This summary provides the high-level details about the theatrical sound installation "Earshot" in 3 sentences:
Jaime Sunwoo, a recent graduate, conceived and directed "Earshot", a collection of 12 radio plays written by different playwrights from around the world that will be presented simultaneously from speakers at 12 tables in bars in New York City in early May, with artifacts from the characters lives at each table. Sunwoo assembled over 50 collaborators to develop the show over the last year. Audience members will be able to freely move between tables to listen to snippets of conversations from the different plays occurring at each table while interacting with the characters' possessions left at the tables.
Broadway theater flourished in the 1920s with over 50 new musicals opening each year, fueled by a thriving entertainment scene in New York City following World War I. Major Broadway shows of the decade included Showboat in 1927, No, No, Nanette in 1925, and Lady, Be Good in 1924. Notable Broadway composers during this era were George Gershwin, Cole Porter, and Richard Rodgers and Lorenz Hart. The Theatre Guild, founded in 1919, produced over 200 plays and greatly contributed to Broadway's success in the 1920s.
The movie Night at the Museum opens with an establishing shot of a large American city before panning to the museum where most of the film takes place. The opening credits showcase different museum exhibits with changing background music to set the tone for each one, such as tribal music for a totem pole or eerie sounds for a dinosaur skeleton. This introduces the various exhibits that will come to life later in the film. The story then follows protagonist Ben Stiller as he drops his son off at his ex-wife's house and acts as a supportive father despite not living with them.
"The group’s work has been produced at theatres all over the country: at the Public Theater and the Vineyard Theatre (New York City), at Center Theatre Group, A.R.T. (Cambridge, MA), La Jolla Playhouse (La Jolla, CA), HBO’s US Comedy Festival (Aspen, CO), Studio Theatre (Washington, DC), and the Actors Theatre of Louisville (Louisville, KY) to name a few. Since making their first show with only “six dollars and a pack of gum,” the company has expanded ambitiously. Currently, they have their hands full with a diverse range of projects varying in topics and styles.
https://www.stevecosson.com/productions
The Chicago Danztheatre Ensemble will perform "Mirrors" from October 27-28 and November 3-4, celebrating their 10th anniversary. Based on the poetry of Rumi, the performance will use dance, theater, poetry and video to reflect on themes of self-destruction, rebirth, relationships and self-discovery in modern society. Inspired by Rumi's exploration of identity and purpose, Executive Director Ellyzabeth Adler hopes the visual presentation will demonstrate the complex human condition. In addition to pieces set to Rumi's poetry, the performance will include "Unraveling Bill" and "Pathways." Tickets are $10 and available on the ensemble's website.
This document discusses gender roles in art throughout history. It notes that males have traditionally been portrayed in strong, dominant roles, while females have been narrowly depicted as mothers, religious figures, or objects of temptation. However, as cultures changed, female representations gradually expanded. Modern artworks like Self-Portrait Sideways No. 3 and Untitled Film Still #35 challenge traditional gender norms. The document also discusses the feminist critique of exclusion of women in art institutions and Judy Chicago's The Dinner Party, which honors notable women. It explores how more recent art has begun to blur gender lines, depicting figures with ambiguous or mixed characteristics.
This document provides an overview of musical theatre, including its history and key elements. It discusses the origins of musical theatre in operetta and how shows like Oklahoma established the integrated form where music, dialogue and dance advance the plot. The golden age of musicals from the 1940s-1960s produced famous works before genres like rock musicals and mega-musicals became popular in later decades. Current musicals tend to focus on spectacle but some unusual critically acclaimed shows have emerged.
Entertainment can take many forms and is an activity that holds audience attention through activities like performances, games, reading, and more. It generally involves an audience, who can play passive or active roles, watching or participating. Common types of entertainment include performances like theater, music, dance, magic, circus, and street performances; games; reading; comedy; banquets; and sports or fair events. Animals have also been used for entertainment by being displayed, competing, or performing routines.
