The document outlines the planning for the opening sequence of a film, including a timeline, shot list, storyboard, script, and notes on music and costumes. It details the various shots needed to depict the main character Jodie's experience at a train station as she has flashbacks and considers her gender identity. Meetings were held with the creative team to develop and refine the sequence.
The document contains planning details for an opening film sequence. It includes a timeline with shots listed and descriptions, details on music choices, scripts, storyboards, and meeting records for coordinating the project. Key details include shots of the main character Jodie at a train station thinking and having flashbacks, discussions on costume and prop choices, and coordination of ideas among the group to complete the planning.
The document contains planning details for an opening film sequence. It includes a timeline with shots listed and descriptions, potential music choices, details on actors and costumes, and a script. Meeting records show the group discussed and developed the opening sequence idea and storyboard over multiple meetings, with the goal of finishing the storyboard by March 8th.
The document provides a shot list for a film project, listing various shot types (e.g. close up, mid shot, long shot), descriptions of what will be shown in each shot, and any relevant props or costumes. It includes shots of the main character Jodie at a train station, on her computer, and in flashback scenes getting ready and applying facial hair. The shot list aims to tell the story of Jodie's experience and internal thoughts through different camera angles and perspectives.
The document outlines the planning for a film project, including assigning candidate numbers and color codes to the actors Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. It then provides a shot list detailing the scenes and camera angles. The document also discusses the BBFC rating, availability of the actors, costumes for the main character, and hair and makeup for the main character/protagonist.
This document contains planning details for the opening sequence of a film. It includes:
1) A list of candidates with their candidate numbers and color codes
2) Storyboard frames with descriptions of shots used in the sequence
3) Analysis of the genre, purpose, conventions used and how they are developed or challenged in the sequence. Comparisons are made to other films with similar themes.
The document provides a detailed storyboard and shot list for a short film. It includes over 50 shots ranging from establishing shots, close-ups, mid shots and more. It also lists the type of shot, description, and any necessary props or costumes. Music options are included for different scenes. The script and actors' preparations are also referenced. Overall, the document carefully plans out the visuals, shots, and flow of a short narrative film through a storyboard and extensive shot list.
The document outlines the timeline, shots, actors, music, script, storyboard, and shot list for a short film about a woman named Jodie who has flashbacks while sitting on a train station bench, including shots of her at the station, shaking her head and looking distressed, talking with another woman, and scenes near train tracks as music plays.
The document contains a storyboard and shot list for a film about a character named Jodie who has flashbacks while sitting at a train station. The storyboard outlines the shots planned throughout the film, including establishing shots, close-ups, and shots showing Jodie's reactions. The shot list further describes the types of shots needed and any relevant props or costumes.
The document contains planning details for an opening film sequence. It includes a timeline with shots listed and descriptions, details on music choices, scripts, storyboards, and meeting records for coordinating the project. Key details include shots of the main character Jodie at a train station thinking and having flashbacks, discussions on costume and prop choices, and coordination of ideas among the group to complete the planning.
The document contains planning details for an opening film sequence. It includes a timeline with shots listed and descriptions, potential music choices, details on actors and costumes, and a script. Meeting records show the group discussed and developed the opening sequence idea and storyboard over multiple meetings, with the goal of finishing the storyboard by March 8th.
The document provides a shot list for a film project, listing various shot types (e.g. close up, mid shot, long shot), descriptions of what will be shown in each shot, and any relevant props or costumes. It includes shots of the main character Jodie at a train station, on her computer, and in flashback scenes getting ready and applying facial hair. The shot list aims to tell the story of Jodie's experience and internal thoughts through different camera angles and perspectives.
The document outlines the planning for a film project, including assigning candidate numbers and color codes to the actors Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. It then provides a shot list detailing the scenes and camera angles. The document also discusses the BBFC rating, availability of the actors, costumes for the main character, and hair and makeup for the main character/protagonist.
This document contains planning details for the opening sequence of a film. It includes:
1) A list of candidates with their candidate numbers and color codes
2) Storyboard frames with descriptions of shots used in the sequence
3) Analysis of the genre, purpose, conventions used and how they are developed or challenged in the sequence. Comparisons are made to other films with similar themes.
The document provides a detailed storyboard and shot list for a short film. It includes over 50 shots ranging from establishing shots, close-ups, mid shots and more. It also lists the type of shot, description, and any necessary props or costumes. Music options are included for different scenes. The script and actors' preparations are also referenced. Overall, the document carefully plans out the visuals, shots, and flow of a short narrative film through a storyboard and extensive shot list.
The document outlines the timeline, shots, actors, music, script, storyboard, and shot list for a short film about a woman named Jodie who has flashbacks while sitting on a train station bench, including shots of her at the station, shaking her head and looking distressed, talking with another woman, and scenes near train tracks as music plays.
