Victor Hugo was a master of imagery and description. This excerpt from Les Miserables contains several examples:
1) Fantine sees Javert seize the mayor, representing her fading hopes as her protector loses power.
2) Jean Valjean submits to Javert "like a lion who should submit to the claw of a lynx," capturing Valjean's defeated acceptance of Javert's control.
3) Javert stands motionless, contemplating his mistake in forgiving Valjean, before taking his own life by jumping into the Seine River, unable to live with breaking his code.
The document provides an analysis of a comic featuring Wolverine and Mystique. It summarizes the plot, which involves Wolverine hunting Mystique for unknown reasons. Flashbacks reveal they were imprisoned together in 1921 and escaped as friends. The analysis examines the comic's use of techniques like panel composition, character expressions and emotions, and page layout to convey the story. Key themes are the relationship between Wolverine and Mystique and use of violence for vengeance.
In this 3 sentence summary of the poem "The Arrival of the Bee Box" by Sylvia Plath:
Plath expresses a desire to control a dangerous situation involving a bee box that frightens and attracts her with its noisy buzzing, as she compares the bees within to angry black slaves, an aggressive Roman mob, and maniacs, while debating whether to free them or leave them locked away.
The document discusses Todorov's narrative structure model and how it applies to TV crime dramas. Todorov's model includes 5 stages: 1) initial equilibrium, 2) a disruption such as a crime, 3) a character recognizes the disruption, 4) the character works to resolve the disruption by solving the crime, and 5) the situation is resolved and equilibrium is restored. The document instructs the reader to analyze the narrative structure of a crime drama episode based on Todorov's model and identify the enigma codes and action codes that drive the plot.
The document provides a review of the horror film "The Descent". It summarizes the plot in three parts:
1) In the first half, a group of friends go rafting and cave exploring unaware of the dangers below. A secret relationship is revealed which foreshadows later events.
2) In the second half, after becoming trapped in the cave, group members start dying gruesome deaths at the hands of unknown creatures.
3) By the end, only two remain alive but it is revealed to be Sarah's dream, leaving her trapped in the cave forever fighting for survival.
This screenplay involves a criminal organization run by Jane Wilson. Will's girlfriend Mari is kidnapped by Jane's mafia. Will works undercover with police officers Ivan and Desmond to infiltrate the mafia and rescue Mari. After 2 months of training, Will gains Jane's trust. However, Jane forces Will to shoot Mari at gunpoint as a test. Will shoots Mari in the knee to save her. In a twist, Mari is revealed to be alive and holds Will at gunpoint, revealing she killed his new girlfriend Cassandra for revenge after Will left Mari behind.
The document is a screenplay that follows Will as he goes undercover to infiltrate a mafia group in order to rescue his kidnapped girlfriend Mari. The mafia is led by the notorious criminal Jane Wilson. Will meets with officers Ivan and Desmond who recruit him as a double agent. After 2 months of training, Will makes contact with Jane at a restaurant. She tests his loyalty by having him complete a task the next day. At the abandoned warehouse, Jane reveals she is holding Mari hostage and forces Will to shoot her as a test, which he does by shooting her in the knee instead of killing her.
The document provides information on various horror films and genres. It discusses early 20th century German horror films, how the genre has changed over time to include comedic elements, and provides plots and other details for notable horror films like Dracula, Frankenstein, When a Stranger Calls, Case 39, Scary Movie, and Friday the 13th. Subgenres of horror discussed include gothic, supernatural, comedy-horror, and science fiction. Still shots from some of the films are also included to illustrate common conventions of the genre.
The document provides information about various horror films and genres. It discusses how early horror films from Germany in the 1910s-1920s were meant to frighten audiences. Over time, horror films have incorporated more comedic elements while still including scary features. Examples are given of classic horror films from the 1930s like Dracula and Frankenstein, as well as more modern films. Different horror subgenres are also outlined such as gothic, supernatural, comedy-horror, and science fiction horror. Key elements of the given films are noted in relation to common horror conventions.