Broadway theater flourished in the 1920s with over 50 new musicals opening each year, fueled by a thriving entertainment scene in New York City following World War I. Major Broadway shows of the decade included Showboat in 1927, No, No, Nanette in 1925, and Lady, Be Good in 1924. Notable Broadway composers during this era were George Gershwin, Cole Porter, and Richard Rodgers and Lorenz Hart. The Theatre Guild, founded in 1919, produced over 200 plays and greatly contributed to Broadway's success in the 1920s.
The movie Night at the Museum opens with an establishing shot of a large American city before panning to the museum where most of the film takes place. The opening credits showcase different museum exhibits with changing background music to set the tone for each one, such as tribal music for a totem pole or eerie sounds for a dinosaur skeleton. This introduces the various exhibits that will come to life later in the film. The story then follows protagonist Ben Stiller as he drops his son off at his ex-wife's house and acts as a supportive father despite not living with them.
"The group’s work has been produced at theatres all over the country: at the Public Theater and the Vineyard Theatre (New York City), at Center Theatre Group, A.R.T. (Cambridge, MA), La Jolla Playhouse (La Jolla, CA), HBO’s US Comedy Festival (Aspen, CO), Studio Theatre (Washington, DC), and the Actors Theatre of Louisville (Louisville, KY) to name a few. Since making their first show with only “six dollars and a pack of gum,” the company has expanded ambitiously. Currently, they have their hands full with a diverse range of projects varying in topics and styles.
https://www.stevecosson.com/productions
The Chicago Danztheatre Ensemble will perform "Mirrors" from October 27-28 and November 3-4, celebrating their 10th anniversary. Based on the poetry of Rumi, the performance will use dance, theater, poetry and video to reflect on themes of self-destruction, rebirth, relationships and self-discovery in modern society. Inspired by Rumi's exploration of identity and purpose, Executive Director Ellyzabeth Adler hopes the visual presentation will demonstrate the complex human condition. In addition to pieces set to Rumi's poetry, the performance will include "Unraveling Bill" and "Pathways." Tickets are $10 and available on the ensemble's website.
This document discusses gender roles in art throughout history. It notes that males have traditionally been portrayed in strong, dominant roles, while females have been narrowly depicted as mothers, religious figures, or objects of temptation. However, as cultures changed, female representations gradually expanded. Modern artworks like Self-Portrait Sideways No. 3 and Untitled Film Still #35 challenge traditional gender norms. The document also discusses the feminist critique of exclusion of women in art institutions and Judy Chicago's The Dinner Party, which honors notable women. It explores how more recent art has begun to blur gender lines, depicting figures with ambiguous or mixed characteristics.
This document provides an overview of musical theatre, including its history and key elements. It discusses the origins of musical theatre in operetta and how shows like Oklahoma established the integrated form where music, dialogue and dance advance the plot. The golden age of musicals from the 1940s-1960s produced famous works before genres like rock musicals and mega-musicals became popular in later decades. Current musicals tend to focus on spectacle but some unusual critically acclaimed shows have emerged.
Entertainment can take many forms and is an activity that holds audience attention through activities like performances, games, reading, and more. It generally involves an audience, who can play passive or active roles, watching or participating. Common types of entertainment include performances like theater, music, dance, magic, circus, and street performances; games; reading; comedy; banquets; and sports or fair events. Animals have also been used for entertainment by being displayed, competing, or performing routines.
El documento presenta 3 secuencias para controlar un objeto en Scratch. La primera secuencia enseña a mover el tipo de objeto. La segunda secuencia controla el objeto en cuatro direcciones usando los cursos. La tercera secuencia enseña a deslizar el objeto para controlar su movimiento.
на проекта „Онлайн училище“, е изработка на Single Page Application образувателен уеб сайт, който да помогне на учениците от V до VIII клас да имат онлайн достъп до учебния материал по История и Цивилизация, Човека и Обществото, Човека и Природата, География и Икономика. Да прочитат и научават уроците си на всякъде без да носят учебниците си докато са на кафе, на почивка или докато пътуват към училище.
