Indie Conventions
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The document discusses conventions commonly used in indie music videos. It notes that indie videos typically use close-ups and changes in camera shots that follow the beat of the music. They also often tell a narrative story and include footage of the band playing their own instruments. Additionally, many indie videos are filmed in black and white to create a calm, low-key atmosphere.
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Conventions
The document discusses conventions commonly used in music videos, focusing on conventions for indie music videos. It describes typical camera shots, movements, and editing techniques used. It also discusses elements of mise-en-scene like lighting, props, costumes, and color that reflect the genre and mood of the music. Specifically for indie videos, it notes they tend to change calmly with the beat, sometimes use black and white, include close-ups of artists, and feature the band playing instruments.
Evaluation Task 1
The document provides analysis of various conventions used in music videos, including:
- Medium close-ups to show emotions and connect with audiences on a personal level.
- Tracking shots that add visual variety and movement to keep audiences interested.
- Shots of band members playing instruments to signify their connection to music.
- Equal positioning of band members to present them as a unified group rather than individuals.
Conventions of a music video
Music videos employ various camera techniques, lighting, editing, costumes, and set design to effectively convey the message and tone of the song. Camera shots like long shots, close-ups, and mid shots from different angles showcase the artist and emphasize lyrics. Lighting sets the mood, with brighter colors suggesting pop and darker tones implying rock. Strategic arrangement of people and objects on screen, or mise-en-scene, reinforces the video's point. Editing uses techniques like jump cuts to maintain a quick pace that matches the narrative. Costumes and colors identify the genre and can influence viewers to emulate the artist.
Original music review final
The music video for Disturbed's cover of "Sound of Silence" features various locations including a mountain, forest, and river. It relies heavily on editing between shots of the band's lead singer performing in a studio and scenes depicting a narrative. The band members are shown walking through the natural locations wearing similar dark clothing. Props like buried music sheets and an instrument in a tree are used to represent the song's message about voices going unheard.
Deconstruction2
1) The music video for Radiohead's "Creep" uses creative lighting and camera techniques to focus on each band member's performance and draw the audience in.
2) Scenes of the band performing on a stage and shots of an engaged audience aim to make the viewer feel personally connected to the band.
3) Changes in lighting, camera shots, and the band's movement and expression correspond to shifts in the song's tempo and mood to keep the audience engaged throughout the video.
Conventions of a music video
Music videos typically feature various camera shots and movements to emphasize the artist and reflect the song's lyrics and emotions. They also utilize mise en scene, lighting, sound, and props to represent the artist's style and mood of the music. Common conventions include depicting women sexually to attract viewers, using stereotypical props for different genres like money and cars for rap videos, and indie/rock videos often being black and white with close-ups of the artist in dark locations at a fast pace.
Conventions of music videos
The document discusses conventions used in music videos, including camera shots (long shots, close-ups, mid shots), camera movements (tilts, pans, crane shots), mise-en-scene (performers, props, locations, clothing), editing techniques (jump cuts, fades, dissolves), lighting (black and white, artificial), sound (vocals, music, dialogue), and props. It also outlines conventions commonly seen in indie/rock music videos (black and white, facial expressions, dark locations), hip hop videos (luxury locations, brands, cars, attractive women), and pop videos (bright, colorful, close-ups, upbeat).
Codes and conventions
Modern music videos are primarily made and used as marketing to promote the sale of music recordings. Music videos use a variety of styles such as animation, live action, documentaries, and abstract forms. They can interpret lyrics literally, amplify meanings, or take a non-literal approach. Common music video forms include performance videos, narratives, combinations of both, and animation. Technical elements like camera shots, editing, sound, and mise-en-scene aim to enhance the viewing experience.
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Conventions
The document discusses conventions commonly used in music videos, focusing on conventions for indie music videos. It describes typical camera shots, movements, and editing techniques used. It also discusses elements of mise-en-scene like lighting, props, costumes, and color that reflect the genre and mood of the music. Specifically for indie videos, it notes they tend to change calmly with the beat, sometimes use black and white, include close-ups of artists, and feature the band playing instruments.
Evaluation Task 1
The document provides analysis of various conventions used in music videos, including:
- Medium close-ups to show emotions and connect with audiences on a personal level.
- Tracking shots that add visual variety and movement to keep audiences interested.
- Shots of band members playing instruments to signify their connection to music.
- Equal positioning of band members to present them as a unified group rather than individuals.
Conventions of a music video
Music videos employ various camera techniques, lighting, editing, costumes, and set design to effectively convey the message and tone of the song. Camera shots like long shots, close-ups, and mid shots from different angles showcase the artist and emphasize lyrics. Lighting sets the mood, with brighter colors suggesting pop and darker tones implying rock. Strategic arrangement of people and objects on screen, or mise-en-scene, reinforces the video's point. Editing uses techniques like jump cuts to maintain a quick pace that matches the narrative. Costumes and colors identify the genre and can influence viewers to emulate the artist.
