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Emotional
Language of
Beethoven
1783 (age: 13)
Early Quartets
Opus 18, No 6
1799
Ex 1: Op. 18 No. 6
IV. La Malinconia, beginning
Ex 2: Ending of La Malinconia, and beginning of Allegretto
Ex 1: Op. 18 No. 6
IV. La Malinconia, beginning
Ex 2: Ending of La Malinconia, and beginning of Allegretto
Middle Quartets
Opus 59, No 3
1806
Ex 1: Op. 59 No. 3,
IV. Allegro molto, beginning
Ex 1: Op. 59 No. 3,
IV. Allegro molto, beginning
Ex 2: Op. 59 No 3, IV. Allegro molto, ending
Ex 2: Op. 59 No 3, IV. Allegro molto, ending
Middle Quartets
Opus 74
1809
Op. 74 Mvt, III. Presto
Op. 74 Mvt, III. Presto
Middle Quartets
Opus 95
1810
Op. 95
II. Allegretto ma non troppo, opening 12 bars
1814 (age : 44)
1818 (age: 48)
1819 (age: 49)
1823 (age: 53)
Late Quartets
Opus 130
1825
Late Quartets
1822-1826

•
•
•
•
•
•
•

Chronological order of composition:
Op. 127
Op. 132
Op. 130 (Große Fuge ending)
Op. 131
Op. 135
Finale for Op. 130
Op. 130
I. Adagio ma non troppo, Allegro
Op. 130
I. Adagio ma non troppo, Allegro
Op. 130
II. Presto
Op. 130
II. Presto
1823 (age: 53)
Op. 130
V. Cavatina « Beklemmt »
Op. 130
V. Cavatina « Beklemmt »
Late Quartets
Opus 131
1826
Ex 1: Op. 131
V. Presto, beginning
Ex 1: Op. 131
V. Presto, beginning
Ex 2: Opus 131, end of Presto & beginning of Adagio
Ex 2: Opus 131, end of Presto & beginning of Adagio
Ex 1: Op. 131
VII : Allegro, beginning to fade out
Ex 2: Op. 131
VII: Allegro, ending
Ex 1: Op. 131
VII : Allegro, beginning to fade out
Ex 2: Op. 131
VII: Allegro, ending
Late Quartets
Große Fuge, Opus 133
1825
Ex 1: Op. 133, Große Fuge, beginning
Ex 1: Op. 133, Große Fuge, beginning
Ex 2: Op. 133 Große Fuge, ending
Ex 2: Op. 133 Große Fuge, ending
1830

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Emotional Language of Beethoven

Editor's Notes

  1. Beginning:Questopezzosidevetrettarecollapui gran delicatezzaComparison with Moonlight sonata (Op.27 #2): Adagio sostenuto: Si devesuonaretuttoquestopezzodelicatissimamente e senzasordini - Verysimilar! Shows extremes pp to ffCreating emotional tension also with chromatic ascending lines and embellishment with appoggiaturas adding more uncertaintyEnding: release, Allegretto quasi allegro (joyous emotion)
  2. Beginning:Questopezzosidevetrettarecollapui gran delicatezzaComparison with Moonlight sonata (Op.27 #2): Adagio sostenuto: Si devesuonaretuttoquestopezzodelicatissimamente e senzasordini - Verysimilar! Shows extremes pp to ffCreating emotional tension also with chromatic ascending lines and embellishment with appoggiaturas adding more uncertaintyEnding: release, Allegretto quasi allegro (joyous emotion)
  3. Beginning:Questopezzosidevetrettarecollapui gran delicatezzaComparison with Moonlight sonata (Op.27 #2): Adagio sostenuto: Si devesuonaretuttoquestopezzodelicatissimamente e senzasordini - Verysimilar! Shows extremes pp to ffCreating emotional tension also with chromatic ascending lines and embellishment with appoggiaturas adding more uncertaintyEnding: release, Allegretto quasi allegro (joyous emotion)
  4. Beginning:Questopezzosidevetrettarecollapui gran delicatezzaComparison with Moonlight sonata (Op.27 #2): Adagio sostenuto: Si devesuonaretuttoquestopezzodelicatissimamente e senzasordini - Verysimilar! Shows extremes pp to ffCreating emotional tension also with chromatic ascending lines and embellishment with appoggiaturas adding more uncertaintyEnding: release, Allegretto quasi allegro (joyous emotion)