Este documento describe brevemente el contexto social, cultural y económico de los adolescentes en Chile. Señala que actualmente hay aproximadamente 2,8 millones de adolescentes entre 10 y 19 años, y que si bien su número absoluto aumenta, su proporción respecto a la población total ha disminuido. Además, indica que el 15,2% de los nacimientos corresponden a madres entre 15 y 19 años, lo que constituye un problema social. Finalmente, menciona algunos aspectos como la distribución de ingresos, acceso a educación y violencia
Frascos nuevos CASA DE LOS MUÑECOS GASTRONOMIA MEXICANADOLORES ZAVALA
CASA DE LOS MUÑECOS, GUARDIAN DE LA GASTRONOMIA MEXICANA, PRESENTA AL MUNDO SU NUEVA LINEA DE PRODUCTOS, PIPIANES, ADOBOS, SALSAS, MERMELADAS, MOLE POBLANO, PUEBLA, PATRIMONIO GASTRONÓMICO, MEXICO
O documento descreve os sintomas e efeitos de uma picada de escorpião, incluindo edema, dor, bolhas, calor e rubor localizados, necroses, abscessos, hemorragia, alterações circulatórias, insuficiência respiratória, fasciculação, rigidez abdominal, sudorese, hipertensão, taquicardia evoluindo para bradicardia, náuseas, vômitos, convulsões e até óbito. Menciona também os efeitos neurotóxicos, locais e sist
This document provides examples of using present simple and present progressive tenses, adverbs of frequency, and spelling rules for plurals. It includes sentences demonstrating correct verb conjugations and plural forms to rewrite with adverbs and choose the correctly spelled plural words.
Biología estudio de la celula orgánulo mitocondria Jefferson Almeida
Albert Claude estudió medicina en Bélgica y trabajó usando el microscopio electrónico para obtener imágenes celulares que profundizaron el conocimiento de la estructura y función celular. Desarrolló un método de centrifugación diferencial para separar componentes celulares por densidad. Recibió el Premio Nobel en 1974 por sus descubrimientos sobre las mitocondrias, que son las centrales energéticas de las células responsables de producir ATP a través de la respiración celular. Las mitocondrias tienen ADN propio y una doble
- There is no agreed upon definition of modernism, as evidenced by the large number of scholarly works debating its meaning. Modernism resists a coherent theoretical model.
- Modernism is typically defined based on works from the early 20th century, though some argue certain post-World War II works should also be considered modernist.
- Most definitions of modernism focus on developments in poetry and the novel, but the document argues music/opera of the early 20th century should also be viewed through a modernist lens given the creative surge of the time period.
Jack Souza is an accomplished actor, director, designer, and educator based in Modesto, California. He is the founding artistic director of Prospect Theater Project, where he has directed many productions and helped establish the theater as a leader in the local arts community. As an educator, Souza teaches popular humanities and Shakespeare courses at Modesto Junior College where he encourages discussion and makes the works fun and engaging for students. Souza has received praise for his acting skills, directing abilities, and commitment to developing the arts in Modesto.
West Side Story is a 1950s musical based on Romeo and Juliet, about rival New York City gangs, the Jets and Sharks. Tony, a Jet, falls for Maria from the Sharks. The song "Something's Coming" uses a musical technique called a triton to ominously foreshadow trouble for Tony, clearly communicating this to the audience. Bill Fontana recorded pigeon sounds in church ruins and played them back through speakers in the same spot, now a museum, creating a time displacement illusion of pigeons still present. While both use found sounds, the musical aims to entertain without requiring thought, whereas Fontana's installation means to evoke self-guided interpretation.
This document discusses the relationship between drama and theater. It notes that drama is uniquely tied to performance and bringing the text to life for an audience. The theater shapes the interaction between the dramatic work and its community. Historically, drama originated from religious rituals and evolved differently in various cultures and eras based on the role and institution of theater in society. Over time, drama emerged as a commercial art form but was not always considered serious literature due to its performance origins. The document also explores dramatic genres such as tragedy and comedy and their defining characteristics.
Reviews for Rapid Rocket Productions’ dramaHolly Jonson
This document contains reviews from three publications about the play "Sonnets for an Old Century" by Jose Rivera and directed by Holly Jonson. The reviews summarize that the play is a series of monologues by characters who have recently died, expressing their final thoughts and reflections on life. The reviews praise the emotional depth of the monologues and performances, though note some inconsistency in maintaining intensity across the varied characters. Overall, the reviews find the play to be a haunting and challenging drama.