Original music review final
The music video for Disturbed's cover of "Sound of Silence" features various locations including a mountain, forest, and river. It relies heavily on editing between shots of the band's lead singer performing in a studio and scenes depicting a narrative. The band members are shown walking through the natural locations wearing similar dark clothing. Props like buried music sheets and an instrument in a tree are used to represent the song's message about voices going unheard.
Deconstruction2
1) The music video for Radiohead's "Creep" uses creative lighting and camera techniques to focus on each band member's performance and draw the audience in.
2) Scenes of the band performing on a stage and shots of an engaged audience aim to make the viewer feel personally connected to the band.
3) Changes in lighting, camera shots, and the band's movement and expression correspond to shifts in the song's tempo and mood to keep the audience engaged throughout the video.
Conventions of a music video
Music videos typically feature various camera shots and movements to emphasize the artist and reflect the song's lyrics and emotions. They also utilize mise en scene, lighting, sound, and props to represent the artist's style and mood of the music. Common conventions include depicting women sexually to attract viewers, using stereotypical props for different genres like money and cars for rap videos, and indie/rock videos often being black and white with close-ups of the artist in dark locations at a fast pace.
Conventions of music videos
The document discusses conventions used in music videos, including camera shots (long shots, close-ups, mid shots), camera movements (tilts, pans, crane shots), mise-en-scene (performers, props, locations, clothing), editing techniques (jump cuts, fades, dissolves), lighting (black and white, artificial), sound (vocals, music, dialogue), and props. It also outlines conventions commonly seen in indie/rock music videos (black and white, facial expressions, dark locations), hip hop videos (luxury locations, brands, cars, attractive women), and pop videos (bright, colorful, close-ups, upbeat).
Codes and conventions
Modern music videos are primarily made and used as marketing to promote the sale of music recordings. Music videos use a variety of styles such as animation, live action, documentaries, and abstract forms. They can interpret lyrics literally, amplify meanings, or take a non-literal approach. Common music video forms include performance videos, narratives, combinations of both, and animation. Technical elements like camera shots, editing, sound, and mise-en-scene aim to enhance the viewing experience.
Researching student work 1
The document analyzes the camera techniques, costumes, locations, and representations used in the music video for Louis- My Number. It finds that medium shots are primarily used to film the performance as if the audience was present. Close-ups of instruments add to the performance element. Costumes in dark colors like black and grey represent the rock genre. Locations are simple to keep the focus on the band's performance. Through cinematography and mise-en-scene elements, the video effectively represents the rock genre.
Codes and Conventions of Dance Music
In a typical dance music video, there are several common codes and conventions used:
- A wide variety of camera shots and angles are used, including wide shots to involve the audience, high angle shots to show dominance, and close ups to highlight important features.
- Locations are usually upbeat settings like nightclubs or parties to match the music and allow audiences to relate. Lighting includes bright and strobe effects to fit the beat.
- Editing is fast-paced to match the song but can slow down for certain parts, and techniques like slow motion and sped up scenes are used to convey meaning or highlight characters.
Nea research task 2
This document summarizes and analyzes two music videos:
1) Alan Walker - Faded: The video tells a narrative story and questions things. It starts slow but speeds up with the music. Walker is isolated as the main character. Shots establish the isolated setting and show how small Walker is compared to the area, conveying his isolation.
2) Martin Garrix - Animals: This video narrates a group of dancers vandalizing objects and cars. It has slow motion throughout, giving it a slow feel. Garrix is assumed to be the DJ and is not physically present, portraying him as such.
Initial genre research rock
This document provides information about common conventions in rock music videos. It discusses elements like band members wearing black, use of low-key lighting to match mood, inclusion of outdoor settings, incorporation of storylines through lyrics and visuals, use of faster editing and jump cuts to match upbeat tempos, featuring of live performances, and use of close-ups and wide shots. It then analyzes two specific music videos, noting how they employ conventions like changing shot duration to match drum beats and use of black clothing to represent death for Queen's "Bohemian Rhapsody", and inclusion of dark colors, wide shots, and high angles to depict power and audience perspective for U2's "Sunday Bloody Sunday."
Indie Genre Conventions
This document discusses conventions of the indie music video genre. It notes that settings are typically low-budget locations that are easy to access like studios, cities, parks and tunnels. Mise-en-scene aims to portray narrative through costumes, makeup and props like instruments. Performance sections focus on showcasing the artist's talents. Narratives are increasingly popular as they help audiences relate to the lyrics. Sound, camera shots, editing and effects also aim to reflect the independent spirit of the music.
Use of real media conventions
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Music video pitch everything2
The document proposes music video pitches for two genres: acoustic and dance. For the acoustic video, the group outlines conventions like solo performances and love stories. They ask if these fit the genre. For the dance video, they describe a club scene and stop motion editing. They provide an example song and ask if their ideas like locations and lighting suit the dance genre. The document ends with questionnaires to gather feedback on both proposed videos and ensure they follow genre conventions.
