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RESSAM Gülsün Erbil’ in SANAT ÖZGEÇMİŞİ BİR MODERN-İST YAYINI
1948 yılında İzmir’de doğan sanatçı,  1971de Devlet Güzel Sanatlar Akademisi Yüksek Resim Bölümü’nü bitirdi. 1983-84 yıllarındaLondra’da Goldsmiths’ College’de  SeramikYüksek lisansı, 1993-94 yıllarında ise gene aynı okulda Tekstil yüksek lisansı yaptı. 1998 yılında New York Harlem’de Gallery X’i, 2002 yılında ise İstanbul Beyoğlu’nda Galeri X’i kurdu. Gülsün Erbil, 1970 yılından bu yana yurt içinde ve dışında projeler gerçekleştirmekte, kişisel ve karma sergiler açmaktadır. 1977’den beri de Mevlana felsefesinden esinlenerek dünya sanatına ve Türk sanat tarihine ‘’Mistik Döngü’’lü yapıtlar sunmaktadır. Soyut resmin kavramsal temsilcilerindendir.  İstanbul Modern Sanatlar Müzesi Derneği’nin başkanlığında birçok sanat müzesinin açılmasını sağlamış; 2002 yılından beri “Ekim Geçidi” ve “X-Trem İst” adını verdiği  dizi sergi projelerini yaşama geçirmiş, İstanbul’a İstanbul Bienali’ni, Dünyaya Galeri X'i ve İngiltere’ye Londra’nın en büyük mozaik panosunu hediye etmiştir.  
1966-1976 ARAŞTIRMA DÖNEMİ
TOPLUMSAL PATLAMALAR  1967  Tual üzerine yağlıboya 130X100 cm.
PAZAR YERLERİ  1968 soldaki tual üzerine YB 90X60 cm, sağdaki tual üzerine akrilik 110X90cm.
PAZAR YERİ 1969, Tual üzerine yağlıboya 90X130 cm.
GÖRSEL BULMACALAR  1972 Duralit üzerine yağlıboya Çap 90 cm.
GÖRSEL BULMACALAR  1973 Her ikisi de  renkli tual üzerine akrilik, 140X120 cm.
ÜÇLEME  (Anne-Baba-Çocuk), (Kadın-Erkek-Aşk) 1973 Karışık teknik, 125X85 cm.
ÖLÜM VE YAŞAM  1974, karışık teknik, her eşkenar üçgenin kenarları 100 cm.
AYASOFYA  1975 Tual üzerine YB 150X150 cm.
PAZAR YERİ 1975, tual üzerine yağlıboya, 120X125 cm
AİLE  1976 Karışık teknik
1977-1983 MİSTİSİZMİ ÖZÜMSEYİP YARATMA VE TÜRKİYE’YE KABUL ETTİRMEK İÇİN ÇABALAMA DÖNEMİ.
MİSTİK DÖNGÜ III.  1977 Duralit üzerine yağlıboya püskürtme, çap 100 cm.
KUTSAL ARMAĞAN  1977 Seramik, 45X45 cm.
MEVLANA’YA SAYGI BİR  1970-78 Tual üzerine yağlıboya 100X110 cm.
TRANSTA ARMONİ  1978, tual üzerine yağlıboya ve baskı, 120120 cm.
Hİ ÇİM  1968 de başlanmış, 1978 de ortadaki mistik döngü eklenmiş, tual üzerine yağlıboya, 120X130 cm.
SONSUZ YAŞAM  1978 Karışık teknik 78X90 cm.
MİSTİK DÖNGÜ V.  1979 Karışık teknik, çap 100 cm.
MİSTİK BİRLEŞİM  1981 Çaplar 70 cm., karışık teknik.
MEVLANA’YA SAYGI  1983 kumaş üzerine karışık teknik.
1983-1994 LONDRA DÖNEMİ. SANATÇININ SEMAZEN OLUŞU (1990)
ŞAMANIN DÖNGÜSÜ  1983 Alüminyum üzerine karışık teknik, 160X80 cm. (Her iki yüzünde de mistik döngü olan bu yapıt üç boyutludur.)
SELÇUKLU SANATINA SAYGI  1984 Seramik, çap 60 cm.
ÇADIR ENSTALASYONU  1985, Londra.
SONSUZLUK 1986 Mozaik
EŞİTLİK-UYUM 1985-87 100 metrekare Londra’nın en büyük dış cephe mozaik panosu.
SİMURG DİZİSİ  1987 Kağıt, çini mürekkebi, kalem Her üçgen 90X70X70 cm.
TOPRAK  1988, kağıt üzerine yağlıboya-akrilik, 90X115 cm.
PİRAMİT DİZİSİ V 1989, tual üzerine yağlıboya  90X70 cm.
KALİGRAFİK DÖNGÜ III 1990, karışık teknik, 150X150 cm.
BAL-KAN GÖLÜ  1993 Karışık teknik, kümes teli, 230X100 cm.
KÜLTÜR ŞEHİTLERİMİZE 1993, tual üzerine yağlıboya. 150X150 cm.
SUFİNİN YATAĞI  1993 Karışık teknik (Üç boyutlu), 190X90 cm.
1994-2002 NEW YORK DÖNEMİ
KALİGRAFİK DÖNGÜ II 1994, karışık teknik 200X200 cm.
CENİN  1995 Yumuşak heykel, karışık teknik, çap 95 cm., uzunluk 250 cm.
ENSTALASYON  1997, New York Cast Iron Gallery, Soho
ENSTALASYON  1997, New York Cast Iron Gallery, boyanmış kumaşlardan yumuşak heykeller ( bir önceki slayttan detay).
ENSTALASYON  1998 New York
NEW YORK CITY  1998, enstalasyon.
BURAK: TABUTLAR DİZİSİ I. 1994-98 New York
ŞEMSİYE (MARYLIN MONROE) 1999, karışık teknik
NUR  2000 Kağıt üzerine yağlıboya 115X90 cm.
ÇEKİRDEK  2001 Karışık teknik, 115X90 cm.
KIRIN TESTİLERİ SULAR BİRLEŞSİN  2001, performans, Petroil Fire V. Gallery
SUFİNİN ÇORABI  2002 Karışık teknik, Çap 35 cm.
2002-2011 İSTANBUL DÖNEMİ
İSTANBUL’A HOŞBUL(MA)DUK 2002, tual üzerine yağlıboya 165X130 cm.
BARIŞA ÇAĞRI  2002 Tual üzerine yağlıboya 70X90 cm.
BİZANS’A SAYGI 2005, jüt üzerine YB 120X120 cm.
BÜYÜKADA’DAKİ SUFİ  2006, üç boyutlu karışık teknik.
ANNELERE SAYGI  2010 tual üzerine karışık teknik.
ELLİ METREKARE İNCİR AĞACI  2010, enstalasyon, Büyükada.
SUFİNİN GÖLGESİ  2011, üç boyutlu karışık teknik.
Son

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