The document contains a storyboard and shot list for a film about a character named Jodie who has flashbacks while sitting at a train station. The storyboard outlines the shots planned throughout the film, including establishing shots, close-ups, and shots showing Jodie's reactions. The shot list further describes the types of shots needed and any relevant props or costumes.
This document discusses different aspects of advertising in newspapers and magazines, including the Daily Mail newspaper and Essence magazine. For the Daily Mail, it notes that they put a reasonable amount of ad space and take up half a page to make ads more noticeable, but that the newspaper's cost means only some people see the ads. For Essence magazine, it likes how the title is in the middle rather than the top, having images bleed at the bottom, and a main focal image to visualize the article topic. However, it also notes Essence can be too bulky for some.
This document provides information about JiveWorld13, an annual customer event hosted by Jive Software. The event will take place October 22-24, 2013 in Las Vegas, Nevada, with over 1700 Jive customers, partners, and prospects in attendance. Attendees will hear from over 55 customers on using social software to impact business areas like productivity, sales, and marketing. The agenda includes keynote sessions, breakout sessions on topics like social intranets and analytics, and networking opportunities. Registration is currently open on Jive's website.
El documento presenta los resultados de las votaciones en diferentes ciudades de varios países. Muestra el número de votos obtenidos en 4 rondas de votación para Londres, París, Madrid y otras 2 ciudades, con un total al final.
The document discusses horror genre conventions across different subgenres and hybrid genres. It provides examples of classic horror films that established conventions like dark lighting and isolation. Subgenres discussed include horror-thriller, horror-comedy, horror-romance, and horror-action. Hybrid genres mentioned are horror-romance-musical, horror-drama-documentary, and horror-romance-action. Each subgenre and hybrid is defined by its purpose and conventions are provided for film examples.
The document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It defines shots like establishing shots, wide shots, long shots, mid shots, close ups, and extreme close ups. It also covers camera angles such as low angles, high angles, and canted angles. Common camera movements like pans, tilts, tracks, zooms, dollies, and cranes are explained. Principles of composition like balance, symmetry, asymmetry, and the rule of thirds are also outlined.
This document introduces various training programs offered by Fifth Quadrant Business Development Pvt. Ltd. It begins by welcoming the reader and stating the company's aim is to deliver high returns on investment through specialized, results-oriented training programs. The programs range from short workshops to longer interventions and are customized to meet specific goals. Indexes of program topics are provided such as negotiations, sales, breakthrough achievement, coaching, innovation, leadership development, and teaching approach. Contact information is also included to inquire about any questions.
The document provides a detailed storyboard and shot list for a film project. It includes over 60 shots ranging from establishing shots, close-ups, mid shots and more. It outlines the type of shot, description of the scene, and any relevant props or costumes. The storyboard and shot list suggest the film will follow a character named Jodie and include flashbacks as she sits at a train station.
The document provides a detailed storyboard and shot list for a film project. It includes over 60 shots ranging from establishing shots, close-ups, mid shots and more. It outlines the scenes, locations, characters' costumes, expressions to capture and music options for different parts of the story. The storyboard and shot list demonstrate thorough planning for the visual components of telling the story.
The opening sequence uses nonlinear narrative structure with flashbacks to establish the main character, Jodie, who is struggling with her identity as a transgender person. Conflict is shown through flashbacks of Jodie being shouted at by her mother and unhappy with her appearance. Dramatic tension is built as Jodie has flashbacks while standing on a train track, implying she may commit suicide. The sequence aims to get the audience invested in Jodie's journey and internal conflict through the use of flashbacks and an ambiguous ending.
The document provides a timeline and details for a film opening sequence. It lists the main characters and their candidate numbers and color codes. It then provides two backup timelines that outline flashbacks and shots planned for the sequence. The document also discusses the genre as drama with subgenres of suicide drama, transsexual drama, identity drama, and prejudice drama. It notes the purpose is to demonstrate transsexual feelings and potentially change views, as well as allow transsexuals to relate to the issues. Finally, it mentions conventions will be used, developed, or challenged in the film.
The document provides a timeline and details for a film sequence about a transsexual character named Jodie. It includes:
1) A timeline with shots planned out from Jodie searching online about transsexuals to flashbacks of her interactions with her mother and friends to shots of her walking towards train tracks and looking over a bridge.
2) Analysis of the genre as a drama focusing on suicide, transsexual issues, identity, and prejudice with the purpose of demonstrating transsexual feelings and potentially changing viewers' perspectives.
3) Mention of genre conventions like conflict and how they are used, developed, or challenged in the sequence.
The document provides a timeline and description of scenes for a film opening sequence. Key details include:
- The sequence includes flashbacks showing the main character Jodie searching online about transgender topics and experiencing conflict with family over gender identity.
- Scenes depict Jodie looking unhappy in the mirror and getting shouted at by her mother for wearing boys' clothes.
- The final flashback shows Jodie and friends discussing what to wear to prom as she draws a suit, before a scene shows Jodie standing near train tracks.