Pop rock conventions
In pop/rock music videos, there are conventions around how the band members are portrayed and how the music is presented:
- Medium shots show all band members equally performing their instruments, with no one member shown more than others. This presents the image of a naturally talented group.
- Clothing is casual like denim jeans and jackets, avoiding flashy fashion to maintain an image of authentic, "natural" talent rather than distracting costumes.
- Settings are typically in studios or houses to suggest the band casually playing together rather than elaborate locations.
- Lighting also aims for a natural look, with performances in available light rather than added lighting effects.
- Both narrative scenes and musical performances
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Music video conventions ppt 2014
This document discusses the conventions and genres of performance music videos. It defines genre as a system of repetition and variation that is recognized by audiences. Common music genres discussed include pop, rock, R&B, hip hop, and indie. The document also examines important elements of mise-en-scene in music videos like setting, lighting, clothing, and props that help portray the genre. Specific conventions for hip hop, indie/rock, and pop genres are provided through example music videos.
Conventions of Jazz, Folk and Acoustic
This document discusses conventions for jazz, folk, and acoustic music videos. It outlines conventions like location, costumes, lighting, and editing for each genre. Jazz conventions include bright lights, sophisticated costumes, and old-fashioned settings and microphones. Folk often uses shadows, spotlighting of artists, exaggerated playing, and black and white editing. Acoustic focuses on emotional facial expressions, slow pacing, isolated settings, and editing to set mood. Examples are given of artists following or challenging these conventions. The conclusion advocates including aspects of each genre while making the video unique.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band's live performance alongside nature scenes to convey the psychedelic rock genre. The video will contrast bright outdoor lighting with a darker studio setting. Transition shots and a time lapse will link the landscape narrative and help depict the events of a day.
Advanced portfolio evaluation
The document discusses typical conventions for music videos, CD covers, magazine advertisements, and how the conventions are used and challenged in the music video for "City Life". Specifically, it notes that while acoustic indie genres typically feature the artist playing instruments, this video crosses the genre with parkour. It follows the journey of the artist and a parkour artist through the city. Editing uses soft transitions between scenes and slows down parkour scenes for an artistic effect.
Generic conventions of a music video
There are three main types of music videos: illustrative videos that tell a story through performance, amplification videos where the director interprets the song creatively, and conceptual videos that may not relate to the lyrics. Common conventions include quick camera shots between close-ups and long shots, fast editing to match the beat, expressive lighting effects, and mise-en-scene themes relating to historical periods, concert halls, or exaggerated star images through luxury settings.
Student music videos
The document analyzes two student music videos. For the first video "My Number - Louis": Three main camera distances were used to avoid being choppy and overwhelming. Shots included long shots to fit the band and close-ups of individual artists and instruments. A range of camera angles including 45 and 90 degree shots were used, and the camera slowly zoomed and panned at times. The band wore plain, casual clothing reflective of the indie genre and used band equipment as appropriate props.
For the second video "All That Glitters - No Sleep Tonight": Various camera distances including medium shots of the group were used. The camera moved quickly to match the high energy pop genre. Costumes wildly changed between scenes and
Treatment sheet
The document provides details on the planned treatment for a music video for the song "Still Life" by the band The Horrors. It will tell the story of a day through landscape shots and performances by the band. Landscape shots will be filmed at Roseberry Topping to create a time lapse showing the progression of the day. Shots of the band performing will be filmed in a studio with dark lighting and angles that only show half their faces. Editing techniques like graphic matches will link the landscape and performance elements.
Paradise city music video analysis work sheet
The document analyzes the Guns N' Roses music video for "Paradise City" across several elements:
1) The target audience is teens, young adults, and older adults who enjoy loud, guitar-driven rock music.
2) The lyrics reference the band's memories of the Midwest but were also inspired by the rough streets of Los Angeles where they lived.
3) The tempo starts slow and increases throughout the song to match the increasing energy shown in scenes of chaos at their live shows.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band performing live in a studio with dark lighting and landscape shots of Roseberry Topping to convey a psychedelic rock genre. Editing techniques like time lapses and graphic matches will link the studio and landscape scenes. The band will wear dark, modern clothes to fit the alternative rock genre and contrast with the bright landscapes.
Textual analysis 2
The video is a performance narrative that conforms to star theory by featuring the musician Misch in various shots. It aims to portray the musician's passion for music through its relaxed, laid-back style as the characters slowly groove to the music. While the lighting and color scheme are dismal and brown, a disco ball is used to contrast and bring light, representing how music can lift any situation. The costumes have a jazz influence through denim and cord in dreary colors, subverting conventions by covering the women's bodies rather than objectifying them. Various shot types are used, including close-ups of lip syncing and wide shots of the environment. References to 1970s/80s films provide nostalgia.
