This document compares and evaluates the opening scenes of two films, "Dead Lazy" and "The Last Call". It finds that "Dead Lazy" introduces its narrative and backstory more effectively through a mysterious prologue scene. In contrast, "The Last Call" lacks a prologue and reveals the backstory later. It also notes that "Dead Lazy" establishes a better production quality through its more elaborate title sequence and use of intertextuality, like a radio broadcast adding context, while "The Last Call" focuses more directly on introducing the characters. The document concludes by observing how the different films employ techniques like these to suit their desired tones and conveyances.