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Henry melnik

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Flauta Traversa

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Método Flauta Traversa por Henry Melnik Transcrito por G.O.D fluteplay@hotmail.com 2009
La Redonda y su Silencio           1 Si     2 La     3 4 Sol     5 6 Do     7   8 9 10                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com
La Blanca y su Silencio Melodía Henry MelnikMi primera Canción Campanas de la Catedral Henry Melnik         1 cuenta 1 2 3 4 En compás de _4 4 1 2 3 4 o  , cada blanca y su silencio vale dos tiempos. 1 2 3 4 2 3 4 5         6         7 Fa Fa 8                                                                                                                                                             Transcrito por GOD - 2009 fluteplay@hotmail.com 2
La Negra y su Silencio Melodía El Silencio de Negra Primera Marcha          1 Cuenta 1 2 3 4 En compás de _ 4 4 o  , cada negra y su silencio vale un tiempo. 1 2 3 4 1 2 3 4 2 3 4  5 6 Mi 7 8 9                                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 3
Introducción a la Ligadura La Blanca con Punto Mi primer Vals Canción Folclórica USA Henry Melnik Adelante y atrás          1 La ligadura es un signo que une dos notas de un mismo sonido y casi siempre de un mismo nombre, aunque sean de diferente duración. Este signo indica la unión del valor de la segunda nota al valor de la primera. Se dice entonces que las notas son ligadas 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 2 1 2 3 4 1 2 3 4 3 1 2 3 4 4 Re 5  6 El ligado de expresión (es mejor llamarlo legato para no confundirlo con la "ligadura" que prolonga la longitud de notas) se indica por una línea curva que agrupa las notas de una melodía que se deben interpretar de manera ligada. Se debe ejecutar atacando la primera nota y digitar la(s siguient 7 8 9                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 4
Cambiando al Registro Medio Marcha Remando Suavemente El Viejo Mac Donald       1 Las dos octavas, baja y media, son tocadas de igual forma excepto la nota Re en tercera línea (véase el ejercicio 1)*. Usando la misma digitación que para las notas bajas, cambiando el angulo del chorro de aire y usando un poco mas de presión se producen las notas altas. Esfuércese para lograr una calidad lisa y uniforme del sonido. El control de los labios es importatnte. *(levantar el dedo índice de la mano izquierda) * 2 *  3 4 5  6  7                                                                                                                                                                                                     Transcrito por GOD - 2009 fluteplay@hotmail.com 5
Tonalidad de Do Mayor (Octava Media)   Melodía de los Cruzados Antigua Canción Oh! Susana        1 la si do 2 3 4 5  6  7                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 6
En la tonalidad de Sol Mayor todos los "Fa" son sostenido, esto lo indica el sostenido (#) en la armadura Tonalidad de Sol Mayor (Un sostenido)    Hatton La Calle del Duque Acompáñame Monk El Fa de la primera octava también es sostenido (#) Deslizando         1   2   3   4   5  6      7                                                                                                                                                                                          Transcrito por GOD - 2009 fluteplay@hotmail.com 7
Tonalidad de Fa Mayor (Un bemol) En la tonalidad de Fa mayor todos los "Si" son bemoles esto lo indica el bemol (b) en la armadura    AmbrosioMelodía Adeste Fideles Liturgia Gregoriana Canción Festiva Kucken        1    G 2    3 4 5  6   7                                                                                                                                                                                                                                           Transcrito por GOD - 2009 fluteplay@hotmail.com 8
Corcheas Compás de 2/4 Extracto de "Sinfonía Sorpresa" Franz Joseph Haydn Jingle Bells Anónimo Bayly Hace mucho, mucho tiempo...        1 1 2 1 y 2 y 1 2 y 1_2 2 3  4    5   6                                                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 9
Canción de Cuna Hay Música en el Aire Campanas de Escocia Estudio Aire AmericanoYankee Doodle         1  2  3  4  5 Fine (fin)   (desde el principio al fin) D.C al Fine 6                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 10
Negra con Punto y Corchea     Canción de ColegioAlma Mater Integer Vitae Flemming Antigua Canción InglesaJardines de mi país        1   2     3       4     5                                                                                                                                                                                                                                                                                               Transcrito por GOD - 2009 fluteplay@hotmail.com 11
Estudios en Tonalidad de Do Mayor con Dos Octavas Ligados Arpegios Estudio en Octavas         1  2 3 4  5  6  7  8                                                                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 12
HarrisonAl Anochecer Folclor FrancésDúo Hogar, Dulce Hogar Henry Bishop Fiesta y Diversión Henry Melnik       1   2  3  4  5                                                                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 13
Tonalidad de Si bemol mayor (Dos bemoles)    Monk Canción de Gracias América Firmes y Adelante Sullivan (arr.)          1 Mib     2  3    4   5    6   7                                                                                                                                                                                                                                                                                                Transcrito por GOD - 2009 fluteplay@hotmail.com 14