Codes and conventions of indie music videos
Indie music videos employ certain technical codes, symbolic codes, and conventions to achieve their distinctive style. Technically, they use wide shots and close-ups with panning and zooming to focus on themes, fast or slow cuts to match the music's pace, and vintage filters. Symbolically, they have toned-down colors and settings, lack of bright branding, and an emphasis on the music over the artists. Conventionally, they are around 3-4 minutes, lack clear narratives, have loose connections between visuals and music, and give little reference to the artist.
Codes and conventions of indie music vVdeos
This document summarizes some common codes and conventions seen in indie music videos. It notes that most indie music videos combine a performance element with a conceptual element. They tend to be simple with no complex plots, and feature "hipster" fashion styles. Common settings include outdoor natural locations. Visually, the videos have a natural aesthetic with bright lighting, natural colors, and handheld camerawork. Editing is usually simple and cuts to the beat of the music. Costumes for male and female band members emphasize a casual, comfortable style.
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Researching student work 1
The document analyzes the camera techniques, costumes, locations, and representations used in the music video for Louis- My Number. It finds that medium shots are primarily used to film the performance as if the audience was present. Close-ups of instruments add to the performance element. Costumes in dark colors like black and grey represent the rock genre. Locations are simple to keep the focus on the band's performance. Through cinematography and mise-en-scene elements, the video effectively represents the rock genre.
Codes and Conventions of Dance Music
In a typical dance music video, there are several common codes and conventions used:
- A wide variety of camera shots and angles are used, including wide shots to involve the audience, high angle shots to show dominance, and close ups to highlight important features.
- Locations are usually upbeat settings like nightclubs or parties to match the music and allow audiences to relate. Lighting includes bright and strobe effects to fit the beat.
- Editing is fast-paced to match the song but can slow down for certain parts, and techniques like slow motion and sped up scenes are used to convey meaning or highlight characters.
Nea research task 2
This document summarizes and analyzes two music videos:
1) Alan Walker - Faded: The video tells a narrative story and questions things. It starts slow but speeds up with the music. Walker is isolated as the main character. Shots establish the isolated setting and show how small Walker is compared to the area, conveying his isolation.
2) Martin Garrix - Animals: This video narrates a group of dancers vandalizing objects and cars. It has slow motion throughout, giving it a slow feel. Garrix is assumed to be the DJ and is not physically present, portraying him as such.
Initial genre research rock
This document provides information about common conventions in rock music videos. It discusses elements like band members wearing black, use of low-key lighting to match mood, inclusion of outdoor settings, incorporation of storylines through lyrics and visuals, use of faster editing and jump cuts to match upbeat tempos, featuring of live performances, and use of close-ups and wide shots. It then analyzes two specific music videos, noting how they employ conventions like changing shot duration to match drum beats and use of black clothing to represent death for Queen's "Bohemian Rhapsody", and inclusion of dark colors, wide shots, and high angles to depict power and audience perspective for U2's "Sunday Bloody Sunday."
Indie Genre Conventions
This document discusses conventions of the indie music video genre. It notes that settings are typically low-budget locations that are easy to access like studios, cities, parks and tunnels. Mise-en-scene aims to portray narrative through costumes, makeup and props like instruments. Performance sections focus on showcasing the artist's talents. Narratives are increasingly popular as they help audiences relate to the lyrics. Sound, camera shots, editing and effects also aim to reflect the independent spirit of the music.
Use of real media conventions
My media product uses, challenges, and develops conventions of real dubstep music videos. It uses typical conventions like urban locations and quick edits timed to the music. However, it challenges conventions by having an unconventional narrative and limiting strobe lighting to only 3 seconds rather than throughout the video. The product develops conventions by manipulating the pace of editing and shot duration to match the increasing and decreasing tempo of the music.
Music video pitch everything2
The document proposes music video pitches for two genres: acoustic and dance. For the acoustic video, the group outlines conventions like solo performances and love stories. They ask if these fit the genre. For the dance video, they describe a club scene and stop motion editing. They provide an example song and ask if their ideas like locations and lighting suit the dance genre. The document ends with questionnaires to gather feedback on both proposed videos and ensure they follow genre conventions.
Pop rock conventions
In pop/rock music videos, there are conventions around how the band members are portrayed and how the music is presented:
- Medium shots show all band members equally performing their instruments, with no one member shown more than others. This presents the image of a naturally talented group.
- Clothing is casual like denim jeans and jackets, avoiding flashy fashion to maintain an image of authentic, "natural" talent rather than distracting costumes.
- Settings are typically in studios or houses to suggest the band casually playing together rather than elaborate locations.
- Lighting also aims for a natural look, with performances in available light rather than added lighting effects.
- Both narrative scenes and musical performances
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Music video conventions ppt 2014
This document discusses the conventions and genres of performance music videos. It defines genre as a system of repetition and variation that is recognized by audiences. Common music genres discussed include pop, rock, R&B, hip hop, and indie. The document also examines important elements of mise-en-scene in music videos like setting, lighting, clothing, and props that help portray the genre. Specific conventions for hip hop, indie/rock, and pop genres are provided through example music videos.
