History of horror
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The document traces the history and evolution of horror films from the late 1890s to modern day. It discusses the earliest horror films created by Georges Melies in the 1890s. In the 1920s-1940s, Gothic horror was popular with films like Frankenstein and Nosferatu. The 1950s-1960s saw a shift to sci-fi horrors about aliens and demons due to advances in technology. Horror in the 1970s-1980s focused more on the occult and spawned popular slasher and animal subgenres. These subgenres continued into the 1990s-2000s alongside remakes. Modern horror encompasses all subgenres and aims to be eerie rather than purely scary.
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1. horror film genre codes and conventions
This document discusses common codes and conventions in horror films. It outlines typical plots such as evil creatures killing people, warnings being ignored with unfortunate consequences, and serial killers stalking victims. Common locations include abandoned houses, barns, woods, hotels/motels, and basements. Recurring props that convey meaning include candles, voodoo dolls, masks, and weapons. Standard character archetypes are also described, like the hero who tries to save others, the last surviving victim, the villain who terrorizes others, and groups of friends that are killed off. Examples of many popular horror movies that employ these tropes are provided.
Horror Conventions Mindmap
Horror films commonly use certain conventions and tropes to establish mood and narrative. These include masks to hide the killer's identity, low key lighting and shadows to build suspense, mansions and forests as isolated settings, and narratives involving revenge killings or dumb blond victims. Common characters are the main murder victim, the killer who is often male, and a killer's friend who assists. Themes revolve around ghosts, vampires, zombies, and the last victim confronting death.
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Horror films typically use certain settings, technical elements, and visual symbols to create fear and suspense. Common settings include isolated or abandoned places that enhance feelings of fear and isolation. Technical elements like editing, camerawork, lighting, and sound are used to startle audiences and build tension. Visual symbols like dark colors, shadows, and religious icons also contribute to the unsettling atmosphere. Narrative structures commonly follow a pattern of normality being disrupted by a threat, which is then resolved, though sometimes ambiguity is used to set up potential sequels. Character archetypes include the victim/hero, children, and various monsters representing threats from the past. Underlying themes involve the conflict between natural and unnatural forces, the hidden
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This document discusses the codes and conventions commonly found in horror films. It outlines several examples of popular horror subgenres and the fears they aim to invoke, such as nightmares, vulnerability, and death. Character archetypes are described, with the final girl often surviving and villains having distinguishing murder methods. Unwritten rules are listed, like certain actions guaranteeing a character's death. Locations and weapons typically featured are also provided.
Elements of horror genre
Horror films commonly use certain iconography like haunted houses, knives, and depictions of blood and death. They are usually set in dark and isolated places at night that make people feel vulnerable, like abandoned buildings. The narrative typically involves a monster terrorizing a group of people in a battle of good versus evil. To build suspense and mystery, horror movies employ scary sounds and point-of-view camera shots. They often feature supernatural killers targeting female or young adult victims. Recurring themes are struggles between good and evil or other moral dilemmas.
Genre analysis
Horror films follow common patterns in their iconography, or visual symbols, that help identify the genre for viewers. Examples include haunted houses, symbols of death, masks, screaming victims, weapons, and depictions of good and evil. Settings also play an important role, with most horror films taking place at night in dark, isolated locations like abandoned buildings. Character archetypes that commonly appear include monsters, murderers, victims, and those who help rescue victims. Finally, horror films often explore common social themes through their villains, such as fears of the time period when the film was made, and focus on the conflicts and dilemmas faced by main characters.
Genre research
The document discusses several characteristics and conventions of the horror genre that audiences have come to expect based on conventions established in many previous horror films. These include the presence of antagonists who terrorize isolated victims, the use of isolated and abandoned settings, identifiable weapons and costumes for the antagonists, and certain audio cues that build tension and suspense. The upcoming film You're Next is analyzed in terms of how it adheres to and plays with some of these common horror genre conventions and characteristics.
Conventions of horror
This document discusses analyzing film stills from four horror sub-genres: Gothic, Psychological, Slasher, and Zombie films. It provides details on the key conventions of each sub-genre, including common settings, characters, plot elements, camera techniques, and themes. Students will study stills from films like Psycho, The Shining, Frankenstein, and 28 Days Later to identify conventions and learn about the different horror sub-genres.
