This document provides a summary of an evaluation of three inclusion projects run by Into Film in the 2013-14 academic year. The projects aimed to make film clubs more inclusive for pupils facing disadvantages. One project focused on newly arrived pupils and cultural awareness. A second worked with rural pupils to broaden horizons. The third supported pupils with special educational needs. The evaluation found that the projects helped with integration, cultural understanding, empathy, and literacy/social skills for participating pupils. Key films and activities like discussions and reviews were highlighted.
This document summarizes a participatory theatre project called #noblurredlines that addressed issues of sexual consent with young people. The project's goals were to promote understanding of consent issues, facilitate dialogue on ethics and laws, and create engaging resources including a play, workshops, and DVD. It toured to several schools and organizations, performing for over 500 students. Evaluation found the performance realistic and relevant, and that most students' opinions changed. Workshops facilitated discussion that increased understanding of consent issues and responsibilities. The project successfully engaged students and built new relationships with schools.
This document discusses using film to enhance literacy education. It provides examples of how short films can be used in the classroom with techniques like "Tell Me" grids to get students to analyze elements of films like characters, settings and stories. Research shows benefits like improved motivation, engagement and literacy attainment. The BFI distributed short film compilations and trained teachers, reaching over 2000 educators. Exercises are described where students create their own short scenes and films using techniques like long takes. Overall, the document advocates integrating film literacy into education to help students fully participate in 21st century culture.
Final analysis of the film education surveymarkreid1895
This document summarizes the results of a survey on film education in Europe. 58 organizations responded from various European countries. The survey found that most organizations operate at a national level and focus on screenings and workshops. The most inspiring external project was "Cinema, Cents ans de jeunesse". The top purposes of film education according to respondents were the promotion of film as an art form and developing film literacy.
This document summarizes a presentation about using short films to promote literacy. It discusses how understanding film can be an important part of education in the 21st century cultural landscape. The BFI's Reframing Literacy initiative from 1999-2008 showed significant impacts of short film on student engagement, motivation, and literacy attainment. Research found improvements in reading and writing from exposing students to a variety of short films and teaching film analysis techniques. The presentation provides examples of short film collections and discusses how analyzing films can develop creative, critical and cultural literacy skills.
This document provides an overview of a film literacy program that uses short films to teach literacy skills. It discusses how short films can be used pedagogically by having students analyze elements like character, setting, story, and more. The program was implemented in 70+ schools in England and research found it improved students' literacy skills and engagement. Teachers were trained on using "Tell Me" questioning techniques to facilitate discussions about films. The document also summarizes several research studies that found the program improved students' writing and reading attainment as well as their motivation and view of themselves as learners.
Rolling Role Roundtable - Research and Reflections from The Water Reckoning P...Sue Davis
The Water Reckoning project was initiated to involve young people, teachers and academics in a creative project which drew on Dorothy Heathcote’s philosophy and strategies. Together the groups have co-constructed a story that responds to a common pre-text. Educational and research sites have been involved from Australia, Greece, Singapore, the USA and the UK. This project has focused on exploring ideas that relate to the UN Year of Water Cooperation in keeping with Heathcote’s concern for using drama to raise awareness about human understanding and experience. For her drama had to be about things ‘that mattered’. Our drama has explored how humans cooperate to share and manage water and deal with situations such as drought or extreme weather events. Research has explored the nature of learnings and understandings that have emerged for participants from the process, including cross-cultural awareness and attitudes towards sustainability issues.
Edu film literacy framework brochure 2015 v5markreid1895
This document provides a framework for film education in Europe. It was created by film education practitioners from 20 countries to consolidate approaches and establish common learning outcomes. The framework aims to inspire people to enjoy, understand, create and share film throughout their lives. It identifies three key dimensions of film education: creative, critical, and cultural. It then outlines six areas of learning and links them to learning outcomes and experiences. The framework is intended to guide the design of film education programs and activities across Europe.
This document summarizes a participatory theatre project called #noblurredlines that addressed issues of sexual consent with young people. The project's goals were to promote understanding of consent issues, facilitate dialogue on ethics and laws, and create engaging resources including a play, workshops, and DVD. It toured to several schools and organizations, performing for over 500 students. Evaluation found the performance realistic and relevant, and that most students' opinions changed. Workshops facilitated discussion that increased understanding of consent issues and responsibilities. The project successfully engaged students and built new relationships with schools.