Research and intuition tells us that with good choices in our live.docxrgladys1
Research and intuition tells us that with good choices in our lives, we can expect our cognitive health to remain good into late adulthood—and even then, changes do not have to be unmanageable. The kinds of relationships and the ways we interact in relationships may change from phase to phase of adulthood, but our need for strong relationships will remain important to well-being and to making good choices in life. After all, we derive happiness, in part, from offering support to others and from receiving their support for our plans and our actions.
Now that you have read and researched development over a lifespan, how has this helped you plan for positive growth over the next ten years?
Writing Requirements
· 1-2 page reflection
· Reference to concepts learned throughout the course
· APA format for in-text citations and list of references
For this assignments, you will select significant productions of plays (from a national theatre, or featuring important personnel) that feature a monster. As part of your research, you will write a short summary of your findings of each of the productions. This summary must address the following questions: WHAT was the play about (a brief synopsis)? WHEN and WHERE did it take place? WHO was involved? Anyone of renown? Did it affect their careers? WHAT did the production look/sound like? What were the artists trying to ACCOMPLISH? How was it REVIEWED? Was it popular? Controversial? Unnoticed? Did it win any awards? You must include references (cited) to at least two reviews (or, better yet, include copies of the reviews in your research).
IMPORTANT: Give a SOCIAL CONTEXT for the show. What was going on in the world that made it relevant? Why did THIS monster resonate, or fail to resonate, with its audience?
SOURCES include: Reviews, historical and/or scholarly articles, performance reconstructions, theater biographies, and specialized periodicals, Productions stills or other relevant images. You will need 3 good sources! Here’s a sample of what a production history looks like:
SAMPLE PRODUCTION HISTORY (not of a monster play)
WHAT = A RAISIN IN THE SUN
WHEN = 1959 – MARCH – 10
WHERE = U.S.A. – NEW YORK – ETHEL BARRYMORE THEATRE (BROADWAY)
WHO = LORRAINE HANSBERRY (AUTHOR)
LLOYD RICHARDS (DIRECTOR)
RALPH ALSWANG (SETS AND LIGHTING)
VIRGINIA VOLLAND (COSTUMES)
SIDNEY POITIER (ACTOR – “WALTER”)
RUBY DEE (ACTOR – “RUTH”)
LOUIS GOSSETT (ACTOR – “GEORGE”)
CRITICAL RECEPTION:
Considered the first naturalistic play featuring African-American themes and characters, Hansberry’s semiautobiographical Raisin is still acknowledged as a stunningly ground-breaking play in American theatre history. The story is that of the Lee family, upwardly-mobile African-Americans who encounter tough challenges trying to move into an all-white neighborhood of Chicago. In light of a growing discontent and radicalism in the marginalized and disenfranchised black community of the era, who were being .
The document discusses similarities between secular and religious music during the medieval period. Both types of music were monophonic, meaning they featured a single unaccompanied melodic line. They served to communicate feelings and emotions. They originated from oral traditions before composers became literate. Religious music was performed by monks and church choirs for mass, while secular music was performed by troubadours, trouveres, and jongleurs. However, religious music was based on pre-existing liturgical texts while secular music had more flexible themes.
El documento presenta 3 secuencias para controlar un objeto en Scratch. La primera secuencia enseña a mover el tipo de objeto. La segunda secuencia controla el objeto en cuatro direcciones usando los cursos. La tercera secuencia enseña a deslizar el objeto para controlar su movimiento.
на проекта „Онлайн училище“, е изработка на Single Page Application образувателен уеб сайт, който да помогне на учениците от V до VIII клас да имат онлайн достъп до учебния материал по История и Цивилизация, Човека и Обществото, Човека и Природата, География и Икономика. Да прочитат и научават уроците си на всякъде без да носят учебниците си докато са на кафе, на почивка или докато пътуват към училище.
