The document describes 90 shots that make up a film. The shots progress from establishing scenes of a girl and grandparents watching TV, to nature shots, to scenes of a boy and girl interacting in increasing closeness, from smiling at each other to the girl resting her head on the boy's arm in a tree. The shots vary in angle, composition, subject, and distance from their subjects. They transition between the characters and settings to tell a story of the boy and girl bonding during their time together.
The document is a shot list for a short film containing 90 shots over 20 scenes. It describes the camera shots, angles, movements, durations and transitions between shots of a boy and girl meeting in nature and spending time together, with subtitles providing dialogue. Their encounter has an unexplained supernatural element as the boy seems able to appear and disappear.
The document describes 90 shots that make up a film. The shots progress from establishing scenes of a girl and boy separately, to them meeting and interacting in increasing closeness, from distant shots to intimate close-ups. They go from being strangers to smiling together in an embrace high in a tree. Their connection is portrayed as instinctive yet mysterious, with references to memories from another time.
The document outlines a storyboard for a film with 48 shots. It describes scenes showing a girl grieving at a graveyard and looking at photos in a white room. She is seen crying on the floor surrounded by ripped photos. Flashbacks show memories of her with a happy couple. She runs through a park and passes out. More flashbacks reveal the couple playing together. The girl sees a ghostly figure of a boy in her bedroom and looks confused. Further flashbacks and dreams occur as she grieves.
1. The document provides descriptions for 51 different shots that would be used to film a scene involving two friends, Michael and Theo, meeting at a pub. It then describes shots that would show Michael getting into a fight with police officers at the pub and fleeing to his home.
2. The shots would then focus on a criminal who has been recruited by the police to capture Michael. This involves the criminal spying on and kidnapping Theo to lure Michael to a meeting.
3. When Michael arrives at the meeting location, an argument ensues between him and the criminal, with the criminal insisting Michael was mistaken for a bank robber and must come with him, threatening Theo's life if he
The document provides a detailed shot-by-shot summary of a film or video. It describes 78 shots ranging from pan shots, medium shots, close ups, and more. The shots follow characters Jenny, Dave, Ricky and police officers as a crime is investigated. It shows the police questioning suspects and witnesses and ultimately arresting Dave for the crime.
This document contains a storyboard for a short film consisting of 78 shots over various lengths and shot types. The storyboard follows characters Cameron and Ethan as they explore an abandoned house, perform a ritual that transports Ethan to a forest with a demon, and return changed from the experience.
This document contains a storyboard for a short film consisting of 78 shots. The storyboard follows two friends, Cameron and Ethan, as they explore an abandoned house and perform a ritual that transports Ethan's consciousness to a dark forest. Ethan encounters supernatural entities and sacrifices himself before waking back in the house, where Cameron is now behaving strangely with bleeding eyes. The friends then nervously leave the house.
This document contains a storyboard for a short film consisting of 78 shots. The storyboard follows two characters, Cameron and Ethan, as they explore an abandoned house, perform a ritual that transports Ethan to a forest where he is chased by a demon, and eventually wake up back in the house with Cameron acting strangely.
The document is a shot list for a short film containing 90 shots over 20 scenes. It describes the camera shots, angles, movements, durations and transitions between shots of a boy and girl meeting in nature and spending time together, with subtitles providing dialogue. Their encounter has an unexplained supernatural element as the boy seems able to appear and disappear.
The document describes 90 shots that make up a film. The shots progress from establishing scenes of a girl and boy separately, to them meeting and interacting in increasing closeness, from distant shots to intimate close-ups. They go from being strangers to smiling together in an embrace high in a tree. Their connection is portrayed as instinctive yet mysterious, with references to memories from another time.
The document outlines a storyboard for a film with 48 shots. It describes scenes showing a girl grieving at a graveyard and looking at photos in a white room. She is seen crying on the floor surrounded by ripped photos. Flashbacks show memories of her with a happy couple. She runs through a park and passes out. More flashbacks reveal the couple playing together. The girl sees a ghostly figure of a boy in her bedroom and looks confused. Further flashbacks and dreams occur as she grieves.
1. The document provides descriptions for 51 different shots that would be used to film a scene involving two friends, Michael and Theo, meeting at a pub. It then describes shots that would show Michael getting into a fight with police officers at the pub and fleeing to his home.
2. The shots would then focus on a criminal who has been recruited by the police to capture Michael. This involves the criminal spying on and kidnapping Theo to lure Michael to a meeting.
3. When Michael arrives at the meeting location, an argument ensues between him and the criminal, with the criminal insisting Michael was mistaken for a bank robber and must come with him, threatening Theo's life if he
The document provides a detailed shot-by-shot summary of a film or video. It describes 78 shots ranging from pan shots, medium shots, close ups, and more. The shots follow characters Jenny, Dave, Ricky and police officers as a crime is investigated. It shows the police questioning suspects and witnesses and ultimately arresting Dave for the crime.
