Luisa Russo - Direttore d'Orchestra, Compositore, Soprano / CURRICULUM VITAE EUROPEO in Inglese di una carriera insolita, un personaggio, una volontà, entusiasmo e tanto amore
David Hanner is a composer born in Germany who received degrees in piano performance and composition from conservatories in Germany and Austria. He earned his PhD in composition from the University at Buffalo where he also taught as an instructor and teaching assistant. His compositions span a variety of ensembles and have been performed internationally. He currently resides in Buffalo, NY where he continues to compose and give private piano lessons.
After receiving an excellent education in music performance and composition in Germany and Austria, the document subject had a successful career as a pianist, accompanist, musical coach, and opera house assistant in Europe and the United States. They went on to earn advanced degrees in music composition and taught music theory, counterpoint, composition, and piano lessons at the university level. The subject has composed for a wide variety of ensembles and their work has been performed at international festivals for contemporary music. They are now looking to make a meaningful contribution to the music community again through piano, teaching, and composition.
This document provides a summary of Eliah Zabaly's career and experience as a conductor, concert pianist, piano teacher, and baritone. It details his educational background and awards, performances and experience over his career, compositions and arrangements, and languages spoken. Zabaly was born in Paris and received his musical education at the National Conservatory of Music in Paris, where he received several prizes and awards. He has had a successful international career performing throughout Europe and Israel.
Beethoven was a musician from the Holy Roman Empire who played many instruments including piano, organ, violin, and viola. He lived in Vienna and died there in 1827.
Rome is the capital of Italy and the Lazio region, located in central Italy. The document discusses some of Rome's most famous monuments like the Colosseum and Pantheon, as well as transportation options including buses, subways, taxis, trains, and trams. However, it also notes that summer crowds can make it difficult to visit attractions in the city.
The document provides information about several lighthearted musical works intended to educate children about orchestral instruments:
- Benjamin Britten's The Young Person's Guide to the Orchestra introduces each instrument family through variations on a Purcell theme.
- Sergei Prokofiev's Peter and the Wolf uses different instruments to represent characters in a story about a boy who catches a wolf.
- Camille Saint-Saëns' Carnival of the Animals features 14 short movements depicting different animals, each represented by specific instruments.
It also discusses Maurice Ravel's famous Bolero, noting its simple repeating motif and how different instruments join over time in the lengthy crescendo.
Dr. Dieter Wulfhorst's curriculum vitae provides information about his education, teaching experience, and professional activities. It details that he received his Doctor of Musical Arts in violoncello performance from the University of Maryland in 1995, and has since held teaching positions at various universities, including Fresno Pacific University, California State University Fresno, and Indiana University of Pennsylvania. The CV also lists his principal teachers, masterclasses and workshops attended, and ensembles performed with.
David Hanner is a composer born in Germany who received degrees in piano performance and composition from conservatories in Germany and Austria. He earned his PhD in composition from the University at Buffalo where he also taught as an instructor and teaching assistant. His compositions span a variety of ensembles and have been performed internationally. He currently resides in Buffalo, NY where he continues to compose and give private piano lessons.
After receiving an excellent education in music performance and composition in Germany and Austria, the document subject had a successful career as a pianist, accompanist, musical coach, and opera house assistant in Europe and the United States. They went on to earn advanced degrees in music composition and taught music theory, counterpoint, composition, and piano lessons at the university level. The subject has composed for a wide variety of ensembles and their work has been performed at international festivals for contemporary music. They are now looking to make a meaningful contribution to the music community again through piano, teaching, and composition.
This document provides a summary of Eliah Zabaly's career and experience as a conductor, concert pianist, piano teacher, and baritone. It details his educational background and awards, performances and experience over his career, compositions and arrangements, and languages spoken. Zabaly was born in Paris and received his musical education at the National Conservatory of Music in Paris, where he received several prizes and awards. He has had a successful international career performing throughout Europe and Israel.
Beethoven was a musician from the Holy Roman Empire who played many instruments including piano, organ, violin, and viola. He lived in Vienna and died there in 1827.
Rome is the capital of Italy and the Lazio region, located in central Italy. The document discusses some of Rome's most famous monuments like the Colosseum and Pantheon, as well as transportation options including buses, subways, taxis, trains, and trams. However, it also notes that summer crowds can make it difficult to visit attractions in the city.
The document provides information about several lighthearted musical works intended to educate children about orchestral instruments:
- Benjamin Britten's The Young Person's Guide to the Orchestra introduces each instrument family through variations on a Purcell theme.
- Sergei Prokofiev's Peter and the Wolf uses different instruments to represent characters in a story about a boy who catches a wolf.
- Camille Saint-Saëns' Carnival of the Animals features 14 short movements depicting different animals, each represented by specific instruments.
It also discusses Maurice Ravel's famous Bolero, noting its simple repeating motif and how different instruments join over time in the lengthy crescendo.
Dr. Dieter Wulfhorst's curriculum vitae provides information about his education, teaching experience, and professional activities. It details that he received his Doctor of Musical Arts in violoncello performance from the University of Maryland in 1995, and has since held teaching positions at various universities, including Fresno Pacific University, California State University Fresno, and Indiana University of Pennsylvania. The CV also lists his principal teachers, masterclasses and workshops attended, and ensembles performed with.
The cantata is a vocal composition with instrumental accompaniment, typically involving a choir. It originated in the early 17th century in Italy, where it began as a solo madrigal but later included multiple voices. Over time, the cantata took on different forms, from the chamber cantata to the church cantata to longer dramatic works of the 18th century. Johann Sebastian Bach wrote many sacred cantatas that were essentially short oratorios. The cantata was first defined in compositions by Alessandro Grandi in the early 1600s and was originally intended to be sung rather than played instrumentally.