The document provides an analysis of a comic featuring Wolverine and Mystique. It summarizes the plot, which involves Wolverine hunting Mystique for unknown reasons. Flashbacks reveal they were imprisoned together in 1921 and escaped as friends. The analysis examines the comic's use of techniques like panel composition, character expressions and emotions, and page layout to convey the story. Key themes are the relationship between Wolverine and Mystique and use of violence for vengeance.
In this 3 sentence summary of the poem "The Arrival of the Bee Box" by Sylvia Plath:
Plath expresses a desire to control a dangerous situation involving a bee box that frightens and attracts her with its noisy buzzing, as she compares the bees within to angry black slaves, an aggressive Roman mob, and maniacs, while debating whether to free them or leave them locked away.
The document discusses Todorov's narrative structure model and how it applies to TV crime dramas. Todorov's model includes 5 stages: 1) initial equilibrium, 2) a disruption such as a crime, 3) a character recognizes the disruption, 4) the character works to resolve the disruption by solving the crime, and 5) the situation is resolved and equilibrium is restored. The document instructs the reader to analyze the narrative structure of a crime drama episode based on Todorov's model and identify the enigma codes and action codes that drive the plot.
The document provides a review of the horror film "The Descent". It summarizes the plot in three parts:
1) In the first half, a group of friends go rafting and cave exploring unaware of the dangers below. A secret relationship is revealed which foreshadows later events.
2) In the second half, after becoming trapped in the cave, group members start dying gruesome deaths at the hands of unknown creatures.
3) By the end, only two remain alive but it is revealed to be Sarah's dream, leaving her trapped in the cave forever fighting for survival.
This screenplay involves a criminal organization run by Jane Wilson. Will's girlfriend Mari is kidnapped by Jane's mafia. Will works undercover with police officers Ivan and Desmond to infiltrate the mafia and rescue Mari. After 2 months of training, Will gains Jane's trust. However, Jane forces Will to shoot Mari at gunpoint as a test. Will shoots Mari in the knee to save her. In a twist, Mari is revealed to be alive and holds Will at gunpoint, revealing she killed his new girlfriend Cassandra for revenge after Will left Mari behind.
The document is a screenplay that follows Will as he goes undercover to infiltrate a mafia group in order to rescue his kidnapped girlfriend Mari. The mafia is led by the notorious criminal Jane Wilson. Will meets with officers Ivan and Desmond who recruit him as a double agent. After 2 months of training, Will makes contact with Jane at a restaurant. She tests his loyalty by having him complete a task the next day. At the abandoned warehouse, Jane reveals she is holding Mari hostage and forces Will to shoot her as a test, which he does by shooting her in the knee instead of killing her.
The document provides information on various horror films and genres. It discusses early 20th century German horror films, how the genre has changed over time to include comedic elements, and provides plots and other details for notable horror films like Dracula, Frankenstein, When a Stranger Calls, Case 39, Scary Movie, and Friday the 13th. Subgenres of horror discussed include gothic, supernatural, comedy-horror, and science fiction. Still shots from some of the films are also included to illustrate common conventions of the genre.
The document provides information about various horror films and genres. It discusses how early horror films from Germany in the 1910s-1920s were meant to frighten audiences. Over time, horror films have incorporated more comedic elements while still including scary features. Examples are given of classic horror films from the 1930s like Dracula and Frankenstein, as well as more modern films. Different horror subgenres are also outlined such as gothic, supernatural, comedy-horror, and science fiction horror. Key elements of the given films are noted in relation to common horror conventions.
The document discusses the history and evolution of horror films, providing examples of some classic horror movies from the early 20th century like Dracula and Frankenstein, as well as more modern films. It also analyzes how the example films fit various horror conventions like Gothic, supernatural, and comedy-horror styles. The earliest horror films tended to be Gothic in style and produced by German filmmakers, though the genre has since diversified in tone and approach.
This document provides summaries for several Japanese animated films or anime films:
- Jojo's Bizarre Adventure is about a hugely muscled man who likes punching and yelling and faces off against opponents near a pond.