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1. horror film genre codes and conventions
This document discusses common codes and conventions in horror films. It outlines typical plots such as evil creatures killing people, warnings being ignored with unfortunate consequences, and serial killers stalking victims. Common locations include abandoned houses, barns, woods, hotels/motels, and basements. Recurring props that convey meaning include candles, voodoo dolls, masks, and weapons. Standard character archetypes are also described, like the hero who tries to save others, the last surviving victim, the villain who terrorizes others, and groups of friends that are killed off. Examples of many popular horror movies that employ these tropes are provided.
Horror Conventions Mindmap
Horror films commonly use certain conventions and tropes to establish mood and narrative. These include masks to hide the killer's identity, low key lighting and shadows to build suspense, mansions and forests as isolated settings, and narratives involving revenge killings or dumb blond victims. Common characters are the main murder victim, the killer who is often male, and a killer's friend who assists. Themes revolve around ghosts, vampires, zombies, and the last victim confronting death.
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Horror films typically use certain settings, technical elements, and visual symbols to create fear and suspense. Common settings include isolated or abandoned places that enhance feelings of fear and isolation. Technical elements like editing, camerawork, lighting, and sound are used to startle audiences and build tension. Visual symbols like dark colors, shadows, and religious icons also contribute to the unsettling atmosphere. Narrative structures commonly follow a pattern of normality being disrupted by a threat, which is then resolved, though sometimes ambiguity is used to set up potential sequels. Character archetypes include the victim/hero, children, and various monsters representing threats from the past. Underlying themes involve the conflict between natural and unnatural forces, the hidden
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Horror films commonly use certain iconography like haunted houses, knives, and depictions of blood and death. They are usually set in dark and isolated places at night that make people feel vulnerable, like abandoned buildings. The narrative typically involves a monster terrorizing a group of people in a battle of good versus evil. To build suspense and mystery, horror movies employ scary sounds and point-of-view camera shots. They often feature supernatural killers targeting female or young adult victims. Recurring themes are struggles between good and evil or other moral dilemmas.
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Horror films follow common patterns in their iconography, or visual symbols, that help identify the genre for viewers. Examples include haunted houses, symbols of death, masks, screaming victims, weapons, and depictions of good and evil. Settings also play an important role, with most horror films taking place at night in dark, isolated locations like abandoned buildings. Character archetypes that commonly appear include monsters, murderers, victims, and those who help rescue victims. Finally, horror films often explore common social themes through their villains, such as fears of the time period when the film was made, and focus on the conflicts and dilemmas faced by main characters.
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The document discusses several characteristics and conventions of the horror genre that audiences have come to expect based on conventions established in many previous horror films. These include the presence of antagonists who terrorize isolated victims, the use of isolated and abandoned settings, identifiable weapons and costumes for the antagonists, and certain audio cues that build tension and suspense. The upcoming film You're Next is analyzed in terms of how it adheres to and plays with some of these common horror genre conventions and characteristics.
Conventions of horror
This document discusses analyzing film stills from four horror sub-genres: Gothic, Psychological, Slasher, and Zombie films. It provides details on the key conventions of each sub-genre, including common settings, characters, plot elements, camera techniques, and themes. Students will study stills from films like Psycho, The Shining, Frankenstein, and 28 Days Later to identify conventions and learn about the different horror sub-genres.
Horror Genre
The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
Horror genre conventions
The document discusses the purpose and history of the horror genre. It aims to create a sense of fear through portrayals of audiences' worst fears. Horror films often include mythical creatures and incorporate violence. The document then outlines the evolution of the genre from 1896-present, including early experimentation, iconic films that established tropes, and the emergence of subgenres like psychological horror, slasher films, and comedy horror. It analyzes conventions for plot, characters, cinematography, lighting, editing and provides examples of films that exemplify these conventions.
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The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
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The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
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The document discusses common conventions and techniques used in horror and thriller films. It notes that secluded, isolated locations are generally used to set up disaster with no help nearby. Props like knives and blood are occasionally used to hint at the genre and frighten audiences. Sound is also essential, using both loud diegetic sounds to create tension and silence before frightening scenes. Camera shots like quick cuts, low angles, and handheld shots help build suspense, threat, and a sense that something is wrong.