This document contains a storyboard for a short film consisting of 78 shots over various lengths and shot types. The storyboard follows characters Cameron and Ethan as they explore an abandoned house, perform a ritual that transports Ethan to a forest with a demon, and return changed from the experience.
This document contains a storyboard for a short film consisting of 78 shots. The storyboard follows two friends, Cameron and Ethan, as they explore an abandoned house and perform a ritual that transports Ethan's consciousness to a dark forest. Ethan encounters supernatural entities and sacrifices himself before waking back in the house, where Cameron is now behaving strangely with bleeding eyes. The friends then nervously leave the house.
This document contains a storyboard for a short film consisting of 78 shots. The storyboard follows two characters, Cameron and Ethan, as they explore an abandoned house, perform a ritual that transports Ethan to a forest where he is chased by a demon, and eventually wake up back in the house with Cameron acting strangely.
The document analyzes several frames from a film. It describes the shots, angles, and perspectives used in each frame to convey meaning and information about the family's relationship and the car crash. The shots become progressively closer and more intense, starting with wide shots showing the family in the car and conversations between the mom and daughter. Later frames use point-of-view shots from inside the car to show the parents' lack of attention and the impending crash. The final frames show the violent impact of the crash in close-up shots and from a crane perspective above the car, conveying the serious consequences through CGI blood and damage to the vehicle and passengers. Overall, the document examines how the filmic techniques reveal the strained family
This document contains a storyboard for a short film consisting of 78 shots. The storyboard follows characters Cameron and Ethan as they explore an abandoned house, perform a ritual, enter an alternate reality in a forest with a demon, and wake up changed in the abandoned house. Key shots include Ethan exploring the forest reality, encountering a woman and demon, and sacrificing himself before waking up changed with Cameron.
This document provides a detailed shot-by-shot breakdown of a movie trailer. It describes 91 shots ranging from close-ups to establishing shots that show characters experiencing fear and panic. Various scenes depict a family fleeing from a disturbing figure at their home and seeking refuge in a church. Intercut are shots of blood, a distorted face, and a screaming woman to generate an ominous and frightening tone throughout the trailer. The shot breakdown aims to analyze how the trailer uses camera techniques and imagery to introduce the plot and build suspense for the horror movie.
Taken is a 2008 action/thriller film about a father's efforts to rescue his daughter after she is kidnapped. The analyzed scene shows Kim realizing intruders have entered her home and her subsequent kidnapping. Close-up shots are used extensively to emphasize the characters' facial expressions and build suspense and emotion as the situation escalates and Kim's father struggles to understand what is happening over the phone.
The document analyzes 9 frames from a film sequence that show a man approaching a problem. Frame 1 introduces the setting with a handheld midshot. Frame 2 shows him entering a building with low key lighting. Frame 3 is a wide shot on the stairs that reveals how he is dressed. Frame 4 uses a close up of his shoes on the stairs. Frame 5-6 use midshots and panning to keep him central as he walks in darker lighting. Frame 7 builds tension as he eyes the door handle. Frame 8 is a quick close up of him opening the door. Frame 9 uses an over-the-shoulder high angle shot to focus on his conversation with another person in the room.
This document provides a shot list for a film production, including 57 shots with descriptions of camera angles, movements, locations, durations and basic direction for performers. The shots depict two characters, Katie and Ethan, going through their morning routines and interacting in an initially negative way before improving their relationship and behaviors. The shots gradually increase in color and brightness to represent the characters' progression towards being more positive and helping others.
This document contains a shot list for a film scene. It includes 50 shots of varying types (over the shoulder, medium, long, close up, etc.) and durations. The shots show characters getting out of a car, walking into a house, interacting inside, smoking outside, going to the pub, and doing drugs in a barn and kitchen where one character overdoses.
The trailer analyzes the mise en scene, camera work, editing, and special effects used. For the first character, Smiley, his simple costume of a mask, black shirt, and trousers is described along with the lighting and close-up focus on his face. The second character, a woman, is depicted with disheveled hair and a ripped costume to indicate panic after an attack. Her lighting and bedroom setting aim to create fear but also a sense of safety. Throughout the trailer, there is no state of equilibrium as fear is constant and killing attempts are unsuccessful at being stopped. Camera work utilizes eye lines and over shoulder shots, while editing provides a smooth flow between scenes using cross-cutting and one matched cut.
This document outlines 24 shots for a music video sequence. It describes the camera shots, movements, framing, and timing for shots showing two characters communicating via text, reacting emotionally, getting ready with friends, and dancing to express moving on from a past relationship. Shots include establishing shots, over-the-shoulder shots, close-ups, mid shots, wide shots, point-of-view shots, and shots incorporating green screen and graphics. The sequence aims to tell a story over its various shots within the context of a girl power anthem about independence.