- Puppet Princess is about a samurai who travels with a girl carrying a box of puppet soldiers she uses to fight, as he protects her vulnerable body.
- Tsukikage Ran follows a female samurai and her silly assistant on a journey to find better sake while getting sidetracked by accidents and tasks to earn money.
- The document also briefly summarizes Blood The Last Vampire, Vampire Hunter D: Bloodlust and provides a link to
The poem describes a romantic encounter between two people. They have a close physical intimacy, breathing each other's breath with only an inch of space between them. The narrator feels the other's presence deeply and hopes to stay in this moment for life. The movie references watching films together and escaping into the stories and memories they create.
The document analyzes Herman Melville's novella "Benito Cereno" and its critique of Ralph Waldo Emerson's philosophy of transcendentalism. The story follows Captain Amasa Delano, who embodies Emerson's ideals of self-reliance and childlike innocence. However, when aboard a slave ship, Delano remains willfully ignorant of the slave revolt that has occurred. He filters all information through his preconceived notions, which blinds him to reality and puts himself and others in danger. Through this character, Melville shows the flaws in relying too strictly on idealized philosophies rather than maintaining an open and realistic view of each situation.
The document provides three potential thriller film ideas and discusses some potential problems or challenges with filming each idea. Idea One involves two girls drugged in a deserted field who are stalked by a killer. Idea Two involves a group of teenagers camping in the woods where a girl is stalked by an unseen figure. Idea Three involves a girl having a psychotic episode where she finds herself in different isolated locations. Each idea is followed by considerations of logistical and technical challenges of filming in the proposed locations.
The document is a comic strip that tells the story of a man who was targeted by a hitman but was saved by a mysterious blonde woman. It summarizes that the woman tackled the hitman and got the man to safety, but then disappeared into the night without taking credit. It hints that the local police may have the hitman in custody but that the two protagonists who saved the man are hesitant to go to the police station out of concern about how the local cops would respond to them interfering.
The document outlines various stylistic elements and narrative techniques commonly found in film noir movies from the 1940s and 1950s. It includes icons, themes, characters, and cinematography choices like back lighting and expressionism that distort reality. Storylines in film noir are typically nonlinear and twist in unexpected ways.
The document provides a detailed analysis of scenes from three horror films - Silent Hill 2: Revelations 3D, Bourne Legacy, and The Apparition. For each film, it analyzes various shots and signifies, including medium shots of characters in danger, establishing shots setting ominous tones, and point-of-view shots creating tension. It examines how lighting, music, editing, and character interactions develop themes of fear, mystery, and psychological thrills. Overall, the analysis explores how visual and audio techniques across the three films craft suspenseful narratives in the thriller genre.
Anime film is an extension of animation in movies and television in Japan. It was incorrectly viewed solely as a genre when it actually encompasses all types of animated works. Some notable anime films mentioned include Niea_7, an experimental mental film about outsiders; Strange Dawn, which takes a unique perspective on a common trope of girls entering a world of small people; Jojo's Bizarre Adventure, known for its muscular characters and wrestling storylines; and Puppet Princess, about a samurai protecting a girl with puppet warrior abilities. Blood The Last Vampire stands out as an unexpectedly artistic and thought-provoking thriller compared to its sequel series.
The document contains a list of adjectives and verbs that describe different states such as being thin, tyrannical, selfish, and drowsy as well as actions like creeping and rustling while mentioning items like a cross and flower-bed. It suggests something was startled out of sleeping and felt sadly affected by whatever occurred.
The document lists dates, locations, actors/directors, props/costumes, and equipment used for various activities involving Chloe Mason, Steve Mason, and Paul Sharman between October 10th-19th. It notes filming locations including a home, road, wooded areas, and derelict buildings. Props included phones, knives, masks, cars, and fake blood. Equipment included cameras, tripods, and duct tape. The activities appeared to involve filming with disguises and props made to look like weapons at abandoned locations over multiple dates.
