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Reading Between the Lines:
Broadside Ballads & Tune Notations
The Ballad’s tune is what separates the ballad
from any other kind of literature in the early
modern period and allowed them to be
disseminated to such a wide audience.
Working with EBBA showed me the many
aspects of the broadside ballad and how even
the tune notation can give insight into the
history and popularity of each ballad.
English Broadside Ballad
Archive, Spring 2015
Research Assistant:
Jessica Sparks
Faculty Sponsor:
Patricia Fumerton
Project Manager:
Kristen McCants	
  
The English Broadside Ballad Archive (EBBA)
is a project at the University of California at
Santa Barbara to transcribe and digitize English
broadside ballads from the 17th century. The
ballads are gathered from all over the world and
I was involved in transcribing ballads from the
Houghton Library’s collection. Not only are the
ballad facsimiles available for viewing and the
transcriptions as well, but most ballads are
recorded and available on the EBBA site.
	
  
As a Research Assistant for EBBA I have been
exposed to a wide variety of ballads and whilst
transcribing ballads I came across two prints of
“The Catholick Ballad: OR AN INVITATION
TO POPERY” to the tune of 88 (also known as
Jog On) from the Houghton collection. I was
intrigued by the printing of the tune notation on
only one of the ballads and wondered if the
tune was the correct tune.
EBBA 30025, British Library - Roxburghe 1.26-27
EBBA 31674, University of Glasgow Library - Euing 24
EBBA 34991, Houghton Library
(No tune notation)
EBBA 34993, Houghton Library
EBBA 34993, Houghton Library
By Jessica Sparks
After speaking with the singing team manager at
EBBA, Eric Bell, I learned that a majority of the
tunes printed on ballads (a good amount not by
music printers) were only for decoration. The
tune notation printed on the ballad I transcribed
(EBBA 34993) is not a usable tune – it is only
decoration. There are 5 other prints of this
ballad with a tune notation, one being from
Roxburghe collection (this tune also being
decoration) and another from the Euing
collection (whilst this tune does make sense
musically it does not fit with the lyrics).	
  

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EBBA FRAP RA Poster - Jessica Sparks

  • 1. Reading Between the Lines: Broadside Ballads & Tune Notations The Ballad’s tune is what separates the ballad from any other kind of literature in the early modern period and allowed them to be disseminated to such a wide audience. Working with EBBA showed me the many aspects of the broadside ballad and how even the tune notation can give insight into the history and popularity of each ballad. English Broadside Ballad Archive, Spring 2015 Research Assistant: Jessica Sparks Faculty Sponsor: Patricia Fumerton Project Manager: Kristen McCants   The English Broadside Ballad Archive (EBBA) is a project at the University of California at Santa Barbara to transcribe and digitize English broadside ballads from the 17th century. The ballads are gathered from all over the world and I was involved in transcribing ballads from the Houghton Library’s collection. Not only are the ballad facsimiles available for viewing and the transcriptions as well, but most ballads are recorded and available on the EBBA site.   As a Research Assistant for EBBA I have been exposed to a wide variety of ballads and whilst transcribing ballads I came across two prints of “The Catholick Ballad: OR AN INVITATION TO POPERY” to the tune of 88 (also known as Jog On) from the Houghton collection. I was intrigued by the printing of the tune notation on only one of the ballads and wondered if the tune was the correct tune. EBBA 30025, British Library - Roxburghe 1.26-27 EBBA 31674, University of Glasgow Library - Euing 24 EBBA 34991, Houghton Library (No tune notation) EBBA 34993, Houghton Library EBBA 34993, Houghton Library By Jessica Sparks After speaking with the singing team manager at EBBA, Eric Bell, I learned that a majority of the tunes printed on ballads (a good amount not by music printers) were only for decoration. The tune notation printed on the ballad I transcribed (EBBA 34993) is not a usable tune – it is only decoration. There are 5 other prints of this ballad with a tune notation, one being from Roxburghe collection (this tune also being decoration) and another from the Euing collection (whilst this tune does make sense musically it does not fit with the lyrics).