to counteract scary elements and attract different viewers.
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Teeth[1]
This film is a simple black-and-white comedy about friendship. It follows two elderly men fishing on a remote lake. One man accidentally sneezes his false teeth into the lake, endangering their friendship. The narrative is straightforward, starting with equilibrium, a disequilibrium caused by losing the teeth, and a solution at the end. Cinematography is simple, with establishing shots of the lake setting and close-ups highlighting the men's expressions. Costumes and props portray the men as working-class and reveal fishing as their hobby.
Evaluation task 1
The film challenges conventions by not including director or producer credits in the opening. It compares this choice to the film "This is England" which displays credits before the cast. Scenes from the film are similar to those in "Dead Man's Shoes" and "Kidulthood", with matching shots of characters walking alone or bullying others. Unlike thrillers like "Shutter Island" that use ominous music to set the mood, the film uses no music to lull the audience into a false sense of security before violence erupts unexpectedly.
Evaluation question 5
1) The filmmakers carefully selected costumes, props, actors, and locations to attract different audiences. Casual costumes portrayed the average protagonist while formal wear distinguished the villainous government worker. Props like a fake gun added elements of action without being excessive.
2) The storyline follows an average man who discovers a powerful USB drive, putting the audience in his shoes. Intrigue is built by beginning with the protagonist being shot to encourage viewers to watch to understand why.
3) To reach audiences, the film was screened locally and positive feedback was recorded. It was also posted online and 250 DVDs were produced for broader distribution.
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Chiaroscuro lighting uses strong contrasts between light and dark areas to create a low-key lighting style characteristic of film noir. This technique highlights key elements like a character's face while leaving other parts of the scene in shadow. Both The Hunchback of Notre Dame (1939) and The Devil and Daniel Webster (1941) effectively employed chiaroscuro lighting, such as highlighting a male character's face while shadowing his body in Hunchback or using window light to cast dramatic shadows on the floor, symbolizing psychological entrapment which was a common theme in detective films noir of the time period.
The genre of british social realism
The document discusses the genre of British social realism in film. Some key conventions include location shooting instead of studios, use of non-professional actors, and exploring wider social issues through individual stories. Directors like Mike Leigh and Ken Loach are noted for their portrayal of working class lives and examination of the erosion of regional and class identities in Britain over the 20th century. Their films provide complex representations of men and women navigating social and economic changes.
The genre of british social realism
The document discusses the genre of British social realism in film. Some key conventions include location shooting instead of studios, use of non-professional actors, and exploring wider social issues through individual stories. Directors like Mike Leigh and Ken Loach are noted for their portrayal of working class lives and examination of the erosion of regional and class identities in Britain over the 20th century. Their films provide complex representations of men and women navigating social and economic changes.
Eastenders, submarine, only fools and horses
The document summarizes representations of the working class in several British TV shows and films. In a soap opera, a male character towers over a female and looks harsh while she smiles happily. A sitcom features three shabby male characters who live together and try to get rich through theft and fraud. A film called Submarine portrays an unhappy working-class couple in dead-end jobs who seek excitement to escape their routine lives.
The Representation of the White Working Class in Eastenders
In a British soap opera episode from December 9th, 2011, the mis en scene representation of men and women shows the male character towering over and taking up more space than the smiling female, wearing a suit and looking businesslike compared to her plain denim jacket and blonde hair. The male is shown frowning and looking harsh and menacing while speaking down to and bringing up the woman's past, hinting she was a stripper, as the natural lighting captures their interaction.
A2 Production Moodboard
This mood board explores issues facing youth culture such as teen drinking, teenage pregnancy, broken families, parent-child relationships, gangs, council estates, and school in an urban city centre environment. Key themes include risks and challenges facing modern teenagers as well as their social and family relationships.
Moodboard
This mood board explores issues facing youth culture such as teen drinking, teenage pregnancy, broken families, and poor parent-child relationships. It also examines challenges like gangs, council estates, and city centers as well as the influence of school.
