Darin Dahms
                                            323.387.0316
                                       ddahms1969@yahoo.com
                                                 AESTHETIC
 There are two principles that guide my choices as a theatre artist. The first principle embraces the collaborative
quality of the Art. Everyone is treated with respect and their contributions are regarded as having intrinsic value.
  The ideal of ensemble is key. The second principle embraces the magical nature of theatre. In this ephemeral
       realm, we are free to explore the human condition limited only by the parameters of our imagination.


                                                 OBJECTIVE
I seek to continue to grow as an artist through collaboration with a variety of like minded individuals who are in-
                       terested in the ongoing exploration of the theatre and it’s possibilities .

                                                 DIRECTING
Cat’s—Paw (Actor’s Studio Production)                                    The Promenade Playhouse
Women of Manhattan (Actor’s Studio Production)                           Elephant Theatre
Butterflies of Uganda: The Memories of a Child Soldier                   Greenway Court Theatre
Someone Who’ll Watch over Me (with Niva Dorrell)                         Greenway Court Theatre
Fran and Brian (workshop reading for Jim McClure)                        Greenway Court Theatre
Slam!                                                                    University of South Carolina
Stage Blood                                                              Indiana University at South Bend
The Adventures of Tom Sawyer                                             Indiana University at South Bend
Feeding the Moonfish                                                     Indiana University at South Bend
The Author’s Voice                                                       Indiana University at South Bend

                                              ACHIEVEMENT
      BEST DIRECTOR (LOCAL) Butterflies of Uganda 18th Annual NAACP Theatre Awards
                       ACTOR’S STUDIO LIFETIME MEMBER
                        Member of Actor’s Equity Association

                                         EDUCATION
                 Master of Fine Arts in Acting—University of South Carolina
               Bachelor of the Arts in Acting—Indiana University at South Bend
                      Milwaukee Repertory Theatre—Acting Internship
                                                   HISTORY
Production Manager, Greenway Court Theatre (2001—present): Oversee operations of theatre, schedule, and
work in a variety of technical aspects including lighting, sound and scenic construction.
Assistant Director/Group Leader, Theatricum Botanicum (2004-2006): Youth Drama Camp. Shakespeare,
Improv, Voice, Stage Combat, to students K-12.
Teaching Assistant, University of South Carolina (1998-2000): Intro Acting, Movement for the Actor, Intro to
Alexander Technique.

                                            QUALIFICATIONS
  I have been involved in virtually every aspect of the theatre from acting to directing to scene construction and
painting to lighting to writing. I am able to easily and efficiently communicate my ideas to an ensemble of actors
or a team of designers. Moreover, I understand specifically their needs and requirements. I am a director who is
capable of lucidly grasping the whole picture. Also, I understand the limitations of space and budget and I am ca-
    pable of creating much with little. My ego is small, my imagination is large. I am a pleasure to work with.

     References—available upon request                      Acting Resume—available upon request

Directing Resume

  • 1.
    Darin Dahms 323.387.0316 ddahms1969@yahoo.com AESTHETIC There are two principles that guide my choices as a theatre artist. The first principle embraces the collaborative quality of the Art. Everyone is treated with respect and their contributions are regarded as having intrinsic value. The ideal of ensemble is key. The second principle embraces the magical nature of theatre. In this ephemeral realm, we are free to explore the human condition limited only by the parameters of our imagination. OBJECTIVE I seek to continue to grow as an artist through collaboration with a variety of like minded individuals who are in- terested in the ongoing exploration of the theatre and it’s possibilities . DIRECTING Cat’s—Paw (Actor’s Studio Production) The Promenade Playhouse Women of Manhattan (Actor’s Studio Production) Elephant Theatre Butterflies of Uganda: The Memories of a Child Soldier Greenway Court Theatre Someone Who’ll Watch over Me (with Niva Dorrell) Greenway Court Theatre Fran and Brian (workshop reading for Jim McClure) Greenway Court Theatre Slam! University of South Carolina Stage Blood Indiana University at South Bend The Adventures of Tom Sawyer Indiana University at South Bend Feeding the Moonfish Indiana University at South Bend The Author’s Voice Indiana University at South Bend ACHIEVEMENT BEST DIRECTOR (LOCAL) Butterflies of Uganda 18th Annual NAACP Theatre Awards ACTOR’S STUDIO LIFETIME MEMBER Member of Actor’s Equity Association EDUCATION Master of Fine Arts in Acting—University of South Carolina Bachelor of the Arts in Acting—Indiana University at South Bend Milwaukee Repertory Theatre—Acting Internship HISTORY Production Manager, Greenway Court Theatre (2001—present): Oversee operations of theatre, schedule, and work in a variety of technical aspects including lighting, sound and scenic construction. Assistant Director/Group Leader, Theatricum Botanicum (2004-2006): Youth Drama Camp. Shakespeare, Improv, Voice, Stage Combat, to students K-12. Teaching Assistant, University of South Carolina (1998-2000): Intro Acting, Movement for the Actor, Intro to Alexander Technique. QUALIFICATIONS I have been involved in virtually every aspect of the theatre from acting to directing to scene construction and painting to lighting to writing. I am able to easily and efficiently communicate my ideas to an ensemble of actors or a team of designers. Moreover, I understand specifically their needs and requirements. I am a director who is capable of lucidly grasping the whole picture. Also, I understand the limitations of space and budget and I am ca- pable of creating much with little. My ego is small, my imagination is large. I am a pleasure to work with. References—available upon request Acting Resume—available upon request