Generic conventions of horror
Mise-en-scene in horror films establishes isolation and ominous settings through techniques like pathetic fallacy, sinister props, and dark colors like red and black. Lighting is used to create mood, cast shadows, and suggest split personalities. Costumes distinguish stereotypical character types like the "blonde" and "athlete". Sound design with exaggerated diegetic sound and loud non-diegetic music builds tension and makes audiences feel scared. Common props symbolizing religion or the devil include bibles, crucifixes, and candles. Horror films typically feature stock character archetypes like "the blonde [who] usually dies first".
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Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
Horror genre presentation
The document discusses the horror genre and its purpose of eliciting negative emotions in viewers through primal fears. It describes several common subgenres of horror including slasher, body horror, psychological horror, science fiction horror, and comedy horror. Each subgenre is defined and an example film is provided. The document also analyzes why the science fiction horror film Alien is effective at scaring audiences through its isolated setting, use of suspense, and threatening antagonist.
Codes & Conventions of Supernatural Horror
The document summarizes common codes and conventions of supernatural horror films. It discusses typical settings being isolated locations like a recently moved into house. Narratives often involve characters investigating a haunted place and supernatural events escalating. The main protagonist is usually a troubled female who is the "final girl" surviving until the end. Other characters normally die gruesome deaths leaving the protagonist alone. Costuming shows the protagonist looking erratic and covered in blood by the climax to signify trauma. Lighting and sounds like diegetic screams are used to create fear and tension for audiences.
Genres of films
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Horror Presentation
Horror films aim to elicit emotions of fear, horror and terror in viewers through plots involving death, the supernatural, or mental illness. They often feature a central villain and take place in isolated settings like haunted houses or the woods. Visual styles in horror movies commonly include shadows, low key lighting, and point-of-view shots. Iconography in horror frequently depicts symbols of death, disfigured faces, screaming victims, and weapons like knives. Narrative devices generally include a hero, villain, victim, and helper as the hero tries to save the day from the antagonist.
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The document discusses common conventions in horror films, including isolated settings like abandoned houses or forests at night; use of unsettling sounds like screams or violins to build suspense; props like knives or dolls that symbolize danger; and camera techniques such as close-ups, point-of-view shots, and handheld footage to make the viewer feel like part of the scene. It also notes common character tropes, such as the intelligent female protagonist, promiscuous character who is killed early on, irritating character who meets an early demise, and villainous antagonist.
Scream Postmodern
The document discusses the horror genre and the 1996 film Scream. It provides context on conventions of horror films, such as having a final girl, frightening settings, and themes of death/destruction. It argues Scream is postmodern as it references these conventions while also commenting on and subverting expectations of the genre through self-aware dialogue and characters discussing horror film tropes. The film establishes conventions like the final girl but updates them for a modern audience familiar with these tropes.
Horror film convention
The document discusses key elements of horror filmmaking including isolationist settings, camera techniques like point-of-view shots, lighting, props, common monsters, narrative structures, character archetypes, and themes. Locations are often isolated places that make the viewer feel alone, and camera work aims to convey fear through techniques like handheld shots. Common props include weapons and religious icons, while monsters help signify terror. Narratives usually involve a protagonist facing off against a killer or monster. Characters include victims, villains, and "immoral" teens who get killed. Frequent themes are good versus evil and the consequences of science, madness, and the supernatural.
Research: Horror Genre
This document discusses the horror genre and the 1978 film Halloween. It defines horror films as depicting viewers' worst fears and the unknown. Halloween follows Michael Myers who returns to his hometown to stalk and kill people on Halloween. The film helped establish conventions for the genre such as using first-person perspectives and female heroes. It also examines posters for the film and discusses target audiences for horror, which appeals to a wide range including women who enjoy strong female characters.
Horror film sub-genres
The document discusses several sub-genres of horror films including: action horror, which combines elements of horror and action; body horror, which focuses on the graphic destruction of the body; and comedy horror, which blends humorous and horrific elements. It provides examples for each sub-genre and sometimes mentions influential directors.
Horror Genre Conventions
The document outlines several common conventions of the horror genre including setting conventions that often involve isolated or abandoned areas. It also discusses conventional technical codes like camera angles and editing that are used to create fear. Common iconography in horror includes dark visuals, low lighting, religious props, and monster figures. Narratively, horror often follows the disruption and repair of equilibrium or a story of overcoming a monster, and themes typically involve good vs evil, the supernatural, and fear/terror.