Ritmos de Corchea C. W. Gluck Menuet de "Orfeo"          1  2 A Practica cada patrón de ritmo a fondo antes de pasar al siguiente  B  C 3 4   Cantabile                                                                                                                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 15
Alla Breve o "Compás Partido"     Hatton La Calle del Duque Melodía Pleyel TradicionalRey Wenceslao             1 cuenta 1 2 1 2 1 y 2 y 1 2 o   2   3   4     5 1____2 y 1___2 y   6    7                                                                                                                                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com 16
Marcha de los Cruzados Alla Breve (continuación) Graniza y la Banda está aquí. América Estudio con Ligadura de Tiempo A. Pestalozza Chiribiribin        1     2     3     4                                                                                                                                                                                                                            Transcrito por GOD - 2009 fluteplay@hotmail.com 17
Tonalidad de Re Mayor (dos sostenidos)     El Primer Noel Tradicional  Himno de Acción de Gracias Canción de los Países Bajos Rio de Los Cisnes Stephen Foster          1  2    3  4  5    6    7                                                                                                                                                                                                                                                                         Transcrito por GOD - 2009 fluteplay@hotmail.com 18
Tonalidad de Re Mayor (continuación)  Ligero Estudio del Staccato Allegretto Handel Al Mundo Paz Gossec Gavota        1  2        3    4      5                                                                                                                                                                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 19
Escala de Fa Mayor en dos Octavas      1  2 3  4  5                                                                                                                                                                                                                                                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com 20
Continuación Fa Mayor    Todo por la noche Escocia Canción del Adiós Lago Lomond Escocia Escala Cromática de Do Mayor      1 2  3   4   5                                                                                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 21
Compás de 6/8 Bébeme Con Tus Ojos Antigua Canción Inglesa          1 1 2 3 4 5 6 cuenta lenta cuenta rápida 1 2 1 1 2 3 2 4 5 6 1 1 2 3 4 2 5 6 1 1 2 3 4 2 5 6 1_2 1 3 4_5 2 6 1 2 1 2 3 4 5 6   2   3   4   5   6    7                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 22
Compás de 6/8 (continuación) Tradicional USARonda de la Zarzamora Allegro Vive L'Amour Allá va la Comadreja      1 2   3 (con espíritu)  4   5                                                                                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 23
Compás de 6/8 (continuación) Noche de Paz Dulce y Suave Lorelei Silcher         1 1 2 y 3 4 5 6 1_ 2 y 3 4 5 6 1_2 y 3 4 5 6 1 2 y 3 y 4 5 6 2   3     4     pp 5   mf mp   f p pp 6                                                                                                                                                                                                                                                                                                                                            Transcrito por GOD - 2009 fluteplay@hotmail.com 24
Melodías en 6/8 Vino Sobre un Claro de la Medianoche Johny Marcha a Casa  Antigua Canción de Amor Irlandesa     1    2   3                                                                                                                                                                                                                                                                 Transcrito por GOD - 2009 fluteplay@hotmail.com 25
Tonalidad de La Mayor (3 sostenidos)     Conrad KocherCielos Azules Estudio Escalas Menores       HohmannEstudio         1    2 Sol#    3      4   5 Do Mayor La menor Natural  La menor Armónica La menor Melódica 6                                                                                                                                                                                                                                                                                                               Transcrito por GOD - 2009 fluteplay@hotmail.com 26
Tonalidad de Mi Bemol Mayor (3 bemoles) Johann StraussVals Danubio Azul Cromáticas        1 Lab Lab    2  3 4   5     6                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 27
Franz Lehar La Viuda Alegre Canta y Baila Folclor Inglés Allegretto El Muchacho Juglar Irish Air  Escala de Mib Mayor     1 Tempo di Valse      2   3     4                                                                                                                                                                                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com 28
Semicorcheas      Capricho Staccato           1 2 3 4    5   6  7                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 29