Franz Schubert was a 19th century Austrian composer known for bridging the Classical and Romantic periods through his symphonies, sonatas, string quartets, chamber music, songs, and song cycles. He is particularly renowned for establishing the German art song by setting lyric poetry to music in a style that closely paired the music and text, using the piano accompaniment to underscore the emotion of the words across a wide technical and expressive range. One of his most famous art songs was "Gretchen am Spinnrade", which set a text from Goethe's Faust about a woman lamenting the loss of her peace of mind and heavy heart.
Felix Mendelssohn was a German composer, pianist and conductor born in 1809 in Hamburg, Germany. He studied music from an early age under several teachers in Berlin. Some of his most famous musical works include the Wedding March from A Midsummer Night's Dream and his Italian and Scottish symphonies. Mendelssohn was a talented pianist and also played the organ, violin, viola and cello. He died in 1847 in Leipzig, Germany at the age of 38 from a stroke.
- Beethoven's father pushed him to become a musical prodigy like Mozart through harsh training from a young age, beating him when he made mistakes.
- Though not achieving fame as a child like Mozart, Beethoven became an excellent pianist and composer by age 12 under the tutelage of Christian Gottlob Neefe.
- He had a brief period of study with Mozart before returning home when his mother fell ill, impressing Mozart with his talent. Mozart predicted Beethoven would "give the world something to talk about."
Franz Schubert was an Austrian composer who was born in 1797 into a musically knowledgeable family. Throughout his childhood, he studied various instruments and began composing frequently from a young age. Although he took a teaching job to support his family, he continued composing and performed his works with friends. During this productive period of his life, he introduced songs like "Der Wanderer" and "Die Forelle." Later, he faced financial difficulties and illness, but still created major works including his "Unfinished Symphony," "Death and the Maiden" string quartet, and lieder like "Schöne Müllerin" before his untimely death in 1828 at the age of 31.
The Golden Sound of the European Renaissance PolyphonyAndrea Angelini
The document provides an overview of Renaissance polyphony including its historical context, key composers and locations, musical characteristics, performance challenges, and typical choir setup. It discusses how the Renaissance was a period of rebirth and increased learning. Choral music flourished across Europe with composers in countries like England, Italy, Spain, and Germany. Renaissance music had richer textures, greater emphasis on harmony, and was performed without vibrato or dramatic expressiveness. Recreating the proper performance practice requires considering paintings and other art from the period to understand vocal production and other details not notated.
This document is a resume for Kalina Mrmevska, a pianist pursuing a Doctorate of Musical Arts from SUNY Stony Brook. It summarizes her extensive education in piano performance, teaching experience at universities and music schools, performances around the world as a solo pianist and chamber musician, prizes and awards won, and publications.
Jack Price and Olivia Stanford lead Price Group Inc, a music management company. The document includes biographies of violinist Naoko Matsui, detailing her educational and performance background, including degrees from music institutions in Belgium and Germany and prizes won at international violin competitions. Contact information is provided for Price Group.
Ariane Cammarata-Mouchtouris is a French violinist and teacher living in London. She has over 20 years of experience studying and performing violin and has earned several diplomas including a Master's in Performance from Goldsmiths University of London. She has extensive experience performing as a soloist and in orchestras in both London and France. Currently, she teaches violin to students of all levels in London through several music schools and academies.
Ana Sokolovic is a Serbian composer born in 1968 who studied in Belgrade, Montreal, and Paris. She composes for a variety of ensembles and has received commissions from numerous orchestras and soloists. Her works have been performed internationally and she has won several composition prizes, including the National Art Centre Award. Currently, she is composing an opera and lives in Montreal where she teaches composition.
Takaoki Onishi is a Japanese baritone who has performed leading roles with companies such as Lyric Opera of Chicago, Saito Kinen Festival, and The Juilliard Opera. He has won several international vocal competitions and holds degrees from Musashino Academia Musicae and The Juilliard School. Onishi's repertoire includes roles in operas by Mozart, Verdi, Donizetti, and Tchaikovsky.
This document provides a catalog of works by composer Ana-Maria Avram listing over 60 compositions spanning from 1986 to 2008. The works are grouped into categories of music for soloists, chamber music, and include instrumentation and world premiere information. The catalog shows Avram has composed extensively for a wide variety of instruments and ensembles, with many works featuring premieres in Romania, Paris, and other international venues.
This document provides a biography for Larissa Rosanoff, a Swiss soprano. It outlines her educational background, including studies at the Lausanne Conservatory and Haute Ecole de Musique in Geneva. Her performance experience includes roles in many operas across Europe, such as La Bohème, Traviata, and Carmen. She has also participated in oratorio concerts and theater productions. The document lists directors and teachers she has worked with and masterclasses she has attended.
Pete Drungle is an award-winning composer, pianist, and sound designer who has created music for exhibitions, performances, films, and advertisements around the world. He has performed solo piano concerts internationally and composed scores for dance productions. Drungle has also worked with many artists across different disciplines and regularly leads ensemble performances that feature his original compositions and improvisations. He currently lives and works in Paris, France.
Jacqueline Venable Simmons is an American soprano who has performed roles such as Desdemona in Otello, Micaëla in Carmen, and Pamina in Die Zauberflöte. She has performed with companies such as Winter Opera St. Louis, Atlanta Opera, Hawaii Opera Theatre, and Gotham Chamber Opera. Her training includes programs with the San Francisco Opera Center, Western Opera Theatre, and Sarasota Opera. She has won awards from organizations like the Jenson Foundation, Licia Albanese Foundation, and Dicapo Opera.