Conventions of Jazz, Folk and Acoustic
This document discusses conventions for jazz, folk, and acoustic music videos. It outlines conventions like location, costumes, lighting, and editing for each genre. Jazz conventions include bright lights, sophisticated costumes, and old-fashioned settings and microphones. Folk often uses shadows, spotlighting of artists, exaggerated playing, and black and white editing. Acoustic focuses on emotional facial expressions, slow pacing, isolated settings, and editing to set mood. Examples are given of artists following or challenging these conventions. The conclusion advocates including aspects of each genre while making the video unique.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band's live performance alongside nature scenes to convey the psychedelic rock genre. The video will contrast bright outdoor lighting with a darker studio setting. Transition shots and a time lapse will link the landscape narrative and help depict the events of a day.
Advanced portfolio evaluation
The document discusses typical conventions for music videos, CD covers, magazine advertisements, and how the conventions are used and challenged in the music video for "City Life". Specifically, it notes that while acoustic indie genres typically feature the artist playing instruments, this video crosses the genre with parkour. It follows the journey of the artist and a parkour artist through the city. Editing uses soft transitions between scenes and slows down parkour scenes for an artistic effect.
Generic conventions of a music video
There are three main types of music videos: illustrative videos that tell a story through performance, amplification videos where the director interprets the song creatively, and conceptual videos that may not relate to the lyrics. Common conventions include quick camera shots between close-ups and long shots, fast editing to match the beat, expressive lighting effects, and mise-en-scene themes relating to historical periods, concert halls, or exaggerated star images through luxury settings.
Student music videos
The document analyzes two student music videos. For the first video "My Number - Louis": Three main camera distances were used to avoid being choppy and overwhelming. Shots included long shots to fit the band and close-ups of individual artists and instruments. A range of camera angles including 45 and 90 degree shots were used, and the camera slowly zoomed and panned at times. The band wore plain, casual clothing reflective of the indie genre and used band equipment as appropriate props.
For the second video "All That Glitters - No Sleep Tonight": Various camera distances including medium shots of the group were used. The camera moved quickly to match the high energy pop genre. Costumes wildly changed between scenes and
Treatment sheet
The document provides details on the planned treatment for a music video for the song "Still Life" by the band The Horrors. It will tell the story of a day through landscape shots and performances by the band. Landscape shots will be filmed at Roseberry Topping to create a time lapse showing the progression of the day. Shots of the band performing will be filmed in a studio with dark lighting and angles that only show half their faces. Editing techniques like graphic matches will link the landscape and performance elements.
Paradise city music video analysis work sheet
The document analyzes the Guns N' Roses music video for "Paradise City" across several elements:
1) The target audience is teens, young adults, and older adults who enjoy loud, guitar-driven rock music.
2) The lyrics reference the band's memories of the Midwest but were also inspired by the rough streets of Los Angeles where they lived.
3) The tempo starts slow and increases throughout the song to match the increasing energy shown in scenes of chaos at their live shows.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band performing live in a studio with dark lighting and landscape shots of Roseberry Topping to convey a psychedelic rock genre. Editing techniques like time lapses and graphic matches will link the studio and landscape scenes. The band will wear dark, modern clothes to fit the alternative rock genre and contrast with the bright landscapes.
Textual analysis 2
The video is a performance narrative that conforms to star theory by featuring the musician Misch in various shots. It aims to portray the musician's passion for music through its relaxed, laid-back style as the characters slowly groove to the music. While the lighting and color scheme are dismal and brown, a disco ball is used to contrast and bring light, representing how music can lift any situation. The costumes have a jazz influence through denim and cord in dreary colors, subverting conventions by covering the women's bodies rather than objectifying them. Various shot types are used, including close-ups of lip syncing and wide shots of the environment. References to 1970s/80s films provide nostalgia.
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Codes and conventions of indie music videos
Indie music videos employ certain technical codes, symbolic codes, and conventions to achieve their distinctive style. Technically, they use wide shots and close-ups with panning and zooming to focus on themes, fast or slow cuts to match the music's pace, and vintage filters. Symbolically, they have toned-down colors and settings, lack of bright branding, and an emphasis on the music over the artists. Conventionally, they are around 3-4 minutes, lack clear narratives, have loose connections between visuals and music, and give little reference to the artist.
Codes and conventions of indie music vVdeos
This document summarizes some common codes and conventions seen in indie music videos. It notes that most indie music videos combine a performance element with a conceptual element. They tend to be simple with no complex plots, and feature "hipster" fashion styles. Common settings include outdoor natural locations. Visually, the videos have a natural aesthetic with bright lighting, natural colors, and handheld camerawork. Editing is usually simple and cuts to the beat of the music. Costumes for male and female band members emphasize a casual, comfortable style.