Semicorcheas (continuación) Galopas y Galopas Invertidas    Franz SchubertMomento Musical  Polka del Campesino  El Trompetista Escala de Do Mayor         1 2 3   4   5   6   7                                                                                                                                                                                                                                                                                             Transcrito por GOD - 2009 fluteplay@hotmail.com 30
Saltillos (corchea con punto y semicorchea)    Folclor USACanción Marcial Oh Arbol Fiel Canción del Dique      1 2 3   4     5                                                                                                                                                                                                                                                                           Transcrito por GOD - 2009 fluteplay@hotmail.com 31
Very Slow Largo de la "Sinfonía del Nuevo Mundo" Antonin Dvorak (se lee Voryak) FlotowAndante La Última Rosa del Verano Marcato Root Vagabundo    1     2       3                                                                                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 32
Tonalidad de Mi Mayor (4 sostenidos) Lowell Mason Felicidad Terrenal Maestoso Jean SibeliusFinlandia       1    2    3       4       5                                                                                                                                                                                                                                                           Transcrito por GOD - 2009 fluteplay@hotmail.com 33
Estudios en Sol Mayor Estudio de Acordes Estudio Ligado Ejercicio de Agilidad        1   2     3     4       5                                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 34
Tonalidad de Lab Mayor (cuatro bemoles)  FlemmingOración Matutina Melodía Franz Schubert del Folklor Galés Canción del Bosque        1 Reb 2   3   4     5                                                                                                                                                                                                                                                            Transcrito por GOD - 2009 fluteplay@hotmail.com 35
Canción Vaquera Casa de Campo En Alas de la Canción Felix Mendelssohn Andante Concierto para Violín Felix Mendelssohn     1 p  mf  p   2 p   mf   rit. 3                                                                                                                                                                                                                                                                                Transcrito por GOD - 2009 fluteplay@hotmail.com 36
Ritmos en compás de 2/2 "Alla Breve" Verdaderos Amigos  El Héroe de la Conquista         1   2   3 4    5     6     7                                                                                                                                                                                                                                                                                      Transcrito por GOD - 2009 fluteplay@hotmail.com 37
Estudio de la Síncopa  Nuestros Muchachos Brillarán Canción Americana Campos de Alcaparras Aire Americano       1   1 2 y_ 2 y 1 y_2 y  3  4  5  6                                                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 38
El Tresillo    Richard Wagner Coro de los Peregrinos Sinfonía No.5 Tema P.I. Tchaikovsky El Corazón Reverente        1 3 3   2 3 3 3 3 3 3 3 3 3 3 3 3 3 3   3 3 3 3 3 3 3 3 3 3 3 3 3 3 3   4 Andante 3 3   3  5 Tiernamente 3 3 3 3 3   3 3 3 3 3   3 3 3   6 3 3   3                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 39
Cromáticas Cromáticas en Notas Altas Estudio cromático     1       2     3     4                                                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 40
La Calle del Duque Duetos Campanas de Escocia Canción de Cuna J. Brahms W.A. MozartMinuet de Don Giovanni       1   2     3                                                                                                                                                                                                                                                                                                         Transcrito por GOD - 2009 fluteplay@hotmail.com 41
Jig Irlandés Jigs y Danzas Tradicionales La Danza de Kerry Garry Owen El Pavo en la Paja Americano El Viajero de Arkansas Americano         D.C. al                                                                                                                                                                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 42
Saint-Saëns (adaptado por Henry Melnik)Andante Mi Corazón en tu Dulce Voz (Solo de Flauta)   Estudio Cromático Henry Lazarus (adaptado por Henry Melnik)     p p  p f dim  cresc. f f  f pp  p f  ff                                                                                                                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 43

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Henry melnik

  • 1. Método Flauta Traversa por Henry Melnik Transcrito por G.O.D fluteplay@hotmail.com 2009
  • 2. La Redonda y su Silencio           1 Si     2 La     3 4 Sol     5 6 Do     7   8 9 10                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com
  • 3. La Blanca y su Silencio Melodía Henry MelnikMi primera Canción Campanas de la Catedral Henry Melnik         1 cuenta 1 2 3 4 En compás de _4 4 1 2 3 4 o  , cada blanca y su silencio vale dos tiempos. 1 2 3 4 2 3 4 5         6         7 Fa Fa 8                                                                                                                                                             Transcrito por GOD - 2009 fluteplay@hotmail.com 2
