"Рождество в Латинском квартале" - так назывался первый бал, который Executive.ru провел вместе с компаниями OnTheList и "Венский бал" 14 декабря 2014 года
The document provides an analysis of the front covers of three magazines: Q, Top of the Pops, and Kerrang!. For each magazine, key elements of the cover are described, including the central image, masthead, house style, coverline, and any unique design elements. Overall, the analyses examine how the visual components are tailored for each publication's target audience and aim to attract readers through recognizable branding and intriguing central images and stories.
This document provides an overview of HTML5, including its goals to have the power of native applications across platforms while reducing the need for plugins. It describes new HTML5 tags like <video>, <audio>, and <canvas> for multimedia, as well as <section>, <header>, and <footer> for better document structure. The document also discusses HTML5's support for geolocation, drag and drop, and offline storage. It compares HTML5 to Flash and outlines browser compatibility for HTML5. Resources for learning more about HTML5 tags and examples are provided.
This document profiles the target audience for a marketing pitch as mainly female, aged 16-23, who are students interested in fashion, music, and social media. It notes they enjoy brands like Starbucks and Topshop, and spend leisure time with friends shopping and on their phones/computers. Safety tips are also provided for filming a music video in the town of Ludlow, noting hazards like traffic, crowds, weather, and stairs.
Executive.ru – это не только самая интеллектуальная сеть Рунета, но и театр, на виртуальные подмостки которого ежедневно выходят тысячи людей, надевающих маски «шутов», «пасторов», «кокеток»… Что движет актерами? И что плохого в том, что власть в Сообществе могут захватить «зануды»?
The document discusses the use of various technologies for a music video project. It describes using a blog to organize coursework, PowerPoint for presentations, Slideshare to upload presentations online, Prezi for an audience profile, Facebook for feedback, YouTube to contact an artist and research music videos, Final Cut Express to edit the video, a video camera to film footage, Photoshop for print products, and Outlook Calendar to manage timelines, though issues with scheduling the performer caused delays.
The document provides an introduction to the magazine Q, describing its founding in 1986 by Bauer Media Group. Key details about the magazine include its recognizable masthead featuring the red and white logo and consistent color scheme intended to make the magazine identifiable to audiences. The summary also touches on common magazine design elements like the central cover image, puff text to promote exclusive stories, and use of mise-en-scene to convey certain meanings or feelings through things like a cover model's clothing and expression.
The document provides an analysis of the front covers of three magazines: Q, Top of the Pops, and Kerrang!. For each magazine, key elements of the cover are described, including the central image, masthead, house style, coverline, and any unique design elements. Overall, the analyses examine how the visual components are tailored for each publication's target audience and aim to attract readers through recognizable branding and intriguing central images and stories.
This document provides an overview of HTML5, including its goals to have the power of native applications across platforms while reducing the need for plugins. It describes new HTML5 tags like <video>, <audio>, and <canvas> for multimedia, as well as <section>, <header>, and <footer> for better document structure. The document also discusses HTML5's support for geolocation, drag and drop, and offline storage. It compares HTML5 to Flash and outlines browser compatibility for HTML5. Resources for learning more about HTML5 tags and examples are provided.
This document profiles the target audience for a marketing pitch as mainly female, aged 16-23, who are students interested in fashion, music, and social media. It notes they enjoy brands like Starbucks and Topshop, and spend leisure time with friends shopping and on their phones/computers. Safety tips are also provided for filming a music video in the town of Ludlow, noting hazards like traffic, crowds, weather, and stairs.
Executive.ru – это не только самая интеллектуальная сеть Рунета, но и театр, на виртуальные подмостки которого ежедневно выходят тысячи людей, надевающих маски «шутов», «пасторов», «кокеток»… Что движет актерами? И что плохого в том, что власть в Сообществе могут захватить «зануды»?
The document discusses the use of various technologies for a music video project. It describes using a blog to organize coursework, PowerPoint for presentations, Slideshare to upload presentations online, Prezi for an audience profile, Facebook for feedback, YouTube to contact an artist and research music videos, Final Cut Express to edit the video, a video camera to film footage, Photoshop for print products, and Outlook Calendar to manage timelines, though issues with scheduling the performer caused delays.
The document provides an introduction to the magazine Q, describing its founding in 1986 by Bauer Media Group. Key details about the magazine include its recognizable masthead featuring the red and white logo and consistent color scheme intended to make the magazine identifiable to audiences. The summary also touches on common magazine design elements like the central cover image, puff text to promote exclusive stories, and use of mise-en-scene to convey certain meanings or feelings through things like a cover model's clothing and expression.
The document analyzes the music video for the song "People Help the People" by Birdy. It discusses several aspects of the video that are typical of the indie music genre, including:
1) The black and white vintage style of the video and costumes fits with Birdy's image and the indie genre.
2) The colorful warehouse setting and Birdy's shiny vintage jumpsuit are strong representations of the colorful, vintage-inspired indie genre.