Jessica Newman is a mezzo-soprano singer based in Rochester, NY who has performed in several opera productions and concerts. Her resume lists leading roles in productions like Eastman Opera Theatre's Hydrogen Jukebox and Zosha Out of Darkness. She has also sung in programs in Germany, Italy and at the Tanglewood Music Center. Jessica is pursuing a BM in Vocal Performance from the Eastman School of Music and expects to graduate in 2017 with additional studies in English Literature from the University of Rochester. She teaches German, Italian, French and Spanish and has received academic honors including Phi Beta Kappa.
Giorgi Jorjadze is a cellist from Tbilisi, Georgia with over 15 years of teaching and performing experience. He holds a Master of Music in Performance from the Tbilisi State Conservatory and speaks English, Russian, and Georgian. He currently teaches cello at several schools and has held principal cello positions with several orchestras in Georgia and Germany. He frequently performs as a soloist and chamber musician at festivals in Georgia, Germany, and Switzerland.
Soprano Anna Morfidou was born in Athens and began studying piano and ballet at a young age. She joined the Athens Konstadinopolite's Chorus and later Fons Musicalis. At age 15, she received first award at the Hellenic Classical Song Competition and performed as a soloist. She furthered her studies in music theory and received degrees with highest honors. Her training includes lessons in singing, opera acting, and participation in masterclasses in Greece and abroad. Anna has performed recitals in prestigious Athenian venues and elsewhere in Greece and abroad, including solo works by Greek composers. She was the first to perform works by G. Minas at the Athens Opera accompanied by the Athens Philharmonic
Responsible Future unites different stakeholders to help talented children musicians from ATO zones, including Crimea and Donbas to gain recognition in Ukraine and abroad.
Values: new generation of Ukrainian culture, talented Ukrainian children, classical music that breaks all the stereotypes, erases the boundaries of war and conflict.
Goal: to rally like-minded people and fundraise to help talented youth travel abroad, promote their talent locally and internationally, provide financial aid to children.
Target: to help gifted children, refugees from the war zones to represent Ukraine internationally at concerts and contest, as well as in UNICEF, European Parliament, etc.
Anitra Tumsevica is a Latvian composer whose works have been selected for performance at international festivals. Her orchestral piece "Blaze of Silence" was chosen to be performed at the 2009 ISCM World Music Days in Sweden. She has composed works for various instruments and ensembles, including her chamber symphony "Die Stimme" which won an award for music in 2014. Her chamber opera "RED" was performed in Norway.
This document provides a CV for Anthony Gabriele, a musical director, conductor, orchestrator, arranger, pianist and vocal coach. It details his extensive experience conducting classical concerts, opera productions, live film score events, and musical theatre productions across Europe, Asia, Australia and New Zealand. Recent highlights include conducting productions of Psycho, Cats, and Three Phantoms. He is currently scheduled to conduct productions of Psycho and La Traviata in 2015.
The cantata is a vocal composition with instrumental accompaniment, typically involving a choir. It originated in the early 17th century in Italy, where it began as a solo madrigal but later included multiple voices. Over time, the cantata took on different forms, from the chamber cantata to the church cantata to longer dramatic works of the 18th century. Johann Sebastian Bach wrote many sacred cantatas that were essentially short oratorios. The cantata was first defined in compositions by Alessandro Grandi in the early 1600s and was originally intended to be sung rather than played instrumentally.
Franz Schubert was a 19th century Austrian composer known for bridging the Classical and Romantic periods through his symphonies, sonatas, string quartets, chamber music, songs, and song cycles. He is particularly renowned for establishing the German art song by setting lyric poetry to music in a style that closely paired the music and text, using the piano accompaniment to underscore the emotion of the words across a wide technical and expressive range. One of his most famous art songs was "Gretchen am Spinnrade", which set a text from Goethe's Faust about a woman lamenting the loss of her peace of mind and heavy heart.
Felix Mendelssohn was a German composer, pianist and conductor born in 1809 in Hamburg, Germany. He studied music from an early age under several teachers in Berlin. Some of his most famous musical works include the Wedding March from A Midsummer Night's Dream and his Italian and Scottish symphonies. Mendelssohn was a talented pianist and also played the organ, violin, viola and cello. He died in 1847 in Leipzig, Germany at the age of 38 from a stroke.
- Beethoven's father pushed him to become a musical prodigy like Mozart through harsh training from a young age, beating him when he made mistakes.
- Though not achieving fame as a child like Mozart, Beethoven became an excellent pianist and composer by age 12 under the tutelage of Christian Gottlob Neefe.
- He had a brief period of study with Mozart before returning home when his mother fell ill, impressing Mozart with his talent. Mozart predicted Beethoven would "give the world something to talk about."
Franz Schubert was an Austrian composer who was born in 1797 into a musically knowledgeable family. Throughout his childhood, he studied various instruments and began composing frequently from a young age. Although he took a teaching job to support his family, he continued composing and performed his works with friends. During this productive period of his life, he introduced songs like "Der Wanderer" and "Die Forelle." Later, he faced financial difficulties and illness, but still created major works including his "Unfinished Symphony," "Death and the Maiden" string quartet, and lieder like "Schöne Müllerin" before his untimely death in 1828 at the age of 31.
The Golden Sound of the European Renaissance PolyphonyAndrea Angelini
The document provides an overview of Renaissance polyphony including its historical context, key composers and locations, musical characteristics, performance challenges, and typical choir setup. It discusses how the Renaissance was a period of rebirth and increased learning. Choral music flourished across Europe with composers in countries like England, Italy, Spain, and Germany. Renaissance music had richer textures, greater emphasis on harmony, and was performed without vibrato or dramatic expressiveness. Recreating the proper performance practice requires considering paintings and other art from the period to understand vocal production and other details not notated.
This document is a resume for Kalina Mrmevska, a pianist pursuing a Doctorate of Musical Arts from SUNY Stony Brook. It summarizes her extensive education in piano performance, teaching experience at universities and music schools, performances around the world as a solo pianist and chamber musician, prizes and awards won, and publications.