1) Amy stops Jodie and takes her upstairs to question her about using drugs.
2) When upstairs, detective Monae searches Jodie for drugs and finds flour meant to represent drugs.
3) The document includes storyboards, scripts, shot lists, costumes and props needed to film the interaction between Amy, Jodie, and Monae.
1) Amy stops Jodie and takes her upstairs to question her about using drugs.
2) When upstairs, detective Monae searches Jodie for drugs and finds flour meant to represent drugs.
3) The detectives question Jodie about why she had the drugs while giving her intense stares.
The document provides details for the planning and research of an opening sequence for a film. It includes the names and candidate numbers of four students working on the project: Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. It then provides a storyboard, script, and shot list detailing shots planned for the opening sequence, including establishing shots, close-ups, and flashback scenes showing the main character Jodie's journey with her identity and struggles with family. Locations, target audience, and other production details are also outlined.
The document provides a shot list and storyboard for a short film about a character named Jodie who is exploring her gender identity. The shot list includes several close-ups showing Jodie's reactions and emotions as she has flashbacks about putting on a fake beard and being shouted at by her mother. The storyboard and shot list suggest the film will follow Jodie's journey of self-discovery through a series of flashbacks and scenes taking place on a train platform and at her home.
The document provides a shot list and storyboard for a short film about a character named Jodie who is exploring her gender identity. The shot list includes several close-ups showing Jodie's reactions and emotions as she has flashbacks about putting on a fake beard and being shouted at by her mother. The storyboard and shot list suggest the film will follow Jodie's journey of self-discovery and dealing with societal pressures through a series of flashbacks.
The document provides a shot list and storyboard for a short film about a character named Jodie who is struggling with her gender identity. The shot list includes several close-ups showing Jodie's reactions and emotions as she has flashbacks about wanting to change her identity but facing resistance from family. It also lists the locations that will be used to film scenes at Jodie's house and the train station.
This document contains rough sketches and ideas for 4 advertisements and 4 digital product specifications (DPS) created by a team including Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk. The advertisements and DPS cover a range of concepts that were drafted but not fully developed.
This document lists 20 pieces of copyrighted material that permission was sought to use for a project, including video game clips, images, and advertisements. The source and length of time used for each piece of material is documented.
Final draft planning shotlist and storyboardpamelayounes
This document contains a storyboard and shotlist for a documentary. It includes descriptions of 56 shots across various locations like Trafalgar Square, a bus, Pam's house, and Jerome's house. The shots include wide shots, close-ups, over the shoulder shots, and more. Each shot listing indicates the shot type, location, and any necessary costumes or props. The storyboard and shotlist suggest the documentary will cover topics like technology use in public spaces and playing video games at home.
This document discusses different aspects of advertising in newspapers and magazines, including the Daily Mail newspaper and Essence magazine. For the Daily Mail, it notes that they put a reasonable amount of ad space and take up half a page to make ads more noticeable, but that the newspaper's cost means only some people see the ads. For Essence magazine, it likes how the title is in the middle rather than the top, having images bleed at the bottom, and a main focal image to visualize the article topic. However, it also notes Essence can be too bulky for some.
This document provides information about JiveWorld13, an annual customer event hosted by Jive Software. The event will take place October 22-24, 2013 in Las Vegas, Nevada, with over 1700 Jive customers, partners, and prospects in attendance. Attendees will hear from over 55 customers on using social software to impact business areas like productivity, sales, and marketing. The agenda includes keynote sessions, breakout sessions on topics like social intranets and analytics, and networking opportunities. Registration is currently open on Jive's website.
El documento presenta los resultados de las votaciones en diferentes ciudades de varios países. Muestra el número de votos obtenidos en 4 rondas de votación para Londres, París, Madrid y otras 2 ciudades, con un total al final.
The document discusses horror genre conventions across different subgenres and hybrid genres. It provides examples of classic horror films that established conventions like dark lighting and isolation. Subgenres discussed include horror-thriller, horror-comedy, horror-romance, and horror-action. Hybrid genres mentioned are horror-romance-musical, horror-drama-documentary, and horror-romance-action. Each subgenre and hybrid is defined by its purpose and conventions are provided for film examples.
The document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It defines shots like establishing shots, wide shots, long shots, mid shots, close ups, and extreme close ups. It also covers camera angles such as low angles, high angles, and canted angles. Common camera movements like pans, tilts, tracks, zooms, dollies, and cranes are explained. Principles of composition like balance, symmetry, asymmetry, and the rule of thirds are also outlined.
This document introduces various training programs offered by Fifth Quadrant Business Development Pvt. Ltd. It begins by welcoming the reader and stating the company's aim is to deliver high returns on investment through specialized, results-oriented training programs. The programs range from short workshops to longer interventions and are customized to meet specific goals. Indexes of program topics are provided such as negotiations, sales, breakthrough achievement, coaching, innovation, leadership development, and teaching approach. Contact information is also included to inquire about any questions.