This film follows a young woman named Delilah who enjoys romantic relationships with two men simultaneously. She leads both men to believe they are in an exclusive relationship. However, Delilah's "game" spirals out of control as tensions rise between the two jealous suitors. The film explores the themes of fate, romance, and the limits of playing with people's hearts. It provides an intriguing deconstruction of the traditional Chinese notion of the "red string of fate" that binds soulmates.
The document is a passage from a sci-fi novel that follows multiple characters onboard a ship. It provides background on the crew's preparations as they travel to infiltrate a system occupied by enemies. It also describes conversations between characters like Naomi and Naddy discussing the dangers of their mission, and between Aurora and Ada where Aurora expresses a desire to fly and see stars while Ada explains that emotions don't need reasons. The characters experience anxiety from the looming battle and discuss their hopes for how events may unfold.
This document contains a draft script for a video titled "Infinity-Infinity Ink". It outlines 28 scenes with descriptions of shots, camera movements, and lyrics or narration that correspond to the accompanying music and audio effects. The script follows two characters who discover they are both part of the same group called "Infinity" and embark on a chase through the city while spreading stickers with their group's name. It culminates in one character waking up unsure if the events were real or a dream.
Reece will wear dark clothing in the teaser trailer to represent his dark personality and symbolize negativity. Lex will wear different clothes in flashbacks showing her carefree approach to life, and ripped clothing with no shoes in current times to show the torture and pain she has endured which adds to the severity of her situation.
The document analyzes the trailer for the film "A Walk Among the Tombstones" using Lacey's framework of genre elements. It finds that the trailer establishes settings, characters, and a narrative that conform to conventions of the action-thriller genre. This includes depicting New York City, guns, and Liam Neeson's character as an alcoholic ex-cop engaged in violent action scenes. Mysterious villains and a murder plot advance the thriller narrative. Iconography like Neeson further signals the genre through recognizable stars and symbols. The editing, music, and dark lighting employ style typical of the genre. Overall, the analysis finds the trailer effectively uses genre conventions to define the film as an action
The document discusses the history and evolution of horror films, providing examples of some classic horror movies from the early 20th century like Dracula and Frankenstein, as well as more modern films. It also analyzes how the example films fit various horror conventions like Gothic, supernatural, and comedy-horror styles. The earliest horror films tended to be Gothic in style and produced by German filmmakers, though the genre has since diversified in tone and approach.
This document provides summaries for several Japanese animated films or anime films:
- Jojo's Bizarre Adventure is about a hugely muscled man who likes punching and yelling and faces off against opponents near a pond.
- Puppet Princess is about a samurai who travels with a girl carrying a box of puppet soldiers she uses to fight, as he protects her vulnerable body.
- Tsukikage Ran follows a female samurai and her silly assistant on a journey to find better sake while getting sidetracked by accidents and tasks to earn money.
- The document also briefly summarizes Blood The Last Vampire, Vampire Hunter D: Bloodlust and provides a link to
The poem describes a romantic encounter between two people. They have a close physical intimacy, breathing each other's breath with only an inch of space between them. The narrator feels the other's presence deeply and hopes to stay in this moment for life. The movie references watching films together and escaping into the stories and memories they create.
The document analyzes Herman Melville's novella "Benito Cereno" and its critique of Ralph Waldo Emerson's philosophy of transcendentalism. The story follows Captain Amasa Delano, who embodies Emerson's ideals of self-reliance and childlike innocence. However, when aboard a slave ship, Delano remains willfully ignorant of the slave revolt that has occurred. He filters all information through his preconceived notions, which blinds him to reality and puts himself and others in danger. Through this character, Melville shows the flaws in relying too strictly on idealized philosophies rather than maintaining an open and realistic view of each situation.
The document provides three potential thriller film ideas and discusses some potential problems or challenges with filming each idea. Idea One involves two girls drugged in a deserted field who are stalked by a killer. Idea Two involves a group of teenagers camping in the woods where a girl is stalked by an unseen figure. Idea Three involves a girl having a psychotic episode where she finds herself in different isolated locations. Each idea is followed by considerations of logistical and technical challenges of filming in the proposed locations.