This document discusses using film to enhance literacy education. It provides examples of how short films can be used in the classroom with techniques like "Tell Me" grids to get students to analyze elements of films like characters, settings and stories. Research shows benefits like improved motivation, engagement and literacy attainment. The BFI distributed short film compilations and trained teachers, reaching over 2000 educators. Exercises are described where students create their own short scenes and films using techniques like long takes. Overall, the document advocates integrating film literacy into education to help students fully participate in 21st century culture.
Final analysis of the film education surveymarkreid1895
This document summarizes the results of a survey on film education in Europe. 58 organizations responded from various European countries. The survey found that most organizations operate at a national level and focus on screenings and workshops. The most inspiring external project was "Cinema, Cents ans de jeunesse". The top purposes of film education according to respondents were the promotion of film as an art form and developing film literacy.
This document summarizes a presentation about using short films to promote literacy. It discusses how understanding film can be an important part of education in the 21st century cultural landscape. The BFI's Reframing Literacy initiative from 1999-2008 showed significant impacts of short film on student engagement, motivation, and literacy attainment. Research found improvements in reading and writing from exposing students to a variety of short films and teaching film analysis techniques. The presentation provides examples of short film collections and discusses how analyzing films can develop creative, critical and cultural literacy skills.
This document provides an overview of a film literacy program that uses short films to teach literacy skills. It discusses how short films can be used pedagogically by having students analyze elements like character, setting, story, and more. The program was implemented in 70+ schools in England and research found it improved students' literacy skills and engagement. Teachers were trained on using "Tell Me" questioning techniques to facilitate discussions about films. The document also summarizes several research studies that found the program improved students' writing and reading attainment as well as their motivation and view of themselves as learners.
Rolling Role Roundtable - Research and Reflections from The Water Reckoning P...Sue Davis
The Water Reckoning project was initiated to involve young people, teachers and academics in a creative project which drew on Dorothy Heathcote’s philosophy and strategies. Together the groups have co-constructed a story that responds to a common pre-text. Educational and research sites have been involved from Australia, Greece, Singapore, the USA and the UK. This project has focused on exploring ideas that relate to the UN Year of Water Cooperation in keeping with Heathcote’s concern for using drama to raise awareness about human understanding and experience. For her drama had to be about things ‘that mattered’. Our drama has explored how humans cooperate to share and manage water and deal with situations such as drought or extreme weather events. Research has explored the nature of learnings and understandings that have emerged for participants from the process, including cross-cultural awareness and attitudes towards sustainability issues.
Edu film literacy framework brochure 2015 v5markreid1895
This document provides a framework for film education in Europe. It was created by film education practitioners from 20 countries to consolidate approaches and establish common learning outcomes. The framework aims to inspire people to enjoy, understand, create and share film throughout their lives. It identifies three key dimensions of film education: creative, critical, and cultural. It then outlines six areas of learning and links them to learning outcomes and experiences. The framework is intended to guide the design of film education programs and activities across Europe.
This document provides a framework for film education in Europe. It was created by 25 film education practitioners from 20 European countries in response to a recommendation from a 2012 European Commission-funded report on the state of film education. The framework aims to consolidate approaches to film education, organize them under common outcomes, and provide guidance for future projects. It identifies 6 key learning goals for students to develop an understanding of film as an art form and cultural text. The framework maps these goals to learning outcomes, experiences, and dispositions to help educators design programs and policymakers develop film education.
The document discusses a proposed project for students to make a feature film together. It would involve all curriculum areas and have students play various roles from screenwriting to filming to music. The goals are for students to learn that large projects require collaboration, planning is essential, and all contributions are important. Students would gain experience in writing scripts, filming, editing, acting, music, and other filmmaking skills while also building skills in thinking, language, self-management, relationships, and contributing to a group effort. Each class would take responsibility for developing story ideas, scripts, and filming scenes to contribute to the final full-length movie.
This document provides a guide for using film in schools, covering several areas:
- Film can be used across many subjects to engage students, from using clips to stimulate writing to making documentaries in history.