The document is a storyboard for a short film about the importance of not keeping secrets from loved ones. It outlines 6 scenes: 1) a zoom shot of a classroom; 2) a two-shot of a boy looking at a girl; 3) the boy getting the girl's attention; 4) the boy asking the girl out; 5) the boy walking away from the girl after learning her secret; 6) a shot of the lonely and vulnerable girl with no one to trust. The final scene shows the boy and girl hugging again to provide closure and reinforce the moral that keeping secrets can damage relationships.
The document outlines three ident ideas from Joe Bowman, Adam Richards, Tristan Hale and Robyn Collier for a thriller film production company called Elevation Studios. All three ideas involve filming within or around an elevator to create suspense through the rising and falling movement and use of lighting, sounds and camera angles. The first idea shows the elevator shaft from inside as it rises and falls quickly. The second films close-ups of lit floor buttons as levels are reached. The third shoots from inside a dark elevator where light shines through the opening doors on each level.
This short document promotes creating presentations using Haiku Deck on SlideShare. It encourages the reader to get started making their own Haiku Deck presentation by providing a button to click to begin the process. The document is advertising the ability to easily create presentations on SlideShare using Haiku Deck.
Race Directors: Show your athletes some loveSelf-Employed
One of the many challenges of a race director is to figure out how to make you race stand out from the competition. Add show some "athlete love" to checklist. A little love can go a long way in making your participants feel special and talking about your race.
Check out some quick tips to show the love and gain a loyal following here. (See our blog on www.chronotrack.com/blog for more details). You'll make your participants feel special, and they'll show you love back by returning to your race year-after-year, with more friends.
Sagr virtual classroom power point presentationsheemem
This document summarizes the key uses and structures of the present simple, present continuous, present perfect simple, and present perfect continuous tenses in English. The present simple is used to describe habits, routines, and states and takes the form of S + V (+s). The present continuous describes actions happening now and uses the form of S + BE + V-ing. The present perfect simple indicates completed actions with present results, using S + HAVE/HAS + past participle. The present perfect continuous describes ongoing or just completed actions over time, with the structure of S + HAVE/HAS + BEEN + V-ing.
Media Studies - AS Main Task Initial Ideas PitchTredannn
Media Studies initial ideas pitch of our thriller opening sequence.
-------------------------------------------------------------------
Tristan, Adam, Robyn and Joe
This short document promotes creating presentations using Haiku Deck, a tool for making slideshows. It encourages the reader to get started making their own Haiku Deck presentation and sharing it on SlideShare. In a single sentence, it pitches the idea of using Haiku Deck to easily design presentations.
The document analyzes several frames from a film. It describes the shots, angles, and perspectives used in each frame to convey meaning and information about the family's relationship and the car crash. The shots become progressively closer and more intense, starting with wide shots showing the family in the car and conversations between the mom and daughter. Later frames use point-of-view shots from inside the car to show the parents' lack of attention and the impending crash. The final frames show the violent impact of the crash in close-up shots and from a crane perspective above the car, conveying the serious consequences through CGI blood and damage to the vehicle and passengers. Overall, the document examines how the filmic techniques reveal the strained family
This document contains a storyboard for a short film consisting of 78 shots. The storyboard follows characters Cameron and Ethan as they explore an abandoned house, perform a ritual, enter an alternate reality in a forest with a demon, and wake up changed in the abandoned house. Key shots include Ethan exploring the forest reality, encountering a woman and demon, and sacrificing himself before waking up changed with Cameron.
This document provides a detailed shot-by-shot breakdown of a movie trailer. It describes 91 shots ranging from close-ups to establishing shots that show characters experiencing fear and panic. Various scenes depict a family fleeing from a disturbing figure at their home and seeking refuge in a church. Intercut are shots of blood, a distorted face, and a screaming woman to generate an ominous and frightening tone throughout the trailer. The shot breakdown aims to analyze how the trailer uses camera techniques and imagery to introduce the plot and build suspense for the horror movie.
Taken is a 2008 action/thriller film about a father's efforts to rescue his daughter after she is kidnapped. The analyzed scene shows Kim realizing intruders have entered her home and her subsequent kidnapping. Close-up shots are used extensively to emphasize the characters' facial expressions and build suspense and emotion as the situation escalates and Kim's father struggles to understand what is happening over the phone.
The document analyzes 9 frames from a film sequence that show a man approaching a problem. Frame 1 introduces the setting with a handheld midshot. Frame 2 shows him entering a building with low key lighting. Frame 3 is a wide shot on the stairs that reveals how he is dressed. Frame 4 uses a close up of his shoes on the stairs. Frame 5-6 use midshots and panning to keep him central as he walks in darker lighting. Frame 7 builds tension as he eyes the door handle. Frame 8 is a quick close up of him opening the door. Frame 9 uses an over-the-shoulder high angle shot to focus on his conversation with another person in the room.
