Présentation cas Urbania - Projet Nouvelle Vagueanoukanouk
Une présentation réalisée dans le cadre d'un cours dispensé par Bernard Védrenne de la Fédération des EPL et Inès Balligand de Logidev.
Un projet réalisé avec Anne Sophie Bonhour, Pauline Joséfiak, et Vianney Cuny.
Une présentation réalisée dans le cadre d'un cours sur le cas Urbania dispensé par Bernard Védrenne de la Fédération des EPL et Inès Balligand de Logidev.
Un projet réalisé avec Anne Sophie Bonhour, Pauline Joséfiak et Vianney Cuny.
Les Greeters de Charleroi-Thudinie permettent d’explorer le pays de Charleroi et de Val de Sambre et Thudinie de l'intérieur. Partez à la rencontre d'un Greeter, cet habitant passionné et soucieux de partager avec vous sa région. Il vous racontera sa propre histoire et partagera avec vous ses coups de cœur.
PechaKucha es una presentación de diapositivas con un formato estricto de 20 diapositivas que se muestran durante 20 segundos cada una, para un total de 6 minutos y 40 segundos. LibreOffice Impress es un programa de presentaciones de diapositivas gratuito y de código abierto que permite crear presentaciones en formato PechaKucha.
Rencontrez les Greeters de Mons, ces habitants bénévoles qui font découvrir autrement leur ville aux visiteurs. Un concept qui se base principalement sur la découverte et l'échange entre le visiteur et la population locale et qui relève du tourisme participatif.
Présentation cas Urbania - Projet Nouvelle Vagueanoukanouk
Une présentation réalisée dans le cadre d'un cours dispensé par Bernard Védrenne de la Fédération des EPL et Inès Balligand de Logidev.
Un projet réalisé avec Anne Sophie Bonhour, Pauline Joséfiak, et Vianney Cuny.
Une présentation réalisée dans le cadre d'un cours sur le cas Urbania dispensé par Bernard Védrenne de la Fédération des EPL et Inès Balligand de Logidev.
Un projet réalisé avec Anne Sophie Bonhour, Pauline Joséfiak et Vianney Cuny.
Les Greeters de Charleroi-Thudinie permettent d’explorer le pays de Charleroi et de Val de Sambre et Thudinie de l'intérieur. Partez à la rencontre d'un Greeter, cet habitant passionné et soucieux de partager avec vous sa région. Il vous racontera sa propre histoire et partagera avec vous ses coups de cœur.
PechaKucha es una presentación de diapositivas con un formato estricto de 20 diapositivas que se muestran durante 20 segundos cada una, para un total de 6 minutos y 40 segundos. LibreOffice Impress es un programa de presentaciones de diapositivas gratuito y de código abierto que permite crear presentaciones en formato PechaKucha.
Rencontrez les Greeters de Mons, ces habitants bénévoles qui font découvrir autrement leur ville aux visiteurs. Un concept qui se base principalement sur la découverte et l'échange entre le visiteur et la population locale et qui relève du tourisme participatif.
Présentantion de la manoeuvre arrière gare des train du réseau du métro de Montréal. Document créé et utilisé pour une entrevue d'embauche comme agent de formation opérateur .
- Modernité et traditions du marché du travail
- Contrats responsables : le décret du 19 novembre réussit à faire l'unanimité contre lui
- Les relations sociales se tendent dans le secteur bancaire
The document discusses typography and tagline preferences for a trailer, poster, and magazine masthead based on feedback from the target audience. It was found that the audience preferred a certain typography for the trailer and tagline typography. They also liked one tagline for the trailer and another for the poster. Finally, a certain typography was preferred for the magazine masthead.
This actor agreement outlines the terms between various actors (Lauren Cowey, Emma Bedford, James Adams, Rachel Lloyd, Rachel Hall) and New Line Cinema for their performances in the motion picture "Oak Manor". The actors grant all rights to their performances in perpetuity. They will receive 50% of net profits from distribution. The agreement constitutes the entire understanding between the parties.