  • 4. La Negra y su Silencio Melodía El Silencio de Negra Primera Marcha          1 Cuenta 1 2 3 4 En compás de _ 4 4 o  , cada negra y su silencio vale un tiempo. 1 2 3 4 1 2 3 4 2 3 4  5 6 Mi 7 8 9                                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 3
  • 5. Introducción a la Ligadura La Blanca con Punto Mi primer Vals Canción Folclórica USA Henry Melnik Adelante y atrás          1 La ligadura es un signo que une dos notas de un mismo sonido y casi siempre de un mismo nombre, aunque sean de diferente duración. Este signo indica la unión del valor de la segunda nota al valor de la primera. Se dice entonces que las notas son ligadas 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 2 1 2 3 4 1 2 3 4 3 1 2 3 4 4 Re 5  6 El ligado de expresión (es mejor llamarlo legato para no confundirlo con la "ligadura" que prolonga la longitud de notas) se indica por una línea curva que agrupa las notas de una melodía que se deben interpretar de manera ligada. Se debe ejecutar atacando la primera nota y digitar la(s siguient 7 8 9                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 4
  • 6. Cambiando al Registro Medio Marcha Remando Suavemente El Viejo Mac Donald       1 Las dos octavas, baja y media, son tocadas de igual forma excepto la nota Re en tercera línea (véase el ejercicio 1)*. Usando la misma digitación que para las notas bajas, cambiando el angulo del chorro de aire y usando un poco mas de presión se producen las notas altas. Esfuércese para lograr una calidad lisa y uniforme del sonido. El control de los labios es importatnte. *(levantar el dedo índice de la mano izquierda) * 2 *  3 4 5  6  7                                                                                                                                                                                                     Transcrito por GOD - 2009 fluteplay@hotmail.com 5
  • 7. Tonalidad de Do Mayor (Octava Media)   Melodía de los Cruzados Antigua Canción Oh! Susana        1 la si do 2 3 4 5  6  7                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 6
  • 8. En la tonalidad de Sol Mayor todos los "Fa" son sostenido, esto lo indica el sostenido (#) en la armadura Tonalidad de Sol Mayor (Un sostenido)    Hatton La Calle del Duque Acompáñame Monk El Fa de la primera octava también es sostenido (#) Deslizando         1   2   3   4   5  6      7                                                                                                                                                                                          Transcrito por GOD - 2009 fluteplay@hotmail.com 7
  • 9. Tonalidad de Fa Mayor (Un bemol) En la tonalidad de Fa mayor todos los "Si" son bemoles esto lo indica el bemol (b) en la armadura    AmbrosioMelodía Adeste Fideles Liturgia Gregoriana Canción Festiva Kucken        1    G 2    3 4 5  6   7                                                                                                                                                                                                                                           Transcrito por GOD - 2009 fluteplay@hotmail.com 8
  • 10. Corcheas Compás de 2/4 Extracto de "Sinfonía Sorpresa" Franz Joseph Haydn Jingle Bells Anónimo Bayly Hace mucho, mucho tiempo...        1 1 2 1 y 2 y 1 2 y 1_2 2 3  4    5   6                                                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 9
  • 11. Canción de Cuna Hay Música en el Aire Campanas de Escocia Estudio Aire AmericanoYankee Doodle         1  2  3  4  5 Fine (fin)   (desde el principio al fin) D.C al Fine 6                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 10
  • 12. Negra con Punto y Corchea     Canción de ColegioAlma Mater Integer Vitae Flemming Antigua Canción InglesaJardines de mi país        1   2     3       4     5                                                                                                                                                                                                                                                                                               Transcrito por GOD - 2009 fluteplay@hotmail.com 11
  • 13. Estudios en Tonalidad de Do Mayor con Dos Octavas Ligados Arpegios Estudio en Octavas         1  2 3 4  5  6  7  8                                                                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 12
  • 14. HarrisonAl Anochecer Folclor FrancésDúo Hogar, Dulce Hogar Henry Bishop Fiesta y Diversión Henry Melnik       1   2  3  4  5                                                                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 13
  • 15. Tonalidad de Si bemol mayor (Dos bemoles)    Monk Canción de Gracias América Firmes y Adelante Sullivan (arr.)          1 Mib     2  3    4   5    6   7                                                                                                                                                                                                                                                                                                Transcrito por GOD - 2009 fluteplay@hotmail.com 14
  • 16. Ritmos de Corchea C. W. Gluck Menuet de "Orfeo"          1  2 A Practica cada patrón de ritmo a fondo antes de pasar al siguiente  B  C 3 4   Cantabile                                                                                                                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 15