This document provides a shot list for a film production, including 57 shots with descriptions of camera angles, movements, locations, durations and basic direction for performers. The shots depict two characters, Katie and Ethan, going through their morning routines and interacting in an initially negative way before improving their relationship and behaviors. The shots gradually increase in color and brightness to represent the characters' progression towards being more positive and helping others.
This document contains a shot list for a film scene. It includes 50 shots of varying types (over the shoulder, medium, long, close up, etc.) and durations. The shots show characters getting out of a car, walking into a house, interacting inside, smoking outside, going to the pub, and doing drugs in a barn and kitchen where one character overdoses.
The trailer analyzes the mise en scene, camera work, editing, and special effects used. For the first character, Smiley, his simple costume of a mask, black shirt, and trousers is described along with the lighting and close-up focus on his face. The second character, a woman, is depicted with disheveled hair and a ripped costume to indicate panic after an attack. Her lighting and bedroom setting aim to create fear but also a sense of safety. Throughout the trailer, there is no state of equilibrium as fear is constant and killing attempts are unsuccessful at being stopped. Camera work utilizes eye lines and over shoulder shots, while editing provides a smooth flow between scenes using cross-cutting and one matched cut.
This document outlines 24 shots for a music video sequence. It describes the camera shots, movements, framing, and timing for shots showing two characters communicating via text, reacting emotionally, getting ready with friends, and dancing to express moving on from a past relationship. Shots include establishing shots, over-the-shoulder shots, close-ups, mid shots, wide shots, point-of-view shots, and shots incorporating green screen and graphics. The sequence aims to tell a story over its various shots within the context of a girl power anthem about independence.
The document is a storyboard for a short film about the importance of not keeping secrets from loved ones. It outlines 6 scenes: 1) a zoom shot of a classroom; 2) a two-shot of a boy looking at a girl; 3) the boy getting the girl's attention; 4) the boy asking the girl out; 5) the boy walking away from the girl after learning her secret; 6) a shot of the lonely and vulnerable girl with no one to trust. The final scene shows the boy and girl hugging again to provide closure and reinforce the moral that keeping secrets can damage relationships.
The document outlines three ident ideas from Joe Bowman, Adam Richards, Tristan Hale and Robyn Collier for a thriller film production company called Elevation Studios. All three ideas involve filming within or around an elevator to create suspense through the rising and falling movement and use of lighting, sounds and camera angles. The first idea shows the elevator shaft from inside as it rises and falls quickly. The second films close-ups of lit floor buttons as levels are reached. The third shoots from inside a dark elevator where light shines through the opening doors on each level.
This short document promotes creating presentations using Haiku Deck on SlideShare. It encourages the reader to get started making their own Haiku Deck presentation by providing a button to click to begin the process. The document is advertising the ability to easily create presentations on SlideShare using Haiku Deck.
Race Directors: Show your athletes some loveSelf-Employed
One of the many challenges of a race director is to figure out how to make you race stand out from the competition. Add show some "athlete love" to checklist. A little love can go a long way in making your participants feel special and talking about your race.
Check out some quick tips to show the love and gain a loyal following here. (See our blog on www.chronotrack.com/blog for more details). You'll make your participants feel special, and they'll show you love back by returning to your race year-after-year, with more friends.
Sagr virtual classroom power point presentationsheemem
This document summarizes the key uses and structures of the present simple, present continuous, present perfect simple, and present perfect continuous tenses in English. The present simple is used to describe habits, routines, and states and takes the form of S + V (+s). The present continuous describes actions happening now and uses the form of S + BE + V-ing. The present perfect simple indicates completed actions with present results, using S + HAVE/HAS + past participle. The present perfect continuous describes ongoing or just completed actions over time, with the structure of S + HAVE/HAS + BEEN + V-ing.
Media Studies - AS Main Task Initial Ideas PitchTredannn
Media Studies initial ideas pitch of our thriller opening sequence.
-------------------------------------------------------------------
Tristan, Adam, Robyn and Joe
This short document promotes creating presentations using Haiku Deck, a tool for making slideshows. It encourages the reader to get started making their own Haiku Deck presentation and sharing it on SlideShare. In a single sentence, it pitches the idea of using Haiku Deck to easily design presentations.
This storyboard depicts a man's life from childhood to old age through a series of short scenes and flashbacks. As a toddler, he is shown smiling and playing. As a teenager, he meets a girl at a party and they begin a romantic relationship. In his adulthood, he proposes to the girl and they marry. In his old age, he is bored and arguing with his wife, but finds solace in memories of his youth by looking at an old photo of himself and his wife from when they were teenagers. He reflects on his life before closing his eyes weakly while holding the photo.