Horror conventions
Horror conventions typically involve isolated settings like abandoned buildings, forests, or cities to heighten feelings of isolation. Technical elements like handheld camerawork, unsettling sounds, and strategic lighting and framing create tension and obscure threats. Common iconography includes dark colors, masks, and weapons associated with villains. Narrative structures usually involve a protagonist confronting a monster or killer while stock characters like immoral teens are killed off. Themes commonly explored include good vs. evil, the supernatural, and science experiments gone wrong.
Horror Genre Iconography
This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
Les ressources se développeront en réseau(x)
sur le lien entre les ressources pédagogiques et les réseaux d'acteurs et autres communautés de pratique
Présentation pour JNUM'10 http://jnum10.parisdescartes.fr/
Media presentation on representation stereotypes and verisimilitude
The document discusses representation and stereotypes across various social groups. It examines how media represents age, gender, ethnicity, class, status, sexuality, region, ability and disability. For each group, it provides examples of representations and common stereotypes, such as the elderly being slow, women being delicate, black people liking reggae music, gay men acting feminine, northerners being tough, and the disabled being segregated. The document suggests media representations do not always reflect reality and often rely on oversimplified stereotypes.
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Horror Genre
The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
Horror genre conventions
The document discusses the purpose and history of the horror genre. It aims to create a sense of fear through portrayals of audiences' worst fears. Horror films often include mythical creatures and incorporate violence. The document then outlines the evolution of the genre from 1896-present, including early experimentation, iconic films that established tropes, and the emergence of subgenres like psychological horror, slasher films, and comedy horror. It analyzes conventions for plot, characters, cinematography, lighting, editing and provides examples of films that exemplify these conventions.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
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The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
Genre research presentation
Horror films have evolved over time, beginning with early films from the 1890s-1920s that influenced later American films, through periods like the 'Golden Age of Monster Movies' in the 1930s and the introduction of comedy horrors in the 1940s. Key developments included more graphic violence and sexuality in the 1960s-70s and a focus on slasher films in the early 1980s. Contemporary horror films often use remakes of older classics and draw from comic books. Common conventions include isolated settings, characters like victims and psychopaths, the use of camera techniques and sounds to build tension.
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The document discusses common conventions and techniques used in horror and thriller films. It notes that secluded, isolated locations are generally used to set up disaster with no help nearby. Props like knives and blood are occasionally used to hint at the genre and frighten audiences. Sound is also essential, using both loud diegetic sounds to create tension and silence before frightening scenes. Camera shots like quick cuts, low angles, and handheld shots help build suspense, threat, and a sense that something is wrong.
Generic conventions of horror
Mise-en-scene in horror films establishes isolation and ominous settings through techniques like pathetic fallacy, sinister props, and dark colors like red and black. Lighting is used to create mood, cast shadows, and suggest split personalities. Costumes distinguish stereotypical character types like the "blonde" and "athlete". Sound design with exaggerated diegetic sound and loud non-diegetic music builds tension and makes audiences feel scared. Common props symbolizing religion or the devil include bibles, crucifixes, and candles. Horror films typically feature stock character archetypes like "the blonde [who] usually dies first".
Codes and conventions in the horror genre
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
Horror genre presentation
The document discusses the horror genre and its purpose of eliciting negative emotions in viewers through primal fears. It describes several common subgenres of horror including slasher, body horror, psychological horror, science fiction horror, and comedy horror. Each subgenre is defined and an example film is provided. The document also analyzes why the science fiction horror film Alien is effective at scaring audiences through its isolated setting, use of suspense, and threatening antagonist.
Codes & Conventions of Supernatural Horror
The document summarizes common codes and conventions of supernatural horror films. It discusses typical settings being isolated locations like a recently moved into house. Narratives often involve characters investigating a haunted place and supernatural events escalating. The main protagonist is usually a troubled female who is the "final girl" surviving until the end. Other characters normally die gruesome deaths leaving the protagonist alone. Costuming shows the protagonist looking erratic and covered in blood by the climax to signify trauma. Lighting and sounds like diegetic screams are used to create fear and tension for audiences.
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The document defines and provides brief descriptions of 14 common film genres: thriller, mystery, action, adventure, animated, biography, comedy, documentary, horror, romance, musicals, science fiction, and western. It explains that thrillers and mysteries involve crimes and puzzles, action focuses on heroes facing challenges, and adventures revolve around exploration. Other genres covered include animated, biographical, comedic, documentary, horror, romantic, and science fiction films.