- Both film viewing and filmmaking can be done manageably with basic equipment and short projects.
- Film contributes to broader outcomes like improving behavior, attendance, and building workplace skills.
- The guide offers advice on procurement, spaces, legal issues, and partners for film education.
The document provides information about a guidebook for a 2-year Connected with the Environment project between 5 European schools. Module 1 focused on history and culture, with students presenting their personal stories and learning about their city/region through tasks like creating family trees, interviewing teachers, and researching local legends. Students documented their work in posters, videos, and other formats. The guidebook aims to disseminate the results of the project and inspire other teachers and schools.
Movie Effects on EFL Learners at Iraqi School in Kuala LumpurHani Shakir
This document summarizes a study that examined the effects of using movies with and without subtitles on English language learning among Iraqi students in Malaysia. The study found that 70% of students preferred movies with Arabic subtitles, as it helped them better understand the content. Students who watched movies with subtitles performed better on vocabulary tests of the movie content compared to those who watched without subtitles. The researchers concluded that using movies with subtitles in the students' native language can improve comprehension and motivation for learning English vocabulary.
Previously, one of the vital tasks of English learning is to find new methods and resources to make the EFL students
more stimulating and productive. Recently, the usage of movies (in DVD format) in courses became popular or
supplementary resources to learn English among EFL learners. Many researchers stated that authentic video is an
advantage and inspiring tool in language learning. However, there have been quite few studies on the relationship
between effective learning and students’ movie preferences. This research aims at finding the relationship between
effective learning and students’ movie preferences. To this end, data were collected by using posttests. Participants were
students from a Iraqi school in Kuala Lumpur. The researchers uncovered that the participants had insight into the
subtitles/captions which are used in the movie in classrooms. The implications of these findings and suggestions are
discussed.
Using film as a personal advocacy tool, an evaluation method and a social act...makinglinks
This document discusses using participatory filmmaking as an evaluation methodology and tool for social advocacy. It outlines DADAA's Lost Generation Project, which engaged people with disabilities in filmmaking to increase social inclusion. Five films from the project were selected as case studies. Data from interviews and materials will be analyzed thematically to understand the impact of filmmaking on the storytellers' skills, community engagement, and sense of voice. The collective case study and documentary aim to demonstrate the issue of social inclusion for people with disabilities and the effects of the film project.
Radhika Khanna-Pedagogy & Cinema-A study of select Bollywood Filmspumediaseminar2011
This document discusses a study analyzing the pedagogical impact of select Bollywood films, including Taare Zameen Par, Chak De India, and Black. The study examines how these films portray social and educational issues and influence audiences. Textual analysis and interviews were used to understand the films' representation of topics like inclusive education and differently abled individuals. Taare Zameen Par in particular was found to raise awareness about dyslexia and influence education practices. The analysis concludes that while films can shed light on issues, real change requires action, but popular media like these films can trigger discussion and shift audiences and educators.
This study examines the pedagogical role of popular Bollywood films. It analyzes three films from 2005-2007 - Taare Zameen Par, Chak de India, and Black - that deal with teacher-student relationships and social/educational issues. Interviews were conducted with filmmakers, educators, audiences and critics. Taare Zameen Par effectively spread awareness about dyslexia and inspired changes in how parents and teachers approach dyslexic children. Chak de India promoted values of teamwork and unity. While Black addressed disability representation, some felt it was too melodramatic. Overall, popular films have the power to stimulate discussion and shift audiences' and educators' practices on important issues, demonstrating
This study examines the pedagogical role of popular Bollywood films. It analyzes three films from 2005-2007 - Taare Zameen Par, Chak de India, and Black - that deal with teacher-student relationships and social/educational issues. Interviews were conducted with filmmakers, educators, audiences and critics. Taare Zameen Par effectively spread awareness about dyslexia and inspired changes in how parents and teachers approach dyslexic children. Chak de India promoted values of teamwork and unity. While Black's representation of disability received mixed responses, these films can trigger discussion and shift audiences' and educators' practices, demonstrating cinema's power for social change.
This document outlines a plan for students to make a feature film that integrates learning across the curriculum. Key points:
- Students will learn that large projects can be completed through teamwork and everyone playing important roles, just like in the workforce.