Este documento describe brevemente el contexto social, cultural y económico de los adolescentes en Chile. Señala que actualmente hay aproximadamente 2,8 millones de adolescentes entre 10 y 19 años, y que si bien su número absoluto aumenta, su proporción respecto a la población total ha disminuido. Además, indica que el 15,2% de los nacimientos corresponden a madres entre 15 y 19 años, lo que constituye un problema social. Finalmente, menciona algunos aspectos como la distribución de ingresos, acceso a educación y violencia
Frascos nuevos CASA DE LOS MUÑECOS GASTRONOMIA MEXICANADOLORES ZAVALA
CASA DE LOS MUÑECOS, GUARDIAN DE LA GASTRONOMIA MEXICANA, PRESENTA AL MUNDO SU NUEVA LINEA DE PRODUCTOS, PIPIANES, ADOBOS, SALSAS, MERMELADAS, MOLE POBLANO, PUEBLA, PATRIMONIO GASTRONÓMICO, MEXICO
O documento descreve os sintomas e efeitos de uma picada de escorpião, incluindo edema, dor, bolhas, calor e rubor localizados, necroses, abscessos, hemorragia, alterações circulatórias, insuficiência respiratória, fasciculação, rigidez abdominal, sudorese, hipertensão, taquicardia evoluindo para bradicardia, náuseas, vômitos, convulsões e até óbito. Menciona também os efeitos neurotóxicos, locais e sist
This document provides examples of using present simple and present progressive tenses, adverbs of frequency, and spelling rules for plurals. It includes sentences demonstrating correct verb conjugations and plural forms to rewrite with adverbs and choose the correctly spelled plural words.
Biología estudio de la celula orgánulo mitocondria Jefferson Almeida
Albert Claude estudió medicina en Bélgica y trabajó usando el microscopio electrónico para obtener imágenes celulares que profundizaron el conocimiento de la estructura y función celular. Desarrolló un método de centrifugación diferencial para separar componentes celulares por densidad. Recibió el Premio Nobel en 1974 por sus descubrimientos sobre las mitocondrias, que son las centrales energéticas de las células responsables de producir ATP a través de la respiración celular. Las mitocondrias tienen ADN propio y una doble
- There is no agreed upon definition of modernism, as evidenced by the large number of scholarly works debating its meaning. Modernism resists a coherent theoretical model.
- Modernism is typically defined based on works from the early 20th century, though some argue certain post-World War II works should also be considered modernist.
- Most definitions of modernism focus on developments in poetry and the novel, but the document argues music/opera of the early 20th century should also be viewed through a modernist lens given the creative surge of the time period.
Jack Souza is an accomplished actor, director, designer, and educator based in Modesto, California. He is the founding artistic director of Prospect Theater Project, where he has directed many productions and helped establish the theater as a leader in the local arts community. As an educator, Souza teaches popular humanities and Shakespeare courses at Modesto Junior College where he encourages discussion and makes the works fun and engaging for students. Souza has received praise for his acting skills, directing abilities, and commitment to developing the arts in Modesto.
West Side Story is a 1950s musical based on Romeo and Juliet, about rival New York City gangs, the Jets and Sharks. Tony, a Jet, falls for Maria from the Sharks. The song "Something's Coming" uses a musical technique called a triton to ominously foreshadow trouble for Tony, clearly communicating this to the audience. Bill Fontana recorded pigeon sounds in church ruins and played them back through speakers in the same spot, now a museum, creating a time displacement illusion of pigeons still present. While both use found sounds, the musical aims to entertain without requiring thought, whereas Fontana's installation means to evoke self-guided interpretation.
This document discusses the relationship between drama and theater. It notes that drama is uniquely tied to performance and bringing the text to life for an audience. The theater shapes the interaction between the dramatic work and its community. Historically, drama originated from religious rituals and evolved differently in various cultures and eras based on the role and institution of theater in society. Over time, drama emerged as a commercial art form but was not always considered serious literature due to its performance origins. The document also explores dramatic genres such as tragedy and comedy and their defining characteristics.
