This document discusses using machine learning to recognize animals in images. It describes using convolutional neural networks (CNNs) with pre-trained models to classify images and then retraining models to recognize additional categories like specific animal types. The document outlines extracting metadata from images using techniques like optical character recognition (OCR) to recognize temperature digits in images. It proposes using hidden cameras to automatically collect image data with metadata on animals and their environments over time.
The document provides a template for evaluating a graphic narrative project. It prompts the user to provide specific details about their work, including written and visual examples. It suggests praising strong areas and identifying areas for improvement. The user should add details about how their final product reflects or differs from their original intentions, how well images and text are constructed and integrated, and the suitability of the project for its intended audience.
Reunião de trabalho – RCAAP
Duração: 3 horas
Local: Universidade do Algarve
Data/Hora: Dia 7 de Abril – 16:30
Público-alvo
Dirigentes com o pelouro do RCAAP nas Instituições Membro
Gestores de Repositórios Institucionais
Gestores de Repositórios de Dados Científicos
Gestores de Revistas Científicas
Âmbito/Objetivos
Esta reunião de trabalho do RCAAP tem por objetivo fazer o balanço das atividades no ano de 2015 bem como de apresentar o plano de atividades para 2016. Conforme é habitual a reunião servirá para dar conta de aspetos operacionais bem como auscultar a comunidade RCAAP. Será dada especial atenção à Política de acesso aberto da FCT e aos processos de integração com o PTCRIS.
Agenda:
Grupos de trabalho
Estudos e prospeção I – Estudo DOI, Pedro Príncipe (BAD, UMinho)
Destaques II – Estudo nova geração Portal RCAAP, José Carvalho (UMinho)
Estudos e prospeção II – Dados Científicos, Pedro Príncipe (UMinho)
Plano de Atividades 2016, Paulo Lopes (FCT-FCCN)
The document provides a template for evaluating a graphic narrative project. It prompts the user to provide specific details about their work, including written and visual examples. It also prompts the user to identify areas of their work that are good or could be improved, and to be specific about why. The user is encouraged to add additional slides as needed and delete any blank slides before submission.
Reunião de trabalho – RCAAP
Duração: 3 horas
Local: Universidade do Algarve
Data/Hora: Dia 7 de Abril – 14:30
Público-alvo
Dirigentes com o pelouro do RCAAP nas Instituições Membro
Gestores de Repositórios Institucionais
Gestores de Repositórios de Dados Científicos
Gestores de Revistas Científicas
Âmbito/Objetivos
Esta reunião de trabalho do RCAAP tem por objetivo fazer o balanço das atividades no ano de 2015 bem como de apresentar o plano de atividades para 2016. Conforme é habitual a reunião servirá para dar conta de aspetos operacionais bem como auscultar a comunidade RCAAP. Será dada especial atenção à Política de acesso aberto da FCT e aos processos de integração com o PTCRIS.
Agenda
Informações OA / Eloy Rodrigues (UMinho), João Mendes Moreira (FCT-FCCN)
Ciência Aberta do compromisso à PNCA, Ana Alves Pereira (SECTES)
Relatório de Atividades 2015, João Mendes Foreira (FCT-FCCN)
Politica FCT, Vasco Vaz (FCT-DSI), José Carvalho (UMinho), João Mendes Moreira (FCT-FCCN)
Destaques I – Teses e Dissertações, José Carvalho (UMinho), João Mendes Moreira (FCT-FCCN), Carlos Malaca (DGEEC)
This document discusses different types of digital graphics file formats including raster graphics, vector graphics, and specific file formats like JPEG, TIFF, GIF, BMP, PSD, AI, FLA, and WMF. It also covers topics like image capture methods, file compression, optimizing images for the web, file size considerations, file naming conventions, and asset management.
The final booklet contains all the essential information for the event. It includes the schedule of activities, speaker biographies, venue details, and registration information. Attendees will be able to reference the booklet during the conference to easily find what sessions interest them and where to go.