- No project is too big if it is well-planned with goals and targets. Students will break filmmaking down into manageable steps.
- All contributions are important and everyone is responsible for quality.
- The film will provide opportunities for students to develop skills in areas like screenwriting, cinematography, music, art, dance, technology and more. Classes may focus on different aspects like filming scenes or pre-production tasks.
- The
Deirdre Haj serves as Director of the Full Frame Documentary Film Festival. She has expanded the festival's programming and educational offerings. Full Frame began in 1998 and screens documentary films during a four day festival each spring in Durham, North Carolina. It strives to enhance appreciation and understanding of documentaries through screenings, discussions, and educational programs for students and educators. Haj has increased Full Frame's community involvement and created new initiatives like screening series, educational workshops, and internship opportunities to engage local residents and students.
The resource guide provides information on several resources that can be used to support teaching and learning on extremism. It reviews resources such as the Watch Over Me video series, which uses soap dramas to stimulate discussion on challenging topics. It also summarizes the Things Do Change resource pack and Friends, Strangers, Citizens? DVD, which explore issues of community cohesion, citizenship, and identity in Britain. Additionally, it describes the Hearts and Minds play that examines conflicting loyalties and identities of young British Muslims through drama.
By: Khitam Al-Utaibi
iEARN-Jordan Representative
ALC 5th Annual “Shaping the Way We Teach” Conference
“Promoting Equality in the English Language Classroom: Making Every Learner’s Chance to Succeed the Same -- Regardless of Gender, Social Standing, or Geography”
January 19, 2013
Amman, Jordan
This document summarizes an arts education program called Lights! Camera! Future! that uses project-based filmmaking to benefit at-risk youth. The program is run by the organization Unleashing Giants and involves students writing, directing, filming and premiering their own movies. Research shows that arts involvement benefits at-risk youth in many ways. The program aims to build skills like collaboration, responsibility and self-esteem through the eight-week filmmaking process. Testimonials praise the program's ability to boost students' confidence and leave lasting positive memories.
This document provides a summary of Mahmoud Alipour's educational and professional background working in children's television programming and media research in Iran. It outlines his degrees in mathematics and television production, certifications in children's programming, and role evaluating programming for children's channels. It also lists examples of research projects conducted and theses supervised on topics related to children, media, and religion.
Framework for Karlovy Vary Film Festivalmarkreid1895
The document outlines a proposed film education framework for Europe. It aims to inspire and equip people to access, enjoy, understand, create, explore, and share film throughout their lives. The framework focuses on three key dimensions - creative, critical, and cultural processes, practices, and participation. It also describes areas of learning, desired experiences, learning outcomes, and a disposition for lifelong learning around film. The overall goal is to establish a common standard for film education across Europe.
This document provides an overview of a lesson plan that teaches students how to create short films using iMovie to meet New York State art and language standards. The lesson introduces students to the iMovie app and how it can be used to explore any topic across different subject areas. As an example, a link is provided to a film created by previous students. Students are then instructed to break into groups, come up with a film idea, write a script and storyboard, film scenes, edit the film together, add credits, and do a screening. The goal is to have students engage in the filmmaking process while demonstrating skills in various subjects.
Pajka, Sharon, and Jane Nickerson. "Engaging Students with Videos in Integrated Learning Classes." The HUIC Arts and Humanities Conference. January 8, 2012. Ed. Derek Leong. Honolulu Hawaii: Hawaii University International Conferences, 2012. Print.
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The document discusses a proposed project for students to make a feature film together. It would involve all curriculum areas and have students play various roles from screenwriting to filming to music. The goals are for students to learn that large projects require collaboration, planning is essential, and all contributions are important. Students would gain experience in writing scripts, filming, editing, acting, music, and other filmmaking skills while also building skills in thinking, language, self-management, relationships, and contributing to a group effort. Each class would take responsibility for developing story ideas, scripts, and filming scenes to contribute to the final full-length movie.
This document provides a guide for using film in schools, covering several areas:
- Film can be used across many subjects to engage students, from using clips to stimulate writing to making documentaries in history.
- Both film viewing and filmmaking can be done manageably with basic equipment and short projects.