The document provides a detailed storyboard and shot list for a film project. It includes over 60 shots ranging from establishing shots, close-ups, mid shots and more. It outlines the type of shot, description of the scene, and any relevant props or costumes. The storyboard and shot list suggest the film will follow a character named Jodie and include flashbacks as she sits at a train station.
The document provides a detailed storyboard and shot list for a film project. It includes over 60 shots ranging from establishing shots, close-ups, mid shots and more. It outlines the scenes, locations, characters' costumes, expressions to capture and music options for different parts of the story. The storyboard and shot list demonstrate thorough planning for the visual components of telling the story.
The opening sequence uses nonlinear narrative structure with flashbacks to establish the main character, Jodie, who is struggling with her identity as a transgender person. Conflict is shown through flashbacks of Jodie being shouted at by her mother and unhappy with her appearance. Dramatic tension is built as Jodie has flashbacks while standing on a train track, implying she may commit suicide. The sequence aims to get the audience invested in Jodie's journey and internal conflict through the use of flashbacks and an ambiguous ending.
The document provides a timeline and details for a film opening sequence. It lists the main characters and their candidate numbers and color codes. It then provides two backup timelines that outline flashbacks and shots planned for the sequence. The document also discusses the genre as drama with subgenres of suicide drama, transsexual drama, identity drama, and prejudice drama. It notes the purpose is to demonstrate transsexual feelings and potentially change views, as well as allow transsexuals to relate to the issues. Finally, it mentions conventions will be used, developed, or challenged in the film.
The document provides a timeline and details for a film sequence about a transsexual character named Jodie. It includes:
1) A timeline with shots planned out from Jodie searching online about transsexuals to flashbacks of her interactions with her mother and friends to shots of her walking towards train tracks and looking over a bridge.
2) Analysis of the genre as a drama focusing on suicide, transsexual issues, identity, and prejudice with the purpose of demonstrating transsexual feelings and potentially changing viewers' perspectives.
3) Mention of genre conventions like conflict and how they are used, developed, or challenged in the sequence.
The document provides a timeline and description of scenes for a film opening sequence. Key details include:
- The sequence includes flashbacks showing the main character Jodie searching online about transgender topics and experiencing conflict with family over gender identity.
- Scenes depict Jodie looking unhappy in the mirror and getting shouted at by her mother for wearing boys' clothes.
- The final flashback shows Jodie and friends discussing what to wear to prom as she draws a suit, before a scene shows Jodie standing near train tracks.
1) Amy stops Jodie and takes her upstairs to question her about using drugs.
2) When upstairs, detective Monae searches Jodie for drugs and finds flour meant to represent drugs.
3) The document includes storyboards, scripts, shot lists, costumes and props needed to film the interaction between Amy, Jodie, and Monae.
1) Amy stops Jodie and takes her upstairs to question her about using drugs.
2) When upstairs, detective Monae searches Jodie for drugs and finds flour meant to represent drugs.
3) The detectives question Jodie about why she had the drugs while giving her intense stares.
The document provides details for the planning and research of an opening sequence for a film. It includes the names and candidate numbers of four students working on the project: Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. It then provides a storyboard, script, and shot list detailing shots planned for the opening sequence, including establishing shots, close-ups, and flashback scenes showing the main character Jodie's journey with her identity and struggles with family. Locations, target audience, and other production details are also outlined.
The document provides a shot list and storyboard for a short film about a character named Jodie who is exploring her gender identity. The shot list includes several close-ups showing Jodie's reactions and emotions as she has flashbacks about putting on a fake beard and being shouted at by her mother. The storyboard and shot list suggest the film will follow Jodie's journey of self-discovery through a series of flashbacks and scenes taking place on a train platform and at her home.
The document provides a shot list and storyboard for a short film about a character named Jodie who is exploring her gender identity. The shot list includes several close-ups showing Jodie's reactions and emotions as she has flashbacks about putting on a fake beard and being shouted at by her mother. The storyboard and shot list suggest the film will follow Jodie's journey of self-discovery and dealing with societal pressures through a series of flashbacks.
The document provides a shot list and storyboard for a short film about a character named Jodie who is struggling with her gender identity. The shot list includes several close-ups showing Jodie's reactions and emotions as she has flashbacks about wanting to change her identity but facing resistance from family. It also lists the locations that will be used to film scenes at Jodie's house and the train station.
This document contains rough sketches and ideas for 4 advertisements and 4 digital product specifications (DPS) created by a team including Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk. The advertisements and DPS cover a range of concepts that were drafted but not fully developed.
This document lists 20 pieces of copyrighted material that permission was sought to use for a project, including video game clips, images, and advertisements. The source and length of time used for each piece of material is documented.
