Dumb and dumber credit timeline
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Credit timeline for the Dumb and Dumber opening sequence.
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Dumb and dumber timeline
The opening credits of the film Dumb and Dumber list the production company and various credits over 3 minutes and 45 seconds, including the production logo, Farrelly brothers as producers, stars of the film and their roles, supporting characters, casting, costume design, music, producers, director, writer, cinematographer, and production designer.
In what ways does my media product use, develop or challenge conventions of r...
The document discusses how the media creator's music video, digipak, and album poster both use and challenge conventions of existing media products. The music video uses stop-motion photography, which challenges conventions by not using typical video footage, but it also employs conventional camera techniques. The album poster includes standard information but also unconventional elements like a QR code and social media icons that have become expected. The digipak follows conventions like including basic information but also develops them by adding a band website, which is now standard.
In what ways does my media product use, develop or challenge conventions of r...
The document discusses how the media creator's music video, digipak, and album poster both use and challenge conventions of existing media products. The music video uses stop-motion photography, which challenges the convention that music videos are typically shot with video footage. However, it also employs conventional camera techniques. The album poster includes conventional information but also unconventional elements like a QR code and social media icons that have become expected. The digipak incorporates standard back cover details but also the band's website, which may have been unconventional in the past but is now essential. Overall, the media products both draw from and adapt conventions based on changes in audience expectations over time.
Music Video Proposal
The music video will represent the song "The Base of a Dream is Dream is Empty" by Yuck using stop motion animation. It will follow a protagonist as he experiences a strange string of dreams within dreams, with each dream featuring surreal and frightening elements. In the final scene, the protagonist awakens in his bed, believing the dreams have ended, but the viewer sees a monster from his dreams staring in through the window, leaving its reality ambiguous. The video aims to keep viewers watching through an Inception-style narrative structure and enigmatic cliffhanger ending.
Equipment List
The equipment list includes a Nikon DC3100 camera and a Velbon Mini-Pro tripod to take photos using the camera mounted on the tripod for stability.
Crew Roles
Taylar W. Smith is listed as the producer, writer, and director of the production as well as the production designer. Other roles include Charlie Rideout as production assistant, Sam Butler as sound mixer and designer, Tate Young as director of photography and assistant editor, and Richard Stockley as editor.
Music video survey results
We surveyed 500 people about their music video viewing habits. Most respondents, at 62%, said they watch music videos daily or weekly to discover new music and artists. However, 38% said they rarely or never watch music videos, preferring to listen to music without visuals. The most popular music video platforms were reported as YouTube, followed by music streaming services like Spotify.
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Dumb and dumber timeline
The opening credits of the film Dumb and Dumber list the production company and various credits over 3 minutes and 45 seconds, including the production logo, Farrelly brothers as producers, stars of the film and their roles, supporting characters, casting, costume design, music, producers, director, writer, cinematographer, and production designer.
In what ways does my media product use, develop or challenge conventions of r...
The document discusses how the media creator's music video, digipak, and album poster both use and challenge conventions of existing media products. The music video uses stop-motion photography, which challenges conventions by not using typical video footage, but it also employs conventional camera techniques. The album poster includes standard information but also unconventional elements like a QR code and social media icons that have become expected. The digipak follows conventions like including basic information but also develops them by adding a band website, which is now standard.
In what ways does my media product use, develop or challenge conventions of r...
The document discusses how the media creator's music video, digipak, and album poster both use and challenge conventions of existing media products. The music video uses stop-motion photography, which challenges the convention that music videos are typically shot with video footage. However, it also employs conventional camera techniques. The album poster includes conventional information but also unconventional elements like a QR code and social media icons that have become expected. The digipak incorporates standard back cover details but also the band's website, which may have been unconventional in the past but is now essential. Overall, the media products both draw from and adapt conventions based on changes in audience expectations over time.
Music Video Proposal
The music video will represent the song "The Base of a Dream is Dream is Empty" by Yuck using stop motion animation. It will follow a protagonist as he experiences a strange string of dreams within dreams, with each dream featuring surreal and frightening elements. In the final scene, the protagonist awakens in his bed, believing the dreams have ended, but the viewer sees a monster from his dreams staring in through the window, leaving its reality ambiguous. The video aims to keep viewers watching through an Inception-style narrative structure and enigmatic cliffhanger ending.
Equipment List
The equipment list includes a Nikon DC3100 camera and a Velbon Mini-Pro tripod to take photos using the camera mounted on the tripod for stability.
Crew Roles
Taylar W. Smith is listed as the producer, writer, and director of the production as well as the production designer. Other roles include Charlie Rideout as production assistant, Sam Butler as sound mixer and designer, Tate Young as director of photography and assistant editor, and Richard Stockley as editor.