- Film contributes to broader outcomes like improving behavior, attendance, and building workplace skills.
- The guide offers advice on procurement, spaces, legal issues, and partners for film education.
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This document summarizes a study that examined the effects of using movies with and without subtitles on English language learning among Iraqi students in Malaysia. The study found that 70% of students preferred movies with Arabic subtitles, as it helped them better understand the content. Students who watched movies with subtitles performed better on vocabulary tests of the movie content compared to those who watched without subtitles. The researchers concluded that using movies with subtitles in the students' native language can improve comprehension and motivation for learning English vocabulary.
Previously, one of the vital tasks of English learning is to find new methods and resources to make the EFL students
more stimulating and productive. Recently, the usage of movies (in DVD format) in courses became popular or
supplementary resources to learn English among EFL learners. Many researchers stated that authentic video is an
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students from a Iraqi school in Kuala Lumpur. The researchers uncovered that the participants had insight into the
subtitles/captions which are used in the movie in classrooms. The implications of these findings and suggestions are
discussed.
Using film as a personal advocacy tool, an evaluation method and a social act...makinglinks
This document discusses using participatory filmmaking as an evaluation methodology and tool for social advocacy. It outlines DADAA's Lost Generation Project, which engaged people with disabilities in filmmaking to increase social inclusion. Five films from the project were selected as case studies. Data from interviews and materials will be analyzed thematically to understand the impact of filmmaking on the storytellers' skills, community engagement, and sense of voice. The collective case study and documentary aim to demonstrate the issue of social inclusion for people with disabilities and the effects of the film project.
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This study examines the pedagogical role of popular Bollywood films. It analyzes three films from 2005-2007 - Taare Zameen Par, Chak de India, and Black - that deal with teacher-student relationships and social/educational issues. Interviews were conducted with filmmakers, educators, audiences and critics. Taare Zameen Par effectively spread awareness about dyslexia and inspired changes in how parents and teachers approach dyslexic children. Chak de India promoted values of teamwork and unity. While Black addressed disability representation, some felt it was too melodramatic. Overall, popular films have the power to stimulate discussion and shift audiences' and educators' practices on important issues, demonstrating
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Similar to Intofilm-inclusion-projects-evaluation-v2 (20)
1.
8th
Floor, Eaton House,
1 Eaton Road
Coventry CV1 2FJ
+44 (024) 7652 4036
+44 (024) 7663 1646
info@curee.co.uk
Into Film Inclusion Projects
Summary of the Evaluation Findings
Centre for the Use of Research and Evidence in Education
(CUREE)
3.
Drawing, painting and other craft and artwork:
Filmmaking:
seconds long) of something that is important to you or shows an element of your life that
Evidence base and methods
This summary is based on an evaluation of the Into Film Inclusion Projects carried out by CUREE, for
which a variety of evidence was collected and analysed, including:
leader and pupil surveys involving 273 members from 37 schools and 63 leaders;
a range of documentary evidence, including teachers' logs, feedback forms and pupils'
reviews.
4.
Zooming in: the Inclusion Projects in depth
Identity and Belonging
The Identity and Belonging project aimed to help Into Film club leaders:
Help newly arrived pupils integrate in the school
Increase cultural and world knowledge and understanding
Forty-‐five schools from England, Wales and Northern Ireland took part in the project. Into Film club
leaders from the participating schools said that within the past five years their schools had
welcomed an increasing number of children who were new arrivals. Pupils came from an array of
different countries, including Romania, India and Afghanistan. A number of new arrivals were also
noted as being students from other areas of the UK.
The majority of Into Film club leaders involved in the project showed between six to nine project
films, specifically selected to help explore themes around community, identity and belonging.
According to Into Film club leaders and participating pupils, the most popular project films were:
Several Into Film club leaders also pinpointed Alamar as being a film that had worked particularly
well. Key here was the empathy the children had for the characters:
In most instances, Into Film club leaders held discussions about each of the films. Discussions were
used to unpick key themes in the film, think about other cultures and their ways of doing things, and
also as a way to make connections between the film and personal experiences:
; I would stop the films and the children
children in
An American
Tale
Mulan Arrietty
The Secret of
Kells
Kirikou and
the Sorceress
5.
confidence and developed an
understanding of different
Into Film club leader
Identity and Belonging project: Impact at a glance
Integration
72% of pupils described an increased feeling of being
part of the school
Cultural and global awareness
87% of pupils noted that they learnt about other
cultures and better understood how people in other
countries lived
93% of leaders also highlighted improvements in this area
Empathy
84% of pupils thought they got better at understanding how others feel
Participating pupils explained how the project films and activities helped them:
ms and learn more about
6.