Final draft planning shotlist and storyboardpamelayounes
This document contains a storyboard and shotlist for a documentary. It includes descriptions of 56 shots across various locations like Trafalgar Square, a bus, Pam's house, and Jerome's house. The shots include wide shots, close-ups, over the shoulder shots, and more. Each shot listing indicates the shot type, location, and any necessary costumes or props. The storyboard and shotlist suggest the documentary will cover topics like technology use in public spaces and playing video games at home.
Final draft planning – timeline and script.pamelayounes
The document provides a timeline and script for a final draft planning video on the history and impact of video games. The 3-minute video is divided into 3 sections: a 1-minute introduction discussing the history and evolution of video games from Pong to Angry Birds; a 2-minute section on the portrayal of gender in different game genres and the representation of gender in games and media; and a final 2-minute section introducing an experiment on people's perceptions of gender representation in games and interviews on whether gender portrayal has improved or worsened over time. Public interviews and archival footage are included throughout to illustrate different perspectives.
The document summarizes audience feedback from test screenings of documentary drafts and ancillary materials related to a documentary about video games. It includes tables with the name, gender, and age of audience members, their feedback, and how the creators addressed the feedback in subsequent drafts. The feedback helped the creators improve elements like filming locations, script details, graphics, and character costumes to make the documentary and materials more clear, engaging, and representative of their topics.
This document lists 20 pieces of copyrighted material including video game clips, images, and music videos. It provides the title, source, and time used for each piece of evidence for which permission was sought. The materials range from early video game clips from the 1970s to more recent games and videos from the 2010s and span a variety of genres for use in an upcoming project.
The document outlines multiple drafts and revisions of a documentary, magazine spread, and newspaper advertisement. Feedback was received from an audience on each draft, and changes were implemented in response. Key points of feedback included issues with matching clothing, locations, titles/topics, lighting, and layout/design. Across drafts, elements like images, color schemes, wording, and formatting were altered based on the audience feedback to improve clarity, professionalism and relevance to the piece's topic on video games.
Final draft location, costume, actors and props pamelayounes
The document outlines the locations, costumes, actors, and props used for a film project. It lists the canal park royal and convent of jesus and Mary as locations for public and expert interviews. It also mentions filming at Pam's house to introduce an experiment. The costume section lists a green jacket, Doc Martens, black top, and black jeans. The actors section notes a presenter before and after in a chosen costume. Props included a Wii used in a montage and 1-minute introduction.
This document outlines the locations, costumes, actors, and props used for a film project. The locations included a canal park, convent, and a house. Costumes consisted of a green jacket, Doc Martens boots, black top, and black jeans. The document lists a presenter as an actor before and after being in costume. Props were used in an experiment filmed for the project.
The document outlines the locations, costumes, actors, and props used for a documentary film project. It lists the Convent of Jesus and Mary School, Park Royal, and Hyde Park as filming locations. It describes the presenter's costume as a grey Hollister jacket, light brown Uggs, True Religion jeans, and a dark green jumper. It also notes that actors were used for the presenter before and after scenes, and that props included an iPad, two video games, and game controllers.
This document outlines the locations, costumes, actors, and props used for a film project. The locations included a canal park, convent, and a house. The costumes consisted of a green jacket, Doc Martens boots, black top, and black jeans. The actors included a presenter before and after being in costume. Props were used in an experiment filmed for the project.
This document appears to be a draft photo record for a newspaper advertisement project containing 4 names and listing "Newspaper Advert" and "Double Page Spread" as potential formats. The record seems to document preliminary planning for a collaborative newspaper or magazine advertisement by the 4 named individuals.
This document contains draft planning for ancillary materials including rough sketches for a newspaper advertisement and double page spread. The planning was done by Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk.
This document contains draft planning for ancillary materials including rough sketches for a newspaper advertisement and double page spread. The planning appears to involve Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk.
This document contains rough sketches and ideas for 4 advertisements and 4 digital product specifications (DPS) created by a team including Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk. The advertisements and DPS cover a range of concepts that were drafted as part of an assignment.
The document summarizes ancillary locations, actors, costumes, and props used for a final project. It lists Laura's house and the Convent of Jesus and Mary as locations where pictures were taken. Pamela Younes and Abigail Menzies are named as actors. Costumes for an advert featuring Pam and Laura are described. For a double page spread, a grey hoodie borrowed from Laura and blue jeans are listed as Pamela's costume. The document concludes that certain props were used in the double page spread.
Laura's house was used as the location for photographs of Laura and Pam taken for a newspaper advertisement and double page spread. Costumes for Laura included black shorts, a black vest top and doc martens, while Pam wore holister shorts, a pink belly top and river island heels. The props used in the shoots were not specified.
This document outlines the ancillary details for a project including four locations used - Laura's living room and white wall for photographs, actors including Pamela Younes, costumes consisting of skinny jeans and a crop top already owned by Pamela Younes, and black leggings and vest top also already owned, and props of a PS4 game console, iPad 3, and PS4 controller used in photographs.