Codes and conventions of Indie music videos
Indie music videos commonly feature live performances to focus on the artist's talent and passion for music. They may also include narratives to make the video more memorable and competitive with other genres. Common conventions in indie music videos include incorporating mise en scene through retro-inspired sets, props, and costumes to establish style and setting. Technical elements like camerawork, sound, and editing help bring the artist's vision to life through various shots, effects, and pace.
Conventions of an indie genre
There are some common conventions seen in many indie music videos. Typically, the videos will feature a performance by the band, as indie artists want to focus on the music rather than elaborate narratives. They also want to stay true to their DIY ethos and avoid the conventions of mainstream music videos. The production values of indie videos are often minimalistic due to smaller budgets. Mise-en-scene elements like costumes, lighting, and props are also usually quite minimalistic and reflect the everyday styles and emotions conveyed by the indie music. Cinematography and editing techniques in indie videos commonly involve shots of the band performing and are edited to match the tempo of the song.
Codes and conventions of indie and rock music videos
Here are a few codes and conventions of music videos within the indie and rock genre. They cover performance, narrative, mise-en-scene, setting, camera shots, sound and editing. I have shown a few examples for certain topics as well as explaining the effect.
Codes and conventions of indie music videos
1) Indie music videos often feature live performances to keep the focus on the artist's talent and passion for music. This conveys the genre's emphasis on music over commercial success.
2) Narrative videos are also popular, using a story to make the video more memorable and engage viewers. Special effects allow more creative storylines.
3) Mise-en-scene elements like sets, costumes, and makeup are used to establish retro aesthetics common in indie rock and convey themes through a character's appearance.
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Codes and conventions of indie and rock music videos
Codes and conventions of indie and rock music videos
Similar to Indie Conventions
Codes and Conventions of Music Videos
Music videos use codes and conventions in their cinematography, editing, sound, mise-en-scene, and genre-specific techniques to promote artists and connect with audiences. Cinematography employs shots like close-ups and angles that suit different genres and songs. Editing cuts rhythmically to the beat. Mise-en-scene reflects lyrics through locations, costumes, and instruments. Genres have recognizable styles - R&B features wealth, rock uses dark colors for live performances, while pop uses bright colors and some voyeurism targeted at teens.
Conventional analysis
The document analyzes camerawork, editing, sound, and mise-en-scene conventions in the music video "Always Where I Need to Be" by The Kooks. There are many close-ups of band members playing instruments. Shots are edited quickly to match the upbeat tempo. Sound is intended to be diegetic when the band plays, and non-diegetic during other scenes. Costumes contribute to the indie genre theme, such as the lead singer's fluffy coat and tight jeans. Settings also aim to appear run-down and scruffy.
indierockconventions-copy-220711205730-d40063c9.pptx
1. The document discusses codes and conventions of indie rock music videos. It focuses on elements like primary colors, glitch effects, narrative styles, and the use of diegetic and non-diegetic sounds.
2. Many indie videos show the artist in a live performance to focus attention on the artist and demonstrate their musical skills. Some include narratives that relate to the song's meaning.
3. Editing, sound, mise-en-scene, camerawork, and narrative are important technical aspects that help set the retro, authentic atmosphere for which indie rock videos strive. Close-ups during performance and longer shots cut together are commonly used.
indie rock conventions - Copy.pptx
1. The document discusses codes and conventions of indie rock music videos. It focuses on elements like primary colors, glitch effects, narrative styles, and the use of diegetic and non-diegetic sounds.
2. Many indie rock videos show the artist in a live performance or contain a narrative storyline to help audiences relate to the artist's meaning and lyrics. Editing, sound, mise-en-scene, and camera work aim to create an authentic yet retro atmosphere.
3. Narrative is a key element as it shows how the performer feels about the song and defines their style. Examples of indie rock videos discussed include Wallows' "Remember When" and Cage the Elephant's "Cold Cold
Research presentation!
The document provides an overview of techniques and conventions commonly used in indie/rock music videos. It discusses elements like color schemes using red, black and white; the use of close-ups, establishing shots and different camera angles; editing that matches the pace of the music; diegetic and non-diegetic sound; costumes and props that represent the genre; and lighting and settings that relate to the mood of the song. Examples are given of videos by bands like Foo Fighters and The Killers that demonstrate these conventions.
Task 1
The conventions of a music video include featuring the artist or band. Shots are usually close ups, mid shots, and long shots to show emotion, scenery, and actions like playing instruments or dancing. The mise-en-scene varies by genre - rock videos often show live performances while R&B features dancing and crisp outfits. Music videos use editing techniques like jump cuts and dissolves. The purpose is to promote the artist's song and help audiences understand the song's meaning. There are three main types of music videos: concept-based use obscure ideas, performance-based feature the artist performing, and narrative-based tell a story.
