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Film Rules  Megan Errington
Shot Reverse Shot  Two shots edited together that alternate characters, typically in a conversation situation. One character looks left in one frame and right in the following.
180 Degree Rule  The angle between any 2 consecutive shots should not exceed 180deg, in order to maintain relationships between people and objects.
Cross Cutting  Editing that alternates between shots occurring simultaneously in 2 or more different locations.
Match on Action  A cut between 2 shots that places 2 different framing or the same action next to each other, making it seem to continue uninterrupted.
Eye-line Match  A cut between 2 shots, in which the first shot shows a person looking off in one direction and second shot shows space they are looking at.
Re-Establishing Shot  A shot that returns to a view of a space or location after a series of close-ups.

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Film Rules

  • 1. Film Rules Megan Errington
  • 2. Shot Reverse Shot Two shots edited together that alternate characters, typically in a conversation situation. One character looks left in one frame and right in the following.
  • 3. 180 Degree Rule The angle between any 2 consecutive shots should not exceed 180deg, in order to maintain relationships between people and objects.
  • 4. Cross Cutting Editing that alternates between shots occurring simultaneously in 2 or more different locations.
  • 5. Match on Action A cut between 2 shots that places 2 different framing or the same action next to each other, making it seem to continue uninterrupted.
  • 6. Eye-line Match A cut between 2 shots, in which the first shot shows a person looking off in one direction and second shot shows space they are looking at.
  • 7. Re-Establishing Shot A shot that returns to a view of a space or location after a series of close-ups.