  • 17. Alla Breve o "Compás Partido"     Hatton La Calle del Duque Melodía Pleyel TradicionalRey Wenceslao             1 cuenta 1 2 1 2 1 y 2 y 1 2 o   2   3   4     5 1____2 y 1___2 y   6    7                                                                                                                                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com 16
  • 18. Marcha de los Cruzados Alla Breve (continuación) Graniza y la Banda está aquí. América Estudio con Ligadura de Tiempo A. Pestalozza Chiribiribin        1     2     3     4                                                                                                                                                                                                                            Transcrito por GOD - 2009 fluteplay@hotmail.com 17
  • 19. Tonalidad de Re Mayor (dos sostenidos)     El Primer Noel Tradicional  Himno de Acción de Gracias Canción de los Países Bajos Rio de Los Cisnes Stephen Foster          1  2    3  4  5    6    7                                                                                                                                                                                                                                                                         Transcrito por GOD - 2009 fluteplay@hotmail.com 18
  • 20. Tonalidad de Re Mayor (continuación)  Ligero Estudio del Staccato Allegretto Handel Al Mundo Paz Gossec Gavota        1  2        3    4      5                                                                                                                                                                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 19
  • 21. Escala de Fa Mayor en dos Octavas      1  2 3  4  5                                                                                                                                                                                                                                                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com 20
  • 22. Continuación Fa Mayor    Todo por la noche Escocia Canción del Adiós Lago Lomond Escocia Escala Cromática de Do Mayor      1 2  3   4   5                                                                                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 21
  • 23. Compás de 6/8 Bébeme Con Tus Ojos Antigua Canción Inglesa          1 1 2 3 4 5 6 cuenta lenta cuenta rápida 1 2 1 1 2 3 2 4 5 6 1 1 2 3 4 2 5 6 1 1 2 3 4 2 5 6 1_2 1 3 4_5 2 6 1 2 1 2 3 4 5 6   2   3   4   5   6    7                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 22
  • 24. Compás de 6/8 (continuación) Tradicional USARonda de la Zarzamora Allegro Vive L'Amour Allá va la Comadreja      1 2   3 (con espíritu)  4   5                                                                                                                                                                                                                                                                                                                    Transcrito por GOD - 2009 fluteplay@hotmail.com 23
  • 25. Compás de 6/8 (continuación) Noche de Paz Dulce y Suave Lorelei Silcher         1 1 2 y 3 4 5 6 1_ 2 y 3 4 5 6 1_2 y 3 4 5 6 1 2 y 3 y 4 5 6 2   3     4     pp 5   mf mp   f p pp 6                                                                                                                                                                                                                                                                                                                                            Transcrito por GOD - 2009 fluteplay@hotmail.com 24
  • 26. Melodías en 6/8 Vino Sobre un Claro de la Medianoche Johny Marcha a Casa  Antigua Canción de Amor Irlandesa     1    2   3                                                                                                                                                                                                                                                                 Transcrito por GOD - 2009 fluteplay@hotmail.com 25
  • 27. Tonalidad de La Mayor (3 sostenidos)     Conrad KocherCielos Azules Estudio Escalas Menores       HohmannEstudio         1    2 Sol#    3      4   5 Do Mayor La menor Natural  La menor Armónica La menor Melódica 6                                                                                                                                                                                                                                                                                                               Transcrito por GOD - 2009 fluteplay@hotmail.com 26
  • 28. Tonalidad de Mi Bemol Mayor (3 bemoles) Johann StraussVals Danubio Azul Cromáticas        1 Lab Lab    2  3 4   5     6                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 27
  • 29. Franz Lehar La Viuda Alegre Canta y Baila Folclor Inglés Allegretto El Muchacho Juglar Irish Air  Escala de Mib Mayor     1 Tempo di Valse      2   3     4                                                                                                                                                                                                                                        Transcrito por GOD - 2009 fluteplay@hotmail.com 28
  • 30. Semicorcheas      Capricho Staccato           1 2 3 4    5   6  7                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 29
  • 31. Semicorcheas (continuación) Galopas y Galopas Invertidas    Franz SchubertMomento Musical  Polka del Campesino  El Trompetista Escala de Do Mayor         1 2 3   4   5   6   7                                                                                                                                                                                                                                                                                             Transcrito por GOD - 2009 fluteplay@hotmail.com 30