Conventions of a music video
This document discusses several conventions of pop music videos. It explains that pop music videos are usually very performance-based, with bright colors and trendy fashion. Narratives in music videos often reflect the song's meaning and include elements of love. Visuals in videos are typically linked to lyrics to help viewers remember them. Common shots used include long shots, close-ups, and mid shots to showcase emotions, costumes, and locations. Editing aims to sync with the music's beat. Examples then analyze the locations, costumes, shots, and narrative/performance balance in specific music videos.
Conventions Task
The document discusses conventions in hip-hop music videos. It notes that props like cars signify wealth, and black costumes and lighting create a dark, dramatic mood. Videos often use hard lighting, slow pacing, and black and white filming to match sad songs. Close-ups of performers in the center of shots emphasize them. Videos also commonly feature scantily-clad women and fast editing with flashing effects to match the music's intensity.
Conventions of a music video
This document discusses various conventions used in music videos. It describes common camera movements like pans, tilts, and tracks that usually follow the artist. Long shots are used to show locations while close-ups show emotions. Jump cuts and transitions like fades are frequent editing techniques. Mise-en-scene involves arranging performers and props to represent something. An example is Katy Perry's "Roar" video where her costumes and facial expressions change to show her developing confidence. Props, lighting, sound, costumes, and color are also conventions that set moods and atmospheres.
Key conventions of music video
Indie pop music videos typically feature low budgets and are filmed in natural settings like studios, cities, and parks. They often tell a narrative story that relates to the song's lyrics through a sequence of images and videos. Performance videos focus on showcasing the artist's talent to promote them and give viewers a sense of their live shows. Narratives may be literal or abstract, using scenes to link to the song. Videos have simple costumes, props, and aesthetics like the artist dressed casually in tops, jackets, and jeans. Filters are frequently used to set a mood and give off feelings and vibes through colors like sepia, monochrome, and purple. Editing and camera angles like close-ups
Codes and Conventions of Music Videos
Codes and Conventions of Music Videos Including:
Editing Techniques
Style
Camera
Stereotypes
Sound - Diegetic and Non Diegetic
Mise En Scene - Lighting, Props, Costume, Hair and Makeup, Setting/Location, Colours
Music video anaylsis
The document provides an analysis of the music video for BTS's song "Fire". It discusses several elements of the music video including editing, camera angles, lighting, performance, styling, lyrics/music/visuals connection, and close ups/motifs. Overall, the music video uses some conventions of both the K-pop and hip hop genres but also makes some deviations, such as having darker lighting and slower camera movements at times to contrast with the upbeat song. The performance elements through dance scenes are a key focus.
Final presntation
The document discusses conventions commonly found in pop music videos that will inform the group's upcoming music video project. These conventions include using bright colors, funny storylines, dancing scenes with the singer at the center, high key lighting, extreme close-ups to show expression, establishing shots, dialogue, lip syncing to the song, and various editing techniques like dissolves and mosaic shots. The group plans to incorporate many of these elements, such as color, costumes, dancing, lighting, close-ups and editing techniques into their own video to match the conventions of the pop music genre.
Quantitative analysis – music videos
Through analyzing different music video genres, the document identifies common elements in hip-hop, alternative rock, rap, dance, pop, folk, rock and roll, and drum and bass videos. Hip-hop and rap videos often focus on the artist's performance and connecting with viewers, while alternative rock, folk, and some pop videos center on the band's performance. Dance, rock and roll, and some pop videos combine performance with a storyline. Drum and bass videos use special effects to match the music's feel.
Presentation
This document discusses conventions for different music genres including folk, jazz, and acoustic and provides examples. It summarizes conventions for each genre such as use of lighting, location, costumes, and film techniques. It then discusses how the research into conventions will help in planning a music video for a song that combines folk, jazz and acoustic elements. The research found conventions like close-ups, shadows, and black and white filters can help portray emotion and set the style and mood for each genre.
Conventions of the form powerppoint
Music videos follow conventions to make the form recognizable to audiences. They use different camera techniques, editing styles, sound, and mise-en-scene elements depending on the genre. Performance videos focus on showing the artist, narrative videos tell a story related to the lyrics, and abstract videos evoke moods. Camera shots and angles are chosen deliberately to set the pace and portray power dynamics. Editing matches the rhythm of the song. Sound, lighting, costumes, props, and locations are all selected to represent the feeling of the music. Conventions help audiences understand music videos and promote the artist.
Eval 1 draft 3
This document discusses various conventions used in music videos. It describes conventions such as medium close-ups to show emotion, tracking shots to add movement, close-ups of guitar playing to signify musical talent, and equal positioning of band members to show unity. It also discusses using dim lighting to create mood, black backgrounds to focus on the artist, and matching editing pace to the music. The document provides examples of how different artists have used these conventions in their music videos.
Conventions of a music videos
There are three main types of music videos: narrative videos which tell a story, conceptual videos based around a single idea, and performance videos featuring the artist. Music videos use various camera shots and angles like close-ups and tracking shots to focus attention. They also utilize editing techniques, lighting, costumes, sets and props to match the genre and mood of the song.