The document is a comic strip that tells the story of a man who was targeted by a hitman but was saved by a mysterious blonde woman. It summarizes that the woman tackled the hitman and got the man to safety, but then disappeared into the night without taking credit. It hints that the local police may have the hitman in custody but that the two protagonists who saved the man are hesitant to go to the police station out of concern about how the local cops would respond to them interfering.
The document outlines various stylistic elements and narrative techniques commonly found in film noir movies from the 1940s and 1950s. It includes icons, themes, characters, and cinematography choices like back lighting and expressionism that distort reality. Storylines in film noir are typically nonlinear and twist in unexpected ways.
The document provides a detailed analysis of scenes from three horror films - Silent Hill 2: Revelations 3D, Bourne Legacy, and The Apparition. For each film, it analyzes various shots and signifies, including medium shots of characters in danger, establishing shots setting ominous tones, and point-of-view shots creating tension. It examines how lighting, music, editing, and character interactions develop themes of fear, mystery, and psychological thrills. Overall, the analysis explores how visual and audio techniques across the three films craft suspenseful narratives in the thriller genre.
Anime film is an extension of animation in movies and television in Japan. It was incorrectly viewed solely as a genre when it actually encompasses all types of animated works. Some notable anime films mentioned include Niea_7, an experimental mental film about outsiders; Strange Dawn, which takes a unique perspective on a common trope of girls entering a world of small people; Jojo's Bizarre Adventure, known for its muscular characters and wrestling storylines; and Puppet Princess, about a samurai protecting a girl with puppet warrior abilities. Blood The Last Vampire stands out as an unexpectedly artistic and thought-provoking thriller compared to its sequel series.
The document contains a list of adjectives and verbs that describe different states such as being thin, tyrannical, selfish, and drowsy as well as actions like creeping and rustling while mentioning items like a cross and flower-bed. It suggests something was startled out of sleeping and felt sadly affected by whatever occurred.
The document lists dates, locations, actors/directors, props/costumes, and equipment used for various activities involving Chloe Mason, Steve Mason, and Paul Sharman between October 10th-19th. It notes filming locations including a home, road, wooded areas, and derelict buildings. Props included phones, knives, masks, cars, and fake blood. Equipment included cameras, tripods, and duct tape. The activities appeared to involve filming with disguises and props made to look like weapons at abandoned locations over multiple dates.
This film follows a young woman named Delilah who enjoys romantic relationships with two men simultaneously. She leads both men to believe they are in an exclusive relationship. However, Delilah's "game" spirals out of control as tensions rise between the two jealous suitors. The film explores the themes of fate, romance, and the limits of playing with people's hearts. It provides an intriguing deconstruction of the traditional Chinese notion of the "red string of fate" that binds soulmates.
The document is a passage from a sci-fi novel that follows multiple characters onboard a ship. It provides background on the crew's preparations as they travel to infiltrate a system occupied by enemies. It also describes conversations between characters like Naomi and Naddy discussing the dangers of their mission, and between Aurora and Ada where Aurora expresses a desire to fly and see stars while Ada explains that emotions don't need reasons. The characters experience anxiety from the looming battle and discuss their hopes for how events may unfold.
This document contains a draft script for a video titled "Infinity-Infinity Ink". It outlines 28 scenes with descriptions of shots, camera movements, and lyrics or narration that correspond to the accompanying music and audio effects. The script follows two characters who discover they are both part of the same group called "Infinity" and embark on a chase through the city while spreading stickers with their group's name. It culminates in one character waking up unsure if the events were real or a dream.
Reece will wear dark clothing in the teaser trailer to represent his dark personality and symbolize negativity. Lex will wear different clothes in flashbacks showing her carefree approach to life, and ripped clothing with no shoes in current times to show the torture and pain she has endured which adds to the severity of her situation.