  • 32. Saltillos (corchea con punto y semicorchea)    Folclor USACanción Marcial Oh Arbol Fiel Canción del Dique      1 2 3   4     5                                                                                                                                                                                                                                                                           Transcrito por GOD - 2009 fluteplay@hotmail.com 31
  • 33. Very Slow Largo de la "Sinfonía del Nuevo Mundo" Antonin Dvorak (se lee Voryak) FlotowAndante La Última Rosa del Verano Marcato Root Vagabundo    1     2       3                                                                                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 32
  • 34. Tonalidad de Mi Mayor (4 sostenidos) Lowell Mason Felicidad Terrenal Maestoso Jean SibeliusFinlandia       1    2    3       4       5                                                                                                                                                                                                                                                           Transcrito por GOD - 2009 fluteplay@hotmail.com 33
  • 35. Estudios en Sol Mayor Estudio de Acordes Estudio Ligado Ejercicio de Agilidad        1   2     3     4       5                                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 34
  • 36. Tonalidad de Lab Mayor (cuatro bemoles)  FlemmingOración Matutina Melodía Franz Schubert del Folklor Galés Canción del Bosque        1 Reb 2   3   4     5                                                                                                                                                                                                                                                            Transcrito por GOD - 2009 fluteplay@hotmail.com 35
  • 37. Canción Vaquera Casa de Campo En Alas de la Canción Felix Mendelssohn Andante Concierto para Violín Felix Mendelssohn     1 p  mf  p   2 p   mf   rit. 3                                                                                                                                                                                                                                                                                Transcrito por GOD - 2009 fluteplay@hotmail.com 36
  • 38. Ritmos en compás de 2/2 "Alla Breve" Verdaderos Amigos  El Héroe de la Conquista         1   2   3 4    5     6     7                                                                                                                                                                                                                                                                                      Transcrito por GOD - 2009 fluteplay@hotmail.com 37
  • 39. Estudio de la Síncopa  Nuestros Muchachos Brillarán Canción Americana Campos de Alcaparras Aire Americano       1   1 2 y_ 2 y 1 y_2 y  3  4  5  6                                                                                                                                                                                                                                                                                                                              Transcrito por GOD - 2009 fluteplay@hotmail.com 38
  • 40. El Tresillo    Richard Wagner Coro de los Peregrinos Sinfonía No.5 Tema P.I. Tchaikovsky El Corazón Reverente        1 3 3   2 3 3 3 3 3 3 3 3 3 3 3 3 3 3   3 3 3 3 3 3 3 3 3 3 3 3 3 3 3   4 Andante 3 3   3  5 Tiernamente 3 3 3 3 3   3 3 3 3 3   3 3 3   6 3 3   3                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 39
  • 41. Cromáticas Cromáticas en Notas Altas Estudio cromático     1       2     3     4                                                                                                                                                                                                                       Transcrito por GOD - 2009 fluteplay@hotmail.com 40
  • 42. La Calle del Duque Duetos Campanas de Escocia Canción de Cuna J. Brahms W.A. MozartMinuet de Don Giovanni       1   2     3                                                                                                                                                                                                                                                                                                         Transcrito por GOD - 2009 fluteplay@hotmail.com 41
  • 43. Jig Irlandés Jigs y Danzas Tradicionales La Danza de Kerry Garry Owen El Pavo en la Paja Americano El Viajero de Arkansas Americano         D.C. al                                                                                                                                                                                                                                                                                                                                                                                                   Transcrito por GOD - 2009 fluteplay@hotmail.com 42
  • 44. Saint-Saëns (adaptado por Henry Melnik)Andante Mi Corazón en tu Dulce Voz (Solo de Flauta)   Estudio Cromático Henry Lazarus (adaptado por Henry Melnik)     p p  p f dim  cresc. f f  f pp  p f  ff                                                                                                                                                                                                                                                                                                                  Transcrito por GOD - 2009 fluteplay@hotmail.com 43