Jack Price and Olivia Stanford lead Price Group Inc, a music management company. The document includes biographies of violinist Naoko Matsui, detailing her educational and performance background, including degrees from music institutions in Belgium and Germany and prizes won at international violin competitions. Contact information is provided for Price Group.
Ariane Cammarata-Mouchtouris is a French violinist and teacher living in London. She has over 20 years of experience studying and performing violin and has earned several diplomas including a Master's in Performance from Goldsmiths University of London. She has extensive experience performing as a soloist and in orchestras in both London and France. Currently, she teaches violin to students of all levels in London through several music schools and academies.
Ana Sokolovic is a Serbian composer born in 1968 who studied in Belgrade, Montreal, and Paris. She composes for a variety of ensembles and has received commissions from numerous orchestras and soloists. Her works have been performed internationally and she has won several composition prizes, including the National Art Centre Award. Currently, she is composing an opera and lives in Montreal where she teaches composition.
Takaoki Onishi is a Japanese baritone who has performed leading roles with companies such as Lyric Opera of Chicago, Saito Kinen Festival, and The Juilliard Opera. He has won several international vocal competitions and holds degrees from Musashino Academia Musicae and The Juilliard School. Onishi's repertoire includes roles in operas by Mozart, Verdi, Donizetti, and Tchaikovsky.
This document provides a catalog of works by composer Ana-Maria Avram listing over 60 compositions spanning from 1986 to 2008. The works are grouped into categories of music for soloists, chamber music, and include instrumentation and world premiere information. The catalog shows Avram has composed extensively for a wide variety of instruments and ensembles, with many works featuring premieres in Romania, Paris, and other international venues.
This document provides a biography for Larissa Rosanoff, a Swiss soprano. It outlines her educational background, including studies at the Lausanne Conservatory and Haute Ecole de Musique in Geneva. Her performance experience includes roles in many operas across Europe, such as La Bohème, Traviata, and Carmen. She has also participated in oratorio concerts and theater productions. The document lists directors and teachers she has worked with and masterclasses she has attended.
Pete Drungle is an award-winning composer, pianist, and sound designer who has created music for exhibitions, performances, films, and advertisements around the world. He has performed solo piano concerts internationally and composed scores for dance productions. Drungle has also worked with many artists across different disciplines and regularly leads ensemble performances that feature his original compositions and improvisations. He currently lives and works in Paris, France.
Jacqueline Venable Simmons is an American soprano who has performed roles such as Desdemona in Otello, Micaëla in Carmen, and Pamina in Die Zauberflöte. She has performed with companies such as Winter Opera St. Louis, Atlanta Opera, Hawaii Opera Theatre, and Gotham Chamber Opera. Her training includes programs with the San Francisco Opera Center, Western Opera Theatre, and Sarasota Opera. She has won awards from organizations like the Jenson Foundation, Licia Albanese Foundation, and Dicapo Opera.
Jessica Newman is a mezzo-soprano singer based in Rochester, NY who has performed in several opera productions and concerts. Her resume lists leading roles in productions like Eastman Opera Theatre's Hydrogen Jukebox and Zosha Out of Darkness. She has also sung in programs in Germany, Italy and at the Tanglewood Music Center. Jessica is pursuing a BM in Vocal Performance from the Eastman School of Music and expects to graduate in 2017 with additional studies in English Literature from the University of Rochester. She teaches German, Italian, French and Spanish and has received academic honors including Phi Beta Kappa.
Giorgi Jorjadze is a cellist from Tbilisi, Georgia with over 15 years of teaching and performing experience. He holds a Master of Music in Performance from the Tbilisi State Conservatory and speaks English, Russian, and Georgian. He currently teaches cello at several schools and has held principal cello positions with several orchestras in Georgia and Germany. He frequently performs as a soloist and chamber musician at festivals in Georgia, Germany, and Switzerland.
Soprano Anna Morfidou was born in Athens and began studying piano and ballet at a young age. She joined the Athens Konstadinopolite's Chorus and later Fons Musicalis. At age 15, she received first award at the Hellenic Classical Song Competition and performed as a soloist. She furthered her studies in music theory and received degrees with highest honors. Her training includes lessons in singing, opera acting, and participation in masterclasses in Greece and abroad. Anna has performed recitals in prestigious Athenian venues and elsewhere in Greece and abroad, including solo works by Greek composers. She was the first to perform works by G. Minas at the Athens Opera accompanied by the Athens Philharmonic
Responsible Future unites different stakeholders to help talented children musicians from ATO zones, including Crimea and Donbas to gain recognition in Ukraine and abroad.
Values: new generation of Ukrainian culture, talented Ukrainian children, classical music that breaks all the stereotypes, erases the boundaries of war and conflict.
Goal: to rally like-minded people and fundraise to help talented youth travel abroad, promote their talent locally and internationally, provide financial aid to children.
Target: to help gifted children, refugees from the war zones to represent Ukraine internationally at concerts and contest, as well as in UNICEF, European Parliament, etc.
Anitra Tumsevica is a Latvian composer whose works have been selected for performance at international festivals. Her orchestral piece "Blaze of Silence" was chosen to be performed at the 2009 ISCM World Music Days in Sweden. She has composed works for various instruments and ensembles, including her chamber symphony "Die Stimme" which won an award for music in 2014. Her chamber opera "RED" was performed in Norway.
This document provides a CV for Anthony Gabriele, a musical director, conductor, orchestrator, arranger, pianist and vocal coach. It details his extensive experience conducting classical concerts, opera productions, live film score events, and musical theatre productions across Europe, Asia, Australia and New Zealand. Recent highlights include conducting productions of Psycho, Cats, and Three Phantoms. He is currently scheduled to conduct productions of Psycho and La Traviata in 2015.
