The Lingaraja Temple is the product of accumulated and crystallised experience of several centuries and represents the quintessence of Orissan architecture. It is one of the most finished and refined manifestations of temple architecture in India. Every element of the temple displays the consummate skill of its designers and craftsmen. The graceful contour of its soaring gandi is a marvel. The entire panoply of Orissan decorative motifs is mustered here with rare aesthetic sense; every carving enhances the majesty of the edifice as a whole. The construction of the temple is associated with three of the later Somavamsi kings though there is no reliable record. Stylistically dated to around 1065 CE, the Lingaraja became the formal paradigm for almost all Orissan temples built in the next 400 years.
22. Vahana Sthambha
• Monolithic free standing pillar 6.09 mts high
• CouchantVrsabha and kneeling Garuda
• Artistically no match for the aruna-sthamba
of Konark
• Erected at a much later date during a period
of artistic decline.
23. Bhoga Mandapa
• It is constructed on a pitha (peetam). The pitha
itself has 5 divisions with humans and mithunas.
• Bhoga Mandapa rises on the pitha with the usual
elements. Lower Jhanga has dikpalas and other
gods in Khakhara mundis. It also has Alasa
Kanyas and Naga-Nagini Sthambas alternatively.
You can also see mithuna figures (Upper Jhanga).
Varanda has animal carvings and hunting scenes
with bhara rakshasas.
• Roof has two potalas each with 4 and 3 pidhas.
24.
25. Nata-Mandira
• A much later construction to support the
devadasis
• Bada has the usual 5 parts. Alasa-Kanyas
decorate the sides.
• Dwarapalakas are present inside the khakhara’s
• Central door of the north has standingVishnu
and Siva.
• Four tiered pidhas in the roof – no crowning
elements.
26. Jagamohana
Height 28.96 m
Bada:
Lower Jhangha carries bho motif on the central facet. Niches
have various figures and divinities. Dikpalas are not there like
the Deula. Recess between the niches contain rampantVidalas.
Upper Jhanga has Pidha mouldings with 3 pidhas crowned by an
amala.
2 balustraded windows. North window can be seen. South is
destroyed to make an opening.
Ganas and marriage of parvathi is depicted
Gandi:Two tiered gandi – Six panels in south side representing
Ramanyana and Mahabharatha
27.
28. Deula (Bada)
Pabhaga:
5 Mouldings: Khura, Khumha, Patta, Kani and Basantha
Female figures, Champaka leaf design, Scroll work, plain and foliated leaf. Vertical bands join
them with female figures or mithunas couples.
Lower Jhanga:
Khakhara design with Chaithya widow. Ashtadikpalas. Sarawathi or Ganesha in Lintel
Bandana: Mithuna or chaithya windows
Upper Jhanga:
Pida design with Siva, Ardhanari, Parvati, Ganesha, etc
Varanda: Ten mouldings with ornamental scroll work and leaf patterns
Raha: Ganesha (South), Karthikeya (West ), Parvati (North)
29. Deula (Gandi)
Curvilinear Gandi
Pancharatha Plan
10 bhumis with amalakas
4 diminishing rekha shikaras
Above the varandha is the Bho orVajra Mastaka
Bho has Ganesha, Karthikeya and Parvati in the center
Bho doesn’t have Kirtimukha, but has a lotus on top
Eastern side has a large Angashikara below the Bho
36. Introducing
Lord Lingaraja
Sanatana Linga (or) the Linga Eternal
The Lord of theTwelve Jyotirlingas
Embodiment of One Crore Lingas (Sadasiva)
Tribuvaneswara (or) Bhuvanesa
37. Legend or Puranas
• Demons Kirtti andVasa
• Born to demon King Drimila
• No male can kill them
• Kirtti andVasa kill their brothers and gets banished
from Kingdom
• They come to Ekambra Kshetra and fall in love with
Gopalini (Parvati)
• Parvati crushes them and kills them
Ekamra Purana – Ekamra Chandrika – Svarnadri
Mahodaya (all later than 10th century ce)
38. Ekamra Ksetra (Bhubhaneswar)
Legends trace the sanctity of the place when
there was a single mango tree with a Sivalinga
below it.
A religious center developed around it.
With the construction of Lingaraja in
11th century ce, Ekamra Ksetra rose to
splendour and was a major center for
Saivism.
39.
40. Asoka Period (3rd century BC)
• Asoka conquered Kalinga in 261 BC (13th Rock
Edict)
• Tosali was the capital (Dhauli or Sisupalgarh)
• Excavations at Sisupalgarh shows excellent
layout, watch towers, gateways, roman
pottery and kushana gold coins
42. Kharavela Period (1st century ce)
Kalinganagara was the capital of Kharavela
The Chedi dynasty king from
Maghameghavahana family ruled Kalinga
after the Mauryas.