Horror Presentation
Horror films aim to elicit emotions of fear, horror and terror in viewers through plots involving death, the supernatural, or mental illness. They often feature a central villain and take place in isolated settings like haunted houses or the woods. Visual styles in horror movies commonly include shadows, low key lighting, and point-of-view shots. Iconography in horror frequently depicts symbols of death, disfigured faces, screaming victims, and weapons like knives. Narrative devices generally include a hero, villain, victim, and helper as the hero tries to save the day from the antagonist.
Horror film conventions
The document discusses common conventions in horror films, including isolated settings like abandoned houses or forests at night; use of unsettling sounds like screams or violins to build suspense; props like knives or dolls that symbolize danger; and camera techniques such as close-ups, point-of-view shots, and handheld footage to make the viewer feel like part of the scene. It also notes common character tropes, such as the intelligent female protagonist, promiscuous character who is killed early on, irritating character who meets an early demise, and villainous antagonist.
Scream Postmodern
The document discusses the horror genre and the 1996 film Scream. It provides context on conventions of horror films, such as having a final girl, frightening settings, and themes of death/destruction. It argues Scream is postmodern as it references these conventions while also commenting on and subverting expectations of the genre through self-aware dialogue and characters discussing horror film tropes. The film establishes conventions like the final girl but updates them for a modern audience familiar with these tropes.
Horror film convention
The document discusses key elements of horror filmmaking including isolationist settings, camera techniques like point-of-view shots, lighting, props, common monsters, narrative structures, character archetypes, and themes. Locations are often isolated places that make the viewer feel alone, and camera work aims to convey fear through techniques like handheld shots. Common props include weapons and religious icons, while monsters help signify terror. Narratives usually involve a protagonist facing off against a killer or monster. Characters include victims, villains, and "immoral" teens who get killed. Frequent themes are good versus evil and the consequences of science, madness, and the supernatural.
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This document discusses the horror genre and the 1978 film Halloween. It defines horror films as depicting viewers' worst fears and the unknown. Halloween follows Michael Myers who returns to his hometown to stalk and kill people on Halloween. The film helped establish conventions for the genre such as using first-person perspectives and female heroes. It also examines posters for the film and discusses target audiences for horror, which appeals to a wide range including women who enjoy strong female characters.
Horror film sub-genres
The document discusses several sub-genres of horror films including: action horror, which combines elements of horror and action; body horror, which focuses on the graphic destruction of the body; and comedy horror, which blends humorous and horrific elements. It provides examples for each sub-genre and sometimes mentions influential directors.
Horror Genre Conventions
The document outlines several common conventions of the horror genre including setting conventions that often involve isolated or abandoned areas. It also discusses conventional technical codes like camera angles and editing that are used to create fear. Common iconography in horror includes dark visuals, low lighting, religious props, and monster figures. Narratively, horror often follows the disruption and repair of equilibrium or a story of overcoming a monster, and themes typically involve good vs evil, the supernatural, and fear/terror.
Horror conventions
Horror conventions typically involve isolated settings like abandoned buildings, forests, or cities to heighten feelings of isolation. Technical elements like handheld camerawork, unsettling sounds, and strategic lighting and framing create tension and obscure threats. Common iconography includes dark colors, masks, and weapons associated with villains. Narrative structures usually involve a protagonist confronting a monster or killer while stock characters like immoral teens are killed off. Themes commonly explored include good vs. evil, the supernatural, and science experiments gone wrong.
Horror Genre Iconography
This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
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This document discusses the history and subgenres of horror films. It outlines key monsters used in horror, including zombies, aliens, ghosts, mummies, and demons. It provides details on the origins of the genre in the late 19th century and traces the timeline of horror through the 20th century as genres like slashers and torture porn emerged. Technology has allowed special effects to advance, impacting what is possible in modern horror films.
The history of the horror genre
This document summarizes key aspects of the horror genre, including common subgenres (supernatural, slasher, comedy, action), origins in the late 19th century, common monsters (zombies, aliens, ghosts, mummies, demons), and the timeline of major developments in horror films from the early 20th century to present day. Technology has allowed for more advanced special effects and CGI, enhancing the impact of films on audiences.
History of horror
The document traces the history of horror films from the late 1890s to modern day. It discusses the first horror films created by Georges Melies, the Gothic films of the 1920s-1940s including Frankenstein and Nosferatu, the alien and demon films of the 1950s-1960s influenced by advances in technology, the occult focus of the 1970s-1980s including films like The Nightmare on Elm Street and Jaws, the slasher sequels of the 1990s-2000s, and the current landscape featuring remakes, psychological horror, gore and occult themes across many subgenres.