Nikoloz Memanishvili is a Georgian conductor, composer, and cultural manager. He began studying music at a young age in Tbilisi, Georgia. Memanishvili has had a successful career as the principal conductor of several orchestras in Georgia, including the Georgia National Symphony Orchestra. He is also the head of the Georgia National Music Center. As a child conductor, he conducted major orchestras, and he continues to compose original works and arrange music for theater and film that feature both Georgian and international pieces.
The document announces the 15th International Percussion Event of World (IPEW) to be held in Bjelovar, Croatia from January 17-20, 2018. It will feature concerts and performances by percussion ensembles and soloists from around the world. The artistic director of the festival is Igor Lešnik and it is organized by the Vatroslav Lisinski Music School in Bjelovar. The document provides background on the participating artists and ensembles, and daily schedules and programs for the concerts and events during the festival.
Yesim Solak is a Turkish-Australian violinist born in 1971 in Turkey. She has over 30 years of experience as a violinist, having studied violin performance and music in Turkey and Australia. She is currently a violin and classroom music teacher at Geelong Grammar School.
This document is a curriculum vitae for Heather O'Donnell, a pianist, pedagogue, and rehabilitation specialist. It outlines her education, including degrees from Freie Universität Berlin, Mannes College of Music, and New England Conservatory of Music. It also lists her teaching experience at universities, as a faculty member and giving masterclasses. Finally, it provides a selection of performances from 1995 to 2013 in various cities around the world.
This document summarizes the qualifications of a violin teacher with over 33 years of experience, including experience teaching the Suzuki Method and studying the Alexander Technique. They have over 20 years of experience as an orchestral musician in Italy and Canada, and they currently teach violin in Vancouver, Canada. Their education includes a Master's degree in violin/viola from a conservatory in Italy and they are a registered teacher with the Royal Conservatory of Music in Toronto.
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Cv europeo in inglese 2016 di Luisa Russo
1. M° Luisa Russo
Born in Mira - Venice on 11.10.1962
Location: San Marco 1656 / a - Venice 30124
Cell Phone 347-3600484
Fixed Tel: 0039 - 041 – 5231198
Email: luisamariarusso@yahoo.it
luisamariarusso@gmail.com
Site: www.luisarusso.com
PROFESSIONAL GOALS
Area of Interest: Conductor at Teatro Lirico, Foundations, Orchestras - Symphony Consulting,
Development of the activity of creating and organizing events and concert opera houses;
I – TRAINING
1. Educational Credentials
2013 Forlì, University of Bologna - Master in Fundraising for nonprofit and public bodies
2012 Padua, Bologna Eurogiovani - Master in Project Planning
2006 Bachelor's degree in Second Level "Direction d 'Orchestra' - Venice Conservatory" B. Marcello "-
M °. Giorgio Proietti - Thesis on "Perspectives on Don Giovanni - Purging and interpretations of the
character of Mozart's Donna Elvira '(score: 110 cum laude)
2006 Diploma in Instrumentation for Band - Trento - Conservatory "A. Bonporti” (score: 8.50/10)
2002 Diploma of Opera Singing Soprano - Mantova - Conservatory "Campiani» - Maestro Gerard
Schmidtgaden - (Rating: 9.50/10)
1996 High Conducting - Parma - Conservatory "A. Boito 'M °. Stefano Rabaglia (score: 10/10)
Frequency to the lower reaches of the main Violin - Parma - Conservatory "A. Boito "- Prof. A.
Cavalieri
1995 License Course of Violin complementary - Parma - Conservatory "A. Boito "- Prof. A. Cavalieri
1990 Diploma in Composition - Milan - Conservatory "G. Verdi "- M ° Bruno Zanolini
1985 Diploma in Choral Music and Choir Conducting - Venice - Conservatory "B. Marcello –
M °. Alessandro Vanzin, M°. Luciano Berengo (score: 10/10)
1985 Postgraduate Diploma in "Master of the Boys Choir" - Milano - Teatro alla Scala (two-year) -
M °. G. Schmidtgaden (Dow Corning)
1981 Bachelors in Accounting and Commercial - Venice - ITC “Paolo Sarpi' (score: 60/60)
2. Professional qualifications, Scholarships
2007 Scholarship in Conducting B. Marcello Conservatory of Venice following the Bachelor's Level II in
Conducting
2007 Examination Assessment of language at the Conservatory "C. Monteverdi" Bolzano for the German
achieved successfully
2. 2000 Teaching qualification at the Conservatory of Music as a result of the National Competition for
teaching posts reserved for Qualifications and Examinations for the disciplines of
- Orchestral Training
- Harmony, Counterpoint, Fugue and Composition (Composition for the ten-year course)
- Choir Direction for Education
- Choral Practice (Competition previous update)
1997 Scholarship Academy Chigiana in Conducting
1991 Treviso - Scholarship of the Municipal Theatre - Workshop of Peter Maag for the show
Così fan tutte W.A. Mozart
1990 Teaching qualification at the Conservatory of Music as a result of the National Competition for
professorships for Qualifications and Examinations for the disciplines of:
- Harmony and Counterpoint (for the four lower course of Composition)
- Choral Practice
1985 Enabling the role of Master of the Choir of Choirs achieved with Scholarship at the Teatro alla Scala
in Milan as a result of the two-year course Cee.