Kharavela defeatedAnga and Magadha kings,
came to the south and went west as well.
43. Gupta Period
Earliest epigraphical evidence for Ekamra is
found in Gupta year 280 (600 AD) in an
inscription belonging toVigraha dynasty
mentioning one Maninagesvara
bhattaraka of Ekambaka,
suggesting that Ekamra is the
ancient name of
Bhubhaneswar.
44. Somavamsis Period (9th century ce)
According to Madala Panji, the Lingaraja temple
was built by Lalatendu Kesari or Lalata Kesari.
Somavamsis rule Orissa with Suvarnapura
(Sonepur) as their capital from 880 AD onwards.
The temple bears many inscriptions of Eastern
Ganga king Anantavarman Codagangadeva (1078-
1147 AD)
45. Back then….
Originally, it was a Siva temple (Krittivasa).
Saivite Dwarapalakas and host of images
likeArdhanari, Ganesha, Parvati, etc.
Later it was transformed into Hari-HaraTemple
Vrasabha was moved to the Northern side
Vahana Stambha has Garuda and Nandi
Temple emblem is Chakra and Pinaka
46. Sakta Pitha
Bhuvaneswar was also a notable Sakta Pitha.
Several tantrik texts like BrhannilaTantra,
Tantrasara mention that Ekambra was a leading
Sakta Pitha.
The godesss is called Kirtimati or Bhagavaha in
the above mentioned texts.
47. Visiting Lingaraja
Bath in Bindusara
Visit Ananta Basudeva
Go to Devi Padahara
Then toTirtesvara
Enter through Simhadwara
Ganesha – Gopalini – Kumara –Vrishabha –
Ganachanda – Kalpataru – Savitri and
Tribhuvaneswara
49. Temple Complex
• Contains close to 50 shrines (mini temples).
Some of it are in ruins and some in excellent
condition.
• 7 Mandapas (Somabara, Kalpataru, etc!)
• 3Wells (CookingWell,ThrowingWell, Empty)
Almost impossible to see everything in one visit.
53. Ganesha
• North facing deula and jagamohana
• Saptha Ratha temple
• Images of Ganesha niches as parva-devatas
• Only a standing Ganesha in the west niche is surviving
today.
• Navagrahas on the lintel (kethu with upraised hands)
• Seated Ganesha with two hands presides here
• Vahanasthambha has a Rat.
• Jagamohana has carvings of AnantasayiVishnu,
Parvathi Parinaya (Wedding), procession of infantry
and elephants near the ceiling
54.
55. Lakulisa
• Very small Pidha temple
• Seated Lakulisa
• Dharma-chakra-pravardhana-mudra
• Lakuta is in the left hand
• Two devotees on either side
60. Ekambareswara
Linga under a mango tree -- presented as an
excellent jyotir linga
Pancha ratha temple
South Niche: 8 armed dancing Ganesha
Note the Angashikaras (Seven of them)
Large miniature temple on the front facade
62. SavitriTemple
• KhakharaTemple
• Semi cylindrical roof
• Gandi has four chaitya windows on four sides
• Seated figure of Savitri in the Sanctum
• Three godesses as parsva-devatas on 3
niches.
64. ParvathiTemple
• A magnificent temple
• Deula, Jagamohana, Natamandira, Bhoga
• God: Uma Devi or Bhaghavati
• Two armed, lotus in right hand and pot of gems
in left hand, sitting in lalitasana, wears a
bejeweled kirita-makuta. Lion is on the right
side.
• Iconography corresponds to Saubhagya
Bhubaneswari (HK Shastri)
(Contd.)
65. ParvathiTemple (Contd.)
• Pancha RathaTemple
• Northern niche: Four armed Parvati withTrisula and
Water Jar (2 arms broken)
• Souther Niche: Samabhanga Parvati holding aTrisula
• Raha has an elobarate Bho
• Interiors plain – Navagrahas on lintel
• Jagamohana had dikpalas in niches, but only Isana is
there now
• Bhoga-Mandapa has a Karthikeya and female deity
66.
67.
68. Gopalini (Bhuvaneswari)
• Gopalini or Bhuvaneswari
• Khakhara Deula and Pidha Jagamohana
• Oblong deula with semi cylindrical roof
• Front Raha has three miniature Rekha
temples.
• Standing figures of Parvati on niches
71. Sculptures and Images
Elegantly carved from top to bottom
Scuptures are found in exterior wall only
Interiors are plain except for dwarasakhas,
navagrahas architrave and pillars
Ceiling is NOT carved
Chlorite stone is used for carving parsva devatas
Sculptures are similar to Brahmeswara