This document discusses using machine learning to recognize animals in images. It describes using convolutional neural networks (CNNs) with pre-trained models to classify images and then retraining models to recognize additional categories like specific animal types. The document outlines extracting metadata from images using techniques like optical character recognition (OCR) to recognize temperature digits in images. It proposes using hidden cameras to automatically collect image data with metadata on animals and their environments over time.
The document provides a template for evaluating a graphic narrative project. It prompts the user to provide specific details about their work, including written and visual examples. It suggests praising strong areas and identifying areas for improvement. The user should add details about how their final product reflects or differs from their original intentions, how well images and text are constructed and integrated, and the suitability of the project for its intended audience.
Reunião de trabalho – RCAAP
Duração: 3 horas
Local: Universidade do Algarve
Data/Hora: Dia 7 de Abril – 16:30
Público-alvo
Dirigentes com o pelouro do RCAAP nas Instituições Membro
Gestores de Repositórios Institucionais
Gestores de Repositórios de Dados Científicos
Gestores de Revistas Científicas
Âmbito/Objetivos
Esta reunião de trabalho do RCAAP tem por objetivo fazer o balanço das atividades no ano de 2015 bem como de apresentar o plano de atividades para 2016. Conforme é habitual a reunião servirá para dar conta de aspetos operacionais bem como auscultar a comunidade RCAAP. Será dada especial atenção à Política de acesso aberto da FCT e aos processos de integração com o PTCRIS.
Agenda:
Grupos de trabalho
Estudos e prospeção I – Estudo DOI, Pedro Príncipe (BAD, UMinho)
Destaques II – Estudo nova geração Portal RCAAP, José Carvalho (UMinho)
Estudos e prospeção II – Dados Científicos, Pedro Príncipe (UMinho)
Plano de Atividades 2016, Paulo Lopes (FCT-FCCN)
The document provides a template for evaluating a graphic narrative project. It prompts the user to provide specific details about their work, including written and visual examples. It also prompts the user to identify areas of their work that are good or could be improved, and to be specific about why. The user is encouraged to add additional slides as needed and delete any blank slides before submission.
Reunião de trabalho – RCAAP
Duração: 3 horas
Local: Universidade do Algarve
Data/Hora: Dia 7 de Abril – 14:30
Público-alvo
Dirigentes com o pelouro do RCAAP nas Instituições Membro
Gestores de Repositórios Institucionais
Gestores de Repositórios de Dados Científicos
Gestores de Revistas Científicas
Âmbito/Objetivos
Esta reunião de trabalho do RCAAP tem por objetivo fazer o balanço das atividades no ano de 2015 bem como de apresentar o plano de atividades para 2016. Conforme é habitual a reunião servirá para dar conta de aspetos operacionais bem como auscultar a comunidade RCAAP. Será dada especial atenção à Política de acesso aberto da FCT e aos processos de integração com o PTCRIS.
Agenda
Informações OA / Eloy Rodrigues (UMinho), João Mendes Moreira (FCT-FCCN)
Ciência Aberta do compromisso à PNCA, Ana Alves Pereira (SECTES)
Relatório de Atividades 2015, João Mendes Foreira (FCT-FCCN)
Politica FCT, Vasco Vaz (FCT-DSI), José Carvalho (UMinho), João Mendes Moreira (FCT-FCCN)
Destaques I – Teses e Dissertações, José Carvalho (UMinho), João Mendes Moreira (FCT-FCCN), Carlos Malaca (DGEEC)
This document discusses different types of digital graphics file formats including raster graphics, vector graphics, and specific file formats like JPEG, TIFF, GIF, BMP, PSD, AI, FLA, and WMF. It also covers topics like image capture methods, file compression, optimizing images for the web, file size considerations, file naming conventions, and asset management.