3. Master classes in Conducting
2009 Saskatoon (Canada) - M °. W. Towes und G. Charpantier from 20.07.2009 to 26.07.2009
2007 Trento - Maestro Piero Bellugi and Maestro. Maurizio Dini Ciacci - Orchestra J.Futura
from 07.06.07 to 16.07. 07
2005 Berlin / Gotha - Maestro Colin Metters - Philarmoniches Kammerorchester Berlin from 31.10 to 6.11
2005 Berlin / Reichenbach - Maestro Colin Metters - Philarmoniches Kammerorchester Berlin
from 25.4 to 2.5
2005 Vratza (Bulgaria) - Maestro Dejan Pavlov - Vratza State Philharmonic - February
2004 Venice - M ° Giorgio Proietti - Conservatory B. Marcello (two-year term 2006)
2004 Berlino/Lipsia- Maestro Colin Metters - Philarmoniches Kammerorchester Berlin from 31.10 to 6.11
2004 Vratza (Bulgaria) - Maestro Dejan Pavlov - Vratza State Philharmonic - July
2001 Igualada (Spain) - Maestro Antoni Ros Marbà - Conservatives De Grau Mitjà D 'Igualada
from 28.7.2001 to 7.8.2001
1999 - 2000 Milan - Maestro Aldo Ceccato - Foundation "The Musical Afternoons"
from 25.8.1999 to 18.9.1999 and assistantship 2000 season
1999 Riva del Garda - Maestro Isaac Karabtchevsky July 19 to 29 (auditor)
1997 Milan - Maestro Gianluigi Gelmetti - The Musical Afternoons Foundation
from 18 .9. 1997 to 4.10.1997 and assistantship 1998 season
1997 Siena - Maestro Gianluigi Gelmetti - Chigi Music Academy
from 17.7.1997 to 30.8.1997 with awarding of the scholarship
1997 Parma - M °. Stefano Rabaglia-Conservatorio "A. Boito" Di Parma (year course)
1996 Milan - Maestro Gianluigi Gelmetti - The Musical Afternoons Foundation Of Milan
1995 - 1996 Parma - Maestro Stefano Rabaglia - Conservatory "A. Boito "in Parma (two-year course 1995-1996)
1995 Siena - M °. Myung Wung Chung and Maestro. Ilja Musin - Chigi Music Academy (auditor)
1992 - 1993 Oradea (Romania) - Maestro Emil Simon - Filarmonica De Stat Oradea (Romania) (two-year)
3. 1992 Szeged (Hungary) - Maestro Erwin Acel - Accademia Musicale Ottorino Respighi - Rome
1991 Treviso - "Shop" M °. Peter Maag: Screening for Young Conductors -
Teatro Comunale Di Treviso "Così fan tutte" by WA Mozart.
1990 - 1991 Milan - M °. Gabriele Bellini and Maestro Gianpiero Taverna - Conservatory "G. Verdi "(two-year)
1989 Salzburg - Maestro Michel Rotter and Maestro Michel Gielen - Sommerkurse at the Mozarteum -
(auditor)
1988 Vienna - Wiener Meisterkurse - Maestro Julius Kalmar from 7 July to 22 July
1989 Rome - Ferenc Nagj Maestro - Maestro Hans Priembergrath - Accademia Musicale Ottorino Respighi
1986 Saluzzo - Maestro Sergiu Celibidache - Accademia Musicale di Saluzzo - (auditor)
II. PROFESSIONAL EXPERIENCE
1. Conductor 1986 - 2016 - Concerts with the following orchestras (in brackets the authors performed):
Abroad:
2015 Orchestra Philarmonica di Vratza (Rossini, Beethoven, Ravel)
2014 Orchestra Philarmonica di Vratza (Schubert, Mendelsshon, Ravel)
2011 Youth Orchestra Saskatoon (Canada) (Bartok)
2009 Youth Orchestra Saskatoon (Canada) (Bartok)
2005 Philarmoniches Kammerorchester Berlin
2005 Orchestra Thüringen Philharmonie Gotha (Dvořák)
2004/2005 Vratzta Philharmonic Orchestra (Brahms, Beethoven)
2002 Philharmonic Orchestra Chisenau (Puccini, Mascagni)
2001 Orchestra Sinfonica del Valles (Mozart, Brahms, Stravinsky)
1994 Symphony Orchestra SatuMare (Weber, Liszt, Gershwin)
1993 Symphony Orchestra of Oradea (Weber, Rossini, Tchaikovsky)
1993 Symphony Orchestra of Brasov (Mendelssohn, Glinka, Lalo)
1991 State Opera Szeged (Verdi)
1989 Warmia Symphony Orchestra (Mozart)
1988 Pro-Arte Chamber Orchestra of Vienna (Beethoven, Mozart, Mendelssohn)
In Italy:
2009/2016 - Orchestra of the Conservatory "G. Frescobaldi "in Ferrara (Puccini, Milhaud, Mozart,
Beethoven, Rota, Copland, Haydn, Bizet, Vivaldi, Hindemith, Mascagni, Dubois,
Mendelsshon, Schumann, Schubert, Paganini, Listz, Doppler, Bellini, Britten, Donizetti,
Rossini, Piernè, Verdi, Humpedink)
2008/2009 - Orchestra of the Conservatory "B. Marcello "of Venice (Kabalesky, Haydn, Mozart, Vivaldi,
Schubert, Stravinsky, Milhaud,)
2008 - Orchestra J.FUTURA of Trent (Haydn, Mozart, Vivaldi, Gershwin, Baermann)
2007 - Orchestra J.FUTURA of Trent (Chopin, Schubert, Rossini, Donizetti, De Falla)
2007/2008 - Orchestra of the Conservatory "G. Frescobaldi "in Ferrara (Puccini, Bernstein, Cullivan)
4. 2006/2007 - Monteverdi Orchestra of the Conservatory of Bolzano (Rodrigo, Mendelssohn, Pierné,
Mozart)
2005/2006 - Orchestra of the Conservatory of Benevento (Mozart, Puccini, Morricone, Donizetti)
2005/2006 - Orchestra of the Conservatory "B. Marcello "of Venice (Mozart, Donizetti, Schönberg)