The document discusses the target demographic for horror media which is females and males aged 15-30 from socio-economic groups E to B with low spending power. It enjoys horror films, social networking, theme parks, and ghost stories. It also discusses popular horror film franchises such as A Nightmare on Elm Street and Friday the 13th. Finally, it proposes a plot for a horror film trailer involving a group of friends discovering disturbing articles and possessions at a house they are staying at.
A young woman was murdered in her home at Oak Manor in 1931. Teenagers were seen leaving the scene and were suspects. Six months later, the police abandoned the investigation due to lack of evidence. In 1940, Oak Manor was sold to a couple and their two children. In 1947, the two teenage daughters living there claimed to be tormented by an evil spirit. In 1954, the two teenage girls living in Oak Manor disappeared without a trace, with strange occurrences found in their rooms.
This document provides a history of horror films decade by decade from the 1890s to the 2000s. Some of the key developments include the first horror films in the late 19th century from France and Germany. In the 1930s, Universal Studios had great success with monster movies like Dracula and Frankenstein. The 1960s saw influential films that reflected social issues of the time and changed genres, like Night of the Living Dead for zombies. Slashers rose to popularity in the 1980s with films like Friday the 13th while the 1990s brought critical acclaim for films like The Silence of the Lambs. In the 2000s, remakes were common but international horror brought new innovations.
The film poster summarizes the plot of the comedy film "The Hangover" in 3 sentences:
The main image shows three disheveled men - one with a missing tooth, another with a cut lip, and a baby strapped to the third man's chest - implying they had a wild night in Vegas and are now suffering from hangovers. The tagline "Some guys just can't handle Vegas" provides context that the men got into trouble in Vegas. Elements like the bright colors, gold, and dazzling lights in the background reflect the glamorous Vegas setting and highlight the humor in the men's ragged appearances.
The document provides a detailed analysis of the trailers for the films A Nightmare on Elm Street and Insidious. It summarizes the key elements of each trailer in terms of cinematography, lighting, sound design, editing and how they work to establish atmosphere, build tension and suspense, and introduce the films' antagonists. Specific shots, scenes and techniques are described to show how the trailers effectively utilize visual and audio elements to immerse the audience and pique their interest in the horror movies being advertised.
The trailer opens with shots establishing the main protagonists and setting up the romantic comedy genre. It then shows the protagonists going on a disastrous first date through captions. Their lives are disrupted when they are made guardians of a baby against their will. The trailer uses montages to show their struggles with parenthood turning to love through restoring equilibrium, making the audience want to see the romance play out. It leaves the audience with shots of the famous actors and reminding them of the film title.
The document discusses conventions that are commonly used in horror movie trailers. It notes that horror trailers typically use dark lighting and run-down settings to create an atmosphere of fear. They also often show subtitles written in a blood-like font and portray antagonists as inhuman monsters. Additionally, victims are usually first shown as normal people who then become haunted or hurt by evil forces. Trailers may include reviews from magazines to make the film appear more appealing.
Creativity is using imagination to create innovative work. Creativity in horror films includes using unsettling sounds to scare audiences, designing dark and isolated settings to frighten viewers, employing special effects through editing, and crafting disturbing costumes, props, and makeup to realistically threaten audiences and make them uncomfortable.
Présentantion de la manoeuvre arrière gare des train du réseau du métro de Montréal. Document créé et utilisé pour une entrevue d'embauche comme agent de formation opérateur .
- Modernité et traditions du marché du travail
- Contrats responsables : le décret du 19 novembre réussit à faire l'unanimité contre lui
- Les relations sociales se tendent dans le secteur bancaire
The document discusses typography and tagline preferences for a trailer, poster, and magazine masthead based on feedback from the target audience. It was found that the audience preferred a certain typography for the trailer and tagline typography. They also liked one tagline for the trailer and another for the poster. Finally, a certain typography was preferred for the magazine masthead.
This actor agreement outlines the terms between various actors (Lauren Cowey, Emma Bedford, James Adams, Rachel Lloyd, Rachel Hall) and New Line Cinema for their performances in the motion picture "Oak Manor". The actors grant all rights to their performances in perpetuity. They will receive 50% of net profits from distribution. The agreement constitutes the entire understanding between the parties.