Production schedule school yard 648974mehtabsbassi
This document contains the shooting schedule and shot descriptions for two film shoots that took place on March 10th, 2021 and December 2nd, 2019. The March 10th shoot took place in a studio from 11:00am to 11:47am and included 6 shots ranging from 2 to 5 minutes long, focusing on close-ups, panning, and handheld camera movements. The December 2nd shoot took place in a classroom from 10:15am to 12:09pm and consisted of 12 shots between 3 to 15 minutes long, including static shots, zooms, changes in focus, and over-the-shoulder camera angles to capture a story about a boy and a girl.
The document is a shot-by-shot description of a music video. It follows a boy (Boy1) as he wakes up remembering a girl (Girl1). He sees Girl1 in a cafe with another boy (Boy2). Later, Boy1 sees Girl1 with yet another boy (Boy3), realizing she has been cheating on him. Boy1 runs away distressed. Another girl (Girl2) comforts Boy1. Boy1 and Girl2 connect and she helps mend his broken heart as they share a kiss, while Girl1 watches from a distance.
The document is a shot list from a film that follows a boy and girl at a house party. It begins with establishing shots of the outside of the house and inside the party. It then shows interactions between the boy and girl, including the boy making a move on the girl that is rejected. Later shots show the boy drugging the girl's drink before they leave the party together. Outside, the girl's condition deteriorates and they encounter the gang from earlier. The girl passes out and has flashes of waking up in different locations. The gang attacks the boy while the girl points them towards him. It ends with the gang taking the boy while the girl walks away.
This document provides details of the filming schedule and shots for a media project taking place on March 10th, 2021 in a media room and on December 2nd, 2019 in a classroom. It includes the arrival and wrap times, setup/derig times, and descriptions of 18 shots filmed in the media room between 9:15am and 9:51am and 15 shots filmed in the classroom between 10:15am and 12:09pm. The shots include various angles, movements, and focuses on the subject(s).
This shot list outlines 39 shots needed to film a short thriller film. It begins with establishing shots of a forest and a girl waking up confused in the woods. She sees a boy approaching her and begins to run away, but trips and the boy catches up to her. Earlier shots will show the girl and boy arguing at a house before she drives off upset. The shot list provides detailed descriptions of camera angles, movements, and transitions needed to tell the story.
The opening scene shows three children having a tea party with dolls. The camera switches between close-up shots of the children playing, with an ominous soundtrack building tension. As the music intensifies, the children stand up and walk towards a window. The camera zooms in on a child dropping and crushing a teacup, then smashing a doll's head. It then shows the children climbing onto the window ledge and jumping out as the soundtrack reaches its peak. The camera zooms in on a doll's face as a scream of "noooo my babies" is heard, then zooms out over the shoulder of the woman in black before fading to black.
This document outlines the shots planned for scenes in a film trailer. It describes various shots showing a mother and daughter entering their home and hugging, emphasizing their close relationship. It then shows the mother alone in her bedroom looking at a photo of her adopted son and expressing regret for abandoning him. Further scenes depict the mother watching TV and reading a letter, followed by lights going out in the kitchen and a man holding a knife behind her, creating dramatic tension. Additional shots show the man threatening and attacking his sister with a knife, building horror and enticing the audience to watch the full film. The trailer climaxes with extreme close-ups of the bloody knife, suggesting the man seeks revenge rather than peace.
This document outlines the shots planned for scenes in a film trailer. It describes several establishing shots of characters entering a house and hugging to show their close relationship. It then shows a character staring at a picture of her son and questioning why she abandoned him. Several shots show this character reading a letter and the lights going out as another character holds a knife. Further shots depict a character holding a knife and talking to someone on a bed, seeming to threaten killing them. The final shots show the character holding a bloody knife while walking, building tension over whether they killed someone, to conclude the trailer.
This document contains a storyboard for a music video consisting of 63 scenes showing a girl visiting a cemetery at night and encountering undead creatures. The scenes depict the girl arriving at and entering the cemetery, the undead emerging from behind graves and approaching the girl, her escaping and collapsing, and finally the undead retreating as the sun rises. The storyboard provides visual descriptions and timing for each shot to outline the narrative and visual progression of the music video.
This document outlines 36 shots from a film about a cupid named Daniel. Shot 1 introduces Daniel as he waits for someone. Shots 2-5 show Daniel checking his watch and file, which warns this is his last task. Shots 6-16 focus on Daniel in a coffee shop as a second angel takes his place and uses a bow to make a boy and girl fall in love by shooting them with arrows. Shots 17-29 show the couple's reactions and them falling for each other. Shots 30-36 cut back to Daniel as he watches nervously and tries to explain himself to the second angel, realizing he is in trouble.
The video uses a variety of shots and jump cuts to tell a story. It begins by showing a boy and girl filming themselves singing and playing guitar. It then cuts to two "rocker boys" watching the video. The rocker boys are shown dancing and destroying a keyboard as flashing lights appear. The girl is also shown dancing and lip syncing in a mirror. The video cuts between the rockers and the boy and girl. It ends with the band, including the boy, girl, and rocker boys, performing on stage with bright flashing lights.