Reviews for Rapid Rocket Productions’ dramaHolly Jonson
This document contains reviews from three publications about the play "Sonnets for an Old Century" by Jose Rivera and directed by Holly Jonson. The reviews summarize that the play is a series of monologues by characters who have recently died, expressing their final thoughts and reflections on life. The reviews praise the emotional depth of the monologues and performances, though note some inconsistency in maintaining intensity across the varied characters. Overall, the reviews find the play to be a haunting and challenging drama.
Research and intuition tells us that with good choices in our live.docxrgladys1
Research and intuition tells us that with good choices in our lives, we can expect our cognitive health to remain good into late adulthood—and even then, changes do not have to be unmanageable. The kinds of relationships and the ways we interact in relationships may change from phase to phase of adulthood, but our need for strong relationships will remain important to well-being and to making good choices in life. After all, we derive happiness, in part, from offering support to others and from receiving their support for our plans and our actions.
Now that you have read and researched development over a lifespan, how has this helped you plan for positive growth over the next ten years?
Writing Requirements
· 1-2 page reflection
· Reference to concepts learned throughout the course
· APA format for in-text citations and list of references
For this assignments, you will select significant productions of plays (from a national theatre, or featuring important personnel) that feature a monster. As part of your research, you will write a short summary of your findings of each of the productions. This summary must address the following questions: WHAT was the play about (a brief synopsis)? WHEN and WHERE did it take place? WHO was involved? Anyone of renown? Did it affect their careers? WHAT did the production look/sound like? What were the artists trying to ACCOMPLISH? How was it REVIEWED? Was it popular? Controversial? Unnoticed? Did it win any awards? You must include references (cited) to at least two reviews (or, better yet, include copies of the reviews in your research).
IMPORTANT: Give a SOCIAL CONTEXT for the show. What was going on in the world that made it relevant? Why did THIS monster resonate, or fail to resonate, with its audience?
SOURCES include: Reviews, historical and/or scholarly articles, performance reconstructions, theater biographies, and specialized periodicals, Productions stills or other relevant images. You will need 3 good sources! Here’s a sample of what a production history looks like:
SAMPLE PRODUCTION HISTORY (not of a monster play)
WHAT = A RAISIN IN THE SUN
WHEN = 1959 – MARCH – 10
WHERE = U.S.A. – NEW YORK – ETHEL BARRYMORE THEATRE (BROADWAY)
WHO = LORRAINE HANSBERRY (AUTHOR)
LLOYD RICHARDS (DIRECTOR)
RALPH ALSWANG (SETS AND LIGHTING)
VIRGINIA VOLLAND (COSTUMES)
SIDNEY POITIER (ACTOR – “WALTER”)
RUBY DEE (ACTOR – “RUTH”)
LOUIS GOSSETT (ACTOR – “GEORGE”)
CRITICAL RECEPTION:
Considered the first naturalistic play featuring African-American themes and characters, Hansberry’s semiautobiographical Raisin is still acknowledged as a stunningly ground-breaking play in American theatre history. The story is that of the Lee family, upwardly-mobile African-Americans who encounter tough challenges trying to move into an all-white neighborhood of Chicago. In light of a growing discontent and radicalism in the marginalized and disenfranchised black community of the era, who were being .
The document discusses similarities between secular and religious music during the medieval period. Both types of music were monophonic, meaning they featured a single unaccompanied melodic line. They served to communicate feelings and emotions. They originated from oral traditions before composers became literate. Religious music was performed by monks and church choirs for mass, while secular music was performed by troubadours, trouveres, and jongleurs. However, religious music was based on pre-existing liturgical texts while secular music had more flexible themes.
Similar to EARSHOT, a theatrical sound installation, at Bonnie Vee and Kilo Bravo | Culturebot (8)
EARSHOT, a theatrical sound installation, at Bonnie Vee and Kilo Bravo | Culturebot
1. Kemy Lin | April 23, 2015 | Preview | No Comments
EARSHOT, A THEATRICAL
SOUND INSTALLATION, AT
BONNIE VEE AND KILO
BRAVO
Photo by Taj Birkett
A poet, landlord, and gymrat walk into a bar…
… Sounds like the beginnings of an overwrought and predictable joke
but it’s actually the premise of “Earshot,” a theatrical sound
installation directed by Jaime Sunwoo, a New York native and recent
graduate. “Earshot,” which Sunwoo also refers to as a “collection of
audioplays,” consists of 12 radio plays written by 11 different
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2. playwrights from around the world. In its final form, “Earshot” will be
presented in bars around New York City in early May; the 12 radio
plays will broadcast, simultaneously, in a choreographed cacophony
from speakers at 12 tables populated by artifacts from the characters’
lives.