Niamh horror slideshow
The document provides an overview of the highest grossing horror films of 2013. It summarizes the top 5 films, which include remakes of Carrie and Evil Dead, as well as original films like Mama, Insidious: Chapter 2, and the top grossing film The Conjuring. Each summary includes the film's plot, director, worldwide box office gross, and a link to the official trailer.
Media studies Horror research
The document discusses the history and conventions of horror films. It outlines that horror films emerged in the 1700s as Gothic literature and developed through the 20th century with notable films like Frankenstein in 1910. Key conventions discussed include isolating settings like woods or abandoned houses, weapons like knives as props, teenagers as common characters, and using sound and music to set mood. The document also lists common subgenres and notes the purpose of horror films is to elicit negative emotions from audiences through their fears.
05 genre research offical one
Horror films aim to elicit intense feelings of fear, shock, or disgust in viewers. The genre has evolved over time, with improvements in special effects and graphics making violence and gore appear increasingly realistic. Common elements of horror narratives include protagonists facing threats in isolated settings, strange events occurring, and antagonists ultimately harming the protagonists with iconic props like knives and guns. While the earliest horror films from the late 19th century featured brief supernatural scenes, the genre has since expanded to include psychological thriller and slasher elements focused on possessed characters and serial killers.
Horror genre presentation
The document discusses various horror subgenres including psychological horror, slasher, zombie films, gothic horror, science fiction horror, action horror, and comedy horror. It provides examples for each subgenre and analyzes whether each subgenre could work for the intended project. The document concludes that the group chose psychological horror as their genre because it would provide an interesting challenge and allow them to use all of their skills to create an intriguing piece.
Media2014 horror and subgenres
This document discusses various subgenres of horror that have emerged since the 1960s in response to changing audience demands. It outlines key subgenres like slasher, supernatural, psychological, gothic and provides examples like Halloween, The Sixth Sense, The Shining, The Woman in Black. For each subgenre, conventions are described and analyzed if present in the given case study film. The document suggests subgenres have allowed horror to diversify in storylines and scare tactics to continue engaging audiences.
Genre Analysis
This document discusses several key elements that define the thriller genre of film. It notes that thrillers aim to keep audiences on the edge of their seats through tension and suspense, often involving a main character in a dangerous situation. It provides examples of different types of thrillers, such as action thrillers and psychological thrillers. It also describes common characteristics of characters, themes, editing techniques, sound, and camerawork used in thriller films to build tension and suspense.
Genre research (Thrillers)
The document discusses the genre of thriller films. It provides definitions and conventions of thrillers, including that they create suspense and excitement in audiences. Examples are given of early influential thrillers from the 1920s-1950s and how the genre has evolved over time, influenced by societal fears. Modern examples from 2000-2014 are listed and it's noted that many modern thrillers include unexpected twist endings. Box office statistics for thriller films from 1995-2016 are provided, and the target audience for thrillers is discussed.
Horror through the ages
The document discusses the evolution of horror films over different decades from the 1920s to the 2000s. Early horror films of the 1920s were dark, shadowy productions featuring vampires and monsters. In the 1930s, the introduction of sound allowed films like Dracula and Bride of Frankenstein to utilize elements like dialogue. Horrors of the 1940s in America featured human-animal hybrid characters, while the 1950s saw a rise in films about mutated creatures influenced by fears around radiation. The 1960s saw a shift to human monsters as reflected in Psycho, and slasher films emerged in the 1970s along with a focus on disturbed children. Gore and special effects became prominent in the 1980s. More intelligent horror
Horror through the ages
The document discusses the evolution of horror films over different decades from the 1920s to the 2000s. Early horror films of the 1920s were dark, shadowy productions featuring vampires and monsters. In the 1930s, the introduction of sound allowed films like Dracula and Bride of Frankenstein to utilize elements like dialogue. Horrors of the 1940s in America featured human-animal hybrid characters, while the 1950s saw a rise in films about mutated creatures influenced by fears around radiation. The 1960s saw a shift to human monsters as reflected in Psycho, and slasher films emerged in the 1970s along with a focus on disturbed children. Gore and special effects became prominent in the 1980s. More intelligent horror
Horror through the ages