The final booklet contains all the essential information for the event. It includes the schedule of activities, speaker biographies, venue details, and registration information. Attendees will be able to reference the booklet during the conference to easily find what sessions interest them and where to go.
The document provides a template for evaluating a graphic narrative project. It prompts the user to provide specific details about their work, including written and visual examples. It also prompts the user to identify areas of their work that are good or could be improved, and to be specific about why. The user is encouraged to add additional slides as needed and delete any blank slides before submission.
La oruga Puga se sentía menospreciada por los otros animales, así que decidió irse. En el camino, un escarabajo y una araña se burlaron de ella por su apariencia. Una mariposa la animó diciendo que la verdadera belleza está en el interior y que ella también había sido oruga. Después de convertirse en una hermosa mariposa, Puga demostró a los demás animales que ella era la misma oruga de antes.
This leaflet uses simple colors and fonts to keep the design clean and professional. Key words are highlighted in bold to draw attention and emphasize their importance. Images of children are used to make the message more personal and help people relate to the cause. The clear facts and statements aim to avoid ambiguity and get the key points across effectively.
The instruction manual uses a simple step-by-step layout with clear illustrations and minimal text to guide the reader easily through the assembly process. Bold formatting is used to highlight important details like steps and product names. The clear, unambiguous style leaves no room for misinterpretation.
This how-to guide breaks information into colored sections for easy reading. Important tips are highlighted in bubbles
This document contains summaries of multiple articles related to veganism and its impacts. Some of the key points covered include:
- Animal agriculture is a major contributor to environmental problems like deforestation, pollution and greenhouse gas emissions. Going vegan can significantly reduce an individual's environmental footprint.
- Animals raised for food endure stressful and inhumane conditions on factory farms. They are routinely subjected to painful procedures without painkillers.
- The number of vegans, especially young people, is rising in the UK and elsewhere due to health, environmental and animal welfare concerns. Social media has helped promote vegan lifestyles.
- Many cosmetics and household products are still tested on animals
Este documento presenta los resultados de un estudio sobre los hábitos de compra y consumo de productos alimenticios en el Perú. Se evaluaron 54 categorías y se clasificaron en productos de alta, mediana y baja penetración dependiendo de qué tan frecuente es su consumo en los hogares. Las categorías con mayor penetración, consumidas por más del 90% de los hogares, son arroz, aceite, sal, menestras, azúcar y fideos. Las categorías con mediana penetración, consumidas por más del 30% de los hogares, incl
Shrikrishna has over 3 years of experience in ETL testing, data warehousing, and business intelligence testing using tools like Informatica PowerCenter, Oracle, and UNIX. He has worked on projects in banking, hospitality, and travel domains for clients such as Deutsche Bank and Tech Mahindra. Currently working as a test engineer at Tech Mahindra, his responsibilities include designing and executing test cases, validating data transformations, and logging defects.
The mood board is for a Veganuary booklet. Veganuary is a campaign that encourages people to try a vegan diet during the month of January. The booklet will provide recipes, meal plans, and tips to help people transition to and maintain a plant-based diet for the month.
1) The document analyzes the layout, design elements, and content of fashion magazines like Vogue, Elle, and Marie Claire.
2) It finds that the magazines have consistent masthead placement and color schemes across issues to maintain brand identity while incorporating seasonal trends.
3) The magazines aim to portray an aspirational lifestyle through highly edited images of tall, thin models and celebrities, while also including some more affordable fashion options without discussing their quality or production.
Emily Shaw created various design options for a hairdressing client within the given constraints. She produced business cards, logos, and mock social media posts over two weeks. Emily faced some copyright issues using stock images but addressed this by editing photos herself. She communicated with the client face-to-face after the first week and upon completion to receive feedback. Emily created multiple options to meet the open brief and requirements, learning about client communication and managing projects with creative freedom.