We took pictures of a 15-year-old boy and 12-year-old girl in an unspecified location. The actors were Joe Younes, age 15, who enjoys playing PS4 and iPad, and Cynthia Younes, age 12, who likes playing iPad and multiplayer games with Joe. They were dressed in clothing like Hollister jumpers, Nike shoes, Diesel jeans, and purple leggings and Converse shoes that had already been purchased. Props included a PS4 game console, iPad 3, and PS4 game control.
HD Video Player All Format - 4k & live streamHD Video Player
Discover the best video playback experience with HD Video Player. Our powerful, user-friendly app supports all popular video formats and codecs, ensuring seamless playback of your favorite videos in stunning HD and 4K quality. Whether you're watching movies, TV shows, or personal videos, HD Video Player provides the ultimate viewing experience on your device. 🚀
You know you're an adult when every check-up gets you down. View What Going to the Doctor is Like as an Adult and more funny posts on salty vixen stories & more-saltyvixenstories.com
Party Photo Booth Prop Trends to Unleash Your Inner StyleBirthday Galore
Are you planning an unforgettable event and looking for the best photo booth props to make it a memorable night? Party photo booth props have become essential to any celebration, allowing guests to capture priceless memories and express their personalities. Here, we'll explore the hottest party photo booth prop trends that will unleash your inner style and create a buzz-worthy experience with Birthday Galore!
For more details visit - birthdaygalore.com
Enhance Your Viewing Experience with Gold IPTV- Tips and Tricks for 2024.pdfXtreame HDTV
In the ever-evolving landscape of digital entertainment, IPTV (Internet Protocol Television) has emerged as a popular alternative to traditional cable and satellite TV services. Offering unparalleled flexibility, a vast selection of channels, and affordability, IPTV services like Gold IPTV have revolutionized the way we consume television content. This comprehensive guide will delve into everything you need to know about Gold IPTV, its features, benefits, setup process, and how it can enhance your viewing experience.
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
Follow us on: Pinterest
Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
From Teacher to OnlyFans: Brianna Coppage's Story at 28get joys
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
The Evolution and Impact of Tom Cruise Long Hairgreendigital
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
Follow us on: Pinterest
Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
2. Timeline
Close up of
Long shot Jodie going
Establishing of Jodie Mid shot of Side shot Close up of
of Jodie into the Close up of the
Fox shot of Kensal sitting at Jodie sitting on flashback. Jodie typing. screen.
the sitting on
searchlight Green. the bench.
the bench.
pictures. station.
0-25 25-28 28-29 29-31 33-36 36-38
31-33 38-40
Over the
shoulder Close up of Long shot Mid shot Mid shot
Side shot of Jodie’s of Jodie
Side shot of shot of of Jodie Jodie coming of Jodie on
legs
Close up of
thinking.
Jodie looking Jodie Close up of shaking out of the bench, her
shaking.
Jodie’s legs
at the looking the words. her head. flashback. legs are shaking.
screen. at the shaking.
screen.
40-43 43-45 45-46 46-48 48-52 52-54 54-56 56-58 58-60
3. Side shot of Over the
Close up of Long shot of Jodie putting on shoulder shot Close up of Slow zoom of Jodie Mid shot of
Jodie going Jodie putting beard. of Jodie Jodie’s reflection coming out of the Jodie wiping her
into the looking at in the mirror. flashback. tears
on her beard.
flashback. herself in the
mirror.
1.00-1.02 1.02-1.04 1.04-1.06 1.06-1.09 1.09-1.11 1.12-1.14
1.11-1.12
Over head shot Mid shot Close up of
of Jodie. Close up shot of Jodie Monica’s
Close up shot Mid shot of going into the dancing in Mid shot of Mid shot hand on the
of the timer. Jodie flashback . the Jodie’s mum. of Jodie door
mirror.
1.14-1.15 1.15-1.17 1.17-1.19 1.19-1.20 1.20-1.26 1.26-1.27 1.27-1.28 1.28-1.29
Close up
Close up of Long shot of Jodie
Two shot of Close up of Long shot of going into
Mid shot of Jodie sliding Jodie shaking of Jodie
Jodie and Mid shot of Jodie standing flashback.
Monica Monica Monica down the door. her head.
up.
1.29-1.31 1.31-1.33 1.33-1.35 1.35-1.40 1.40-1.47 1.47-1.49 1.49-1.51 1.51-1.53
4. Close up of Over the
Three way shot. Mid shot of ipad Mid shot of Close up of Mid shot Close up of shoulder
Monae Amy ipad of Jodie ipad shot
1.53-1.54 1.54-1.57 1.57-1.60 2.00-2.03 2.03-2.05 2.05-2.08 2.08-2.11 2.11-2.14
Over the Close up of
Close up of Mid shot of Long Jodie
Mid shot of shoulder shot of POV shot
ipad Amy and shot coming out
Amy Monae Three way shot. Jodie of into
flashback.