The document discusses the evolution of horror films over different decades from the 1920s to the 2000s. Early horror films of the 1920s were dark, shadowy productions featuring vampires and monsters. In the 1930s, the introduction of sound allowed for more elaborate horror films like Dracula. The 1940s saw a shift to America as horrors with human-animal hybrid monsters became popular. Teenagers were the main audience in the 1950s, during which films explored fears of radiation and mutation. The 1960s saw the rise of psychological horrors where monsters took human form. Iconic films of the 1970s like The Texas Chain Saw Massacre and The Exorcist reflected contemporary fears of disturbed children and threats within the home. The
Horror genre histoty
The document provides a history of the horror genre in film from the late 1890s to the present. It notes that the first depictions of supernatural horror appeared in silent shorts produced by Georges Melies in the late 1890s. In the 1930s and 1940s, Universal Studios produced a successful series of Gothic horror films including Dracula and Frankenstein. As technology advanced, films explored fears of Armageddon and demons, exemplified by Godzilla. The 1960s saw the emergence of the slasher subgenre with films like Peeping Tom. Comedy-horror rose in popularity in the 1970s-1980s. In the 1990s, slasher films became self-referential and ironic, while the 2000s
Horror Sub-genres
The document discusses various horror sub-genres, including slasher, gothic, psychological, and supernatural horrors. It provides examples for each sub-genre, such as Scream for slasher, Dracula for gothic, The Strangers for psychological, and The Conjuring for supernatural. The examples highlight common conventions and tropes of each sub-genre, such as masked killers and creative killings for slasher, settings involving castles and forests for gothic, reliance on psychological tension and fear for psychological, and themes involving religion and the afterlife for supernatural horrors.
Horror chris george media powerpoint
The horror genre originated in the late 1700s as a genre of Gothic literature. One of the first horror films was made in 1896 by French filmmaker Georges Melies. While the term 'horror' was not used to describe films until the 1930s, the genre has evolved significantly with advances in technology. Famous directors like Alfred Hitchcock and George Romero helped establish conventions for camera work, editing, settings, characters, and themes that are still common in modern horror films. Subgenres have also emerged like slasher, psychological horror, and zombie films.
Horror sub genres
This document summarizes four main horror sub-genres: slasher, gothic, psychological, and supernatural. It provides examples for each sub-genre, including films like Scream for slasher, Dracula for gothic, The Strangers for psychological, and The Conjuring for supernatural. Each sub-genre is described in terms of its common themes, tropes, settings, and conventions.
Sub genres of horror
This document discusses four main sub-genres of horror films: slasher, supernatural, gothic, and psychological. It provides examples and conventions for each sub-genre. Slasher films involve a masked killer targeting teenagers. Supernatural films feature hauntings by spirits. Gothic horror films are set in the past and involve monsters in places like castles. Psychological horror focuses on the disturbed mind of the protagonist and uses fear and emotions to build tension rather than graphic violence or ghosts.
Horror Genre Research Development
Horror films aim to frighten audiences through depicting death, villains and the unknown. Common sub-genres include slashers, where a killer stalks victims one by one; and zombies, where the undead feast on human flesh. Effective techniques include jump scares, ominous music and lighting, graphic violence, and following victims as threats loom. Locations often feature the woods or haunted houses to isolate characters. Overall, horror films utilize fear-inducing tropes and conventional story structures to entertain through fear.
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The document discusses the 5 stage narrative structure for storytelling. It will follow this structure which includes: exposition to introduce characters like a couple in a park where the girl is attacked; development to show the clown attacks others and keeps the girls captive; complication where the clowns target the police chief's family; climax as the police engage the clowns during a confrontation; and resolution where the police save the girls and arrest the clowns.
Importance of genre
Genre is a set of categories that media can be classified into, such as horror, comedy, and western for films. Genre is important for marketing a film as it allows audiences to easily identify the type of film. It also helps audiences know what to expect from a film by signaling its genre conventions like gore for horror or shootouts for westerns. Proper use of genre helps audiences and allows films to be effectively marketed.
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The document provides a brief history of film from its origins in the 1880s with the invention of the first movie camera to the introduction of sound in the 1920s. It notes that while the first cinema was built in 1895, films were initially made by individuals performing all roles, and it wasn't until 1903 that specialist camera operators became common. The first color film was created in 1902 through hand tinting, while the first true color movie with natural color was 1918's silent film "Cupid Angling." Warner Bros' 1927 release of "The Jazz Singer" contained the first synchronized dialogue and singing in a feature film.