The document analyzes the layout, design elements, and content of Vogue, Elle, and Marie Claire magazines. It finds that they share many similarities in their masthead placement, use of color schemes relating to the season, and posed cover photo shoots. They also take a similar scrapbook-style approach to some interior pages while maintaining more formal article layouts. Additionally, the magazines feature a mix of high-end and high street brand advertisements to appeal to different audiences. Common elements across the magazines aim to portray an aspirational view of fashion and beauty.
Vogue and Elle magazines follow some consistent design elements across issues but also allow for variation. Both prominently feature the celebrity or model on the cover along with brief descriptions of articles. Vogue uses a regimented layout with consistent placement of cover lines, barcodes, and sections. However, it varies blurring and gutters between articles. Elle utilizes minimalist color schemes and overlapping text on photos for impact. While maintaining some shared branding elements, the magazines incorporate flexibility in internal designs.
Emily Shaw completed a design project for a client involving business cards, logos, and social media posts for a hairdressing business. She faced some copyright constraints in using stock images and fonts, but was able to adapt designs to avoid issues. She communicated with the client periodically to get feedback and ensure the designs met requirements. While she diverged from her original schedule, Emily delivered all requested elements on time. Through this project, she learned how to work within client constraints, communicate effectively, and further developed her Photoshop skills for designing professional materials.
Emily Shaw completed a design project for a hairdressing client that involved creating business cards, logos, and mock social media posts within legal and financial constraints. She found that carefully editing stock images and creating original graphics helped avoid copyright issues. The client provided feedback that ensured the designs met regulatory guidelines and represented hairdressing appropriately. Overall, the project was finished on time and within budget, and Emily learned valuable lessons about client communication, working within briefs, and further developing her design skills.
A contractual brief is a legal document between a client and employee that outlines the specific time scale, price, and task. It provides advantages like being legally binding so either party can take action if the terms are not followed. However, it must be read thoroughly to understand what is being agreed to due to its specificity and potential legal implications. A formal brief only provides key information while an informal brief has no binding documents and allows more creative freedom but lacks protections. It is important to thoroughly read any brief to understand client expectations and gauge what is required to meet their needs and standards.
This production schedule outlines the timeline for creating branding materials like a logo, business cards, and social media assets for a new mobile hairdressing business called New Look Mobile Hairdressing from May 8th to May 19th. The schedule has the designer beginning work on the logo on May 8th and receiving client feedback on designs by May 15th before shifting to create business cards, social media banners, logos and sample social media posts through the end of the month.
This document contains research and development work for a client project creating branding materials like business cards, a Facebook banner, and logo. The client needs these materials to help promote their mobile hairdressing business. The author generated several initial ideas and then chose to further develop two ideas combining feminine, handwritten elements with a more minimalist, professional style. Mockups and examples were provided. Market research showed the client has significant local competition from other hairdressers. The existing branding materials could be improved. The final ideas will be assessed against the project constraints before being presented.
Emily Shaw created a mental health awareness campaign with bright, positive graphics and messaging to counter other campaigns that portrayed mental health issues in a negative or dark way. She developed posters, merchandise, and a website mock-up to promote the campaign. While some pieces could be improved, surveys showed the campaign was well-suited to raising awareness and changing attitudes about mental health issues.
This document summarizes Emily Shaw's social action evaluation of her mental health awareness campaign. The campaign used bright colors and graphics instead of images to create a more positive look. Feedback indicated the campaign communicated its message clearly and was well-suited and appropriate for its target audience of raising mental health awareness.
Emily Shaw created a mental health awareness campaign for the charity Mind. Her goal was to portray mental health in a more positive light compared to existing campaigns, which often used dark imagery. She designed bright, graphic-heavy posters that included facts about mental health and contact information for Mind without using images. Emily also created merchandise like stickers, phone cases, and notebooks featuring her logo and graphics. She felt her finished pieces effectively communicated her message to raise awareness and support for Mind in a way that was appropriate and non-stigmatizing for all audiences.