Music video survey results
We surveyed 500 people about their music video viewing habits. Most respondents, at 62%, said they watch music videos daily or weekly to discover new music and artists. However, 38% said they rarely or never watch music videos, preferring to listen to music without visuals. The most popular music video platforms were reported as YouTube, followed by music streaming services like Spotify.
Temper trap album poster analysis
This document analyzes the design elements of an album poster. The main font is blurred and pixelated, representing a digital theme. The secondary font is plain with no alterations, suggesting formality or neutrality. The main image is a low-key lit photo of a passive, desolate woman's face, connoting mellowness and darkness. The choice of distorted, pixelated fonts and images hint at digital, electronic, and possibly futuristic themes, as if something is malfunctioning. The subdued black, white, and brown color scheme could symbolize a feeling of distance.
Libertines album poster analysis
This poster advertises an album by the band The Libertines. Through symbolic codes like depicting the band members smoking and looking drunk, it suggests themes of drug and alcohol use. The unprofessional, candid photo style and punk rock font aim to portray the band as anti-establishment and mocking mainstream music in tone with their genre.
Leftfield album cover analysis
The document analyzes the cover art of an album. It notes that the font used for the artist and album name suggests formality and uniformity while being in lowercase implies a low profile. The font also has no serifs, conveying a technological and futuristic theme fitting the electronic music genre. The color red represents power and energy but also violence, linking to themes of stealth. An image of samurai armor hints at power but also control and discipline, symbolizing the control of energy and representing something out of place in the modern world. The technological font combined with the old samurai armor creates a juxtaposition of new and old coming together.
Nirvana album cover analysis
This document analyzes different codes that can be used to interpret the meaning behind an album cover featuring a baby chasing money in water. The hermeneutic code refers to any unclear elements of the cover that require interpretation. The proairetic code suggests wondering what will happen next, such as what the baby will do after catching the money. The symbolic code views the cover as representing broader themes of capitalism and corporate influence from a young age. The semantic code examines the connotations conveyed by the fonts used for the album title and band name.
2. How does your media product represent particular social groups?
The document discusses how a media product portrays homeless people through conventions of drama/action films. The opening sequence focuses on a stereotypical "hobo" who is dirty, desperate, insignificant and powerless. While some stereotypes are supported through costume, setting and sounds, the character is also shown being watched, challenging the view that homeless are ignored. Overall, the producer felt they represented stereotypes more than challenging them but were happy with the character.
Age certification
This document discusses age certification for a film. The opening sequence "Vagrant" has received a 15 rating from the BBFC. The film fits within the BBFC guidelines and is aimed at the target audience appropriate for a 15 rating.
Cast/Crew roles
This document lists the cast and crew roles for a production. It includes two actors in the cast: Kurt Croucher and Richard Stockley. The production crew is led by Taylar W. Smith who serves as the producer, writer, director, sound mixer, director of photography, and editor. Nathan W. Smith and Leeza Willcox also provide support roles in gripping, continuity, and catering.
Costume design
Costume design is an important part of visual storytelling in film and theater. Designers work to create costumes that help establish characters, setting, and themes through color, silhouettes, fabrics, and accessories. They must research historical periods or work closely with directors to realize their vision through clothing and appearance.
Risk assessment
The risk assessment document identifies potential hazards from weather, equipment, and wildlife that could occur during filming in a woodland area. It lists rain, cold temperatures, an unloaded BB gun prop, disused barbed wire fencing, broken branches and twigs, brambles, and interference with wildlife as overall hazards. Precautions such as waterproof coverings, marking hazardous areas, and spatial awareness are outlined to mitigate risks of damage, injury, and impacting the local ecosystem. Further actions may include establishing designated filming areas and not using certain zones.
Location shots
The document appears to be about location shots for a film or video production. It likely contains information about scouting and selecting filming locations, as well as logistics for shooting at those locations. A concise 3 sentence summary is not possible without more context or details provided in the original document.
Rule of thirds
The rule of thirds is a guideline for composing images that involves dividing the frame into thirds both horizontally and vertically to create nine equal sections, and placing the subject along the lines or their intersections rather than in the center to create more tension, energy, balance and interest in the image. Following the rule of thirds helps photographers determine where to place points of interest in the frame.
Camera shots & angles
This document defines and describes various camera shots and angles used in filmmaking. It outlines wide establishing shots like the extreme wide shot and wide shot, mid-level shots like the mid shot and medium close up, tight close-ups such as the close up and extreme close up, and specialized shots including cut-ins, over-the-shoulder shots, and point-of-view shots. It also discusses low and high angle shots, dutch tilts, weather shots, pans, and medium two shots. The different shot types are used to show varying levels of detail, perspective, scale, emotion, and relationships between subjects.