Rural
The Rural project aimed to help Into Film club leaders:
Br
Overall, there were forty-‐six schools who took part in the project, across all four nations. The main
reasons Into Film club leaders opted into the project was to improve cultural awareness, to identify a
Over half of Into Film club leaders surveyed stated that they had shown ten or more project films,
orizons and improve cultural awareness, whilst around
a third showed between six and nine project films. According to Into Film club leaders and pupils,
the most popular project films were:
The Secret of Kells worked particularly well, with pupils reporting that they enjoyed the different
style of animation:
The Secret of Kells was the most popular. I think it was a film that was totally unknown to
one of the boys that attended-‐ he has many difficulties
at school and attending film club was a big achievement for him. I worried that the film
Around half of participating pupils reported writing reviews in the majority of their film club
sessions, which was mirrored in responses by Into Film club leaders. All of the clubs within the Rural
project were also given the opportunity to hold a Film on the Road visit. For these visits, Into Film
screen and bringing along beanbags, sound equipment and popcorn. Pupils were also encouraged to
write reviews in the Film on the Road visits; around 1600 reviews were written at or following these
competiti
The Water
Horse
The Secret
of Kells
Peter and
the Wolf
Mulan
Monsters
University
7.
literacy and social skills
immensely. We took a risk with
Into Film club leader
We have a Year 6 pupil with severe Asperger's Syndrome who attends film club regularly
but who has never written a film review. Following the [Film on the Road] visit, she wrote
her first review and is now reviewing...other films she has seen. When I first read these
reviews, I could not believe they were written by a 10-‐year-‐old
Rural project: impact at a glance
Cultural and global awareness
84% of pupils felt they had a better understanding of how people in other countries live
Empathy
84% of pupils thought they got better at understanding how others feel
Confidence
78% of Into Film club leaders noted increases in
their pupils' confidence in joining discussions
Literacy skills
Film on the Road was seen to be effective at
encouraging pupils to write reviews, with over
1600 reviews written at or after an event
Into Film club leaders explained how the project films and activities had helped their pupils:
ally good and hit my own ideas of rural inclusion, allowing the children
through the doors. The film choice also challenged them in terms of the films that they
8.
SEN
The SEN project aimed to help Into Film club leaders:
Improve learning and engagement across the curriculum
Forty-‐eight schools took part in the SEN project, across all four nations. Around three quarters of
Into Film club leaders surveyed reported that the majority of the pupils attending film club had a
form of SEN. The most common forms of SEN noted were autistic spectrum disorder (ASD) and
attention deficit hyperactivity disorder/attention deficit disorder (ADHD/ADD).
Over half of the Into Film club leaders showed more than ten project films. According to Into Film
club leaders and pupils, the most popular project films were:
Films with limited dialogue, such as Wall-‐E, Peter and the Wolf and Mr Bean: The Ultimate Disaster
Movie were also seen as good choices for the project. Into Film club leaders noted that these films
had been accessible for students to watch and that pupils were able to understand the films. These
were reported as being particularly good films for those with ASD:
Peter and the Wolf] had no dialogue helped the students to ask
questions
Wall-‐E and Mr Bean are big favourites; there is a limited number of characters and plot
lines, lots of simplified non verbal communication and lots of fun. This made it very
understandable for the kids and non-‐
In most instances, the participating Into Film club leaders held discussions about each of the films.
was found to be a valuable activity:
number of discussions such as friendship, loneliness and bullying, which all related to our life
Duck
Soup
Wall-‐E
A Cat in
Paris
Lost and
Found
Life of Pi
9.