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Media presentation on representation stereotypes and verisimilitude
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TV dramas generally focus on four main genres: crime drama, medical drama, costume drama, and soap operas. Soap operas typically feature continuous storylines, a recognizable theme song, and cliffhanger endings. They are often set in a central location like a square and involve working class characters. Costume dramas depict a specific historical period through clothing and are usually adaptations set in large houses. Crime dramas follow a structure of introducing a mystery, investigating it, and resolving it, while medical dramas are set in hospitals and involve emotional patient stories.
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TV dramas mainly focus on four genres: crime drama, medical drama, costume drama, and soap operas. Crime dramas and medical dramas both involve mysteries or problems that need to be solved. Soap operas typically have continuous storylines about relationships and feature working class characters. Costume dramas dramatize different periods of history and are often set in large country houses. Most genres follow conventions like having heroes and villains, but soap operas and crime dramas sometimes end on cliffhangers.
Media presentation on representation stereotypes and verisimilitude
The document discusses representation and stereotypes in media across various groups. It addresses representation and stereotypes related to age, gender, ethnicity, class, sexuality, region, and physical ability. For each category, it provides examples of how groups within that category may be represented as well as common stereotypes associated with each group. The goal of the document is to examine how various groups are portrayed in media and the oversimplified ideas that are often associated with them.
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Section A of the recap asks students to analyze representations of gender, age, ethnicity, sexuality, class, ability, and regional identity in a 4-5 minute TV drama through blog posts discussing shot types, sounds, mise-en-scène, and editing. Shot types include establishing shots, masters shots, over the shoulder shots, close ups, and more. Sounds are categorized as diegetic, non-diegetic, synchronous, and asynchronous. Mise-en-scène encompasses all visual aspects without audio. Editing techniques covered are action match and eye line match, which transition between shots based on continued actions or matched eye lines.
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Media presentation on representation stereotypes and verisimilitude
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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History of horror
- 1. History of Horror By Nathan Francis S
- 2. First horror film S The first sightings of supernatural events appear in several of the silent shorts created by the film pioneer Georges Melies in the late 1890s, the best known being Le Manior du diable, which is sometimes credited as being the first horror film.
- 3. Gothic period 1920s-1940s S In 1910, Edison studios produced the first film version of Frankenstein which was lost for many years. F. W. Murnau created the first vampire themed movie called Nosferatu which was an unauthorized adaption of Bram Stockers Dracula.
- 4. Aliens and Demons 1950s1960s S With advances in technology, the tone of horror films shifted from gothic to more contemporary concerns, like Armageddon, alien invasions, supernatural demons and zombies. This change in the type of horror meant that it moved into a period of gore.
- 5. The Occult 1970s-1980s S Horror then began to focus more on the occult and demons and “evil children”, lot’s of them relating to Satan. During the mid 1970’s, two types of sub-genres emerged, one being slasher horror, like The Nightmare On Elm Street and the other being animal horror, like Jaws.
- 6. The horror continues 1990s2000s S The horror films continued with these under lining sub genres for a while, mainly slasher movies as most of the slasher movies had sequels which were hugely successful.
- 7. Modern day horror S Modern day horror consists of almost all of these sub- genres, remakes of older movies are made and new content is being produced all of the time varying from psychological horror to gore to the occult. Most films nowadays try to be creepy which involves something that is not completely scary, just something that is not quit right and is eerie.
- 8. Main conventions in Horror S Music – Usually a single high pitched violin note or high pitched piano keys being played. S Lighting – Usually set in a dark environment with minimal lighting. S Setting – The setting is usually in places where you would expect something scary to happen, like a forest, or a secluded house in the middle of nowhere.
- 9. Continued… S Title – The title would usually be something short and snappy, usually beginning with “the” with a single word after it, for example, the ring, the strangers, the exorcist, the purge. The font of the title is usually sharp and creepy looking too. S Narrative – In almost every horror film, someone dies. Horror films don’t have to end with an equilibrium, they usually end on a death, or some sort of ending to their problem.
- 10. Continued… S Characters – The villain is usually someone that can’t be stopped, like a ghost or a supernatural being of some sort. Sometimes the villain can be a human, and when it is, they are usually deranged or insane or they have some sort of power. The main character isn’t set to usually being one gender like other genres, in horror, it could be a male or a female.