2.14-2.17 2.17-2.19 2.19-2.23 2.23-2.26 2.26-2.29 2.29-2.31 2.31-2.33 2.33-2.37
Close up shot POV of Close up of
of the timer. tracks and Jodie's feet
train.
2.37-2.39 2.39-2.42 2.42-2.45
5. Actors
Jodie Monae
Before After (in Before After (in
(normal) character) (normal) character)
7. Website used for free copy right: http://freeplaymusic.com/search/keyword_search.php
Music and sound
Music name: Native American
This would be played at the
beginning of the opening
sequence (non-diegetic
sound). This would be at the
beginning because:
Its slow paced, and there
is no tension at the
beginning of the opening
sequence
Its not up beat, which
means the music
corresponds with the
footage.
8. Website used for free copy right: http://freeplaymusic.com/search/keyword_search.php
Music and sound
Music name: Kyrie
This would be our option 2 to be
played at the beginning of the
opening sequence (non-diegetic
sound). This would be at the
beginning because:
Because its really slow and
therefore it would work well
with Jodie as Jodie is walking
slow and thinking which
means there should be calm
music
However we chose this as
option 2 as its really slow
and there's choir music in
the background which can
disturb the audience, this
might make the audience
focus on the music rather
than Jodie.
9. Website used for free copy right: http://freeplaymusic.com/search/keyword_search.php
Music and sound
Music name: Mountains
This would be played at the
end of the opening
sequence (non-diegetic
sound). This would be at the
end because:
It starts slow then speeds
up as Jodie starts thinking
whether she would jump
or not
This would also be god
because the shots gets
faster which builds up
tension, and the music
would have to
correspond with the
footage for it to make
sense
17. Shot list
Type of shot Description Prop/costumes
Establish shot A shot of Kensal Green station N/A
Long shot Showing jodie from a distance Hat, earrings, jacket,
trousers, trainers
Mid shot Of jodie thinking Hat, earrings, jacker
Side long shot Jodie thinking Hat, earrings, jacket,
trousers, trainers
Close up Jodie thinking a lot, and she is Hat, earrings
about to have a flashback
18. Shot list
Type of shot Description Prop/costumes
POV Jodies point of view, when she is N/A
typing on the keyboard
Establish shot A shot of the screen, so the N/A
audience are aware what she is
about to research
Side long shot Of jodie on the computer Hat, earrings, jacket,
searching about transgender trousers, trainers
surgury
Over shoulder We can see jodie searching on the Hat, earring, top
computer from a different angle
Extreme close up Of the word ‘surgury’ which we N/A
thought would be verry important
19. Shot list
Type of shot Description Prop/costumes
Extreme close up Of the word breast removal, as N/A
this is also important
Mid shot So the audience can see jodies Hat, earrings, top
reaction to what she just
researched
Close up Of jodie coming back from her Hat, earrings
flashback, and it would be clear to
the audience that she is back in
reality and is in the train station
Long shot Of jodie body reaction and facial Hat, earrings, jacket,
expression trousers, trainers
Close up shot Of jodies legs shaking Trousers, trainers
20. Shot list
Type of shot Description Prop/costumes
Extreme close up A shot of jodies leg shaking a bit Trainers, trousers
more
Long shot Jodie thinking Hat, earrings, jacket,
trousers, trainers
Close up Jodie thinking a lot, and she is Hat, earrings
about to have a flashback
Establish shot Of jodie in her room, applying her Hat, earrings, waist coat,
beard trousers, trainers
Mid shot Of jodie applying her beard and Hat, earrings, waist coat
can see her reflection on the
mirror
21. Shot list
Type of shot Description Prop/costumes
Close up To show clearly to the audience Hat, earing
how jodie is applying it, and you
can also see her reflection on the
mirror
Side mid shot Of jodie looking at her self in the Hat, earring, waist coat
mirror
Extreme close up of jodies eye tearing up N/A
Close up Of jodie coming back from her Hat, earring
flashback, and it would be clear to
the audience that she is back in
reality and is in the train station,
while is she crying
Mid shot Showing jodie wiping away her Hat, earrings, jacket
tears, because a man should
never cry
22. Shot list
Type of shot Description Prop/costumes
Over head Of jodie siting on the bench and Hat, earrings, jacket,
thinking about what she will do trousers, trainers
about her life
Mid shot Of jodie thinking Hat, earrings
Close up Jodie thinking a lot, and she is Hat, earrings
about to have a flashback
Establish shot Jodie dancing like a guy infornt of Waist coat, top, trousers,
the mirror, and can see her trainers, hat, earrings
reflection on the mirror
Long shot from A shot of jodies mum walking Top, trousers, Uggs