The document summarizes Emily Shaw's social action evaluation of her mental health awareness campaign. The campaign used bright colors and graphics instead of images to create a more lighthearted look. Feedback from surveys showed that 100% of respondents agreed the campaign was well-suited to promoting mental health awareness and would help educate people and raise awareness, meeting the campaign's goals.
Emily Shaw created a mental health awareness campaign with bright, positive imagery and graphics instead of the typical dark or negative images used in other campaigns. Her campaign used circles throughout to represent wholeness. She created posters, merchandise, and a mock website homepage to raise awareness, provide information, and support the charity. A survey found that people felt her positive approach was effective. Overall, Emily believes her campaign pieces fit their intended purposes of changing attitudes, raising awareness, and building relationships regarding mental health issues.
The document provides a template for evaluating a graphic narrative project. It prompts the user to provide specific details about their work, including written and visual examples. It also prompts the user to identify areas of their work that are good or could be improved, and to be specific about why. The user is encouraged to add additional slides as needed and delete any blank slides before submission.
La oruga Puga se sentía menospreciada por los otros animales, así que decidió irse. En el camino, un escarabajo y una araña se burlaron de ella por su apariencia. Una mariposa la animó diciendo que la verdadera belleza está en el interior y que ella también había sido oruga. Después de convertirse en una hermosa mariposa, Puga demostró a los demás animales que ella era la misma oruga de antes.
This leaflet uses simple colors and fonts to keep the design clean and professional. Key words are highlighted in bold to draw attention and emphasize their importance. Images of children are used to make the message more personal and help people relate to the cause. The clear facts and statements aim to avoid ambiguity and get the key points across effectively.
The instruction manual uses a simple step-by-step layout with clear illustrations and minimal text to guide the reader easily through the assembly process. Bold formatting is used to highlight important details like steps and product names. The clear, unambiguous style leaves no room for misinterpretation.
This how-to guide breaks information into colored sections for easy reading. Important tips are highlighted in bubbles
This document contains summaries of multiple articles related to veganism and its impacts. Some of the key points covered include:
- Animal agriculture is a major contributor to environmental problems like deforestation, pollution and greenhouse gas emissions. Going vegan can significantly reduce an individual's environmental footprint.
- Animals raised for food endure stressful and inhumane conditions on factory farms. They are routinely subjected to painful procedures without painkillers.
- The number of vegans, especially young people, is rising in the UK and elsewhere due to health, environmental and animal welfare concerns. Social media has helped promote vegan lifestyles.
- Many cosmetics and household products are still tested on animals
Este documento presenta los resultados de un estudio sobre los hábitos de compra y consumo de productos alimenticios en el Perú. Se evaluaron 54 categorías y se clasificaron en productos de alta, mediana y baja penetración dependiendo de qué tan frecuente es su consumo en los hogares. Las categorías con mayor penetración, consumidas por más del 90% de los hogares, son arroz, aceite, sal, menestras, azúcar y fideos. Las categorías con mediana penetración, consumidas por más del 30% de los hogares, incl
Shrikrishna has over 3 years of experience in ETL testing, data warehousing, and business intelligence testing using tools like Informatica PowerCenter, Oracle, and UNIX. He has worked on projects in banking, hospitality, and travel domains for clients such as Deutsche Bank and Tech Mahindra. Currently working as a test engineer at Tech Mahindra, his responsibilities include designing and executing test cases, validating data transformations, and logging defects.
The mood board is for a Veganuary booklet. Veganuary is a campaign that encourages people to try a vegan diet during the month of January. The booklet will provide recipes, meal plans, and tips to help people transition to and maintain a plant-based diet for the month.
1) The document analyzes the layout, design elements, and content of fashion magazines like Vogue, Elle, and Marie Claire.
2) It finds that the magazines have consistent masthead placement and color schemes across issues to maintain brand identity while incorporating seasonal trends.