This storyboard shot list contains 155 shots detailing the scenes of a music video about 4 boys in a band who are experiencing relationship issues but ultimately reunite to play music together again. The shots progress from close-ups of each boy experiencing distress to medium shots of them arguing and breaking things to finally long shots of them coming together to perform and make up.
This document provides a summary of shots taken for a music video on December 2nd, 2019 at a school yard and classroom. It details the location, date, arrival and wrap times, and setup/derig times for each location. It then lists the shots taken at each location, including descriptions of the shots, angles, camera movements, subjects, and timing. The shots taken at the school yard were of two characters, while the shots taken in the classroom focused on a single character looking out a window and interacting with another character's reflection.
Preliminary presentation with group draft3Carolle17
The document discusses different camera shots and angles used in filmmaking. It provides examples of shots like establishing shots, close-ups, and over the shoulder shots. It also includes a proposed shot list and script for a scene between two friends discussing a missing phone.
Storyboard for assignment - AIshwarya J and Srishti JAishwarya980
The storyboard outlines five scenes depicting how life has changed between an 18th century family and a modern one. Scene 1 of the old segment shows the family walking into a room, while Scene 1 of the new segment features the mother cooking in the kitchen. Scene 3 in both segments involves a disagreement, first between Frederick and Caroline, then between Caroline and her mother regarding technology use. The final scene depicts the modern mother receiving news about Caroline, showing how parental concerns have remained consistent over time but within different cultural contexts.
This storyboard shot list contains 155 shots detailing the scenes of a music video featuring 4 boys who are in a band. The shots show the boys individually distressed by issues with phones and relationships before coming together to perform music, which seems to help relieve their stress. The shots then show the boys reunited and happy at the end of the music video.
A three-scene script follows a girl as she enters an empty house with a box, tries to turn on lights, lights candles around the house, and peers into rooms while being stalked by a ghost. Subtle cuts show the ghost appearing behind her. In the climax, the ghost is revealed when the girl lights a match, and finally appears behind her in the mirror wardrobe.
The document outlines 26 shots across 7 scenes of a film. It describes various shots including close-ups of faces, over the shoulder shots, mid shots, long shots, and wide shots showing a male and female character. The shots follow the male character watching the female character leave, sitting in his car, putting on makeup, walking and singing towards the camera, and finally watching the girl walk away again.
The document describes 12 camera shots from a film. Shot 1 is a medium close up of a band looking around a canteen for 2 seconds, with the purple-haired band member in the center. Shot 2 is a medium close up of a female waving at the band members. Shot 3 is a medium close up panning shot that keeps the girl in frame for 4 seconds as the camera work becomes shaky.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Christian Louboutin: Innovating with Red Solesget joys
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
1. Shot
№
Scene
№
Shot Description
Shot
Duration
(Seconds)
№ of
beats
Scene
Duratio
n
1 1:1
Medium low angle zooming in on girl sitting on a sofa
in living room watching TV.
5 8
0:25
0:25
2 2
Medium zooming shot of TV displaying white noise
static.
5 8
3 3
Medium low angle zooming in on grandparents
sitting on sofa in living room watching TV.
5 8
4 4
Medium zooming shot, continuing from shot 2,
carries on zooming in.
5 8
5 5
Medium low angle zooming shot, continuing from
shot 1, carries on zooming in.
5 8
6 2:1
Medium-close up shot of moving branch in the wind,
focusing on the background initially and then
focusing on the branch.
2.5
4 0:20
0:45
7 2
Medium-close up shot of moving grass in the wind,
focusing on the background initially and then
focusing on the grass.
2.5 4
8 3
Medium-close up shot of flying bird, focusing on the
background initially and then focusing on the birds.
2.5 4
9 4
Medium-close up shot of moving insect, focusing on
the background initially and then focusing on the
insect.
2.5 4
10 5 Close up of boy's foot kicking dusty soil. 2.5 4
11 6
Close up of boy's hand picking up stone from dusty
soil.
2.5 4
12 7
Medium shot of boy's lower half of his body walking
away from the camera.
2.5 4
13 8
Medium shot of boy's upper half of his body walking
towards the camera.
2.5 4
14 3:1
Medium shot of girl's upper half of her body running
towards camera.
2.5 4
0:05
0:50
15 2
Medium shot of girl's lower half of her body running
from camera.
2.5 4
16 4:1 Medium-long shot of boy walking towards camera. 1.25 2
0:02:5
0:52:5
17 2 Medium-long shot of boy walking away from camera. 1.25 2
18 5:1 Medium-long shot of girl running towards camera. 1.25 2
0:02:5
0:55
19 2 Medium-long shot of girl running towards camera. 1.25 2
20 6:1
Long shot of boy walking from left of the frame to the
right and girl running from the right of the frame.