The document discusses the target demographic for horror media which is females and males aged 15-30 from socio-economic groups E to B with low spending power. It enjoys horror films, social networking, theme parks, and ghost stories. It also discusses popular horror film franchises such as A Nightmare on Elm Street and Friday the 13th. Finally, it proposes a plot for a horror film trailer involving a group of friends discovering disturbing articles and possessions at a house they are staying at.
A young woman was murdered in her home at Oak Manor in 1931. Teenagers were seen leaving the scene and were suspects. Six months later, the police abandoned the investigation due to lack of evidence. In 1940, Oak Manor was sold to a couple and their two children. In 1947, the two teenage daughters living there claimed to be tormented by an evil spirit. In 1954, the two teenage girls living in Oak Manor disappeared without a trace, with strange occurrences found in their rooms.
This document provides a history of horror films decade by decade from the 1890s to the 2000s. Some of the key developments include the first horror films in the late 19th century from France and Germany. In the 1930s, Universal Studios had great success with monster movies like Dracula and Frankenstein. The 1960s saw influential films that reflected social issues of the time and changed genres, like Night of the Living Dead for zombies. Slashers rose to popularity in the 1980s with films like Friday the 13th while the 1990s brought critical acclaim for films like The Silence of the Lambs. In the 2000s, remakes were common but international horror brought new innovations.
The film poster summarizes the plot of the comedy film "The Hangover" in 3 sentences:
The main image shows three disheveled men - one with a missing tooth, another with a cut lip, and a baby strapped to the third man's chest - implying they had a wild night in Vegas and are now suffering from hangovers. The tagline "Some guys just can't handle Vegas" provides context that the men got into trouble in Vegas. Elements like the bright colors, gold, and dazzling lights in the background reflect the glamorous Vegas setting and highlight the humor in the men's ragged appearances.
The document provides a detailed analysis of the trailers for the films A Nightmare on Elm Street and Insidious. It summarizes the key elements of each trailer in terms of cinematography, lighting, sound design, editing and how they work to establish atmosphere, build tension and suspense, and introduce the films' antagonists. Specific shots, scenes and techniques are described to show how the trailers effectively utilize visual and audio elements to immerse the audience and pique their interest in the horror movies being advertised.
The trailer opens with shots establishing the main protagonists and setting up the romantic comedy genre. It then shows the protagonists going on a disastrous first date through captions. Their lives are disrupted when they are made guardians of a baby against their will. The trailer uses montages to show their struggles with parenthood turning to love through restoring equilibrium, making the audience want to see the romance play out. It leaves the audience with shots of the famous actors and reminding them of the film title.
The document discusses conventions that are commonly used in horror movie trailers. It notes that horror trailers typically use dark lighting and run-down settings to create an atmosphere of fear. They also often show subtitles written in a blood-like font and portray antagonists as inhuman monsters. Additionally, victims are usually first shown as normal people who then become haunted or hurt by evil forces. Trailers may include reviews from magazines to make the film appear more appealing.
Creativity is using imagination to create innovative work. Creativity in horror films includes using unsettling sounds to scare audiences, designing dark and isolated settings to frighten viewers, employing special effects through editing, and crafting disturbing costumes, props, and makeup to realistically threaten audiences and make them uncomfortable.
Post-production refers to all production stages that occur after filming ends, including editing the finished film, adding or removing sound, editing lighting, and adding special effects. It is the process of assembling all of the visual and audio components of a film, including editing, sound design, color correction, and visual effects.
Digital technology refers to the use of digital applications to create media online, including graphic design, video production and editing, games, sound editing, and web design. Creating a horror film requires digital technology for filming, video production software to edit the footage, and Photoshop to design packaging like DVD sleeves. YouTube is also a digital technology that allows global access to trailers uploaded online.
Research and planning is crucial for developing, producing, and marketing products successfully. It involves determining target audiences, genres, release times, and other factors. For horror films specifically, the key planning stages include defining the target demographic, creating an appealing plot, establishing budgets, selecting locations, actors, props, and developing production schedules, special effects, storyboards, and shot lists.