3) The magazines aim to portray an aspirational lifestyle through highly edited images of tall, thin models and celebrities, while also including some more affordable fashion options without discussing their quality or production.
Emily Shaw created various design options for a hairdressing client within the given constraints. She produced business cards, logos, and mock social media posts over two weeks. Emily faced some copyright issues using stock images but addressed this by editing photos herself. She communicated with the client face-to-face after the first week and upon completion to receive feedback. Emily created multiple options to meet the open brief and requirements, learning about client communication and managing projects with creative freedom.
The document analyzes the layout, design elements, and content of Vogue, Elle, and Marie Claire magazines. It finds that they share many similarities in their masthead placement, use of color schemes relating to the season, and posed cover photo shoots. They also take a similar scrapbook-style approach to some interior pages while maintaining more formal article layouts. Additionally, the magazines feature a mix of high-end and high street brand advertisements to appeal to different audiences. Common elements across the magazines aim to portray an aspirational view of fashion and beauty.
Vogue and Elle magazines follow some consistent design elements across issues but also allow for variation. Both prominently feature the celebrity or model on the cover along with brief descriptions of articles. Vogue uses a regimented layout with consistent placement of cover lines, barcodes, and sections. However, it varies blurring and gutters between articles. Elle utilizes minimalist color schemes and overlapping text on photos for impact. While maintaining some shared branding elements, the magazines incorporate flexibility in internal designs.
Emily Shaw completed a design project for a client involving business cards, logos, and social media posts for a hairdressing business. She faced some copyright constraints in using stock images and fonts, but was able to adapt designs to avoid issues. She communicated with the client periodically to get feedback and ensure the designs met requirements. While she diverged from her original schedule, Emily delivered all requested elements on time. Through this project, she learned how to work within client constraints, communicate effectively, and further developed her Photoshop skills for designing professional materials.
Emily Shaw completed a design project for a hairdressing client that involved creating business cards, logos, and mock social media posts within legal and financial constraints. She found that carefully editing stock images and creating original graphics helped avoid copyright issues. The client provided feedback that ensured the designs met regulatory guidelines and represented hairdressing appropriately. Overall, the project was finished on time and within budget, and Emily learned valuable lessons about client communication, working within briefs, and further developing her design skills.
A contractual brief is a legal document between a client and employee that outlines the specific time scale, price, and task. It provides advantages like being legally binding so either party can take action if the terms are not followed. However, it must be read thoroughly to understand what is being agreed to due to its specificity and potential legal implications. A formal brief only provides key information while an informal brief has no binding documents and allows more creative freedom but lacks protections. It is important to thoroughly read any brief to understand client expectations and gauge what is required to meet their needs and standards.
This production schedule outlines the timeline for creating branding materials like a logo, business cards, and social media assets for a new mobile hairdressing business called New Look Mobile Hairdressing from May 8th to May 19th. The schedule has the designer beginning work on the logo on May 8th and receiving client feedback on designs by May 15th before shifting to create business cards, social media banners, logos and sample social media posts through the end of the month.
This document contains research and development work for a client project creating branding materials like business cards, a Facebook banner, and logo. The client needs these materials to help promote their mobile hairdressing business. The author generated several initial ideas and then chose to further develop two ideas combining feminine, handwritten elements with a more minimalist, professional style. Mockups and examples were provided. Market research showed the client has significant local competition from other hairdressers. The existing branding materials could be improved. The final ideas will be assessed against the project constraints before being presented.
Emily Shaw created a mental health awareness campaign with bright, positive graphics and messaging to counter other campaigns that portrayed mental health issues in a negative or dark way. She developed posters, merchandise, and a website mock-up to promote the campaign. While some pieces could be improved, surveys showed the campaign was well-suited to raising awareness and changing attitudes about mental health issues.
This document summarizes Emily Shaw's social action evaluation of her mental health awareness campaign. The campaign used bright colors and graphics instead of images to create a more positive look. Feedback indicated the campaign communicated its message clearly and was well-suited and appropriate for its target audience of raising mental health awareness.
