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Film noir
Period



• 1941 (The Maltese Falcon) to 1958 (A
  Touch of Evil)
  – 2nd World War and Cold War
3 Main Characteristics


• Highly stylized visual style
• Stylized narrative
• Stylized stereotypes
Ingredients
• High contrast / low key lighting
• Tightly framed shot
• Extreme camera angles
• City settings: Interiors and rainy streets
• Particular psychology and moral
  ambiguity associated with the main
  character
The “femme fatale”


• “Active, intelligent,
  powerful, dominant
  and in charge of her
  own sexuality

• Until the end when she
  dies or submits
Narrative


• Proliferation of points
  of view: “In the end
  film noir is about
  which voice is going to
  gain control”
“The 1940’s film noir was an expression of
     male concern at women’s growing
 economic and sexual independence and a
fear of the men’s own place in society once
 they returned from war. The 1950’s film
  noir functioned to reassert the value of
  family life not just so that the men could
   get their jobs back but so t hat national
 identity, so much under siege in postwar
     United States, could be reasserted”
Film noir

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Film noir

  • 2. Period • 1941 (The Maltese Falcon) to 1958 (A Touch of Evil) – 2nd World War and Cold War
  • 3. 3 Main Characteristics • Highly stylized visual style • Stylized narrative • Stylized stereotypes
  • 4. Ingredients • High contrast / low key lighting • Tightly framed shot • Extreme camera angles • City settings: Interiors and rainy streets • Particular psychology and moral ambiguity associated with the main character
  • 5. The “femme fatale” • “Active, intelligent, powerful, dominant and in charge of her own sexuality • Until the end when she dies or submits
  • 6. Narrative • Proliferation of points of view: “In the end film noir is about which voice is going to gain control”
  • 7. “The 1940’s film noir was an expression of male concern at women’s growing economic and sexual independence and a fear of the men’s own place in society once they returned from war. The 1950’s film noir functioned to reassert the value of family life not just so that the men could get their jobs back but so t hat national identity, so much under siege in postwar United States, could be reasserted”

Editor's Notes

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