2005 - Italian Philharmonic Orchestra (Mozart, Schubert, Mascagni)
2004/2005 - Conservatory Orchestra "E.Duni" of Matera (Dvorak, Morricone, Donizetti)
from 1995 to 2000 - End of Century Ensemble of Bergamo (Boccherini, Pergolesi, Britten,
Dvorak, Elgar, Sibelius, Bettinelli, Mauri, Malagnini)
1999 - Female Ensemble of Rome (Lombardini Sirmen, Fanny Mendelssohn, Amalia of Prussia)
From 1997 until 1999 - Orchestra of the University of Padua "Concentus Musicus Patavinus»
(Pugnani, Schumann, Schubert, Vivaldi)
1996/1997 - Orchestra of the Musical Afternoons Milan (Rossini, Ravel)
from 1995 to 1998 - Instrumental Ensemble and Orchestra of the Conservatory of Parma (Mozart, Milhaud,
Stravinsky)
1995 - Oser Arturo Toscanini (Furlani)
1994 - European Female Clara Wieck Orchestra (Mozart, Fanny Mendelssohn, Rodrigo)
1993 - Milano Classica Chamber Orchestra (Haydn, Wolf-Ferrari),
1991 - Symphony Orchestra of the City of Pavia (Mercadante, Carulli, Vivaldi)
1990/1991 - FIDAPA Symphony Orchestra (Haydn, Schubert, Beethoven, Ravel, Mozart)
1989 - Orchestra Sinfonica di Bari (Haydn, Mendelssohn)
1986/1987 - Ensemble of Instrumentalists of "Ravenna Festival In 1986, 1987" (Pergolesi, Vivaldi,
Mozart)
Activities of opera production and entrepreneurship
2016 Ferrara - Opera Hansel und Gretel by E. Humperdink - Teatro Comunale di Ferrara
2015 Ferrara - Opera Don Giovanni by W.A Mozart (chamber version) - Teatro Comunale di
Ferrara Ridotto
2015 Venezia - Dai Filò di Zanzotto by C. Ambrosini con Vox Secreta Ensemble
2010 Ferrara - Opera Il Principe Porcaro by N. Rota - Teatro Comunale of Ferrara
2009 Venice - Il mondo della Luna by J. Haydn - Teatro Malibran / in collaboration with the
Teatro La Fenice in Venice and the Conservatory B. Marcello
2008 Palazzolo Acreide - Opera MEDEE by D. Milhaud - Greek Theatre Opening of the
International Festival of Youth Theatre greek
2006 Venice - Don Giovanni by W.A. Mozart - Piccolo Teatro Arsenale / co-production with
Teatro Donizetti in Bergamo
2002 to 2004 Verona - Director of the Ensemble of Contemporary Music at the Conservatory "FE
dall'Abaco » concerts and teaching (Milhaud, Rettagliati, Furlani, Scannavini)
from 2000 to 2002 Palermo - Director of the Ensemble of Contemporary Music at the Conservatory "V. Bellini":
organization of concerts and contemporary music at the Conservatory (Bettinelli, Scannavini,
Taggeo, Pisati)
from 1997 to 1999 Padua - Director of the Orchestra of the University of Padua "Concentus Musicus Patavinus»:
5. concert (Pugnani, Schumann, Schubert, Vivaldi)
from 1995 to 2000 Bergamo - Director of the Orchestra d 'Arches' Ensemble End of the century "of Bergamo:
concerts (Boccherini, Pergolesi, Vivaldi, Britten, Dvorak, Elgar, Sibelius, Bettinelli, Mauri,
Malagnini)
1995 Lugo di Romagna - The Theatre of Marvels by Paolo Furlani, at the Theatre of Lugo di
Romagna
from 1990 to 1991 Venice - Director of the Orchestra of the Italian Federation of Women Arts Jobs and
Business (FIDAPA) concert (Haydn, Schubert, Beethoven, Ravel, Mozart)
1991 Treviso - studio of Peter Maag - show Cosi fan tutte by WA Mozart
1988 Szeged (Hungary) - Rigoletto by G. Green complex with the State Opera of Szeged
1987 Ravenna - Djamileh of G. Bizet - Ravenna Festival 1987, directed by Lorenzo Arruga
1986 Ravenna - Debut as Conductor at the Ravenna Festival in 1986 for the show
The Paradise: four questions, four answers, directed by Lorenzo Arruga
2. Musical director of the stage, Assistant Director of Orchestra
2005 Padova - Teatro Verdi - Music Director of the stage - production of Aida by G. Green;
2004 Bologna - Municipal Theatre - Master Prompter for the shows: Andrea Chenier by U. Jordan,
Le Comte Ory G. Rossini, Die von Freunden Salamanka of F. Schubert;
2001 Alicante (Spain) - 2000 Opera - Music Director of the stage for the tour of the
Bohème by G. Puccini;
from 1998 to 2000 Milano - Musical Afternoons - Assistant Teacher Aldo Ceccato for the entire 2000 season
and at the State Opera Brno (Messa da Requiem by G. Verdi and Beethoven's Ninth
Symphony);
1997 - 1998 Rome - Teatro dell 'Opera - Assistant Maestro Gianluigi Gelmetti for the show The Flame of
O. Respighi;
Milano - Teatro ala Scala - Assistant Teacher Gianluigi Gelmetti for the show's Lucrezia
Borgia, G. Donizetti;
Turin - National Orchestra of the RAI - Assistant Maestro Gianluigi Gelmetti (L. v. Fifth
Symphony. Beethoven);
1998 Parma, Piacenza, Ferrara, Modena - Municipal Theaters - Master Prompter for the show
The Italian Girl in Algiers by G. Rossini.