Attract audience
The document summarizes how the film attracted its target teenage audience of ages 16-24. It did so by featuring a 16-year-old protagonist they could identify with, depicting a conflict with parents they may have experienced, setting it in a familiar council estate location, and using an dramatic opening scene with raised voices and mild violence to draw the audience in and encourage them to watch more.
Media theory
The document discusses different types of camera angles that could be used in a film production, including establishing shots, mid shots, close ups, extreme close ups, long shots, extreme long shots, birds eye view shots, point of view shots, and over the shoulder shots. It provides examples of when each type of shot would be suitable and considerations for whether they could be included in the film being discussed.
Y outh 247
The document describes a group of youths who are smoking and one has a gun. It criticizes them for wearing tracksuits, being unemployed and lazy, having no goals or respect for themselves, their health, or the law. They are described as dishonest citizens who are alcohol abusers, unhygienic, and have no priorities or morals.
Media pitch
The film will take place mostly on a council estate nicknamed "White City" and will focus on a young girl growing up there who dreams of a better life. She must take care of her siblings because her alcoholic mother is unable to. The film will feature characters of various ages and will be shot on a real estate in Water Orton. It draws inspiration from films like "Fish Tank" and "Bullet Boy" in its themes of family and conflicts between parents and children.
Yasmin2
The film starts silently with opening titles for fourteen seconds. The first characters shown are an elderly Muslim man in traditional clothes and a young Muslim man in Western clothes, showing a contrast between old and young cultures. Rustic graffiti is shown indicating the film will address racism in the Muslim community. Throughout the opening, Arabic singing plays parallel to slow, relaxed scenes. An establishing shot shows the run-down community setting the scene for the characters' living conditions. A woman is seen changing secretly from traditional to Western clothes, showing cultural conflict and raising questions.
Yasmin
The film starts silently with opening titles for fourteen seconds. The first characters shown are an elderly Muslim man in traditional clothes and a young Muslim man in Western clothes, showing a contrast between old and young cultures. Rustic graffiti is shown indicating the film will address racism in the Muslim community. Throughout the opening, Arabic singing plays parallel to slow, relaxed scenes. An establishing shot shows the run-down community setting the scene for the characters' living conditions. A woman is seen changing secretly from traditional to Western clothes, showing cultural conflict and raising questions.
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The Representation of the White Working Class in Eastenders
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Kidulthood
- 1. Analysis of the opening two minutes of 'Kidulthood'
- 2. Here, I have analysed the opening 2 minutes of the film 'Kidulthood' to pick out the key features and conventions to assist me when creating my own video. This will help make my own production more professional and look as much like a British Realism as possible.
- 3. The titles at the beginning of the film lasted for 32 seconds. The music came in at 20 seconds. The music is upbeat and you can hear children shouting.
- 4. The opening 2 minutes features two girls, dressed in a school uniform. However, they do not look smart - their ties are short and shirts are un-tucked which shows us that they do not particularly care about their appearance and have little respect for the school or themselves. They are wearing black hoodies and lots of heavy gold jewellery. The one girl's hair is scraped up in a side-pony. Both girls have very strong London accents, which is typical of a British Realism film. This lets us know where the film is set.
- 5. The opening two minutes include only one location - a school. Most of the actors wear typical school uniform which helps set the scene. Also, the actors are unknown (a convention of British Realism) and this helps make the scene more believable.
- 6. The opening 2 minutes are made up of mainly mid-shots. This doesn't allow us to see the setting very clearly. However, we do get the impression that the school is run down by the appearance of the students, the dirty looking grounds and the colouring of the scene - dull and grey.
- 7. We are introduced to the main characters by a series of two shots. The shots are cut together quickly which begins to create atmosphere. There are also quick sweeps and zooms between shots to distinguish between characters. This makes the audience feel uneasy about what is happening on screen. The characters come from a mix of ethnic backgrounds.