The wine museum concept uses vines as architectural elements to create spaces and paths. The rhythm of the vine rows is carried through the buildings, reflecting the dimensions and porous structure of vines. Public spaces are located along a central axis, with wine production organized in a U-shape around the periphery. Dark and light, cool and warm spaces juxtapose to mirror the winemaking process.

1. [Graphic design skills honed through an in-depth • Ce projet propose de
analytical exploration of the history, urban design, and
considérer les couloirs des
vignes de vin comme un
élément architectural. Le
rythme que crée les lignes est
prolongé à travers les
bâtiments. Les caractéristiques
physiques du vin (dimensions,
gardens of Parc de Bercy, the site for the wine museum
porosité des vignes..) ont
été interprétés à travers tout
museum
museum
le projet afin de poursuivre
l’expérience physique de se
promener à travers les vignes.
project.
• La production du vin,
organisé en forme de « U »
est organisé en périphérie
classrooms
classrooms
des espaces centrales qui
s’étirent le long de l’axe
central.
[The concept of the wine museum is to use vines as
• La possibilité d’inclinaison de
l’orientation des vignes est
fidèle aux tracés anciens de la
route du vin qui coupe
labs
abs transversalement en diagonale
architecture to create spaces and path. The rhythm
le parc.
• La juxtaposition d’opposition
est un thème majeur du projet :
obscurité/lumière, froid/chaud,
isolement/rassemblement … .
of the rows and dimensions of the vines are carried
bottling/library/arch
bottling/library/archives
/ Cette suite d’opposition se
retrouve aussi dans le
processus de transformation du
raisin en vin.
• Le théâtre fonctionne
through the buildings in different manifestations.
comme une charnière au sein
du projet en créant d’autre
part l’espace public central.
tasting
tasting
ti
t
• The concept of this project
is to use vines as architecture
Inherently slow circulation reflects the slow, composed
to create spaces and
path. The rhythm of the rows
is carried through the
buildings in different
manifestations.
• The dimensions of the vines
process of making wine. There is a juxtaposition of dark
are present throughout the
project to continue the
experience of being in a
final model
vineyard.
theater/amphitheater
theater/amp
t /
vs light, coolness underground vs warmth above. The
• Inherently slow circulation
reflects the slow, composed
process of making wine.
plastic
• Public spaces lie on axis.
Production spaces form a U
shape around the periphery.
theater acts as a hinge and meeting place.
bottle storage
bottle sto
ttl
t
• Possible slanted vine
orientation draws from
remnants of original wine
roads cut diagonally through
the park’s grid.
offices
offices
• Juxtaposition is a major theme.
Dark vs. light. Cool
underground vs. warm
above. Isolation vs.
gathering.
restaurant
restaurant
t r • Theater acts as a hinge and
meeting place.
• Silent archive and library are
completely surrounded by the
loudest spaces, wine
bottling and mechanical.
kitchen
kitchen
h
[2nd Place award for the conceptual phase of the tanks and barrels
arrells
project, done in conjunction with a French architecture
eva frenz clara lamerre
musée du vin à bercy
phase conceptuelle vines barrels walls shelves tanks hanging chair for chairs tables
student.
wine tasting
storage
PARC DE BERCY :: view from library
offices
view of theater through vines
laboratories
view from bottling
:: MUSEE DU VIN