2.5 4
0:10
1:05
21 2 Medium shot continuation of shot 20. 2.5 4
22 3 Medium-close shot of boy walking to the right. 1.25 2
23 4 Medium-close shot of girl walking to the left. 1.25 2
24 5 Close up shot of boy walking to the right. 1.25 2
25 6 Close up shot of girl walking to the left. 1.25 2
2. 26 7:1 Medium-long shot of girl and boy almost colliding. 5 8
0:17:5
1:22:5
27 2
Over the shoulder shot of girl looking surprised.
W/subtitles 'sorry'.
2.5 4
28 3 Over the shoulder shot of boy slightly smiling. 2.5 4
29 4
Over the shoulder shot continuing from shot 27. W/
subtitles 'wait, do I know you?'
2.5 4
30 5
Over the shoulder shot continuing from shot 28, boy
smiles.
2.5 4
31 6
Over the shoulder shot continuing from shot 29 but
rapidly zooming in. W/subtitles 'I remember you
from somewhere'.
2.5 4
32 8:1
A white screen bursts into a steadicam shot that is
rapidly sped up and is moving towards the girl
standing alone until it is a medium-close up of girl
2.5 4
0:30:0
1:52:5
33 2
A low angle medium-close up shot of the girl falling
and the boy catching her. She is mostly a silhouette as
she is blocking out the light.
2.5 4
34 3
Steadicam shot that is rapidly sped up and moving
towards girl standing alone until it is a medium-long
shot of the girl facing away from the camera.
2.5 4
35 4
A low angle medium-close up shot of the girl falling
and the boy catching her, continuation from shot 33.
2.5 4
36 5
Continuing from shot 34, the camera continues to
move closer to the girl until the shot is a medium-
close up where the girl turns around and looks
shocked.
2.5 4
37 6
A low angle medium-close up shot of the girl falling
and the boy catching her, continuation from shot 35.
1.25 2
38 7
Steadicam shot that is rapidly sped up and moving
towards the TV from shot 2 until it is a close up of the
TV.
1.25 2
39 8
A low angle medium-close up shot of the girl falling
and the boy catching her, continuation from shot 37.
1.25 2
40 9
Continuing from shot 38, TV switches from white
noise static to a Steadicam shot that is rapidly sped
up moving towards the girl standing alone until it is a
medium-close up shot of the girl looking startled.
1.25 2
41 10
A low angle medium-close up shot of the girl falling
and the boy catching her, continuation from shot 39.
1.25 2
42 11
Continuing from shot 40, the medium-close up shot
turns to a two shot as the girl looks to her right, the
boy appears who is looking directly into the camera.
1.25 2
43 12
A low angle medium-close up shot of the girl falling
and the boy catching her, continuation from shot 41.
2.5 4
44 13
POV shot from the girl's perspective on the floor
looking up at the boy.
2.5 4
45 14 Slow zooming out bird's eye view of girl on floor with 5 8
3. boy over her.
46 9:1 Black screen 2.5 4
0:35:0
2:27:5
47 2
Black screen to opening lens emulating opening eyes
to blurry shot of boy from POV shot of girl from the
floor.
2.5 4
48 3
Bird's eye view shot looking down at girl in grass
medium-close. W/subtitles 'what just happened to
me'.
2.5 4
49 4
Low angle of boy looking up from girl's POV with lens
flare behind boy's head. W/subtitles 'you'll be okay,
c'mon'.
2.5 4
50 5
Over the shoulder shot of empty space over the boy's
shoulder, boy is walking away and is out of focus
facing the camera on the left of the frame. As he is
walking girl enters on the right of the frame who is in
focus. W/subtitles 'I think I have to go now'.
5 8
51 6
Switches to over the shoulder shot of boy on the right
of the frame and girl walking away on the left out of
focus. Boy turns around to face camera and smiles.
W/subtitles 'you'll be back'.
5 8
52 7
Medium-close up shot with a slightly low angle of girl
turning around. W/subtitles 'excuse me?'.
2.5 4
53 8
Over the shoulder shot of boy with the same position
and composition as shot 51 but without girl in frame.
W/subtitles 'see you around'.
2.5 4
54 9
Medium-close up shot with a slightly low angle of girl
who looks confused and walks away.
2.5 4
55 10
Over the shoulder shot of boy with the same position
but without girl in frame. Boy with hands in pockets
glances back around and keeps walking.
2.5 4
56 11 Medium-close up shot of girl walking away. 2.5 4
57 12
Over the shoulder shot of boy with the same position
but without girl in frame. Boy teleports whilst
walking.
2.5 4
58 10:1 Medium shot of girl walking through house door. 1.25 2
0:10:0
2:37:5
59 2 Medium shot of girl opening living room door. 1.25 2
60 3
POV shot of family watching TV emulating beginning
scene.
1.25 2
61 4 Medium shot of girl closing living room door. 1.25 2
62 5
Bird's eye view shot of girl getting into bed and
switching her bedside lamp off. After 2.5 seconds (4
beats), the girl gets out of bed as it has turned into
the morning.