Codes and conventions of a music video
Codes and conventions are the rules and techniques used in music videos to ensure the visuals clearly represent and are understandable in relation to the song lyrics. They can be divided into technical codes, like camera angles and editing, and symbolic codes, which convey meaning through expression. Music video conventions include characters, setting, props, costumes, lighting, sound, and camerawork. These visual elements help set the mood and genre of the song to engage audiences.
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Research and planning
The document discusses research and planning for various projects. It notes that one book research post lacked evaluation, but three textual analysis posts provided good information and ideas for a music video project. Poor planning for one project resulted in missing key shots because the storyboard was not followed closely enough. Good planning for another project included three magazine mockup ideas and a location post to help with shooting.
Digi pak conventions
The front of a digi-pak conventionally displays the band or artist image along with the name of the band or artist and album title. The other panels are typically linked and some include a booklet with song lyrics. The back panel lists the songs on the CD and includes a bar code for retail purposes.
Magazine album advert conventions
The document outlines several key conventions of magazine album advertisements including making the name of the band and album clear, including the release date, featuring the album cover art, keeping the design simple with minimal text, using consistent typography across promotional materials, and providing reviews or ratings from other publications to help potential listeners understand the quality and reception of the album.
Institutions
The document discusses different types of media institutions and ownership structures. It focuses on a student who has chosen to work with the vertically integrated media company IPC Media to launch a new music magazine called Tones. IPC Media owns over 85 magazines, including the iconic music magazine NME. The student feels IPC Media can help Tones grow by advertising it at music festivals through NME's stage and possibly on television. Marketing strategies for Tones include sponsoring a music stage at festivals, setting up a music channel, and hosting local band competitions across the country.
Conventions 1
The document discusses conventions of magazines and music videos. It then describes how the creator's magazine follows these conventions. Specifically, it includes a masthead, cover line, barcode/price on the front cover. The contents page lists regular and featured sections with small pictures. The double page spread mixes pictures and writing across the two pages. While some conventions like kickers and buttons were omitted to keep the design simple, overall the magazine adheres to typical structure and formatting conventions.
Institutions
The document discusses different types of media institutions and the company structure being used for a new magazine. A vertically integrated media company controls all stages of production, distribution, and exhibition. For the new magazine, a vertically integrated company called IPC Media will be used since it already publishes music magazines like NME and can leverage its experience to help make the new magazine successful.
Institutions
The document discusses different types of media institutions and the company structure being used for a new magazine. A vertically integrated media company controls all stages of production, distribution, and exhibition. For the new magazine, a vertically integrated company called IPC Media will be used since it already publishes music magazines like NME and can leverage its experience to help make the new magazine successful.
Institutions
1) Media institutions were once dominated by a few large companies but now include both independent producers and large conglomerates.
2) Independent media companies focus only on production while conglomerates control multiple stages of production, distribution, and exhibition through vertical or horizontal integration.
3) Vertical integration allows a company total control over production, distribution, and exhibition while horizontal integration expands a company's products like toys and games related to its films.
Conventions
This document discusses conventions of magazines and music videos. It explains that magazines typically include elements like a strap line, masthead, splash, kicker, barcode/price, and cover line. Music videos often tell abstract narratives that leave some elements open to interpretation. Indie music values independence and uniqueness. The document also discusses how the author's own magazine follows conventions, including a masthead, strap line, cover line, barcode/price, and contents page with pictures of features. It aims to balance images and text on double page spreads.
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
From Teacher to OnlyFans: Brianna Coppage's Story at 28
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
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Indie Conventions
- 1. Conventions of Indie Music By Hannah Spooner
- 4. Close up,
- 9. Zoom in/out
- 10. Tilt
- 12. Editing The Jump cut is the most common cut in music videos a long with the normal standard cut. The jump is used to changed from one location to another in the video, and from the artists to the instruments. Editing is very important in a video as it helps to keep the video flowing and the editing should be linked into the beats of the song.
- 13. Mise-en-scene This all depends on what that song is about. Mise-en-scene is reflected through; Lighting; Extreme artificial lighting is very common is most videos. This helps to enhance the look of the band/artist, this is mainly used in pop videos. Light switching helps with the change from the verse to the chores. Lighting can also be used to show different feeling in the video, if the lighting is dark then you get a darker feeling compared to high lighting. Props; In music videos these tend to be instruments. Costume; Costumes help to reflect the genre of the band/artist. And some can be used as star image (Lady gaga) Colour; Colour helps to show the mood of the song. Bright colours gives a happy feel, and darker colours connotes a darker tone. Sound; Mainly the sound is the song, but some music videos are short film (lady gaga) with acting at the start and in the middle. Meaning the sounds that will be hear will be diagetic and non-diagetic.
- 14. Main Conventions for indie In indie music videos, it tends to be calm and changes with the beat of the music. There sometimes black and white, also with a narrative. Most of the videos have close ups, showing that the artists do everything for them selves. And nearly all indie videos have the band/artists playing instruments.