Waves advert script
The screenplay is an advertisement for a surf shop called Waves located in Poole, England. A surfer is talking to a Waves sales representative on the beach about needing new surfing gear like shorts, shoes, and stickers for his board. The sales rep enthusiastically promotes Waves, telling the surfer they have everything he needs and can also shop online. They both enthusiastically proclaim "Waves! Get your wave on!" to advertise the store.
Radio advert evaluation
The document discusses editing a radio advertisement for a surf shop. It describes choosing background music and sound effects, ensuring the ad met time requirements, and recording and editing the script. Challenges included finding suitable music, adjusting the tempo to fit the 30 second limit, and properly using an audio recorder. The goal was to appeal to a wide audience without using stereotypes like "surfer dudes". Feedback noted some stereotypical language could be removed and the music could build more around key details.
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Libertines album poster analysis
This poster advertises an album by the band The Libertines. Through symbolic codes like depicting the band members smoking and looking drunk, it suggests themes of drug and alcohol use. The unprofessional, candid photo style and punk rock font aim to portray the band as anti-establishment and mocking mainstream music in tone with their genre.
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The document analyzes the cover art of an album. It notes that the font used for the artist and album name suggests formality and uniformity while being in lowercase implies a low profile. The font also has no serifs, conveying a technological and futuristic theme fitting the electronic music genre. The color red represents power and energy but also violence, linking to themes of stealth. An image of samurai armor hints at power but also control and discipline, symbolizing the control of energy and representing something out of place in the modern world. The technological font combined with the old samurai armor creates a juxtaposition of new and old coming together.
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2. How does your media product represent particular social groups?
The document discusses how a media product portrays homeless people through conventions of drama/action films. The opening sequence focuses on a stereotypical "hobo" who is dirty, desperate, insignificant and powerless. While some stereotypes are supported through costume, setting and sounds, the character is also shown being watched, challenging the view that homeless are ignored. Overall, the producer felt they represented stereotypes more than challenging them but were happy with the character.
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This document discusses age certification for a film. The opening sequence "Vagrant" has received a 15 rating from the BBFC. The film fits within the BBFC guidelines and is aimed at the target audience appropriate for a 15 rating.
Cast/Crew roles
This document lists the cast and crew roles for a production. It includes two actors in the cast: Kurt Croucher and Richard Stockley. The production crew is led by Taylar W. Smith who serves as the producer, writer, director, sound mixer, director of photography, and editor. Nathan W. Smith and Leeza Willcox also provide support roles in gripping, continuity, and catering.
Costume design
Costume design is an important part of visual storytelling in film and theater. Designers work to create costumes that help establish characters, setting, and themes through color, silhouettes, fabrics, and accessories. They must research historical periods or work closely with directors to realize their vision through clothing and appearance.
Risk assessment
The risk assessment document identifies potential hazards from weather, equipment, and wildlife that could occur during filming in a woodland area. It lists rain, cold temperatures, an unloaded BB gun prop, disused barbed wire fencing, broken branches and twigs, brambles, and interference with wildlife as overall hazards. Precautions such as waterproof coverings, marking hazardous areas, and spatial awareness are outlined to mitigate risks of damage, injury, and impacting the local ecosystem. Further actions may include establishing designated filming areas and not using certain zones.
Location shots
The document appears to be about location shots for a film or video production. It likely contains information about scouting and selecting filming locations, as well as logistics for shooting at those locations. A concise 3 sentence summary is not possible without more context or details provided in the original document.
Rule of thirds
The rule of thirds is a guideline for composing images that involves dividing the frame into thirds both horizontally and vertically to create nine equal sections, and placing the subject along the lines or their intersections rather than in the center to create more tension, energy, balance and interest in the image. Following the rule of thirds helps photographers determine where to place points of interest in the frame.
Camera shots & angles
This document defines and describes various camera shots and angles used in filmmaking. It outlines wide establishing shots like the extreme wide shot and wide shot, mid-level shots like the mid shot and medium close up, tight close-ups such as the close up and extreme close up, and specialized shots including cut-ins, over-the-shoulder shots, and point-of-view shots. It also discusses low and high angle shots, dutch tilts, weather shots, pans, and medium two shots. The different shot types are used to show varying levels of detail, perspective, scale, emotion, and relationships between subjects.
Waves advert script
The screenplay is an advertisement for a surf shop called Waves located in Poole, England. A surfer is talking to a Waves sales representative on the beach about needing new surfing gear like shorts, shoes, and stickers for his board. The sales rep enthusiastically promotes Waves, telling the surfer they have everything he needs and can also shop online. They both enthusiastically proclaim "Waves! Get your wave on!" to advertise the store.
Radio advert evaluation
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2. How does your media product represent particular social groups?
2. How does your media product represent particular social groups?