The document analyzes the trailer for the film "A Walk Among the Tombstones" using Lacey's framework of genre elements. It finds that the trailer establishes settings, characters, and a narrative that conform to conventions of the action-thriller genre. This includes depicting New York City, guns, and Liam Neeson's character as an alcoholic ex-cop engaged in violent action scenes. Mysterious villains and a murder plot advance the thriller narrative. Iconography like Neeson further signals the genre through recognizable stars and symbols. The editing, music, and dark lighting employ style typical of the genre. Overall, the analysis finds the trailer effectively uses genre conventions to define the film as an action
2. Authority Resumes Its Sway
• “….She saw the spy Javert • This is an excellent example of
seize Monsieur the Mayor by the how Victor Hugo does an
collar; She saw Monsieur the amazing job in writing with
Mayor bow his head. The world imagery. From this quote it
seemed vanishing before her refers to Fantine’s hopes fading
sight…” away as her only “guardian
angel” was being seized by the
“dark angel”. At this sight
Fantine recognizes that
Monsieur the Mayor no longer
holds any authority power; that
Javert is now at hands. This is
despair for her.
3. A FIVE FRANC PIECE FALLING ON THE FLOOR
MAKES A NOISE.
• “…The hall was still to dark for • By the perfection of imagery
him to make out his features; used here, we can imagine in
but, when the man reached the our head that whoever this man
stairs, a ray of light from without was he resembled darkness.
made his figure stand out like a The dark words used by Victor
profile, and Jean Valjean had a Hugo makes us foreshadow that
full view of his back. The man this person wasn’t welcomed by
was tall, wore a long frock-coat Jean Valjean. Indeed he wasn’t
and had a cudgel under his arm. because it was Javert, Javert
It was the redoubtable form of once again pops out of the
Javert…” nowhere making him a
frightening character.
4. Marius Seems Dead To One Who Is A Good Judge
“…Jean Valjean stood inert under • This example of imagery
the grasp of Javert, like a lion represents the way that Jean
who should submit to the claw Valjean feels under Javert’s
of a lynx…” control. He feels defeated
without any sort of exit. This is
the way of saying that Jean
purposely gives in to Javert. A
lynx is a cat who is very
aggressive, but in terms of here
the Lynx resembles Javert. Jean
on the other hand is the Lion; a
lion is known for its strength and
intelligence. This quote tells us
that Jean just gives in
effortlessly.
5. Javert Off the Track
• “… Javert remained for some
minutes motionless, gazing into that • This quote resembles Javert’s
opening of darkness; he
contemplated the invisible with a
acceptance to defeat. He
fixedness which resembled accepts he was wrong, for doing
attention. Suddenly he took off his so he decides to take his life
hat and laid it on the end of the quai. away. He has broken his code
A moment afterwards, a tall and
black form, which from the distance of law- to be honorable to law.
some belated passer might have He couldn’t live with the fact that
taken for a phantom, appeared he had forgiven the convict that
standing on the parapet, bent he was always on the lookout
towards the Seine, then sprang up
and fell straight into the darkness; for. This quote states
there was a dull splash; and the acceptance to renounce his life.
shadow alone was in the secret of
the convulsions of that obscure form
which had disappeared under the
water…”
6. Javert Off the Track
• “… Javert remained for some
minutes motionless, gazing into that • This quote resembles Javert’s
opening of darkness; he
contemplated the invisible with a
acceptance to defeat. He
fixedness which resembled accepts he was wrong, for doing
attention. Suddenly he took off his so he decides to take his life
hat and laid it on the end of the quai. away. He has broken his code
A moment afterwards, a tall and
black form, which from the distance of law- to be honorable to law.
some belated passer might have He couldn’t live with the fact that
taken for a phantom, appeared he had forgiven the convict that
standing on the parapet, bent he was always on the lookout
towards the Seine, then sprang up
and fell straight into the darkness; for. This quote states
there was a dull splash; and the acceptance to renounce his life.
shadow alone was in the secret of
the convulsions of that obscure form
which had disappeared under the
water…”