Sunwoo became interested in theater and radio as an undergraduate
at Yale University. In addition to formally studying sound and
installation art as a Fine Arts major, she also wrote and hosted her
own radio show, “The Food Whisperer,” in which she held
conversations with food items in the dining hall, allowing listeners to
truly get to know their sustenance. She first conceived of the idea for
“Earshot” in April 2014 and began developing the show shortly
thereafter. In the last year, she has recruited over 50 collaborators—
including 12 writers and 29 voice actors and a handful of sound
editors, stagehands, photographers, prop designers, and musicians—
and successfully funded the show’s expenses through a Kickstarter
campaign. For Sunwoo, the development and execution of “Earshot”
has relied on her reaching out to an extremely large number of
people, and she sees “Earshot” as an opportunity to showcase and
promote the work of all of her collaborators—from up-and-coming
musicians to aspiring screenwriters.
Not only did Sunwoo assemble a diverse group of artists to work on
“Earshot,” but, as director, she united the 12 different plays and their
casts of characters into a common universe. The radio plays are all
set in a single bar, like those in which “Earshot” will be performed,
and, in each play, the characters sit around tables, conversing. In one
play, two co-workers go on their first anxiety-ridden date; in another,
a three aging rockstars commiserate about the fate of their Nirvana
cover band. Over the duration of the plays, characters from different
plays occasionally interact—phone calls and cat calls are exchanged
—and their lives converge through both mundane and coincidental
events.
Drinks in hand, audience members will be able to navigate freely
from table to table to listen to the individual radio plays. Not only will
the audience hear—or rather, eavesdrop on—snippets of the
characters’ conversations at each table, but they can also sit in
characters’ seats and handle their trinkets and clothing. These
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3. artifacts—including a wedding photo, handcuffs, business cards, and
guinea pig food—function as “visual biographies,” Sunwoo explains,
and toe a “weird boundary between fiction and reality, as they live in
the real world but reflect the experiences and lives of fictional
characters.” On some days, Sunwoo crisscrossed New York City,
visiting a sex shop, a thrift shop, and theater, in order to source
props, tracing the daily paths of the characters.
As they cluster around the 12 tables in the bar, “Earshot” audience
members will occupy the places of the characters who have
seemingly vacated the premises for a moment, leaving their
disembodied voices emanating from the table and their possessions
splayed on the table. Sunwoo sees “Earshot” as facilitating interaction
between audience members; she suggests, “Meeting strangers [over]
a dialogue that you’re both eavesdropping on creates an intimate
moment… you’re experiencing something together… you are in that
character’s seat, occupying their body in a ghostly way.” Perhaps
“Earshot” even goes as far as to challenge the detached, disembodied
nature of contemporary interaction by challenging audience
members to directly confront one another. As Milo, a character in
writer Semyon White’s radio play aptly muses, “We’re all so wrapped
up in our little technology bubbles it’s made us terrified to actually
speak to another human being face to face. God forbid we could ever
just sit for a moment and take note of our unfiltered surroundings.”
Though audiences will likely not hear a single one of the 12 plays in
its entirety, the choose-your-own-adventure style of “Earshot” gives
audience members the chance to converge and converse with
strangers—both fictional and real—over the course of the night. As
the radio plays end and the voices of the characters slowly fade out,
the conversations in the bar will hopefully continue, carried on by
audience members and patrons and emerging from the 12 tables in
the bar.
“Earshot” will be performed at the following times, dates, and
locations:
May 4-6 2015, more show dates TBA
May 4, 8PM, 9:40PM at Bonnie Vee (17 Stanton St, Lower East Side,