The document discusses three models of what drives economic success in cities: 1) traditional factors of land, labor, capital and management, 2) human capital, and 3) urban amenities. It focuses on the "amenity model", where combinations of natural and constructed amenities in a city attract creative people. These combinations of amenities form "scenes" that support certain lifestyles and values. Scenes are analyzed for different neighborhoods in Tampere based on dimensions like theatricality, authenticity and legitimacy. The document concludes by showing how former industrial areas in Tampere are being redeveloped to form new scenes.

1. GRASSROOTS OF CREATIVE CITIES
Ari Hynynen
InnoWork / Porvoo 11.04.2012

11. 1. traditional model
classic factors of
production: + economic +
land, labour, success story
growth
capital and
management
2. human capital model
+
human capital
+ 3. amenity model
urban amenities

12. Amenities
Amenities are
-natural (weather conditions, landscape, proximity of natural
areas etc.)
or
-constructed (urban environment, clubs, cafés, museums,
shops, opera etc.)
Do single amenities attract creative people?
No, but combinations of amenities.
Certain combinations support certain lifestyles, habits of cultural
consumption and value orientations.

13. Scenes
Combinations of amenities with attached action form a scene, where
individual lifestyles, habits of cultural consumption and value orientations
are shared with others.
Space Scene Neighborhood Industrial /
Commercial areas
Goal Experiences Necessities Works, products
Agent Consumer Resident Producer
Physical units Amenities Homes / Apartments Firms
Basis of social bond Ideals Being born and raised Work / production
nearby, long local relations
residence, ethnicity,
heritage

16. Subdimensions of scenes Tampere Bohemia
Traditional legitimacy 3 2
Self-expressive legitimacy 3 5
Charismatic legitimacy 3 4
Utilitarian legitimacy 4 1
Egalitarian legitimacy 4 2
Neighborly theatricality 4 2
Transgressive theatricality 3 5
Exhibitionistic theatricality 3 4
Glamorous theatricality 2 3
Formal theatricality 2 3
Local authenticity 4 4
Ethnic authenticity 3 4
State authenticity 3 2
Corporate authenticity 4 1
Rational authenticity 4 2

17. Bohem ia
Traditional legitimacy
5
Rational authenticity Self-expressive legitimacy
4
Corporate authenticity Charismatic legitimacy
3
2
State authenticity Utilitarian legitimacy
1
0
Ethnic authenticity Egalitarian legitimacy
Local authenticity Neighborly theatricality
Formal theatricality Transgressive theatricality
Glamorous theatricality Exhibitionistic theatricality

18. Tampere and Bohemia
Traditional legitimacy
5
Rational authenticity Self-expressive legitimacy
4
Corporate authenticity Charismatic legitimacy
3
2
State authenticity Utilitarian legitimacy
1
Bohemia
0
Ethnic authenticity Egalitarian legitimacy Tampere
Local authenticity Neighborly theatricality
Formal theatricality Transgressive theatricality
Glamorous theatricality Exhibitionistic theatricality

21. Finlayson
Traditional legitimacy
5
Rational authenticity Self-expressive legitimacy
4
Corporate authenticity Charismatic legitimacy
3
2
State authenticity Utilitarian legitimacy
1
0
Ethnic authenticity Egalitarian legitimacy
Local authenticity Neighborly theatricality
Formal theatricality Transgressive theatricality
Glamorous theatricality Exhibitionistic theatricality

24. Tulli
Traditional legitimacy
5
Rational authenticity Self-expressive legitimacy
4
Corporate authenticity Charismatic legitimacy
3
2
State authenticity Utilitarian legitimacy
1
0
Ethnic authenticity Egalitarian legitimacy
Local authenticity Neighborly theatricality
Formal theatricality Transgressive theatricality
Glamorous theatricality Exhibitionistic theatricality

27. Nekala
Traditional legitimacy
5
Rational authenticity Self-expressive legitimacy
4
Corporate authenticity Charismatic legitimacy
3
2
State authenticity Utilitarian legitimacy
1
0
Ethnic authenticity Egalitarian legitimacy
Local authenticity Neighborly theatricality
Formal theatricality Transgressive theatricality
Glamorous theatricality Exhibitionistic theatricality

28. planned regional train
planned tramline
Finlayson
Tulli
Industrial Fallows in Tampere
completed area Nekala
under development /
becoming development
Ari Hynynen / Setting the Scene for Creative City
?
Milan 09.-11.10.2008

32. KIITOS!