Ofsted... [they]
commented upon excellent pupil
engagement and behaviour. We
Into Film club leader
SEN project: Impact at a glance
Learning and engagement across the curriculum
71% of pupils felt that film club had helped them to do better at school, with several Into
Film club leaders seeing film club as a way of getting pupils to learn without them realising it
Empathy
82% of pupils thought they better understood how
other people live
Social skills
69% of Into Film club leaders saw improvements in
Understanding of film
89% of pupils thought they now understood more about film
Participating Into Film club leaders explained how the project films and activities helped their pupils:
iting difficult. You can really see the progress [in their written
film reviews] over the year in terms of neater handwriting (from using large print which falls
usion project has made staff look more closely at the films we are screening and
10.
finding that a love of fil
Into Film club leader, Rural project
Common areas of impact across the three projects
As well as project-‐specific benefits, outlined above, there were also changes in pupil knowledge,
skills and behaviours that were present and visible across all three projects. These are illustrated
below.
Literacy skills
One very positive outcome of all three projects was a recognisable improvement in pupils' literacy
punctuation and sentence construction, and encouraged them to use more complex vocabulary in
Engaging with review writing was found to improve pupils' literacy skills:
ted creativity skills of children leading to
developed
Social skills and relationships
Across all three projects, leaders noted that pupils increased their social skills and improved
relationships with peers and staff. This was particularly the case for the Identity and Belonging and
SEN projects, as the majority of Into Film club leaders (68% of SEN; 69% of Identity and Belonging)
which to communicate and interact with other pupils. This was especially valuable in the SEN
project, as many SEN pupils can find socialising with others a challenge. 70% of pupils in the SEN
project felt that film club had helped them to make new friends.
For children and young people attending film clubs in the Identity and Belonging project, socialising
and making friends was equally important; 63% of pupils agreed that they had made new friends
from attending film club. Staff from sc
their pupils had developed their social skills, as film based activities provided an opportunity for
pupils from different year groups within the school to mix together.
Confidence
eased confidence was noticed by the participating pupils and staff alike. For example,
90% of pupils of the Identity and Belonging project highlighted feeling confident about expressing
their opinions after attending film club. Similarly, the majority of Into Film club leaders within the
SEN (68%) and Rural (79%) projects were delighted with their pupils' increased confidence and
participation in sessions.
Empathy
Participants in all three projects highlighted that film club had helped them to better understand
how others feel. As one pupil put it:
11.
find it difficult to understand and show empathy... one of the main
Into Film club leader, SEN project
The majority of the Into Film club leaders agreed with these observations, acknowledging that the
project films had acted as springboards for discussing emotions and how others might feel.
12.
Into Film club leader, Rural project
Alamar and read the three reviews posted by
our members. Those reviews were done with no support from parents, it was just the
children and me in the ICT suite. I followed your guidelines (thanks a lot for that,
ers to do some drawing and had a
very lively debate about the difficulties new pupils encounter when settling in a new
school. Then, after twenty minutes, I got them to write about the movie for about half
Into Film club leader, Identity and Belonging project
produced specially for an SEN
project has been invaluable and have acted as a step-‐by-‐step guide for each film
Into Film club leader, SEN project
Conclusions
Participation in the Inclusion Projects brought about a number of positive impacts. Across all three
projects, pupils developed their social skills and confidence, improved their language and literacy
skills through discussing films and writing film reviews, and developed empathy and respect for
others. Overall, the project films and activities were successful in achieving their aims for the specific
groups of pupils who took part. For example, most children and young people involved in the
Identity and Belonging project referred to feeling being part of the school more. Similarly, 84% pupils
involved in the Rural project felt they had a better understanding of how people in other countries
live. Most special needs pupils (71%) involved in the project felt that it had helped them to do better
at school. In addition, Into Film club leaders successfully used the project films and resources to
enhance and enrich their film clubs. As young people themselves noticed, the project films:
were interesting
made them think, and
Although not all Into Film club leaders were able to use the resources provided because of time
constraints, those who did reported how useful they found them:
The Inclusion Projects were successful at helping film clubs to engage and secure the benefits
described in this report for some of their most disadvantaged pupils in challenging circumstances.
They also highlighted the potential of film clubs as a powerful and enjoyable model for extra-‐
curricular learning and development.
To find out more about starting up a film club go to: http://www.intofilm.org/schools-‐film-‐clubs