the back towards jodies room while on the
phone
23. Shot list
Type of shot Description Prop/costumes
Extreme close up Jodies mum pushing the door to N/A
come into jodies room
Establish shot of jodie mum in jodies room, and Jodies mum: top,
jodie stops dancing, and them trousers, Uggs
having a conversation
Jodie: Waist coat, top,
trousers, trainers, hat,
earrings
Long shot Of jodie slidding down the door, Waist coat, top, trousers,
because she is feeling upset trainers, hat, earrings
Close up Of jodie coming back from her Hat, earrings
flashback, and it would be clear to
the audience that she is back in
reality and is in the train station
Long shot Showing jodie getting up from the Hat, earrings, jacket,
bench, walking towards the end trousers, trainers
of the platform
24. Shot list
Type of shot Description Prop/costumes
Close up Of jodies leg walkig towards near Trousers, trainers
the edge of the platform
Establish shot The timer until the train comes N/A
build tension
Mid shot from The mid shot from the back to Jacket, hat, earrings
the back show that she is at the edge of
the train station
Close up Jodie thinking a lot, and she is Hat, earrings
about to have a flashback
Establish shot Of amy, moane and jdie talking, Amy: top, trousers,
having a conversation conversers, ipad
Moane: top, trousers,
boots, ipad
Jodie: hoodie, trousers,
trainers, ipad
25. Shot list
Type of shot Description Prop/costumes
Mid shot Amy talking to moane top, ipad
Close up Amys ipad showing monae what Ipad
shes going to wear to prom
Mid shot Mid shot of monae replying to top, ipad
amy
Close up Monae’s ipad showing monae Ipad
what shes going to wear to prom
Mid shot Jodie on her ipad looking at suits Hoodie, ipad, hat,
for prom earrings
26. Shot list
Type of shot Description Prop/costumes
Two shot Amy and moane asking jodie what Amy: top, trousers,
she will wear to prom conversers, ipad
Moane: top, trousers,
boots, ipad
Close up Amy snatching jodies ipad so she Ipad
is able to see what jodie is
looking at for prom
Two shot Showing amy;s and monae’s Amy: top, trousers,
reaction to jodies thoughts about conversers, ipad
what she wants to wear to prom
Moane: top, trousers,
boots, ipad
Mid shot Jodie saying what they should Hoodie, hat, earrings
think about her situation
Long shot Of jodie leaving the room hoodie, trousers, trainers,
hat, earrings
27. Shot list
Type of shot Description Prop/costumes
Long shot Jodie leaving g the room Hoodie, trousers, trainers,
hat, earrings
Close up To show Jodie's expression from the Hat, earrings
flashback, When Jodie comes back
to reality and carries on thinking
when she's on the train platform
Mid shot A shot behind Jodie looking at the Top, hat, earrings
platform
POV Shot of the tracks N/A
Close up To show her facial expression to Hat, earrings
how she is feeling about suicide
(confusion)
28. Shot list
Type of shot Description Prop/costumes
POV Shot of the train tracks N/A
Establish shot Shot of the train approaching N/A
Close up To show how she is feeling before Hat, earrings
she commits suicide
Establish shot Of the tracks N/A
Establish shot A shot of the train beside Jodie Top, hat, earrings
29. Group meeting record
Date Time People Agenda Targets Due Notes
attended (points to date/deadline
discuss)
21/2/13 2pm-8pm Whole group Discuss the Did the 25/2/13
preliminary storyboard,
script, short
list
25/2/13 3.20pm Whole group Discussed Had to put 1/3/13
ideas for our together a
opening strong idea
sequence
26/3/13 11am Monae, Discussed Had a 1/3/13 Monae and
Jodie and more ideas clearer idea. Amy further
Pam and putting discussed.
it together
1/3/13 3.20-4.30pm Monae and Discussed Change of Discussed with
Ms Connell everyone’s idea. everyone in
ideas. Change of group
storyline.
30. Group meeting record continued
Date Time People Agenda Targets Due Notes
attended date/deadline
4/3/13 10.40am The group Cleared up Had the full
the idea of idea of the
the opening opening
sequence sequence
5/3/13 9.50am The group Discussed Inputs on 8/3/13
the timeline the timeline
(planning) and backup
plan
6/3/13 3.30pm Monae, Discussed Finished 8/3/13 Went
Jodie, Amy the storyboard through this
storyboard, and script with Pam
script
34. Short Term planning
Day & time Filming what scene? Travel Equipment/costume/props
How will you checklist (what do you
get there? need to bring with you)
Sat Mar 9 - Filming all the train On bus Camera, tripod, ipad,
station scene costumes
Sun Mar 10 - Filming at Jodie's house On bus Camera, tripod, ipad, long
mirror (in bedroom),
computer, costume, paper
and pencil
Saturday 23 - Filming at Jodie’s house Bus Camera, tripod, iPad,
march costumes
Sunday 24 - Filming at the train Bus Camera, tripod, iPad, long
march station mirror (in bedroom),
computer, costume, paper
and pencil