3) The inclusion of a dance routine shows it is a performance music video, which is common in indie videos, similar to Vampire Weekend.
4) The dancers' bold, bright outfits and fast pacing of the video help get
The music video for Lady Gaga feat. Beyoncé's "Telephone" demonstrates several of Andrew Goodwin's theories about music videos. There is a relationship between the lyrics and visuals when images of telephones are shown. The music and visuals are also connected, with edits happening on the beat. As a pop song, the video features dance routines and changing costumes, fitting the genre. Close-ups of the artists satisfy record label demands to promote the stars. The video references voyeurism and includes intertextual nods to films with opening and end credits, as well as a reference to a TV show.
The document discusses the influences and development process behind a student media project creating a music video. It was inspired by the song "Glue" by Nina Nesbitt which they discovered researching unsigned artists. They aimed for a vintage, quirky style and were influenced by similar artists, imagery telling a narrative, and the 2012 London Olympics countdown. Audience feedback guided improvements like adding more performance footage and consistency in packaging design. While some conventions like linking lyrics and visuals were used, the video took a less typical, more narrative approach to try something original.
Lavanya Challa has over 13 years of experience as a Project Manager in KPO/ITES. She has managed projects with multiple vendors and teams located across geographies. Some of her responsibilities include interacting with clients, understanding project goals, managing resources, and ensuring projects are delivered on time. She has experience in various industries including architecture, telecom, and utilities. Lavanya holds an International Executive MBA and is a certified Lean Six Sigma Black Belt.
The group has decided to feature one main actress and themselves in their music video. They will do this to relate better to their target audience of similar-aged girls. The four group members will hold up signs with lyrics while some may play guitar or sing along. They identify the singer and each of their roles, including two that will hold lyrics boards as they suit the vintage look for the target genre and genre. A third will also hold lyrics boards as she similarly suits the genre and knows what is wanted from the video. The group identifies someone as a good main character who can pull off the look for the target audience and is enthusiastic, appealing to them, and available for filming.
The document describes the process of designing and creating a music magazine. It discusses researching real music magazines for inspiration on layout elements. Key aspects included on the front cover, contents page, and double page spreads are described. Color scheme, fonts, and content were tailored to represent the target audience of young girls aged 11-17. The creator learned new skills using software like Photoshop and InDesign to design the magazine.
The document analyzes the music video for the song "People Help the People" by Birdy. It discusses several aspects of the video that are typical of the indie music genre, including:
1) The black and white vintage style of the video and costumes fits with Birdy's image and the indie genre.
2) The colorful warehouse setting and Birdy's shiny vintage jumpsuit are strong representations of the colorful, vintage-inspired indie genre.
3) The inclusion of a dance routine shows it is a performance music video, which is common in indie videos, similar to Vampire Weekend.
4) The dancers' bold, bright outfits and fast pacing of the video help get
The music video for Lady Gaga feat. Beyoncé's "Telephone" demonstrates several of Andrew Goodwin's theories about music videos. There is a relationship between the lyrics and visuals when images of telephones are shown. The music and visuals are also connected, with edits happening on the beat. As a pop song, the video features dance routines and changing costumes, fitting the genre. Close-ups of the artists satisfy record label demands to promote the stars. The video references voyeurism and includes intertextual nods to films with opening and end credits, as well as a reference to a TV show.
The document discusses the influences and development process behind a student media project creating a music video. It was inspired by the song "Glue" by Nina Nesbitt which they discovered researching unsigned artists. They aimed for a vintage, quirky style and were influenced by similar artists, imagery telling a narrative, and the 2012 London Olympics countdown. Audience feedback guided improvements like adding more performance footage and consistency in packaging design. While some conventions like linking lyrics and visuals were used, the video took a less typical, more narrative approach to try something original.
Lavanya Challa has over 13 years of experience as a Project Manager in KPO/ITES. She has managed projects with multiple vendors and teams located across geographies. Some of her responsibilities include interacting with clients, understanding project goals, managing resources, and ensuring projects are delivered on time. She has experience in various industries including architecture, telecom, and utilities. Lavanya holds an International Executive MBA and is a certified Lean Six Sigma Black Belt.
The group has decided to feature one main actress and themselves in their music video. They will do this to relate better to their target audience of similar-aged girls. The four group members will hold up signs with lyrics while some may play guitar or sing along. They identify the singer and each of their roles, including two that will hold lyrics boards as they suit the vintage look for the target genre and genre. A third will also hold lyrics boards as she similarly suits the genre and knows what is wanted from the video. The group identifies someone as a good main character who can pull off the look for the target audience and is enthusiastic, appealing to them, and available for filming.
The document describes the process of designing and creating a music magazine. It discusses researching real music magazines for inspiration on layout elements. Key aspects included on the front cover, contents page, and double page spreads are described. Color scheme, fonts, and content were tailored to represent the target audience of young girls aged 11-17. The creator learned new skills using software like Photoshop and InDesign to design the magazine.