Emily Shaw created a mental health awareness campaign for the charity Mind. Her goal was to portray mental health in a more positive light compared to existing campaigns, which often used dark imagery. She designed bright, graphic-heavy posters that included facts about mental health and contact information for Mind without using images. Emily also created merchandise like stickers, phone cases, and notebooks featuring her logo and graphics. She felt her finished pieces effectively communicated her message to raise awareness and support for Mind in a way that was appropriate and non-stigmatizing for all audiences.
The document summarizes Emily Shaw's social action evaluation of her mental health awareness campaign. The campaign used bright colors and graphics instead of images to create a more lighthearted look. Feedback from surveys showed that 100% of respondents agreed the campaign was well-suited to promoting mental health awareness and would help educate people and raise awareness, meeting the campaign's goals.
Emily Shaw created a mental health awareness campaign with bright, positive imagery and graphics instead of the typical dark or negative images used in other campaigns. Her campaign used circles throughout to represent wholeness. She created posters, merchandise, and a mock website homepage to raise awareness, provide information, and support the charity. A survey found that people felt her positive approach was effective. Overall, Emily believes her campaign pieces fit their intended purposes of changing attitudes, raising awareness, and building relationships regarding mental health issues.
The SmokeFree campaign poster aims to persuade people to quit smoking and raise awareness of the dangers of smoking through graphic imagery and facts. The poster uses a graphic image of mutations on a cigarette to visually portray the damage smoking can cause. It also includes a fact about how just 15 cigarettes can negatively impact health to catch viewers' attention. The poster provides links to SmokeFree websites to give people seeking help resources to quit smoking. The goal is to campaign against smoking by informing people of its health risks in an eye-catching way.
The document outlines final designs for a project including a logo, campaign posters, and merchandise. It lists four main sections: final logo, campaign posters, and merchandise providing an overview of the completed design work.
Emily Shaw was creating campaign posters with the phrase "Surviving or Thriving?" She found that the original font she chose made the H look like a U at a quick glance. To fix this, she used the polygon lasso tool to cut out the dash and move it higher up on the H to make it clearer to read quickly. When designing the posters, she experimented with different logos she had made. While they all worked nicely in different ways, the yellow speech bubble colors contrasted too much with her color scheme. So she changed the bubble's color to better fit the look of the posters.
The document discusses final merchandise options. It appears to be a note from Emily Shaw regarding merchandise items. In 3 sentences or less, it does not provide enough context to summarize the essential information or high level details of any merchandise options discussed.
The document is a logo mood board created by Emily Shaw. It contains visual examples of different logo designs, colors, fonts, and styles that could inspire the creation of a new logo. The mood board aims to showcase different design options and elements that may be incorporated into the logo design process.
Emily Shaw was creating campaign posters with the phrase "Surviving or Thriving?" and found that the original font's letter H looked like a U at a quick glance. She used the polygon lasso tool to cut out the dash in the H and move it higher up to make it clearer to read quickly. When adding logos to the posters, she experimented and found that while all worked nicely, the yellow speech bubble contrasted too much with the color scheme, so she changed the color to better fit the posters' look.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! Final Matka ! Matka Result ! Dpboss Matka ! Matka Guessing ! Satta Matta Matka 143 ! Kalyan Matka ! Satta Matka Fast Result ! Kalyan Matka Guessing ! Dpboss Matka Guessing ! Satta 143 ! Kalyan Chart ! Kalyan final ! Satta guessing ! Matka tips ! Matka 143 ! India Matka ! Matka 420 ! matka Mumbai ! Satta chart ! Indian Satta ! Satta King ! Satta 143 ! Satta batta ! Satta मटका ! Satta chart ! Matka 143 ! Matka Satta ! India Matka ! Indian Satta Matka ! Final ank