5 8
63 11:1
POV shot from girl's perspective in moving grey car,
looking forward and see's boy turn around to look at
her.
2.5 4
0:06:25
2:43:75
4. 064 2 Close up of girl's startled face. 1.25 2
65 3
POV shot from girl's perspective in moving grey car,
looking forward but without the boy.
1.25 2
66 4 Close up of girl's face without looking as startled. 1.25 2
67 12:1
Same shot composition as shot 57, medium shot, but
boy teleports into the shot.
2.5 4
0:02:5
2:46:25
68 13:1
Same shot composition as shot 64, close up, but with
girl looking anxious
2.5 4
0:02:5
2:49:75
69 14:1
Same shot composition as shot 67, medium shot, but
boy looks disappointed.
2.5 4
0:02:5
2:52:25
70 15:1
Same shot composition as shot 64, close up, girl
continuing to look anxious.
2.5 4
0:05:0
2:57:25
71 2
Same shot as 70 but the camera is slightly more
zoomed in.
1.25 2
72 3 Close up of girl's hand opening car door. 1.25 2
73 16:1 Medium shot, lower half of girl running. 2.5 4
0:05:0
3:02:25
74 2 Medium shot, top half of girl running. 2.5 4
75 17:1
Medium shot of girl walking diagonally left and
towards the camera from the back right in the natural
setting looking for boy. Boy appears on a tree on the
right of the frame when the girl is on the left.
W/subtitles 'I knew you'd come back'. They both
smile.
5 8
0:05:0
3:07:25
76 18:1
High angle tilting upwards of them walking into the
woods. Girl leading the walk. W/subtitles 'what do
you do for fun around here?'.
5 8
0:12:5
3:19:75
77 2
Side medium shot of boy eating pear with one hand in
pocket, he shrugs, takes a bite. W/subtitles 'climb
trees'.
2.5 4
78 3
Returning to shot 77, the camera ceases tilting when
the girl stops walking. She looks at boy and smiles
and the boy takes a bite of the pear and smiles back.
2.5 4
79 4 Close up of girl smiling at boy. 1.25 2
80 5 Close up of boy smiling at girl. 1.25 2
81 19:1
OTS shot high angle of boy looking down at girl.
W/subtitles 'I'm not going up there'. She laughs.
2.5 4 0:12:5
82 2
Close up low angle of boy. W/subtitles 'why not'.
Laughing.
2.5 4
83 3
Same composition as shot 81, OTS shot. W/subtitles 'I
can't climb in these'.
2.5 4
84 4 Medium shot of boy pulling shorts out of his bag. 2.5 4
85 5
OTS long shot of girl getting changed behind a tree
boy's shoulder starts on the right of the frame but
moves left and acts as a transition to shot 86.
2.5 4
86 20:1
Long medium shot of boy and girl sitting together in
tree girl leaning head on boy's arm, slowly zooming
in.
2.5 4
5. 87 2
Close up zooming in of girl in boy's arm, she glances
up to boy.
2.5 4
88 3
Low angle side close up of boy looking out, zooming
in.
2.5 4
89 4
Same composition as shot 87, close up, girl looks back
down and smiles to herself.
2.5 4
90 5 Two shot of both walking
THIS PARAGRAPH IS PURELY FOR THE PURPOSE OF MAKING SURE THAT WHEN I EMAIL THIS
AMAZING PIECE OF WORK, MICROSOFT WORD DOESN'T DECIDE TO DELETE ANYTHING THAT MAY BE
OF IMPORTANCE OR USEFUL AND IF IT DOES THEN IT WILL ONLY BE THIS BIT WHICH IS A COMPLETE
WASTE OF MY LIFE AND JUST THINKING ABOUT THE THINGS I COULD HAVE DONE IN THIS SPACE OF
TIME MAKES ME WANT TO CRY. LOL.
6. 87 2
Close up zooming in of girl in boy's arm, she glances
up to boy.
2.5 4
88 3
Low angle side close up of boy looking out, zooming
in.
2.5 4
89 4
Same composition as shot 87, close up, girl looks back
down and smiles to herself.
2.5 4
90 5 Two shot of both walking
THIS PARAGRAPH IS PURELY FOR THE PURPOSE OF MAKING SURE THAT WHEN I EMAIL THIS
AMAZING PIECE OF WORK, MICROSOFT WORD DOESN'T DECIDE TO DELETE ANYTHING THAT MAY BE
OF IMPORTANCE OR USEFUL AND IF IT DOES THEN IT WILL ONLY BE THIS BIT WHICH IS A COMPLETE
WASTE OF MY LIFE AND JUST THINKING ABOUT THE THINGS I COULD HAVE DONE IN THIS SPACE OF
TIME MAKES ME WANT TO CRY. LOL.