From 1985 to 1988 Milan - A.S.L.I.C.O. - Master prompter for productions:
Don Giovanni by WA Mozart, directed by Tiziano Severini
Werther J. Massenet, conducted by Daniele Gatti
Linda di Chamonix G. Donizetti, conducted by Daniele Gatti
La Calisto by F. Horses directed by Bruno Moretti
and for courses held by the soprano Leyla Gencer.
3. Pianist and Pianist accompanist, Repetiteur
2009 Verona - Teatro Stabile Atlantis - Pianist and actress for the Music Scene
6. Entertainment "The Taming of the Shrew" by W. Shakespeare (toured 35 shows)
2008 Verona - Teatro Stabile Atlantis - Pianist and actress for the Music Scene
Entertainment "The Taming of the Shrew" by W. Shakespeare (4 shows)
1997 Venice - Teatro alla Fenice - Master pianist room for the production Jurowsky - Stravinsky
(Canticum Sacrum and Threni);
1997 Monaco Munich - Prinzregententeather - "Korrepetitor" (master pianist of the room) for the
course for young singers held by the soprano Astrid Varnay;
1997 Milan - A.S.L.I.C. O - Master pianist room for the course for young singers held by the
soprano Renata Scotto with set-up and preparation of the work of Verdi's Rigoletto;
1995 Teatro Comunale Lugo di Romagna - Master pianist room - the opera productions of Il
Teatrino the Marvels of P. Furlani and The Machinery of N. Campogrande;
1994 Halle / Leipzig - Opernhaus - Korrepetitor for Un Ballo in Maschera by G. Green
1990 Venice Teatro la Fenice - Master collaborator stage for Lulu A. Berg
1990 Pesaro - Rossini Opera Festival - Scholarship as a master collaborator for the summer season
for the shows: Ricciardo and Zoraida, Atelier Nadar, The singing of the Bourbons, La scala
di seta of G. Rossini;
1990 Venice Teatro la Fenice - Master collaborator with the lights for the show's musical L’Ape
musicale G. Rossini;
1989 Venice - Teatro alla Fenice - Master collaborator and organist for the "Concerto
Montecatini»
from 1985 to 1988 Milan - A.S.L.I.C.O. - Pianist of room for production:
Don Giovanni by WA Mozart, directed by Tiziano Severini
Werther J. Massenet, conducted by Daniele Gatti
Linda di Chamonix G. Donizetti, conducted by Daniele Gatti
La Calisto by F. Horses directed by Bruno Moretti and for courses held by the soprano Leyla
Gencer.
4. Director of Choir
2002 - 2003 Monaco of Bavaria - Tolzerknabenchor, a choir conductor and Stimmbildnerin (vocal coach);
2002 Chicago - Opernhouse - Die Zauberflöte - Stimmbildnerin Tolzerknabenchor of Genoa -
Teatro Carlo Felice - Die Zauberflöte - Stimmbildnerin of Tolzerknabenchor
1994 Zogno (San Pellegrino Terme) - Tolzerknabenchor of Monaco of Bavaria as a choir
conductor and Stimmbildnerin for a course of for Choir Directors
1992 Monaco of Bavaria - Tolzerknabenchor, as a choir conductor and Stimmbildnerin
from 1985 to 1991 Milano - Teatro alla Scala - Assistant Conductor of the Choir of Boys M ° G. Schmidtgaden
1984 Milano - Teatro alla Scala - Scholarship for a two-year "Degree to the Conductors of the
Children's Choir" held by G. Schmidtgaden
7. 5. Soprano
2016 Bolzano - Circolo Ufficiali - Musica in Aulis - Recital of Arien on text by Dante
Alighieri
2007 Venice - Theatre Groggia - 5 3 - Review of Young Composers (there is also included the
execution of its own track titled "Canon with prolazione for different distances")
2004 Venice - Campiello Pisani - "Cujusvis Toni Quartett '- First performance of Italian women's
Odisseus of Louis Andriessen
2004 Torino - Villa Treasurer - Concert Activity with the "Cujusvis Toni Quartett" - female vocal
quartet (repertoire: Mozart, Brahms, Schubert, Verdi, Milhaud)
2002 Moldova - Theatre Chisenau - debut in Madama Butterfly (Cio-cio-san), by G. Puccini, dir.
C. De Sessa
2001 Monaco of Bavaria - Die Zauberflöte (Pamina) - Tolzerknabenchor - dir. Ralph Ludewig
2000 Monaco of Bavaria - Debut Die Zauberflöte (Pamina) - Tolzerknabenchor - dir. G.
Schmidtgaden
from 1998 to 2002 Torino - Piccolo Teatro Regio - Entertainment "The Copiafavole" Project Zone, in
collaboration with the composer Maurizio Pisati
Milan - Palazzina Liberty - Zone Project, in collaboration with the composer M. Pisati
Milan - Studio Theatre - Zone Project, in collaboration with the composer M. Pisati
Verona - Sala Maffeiana - "Catullus" - Project Zone, in collaboration with the composer
Maurizio Pisati
From 1985 to 2004 Concerts in Bergamo, Milan, Verona, La Spezia, etc.. (Lieder, baroque and contemporary
repertoire)
1979 Debut as Soprano in opera Treemonisha by Scott Joplin for the Venice Biennale
6. Professor at the Conservatory of Music
2015 - 2016 Orchestral Training, Training Lab, Free Orchestra, Conducting, Praxis and repertoire for
Singing and Orchestra - Ferrara - Conservatorio «G. Frescobaldi»
2014 – 2015 Orchestral Training, Training Lab, Free Orchestra, Coordinator of the area dipartimental of
Ensemble Music - Ferrara - Conservatorio «G. Frescobaldi»
2013 – 2014 Orchestral Training, Training Lab, Free Orchestra, Coordinator of the area dipartimental of
Ensemble Music - Ferrara - Conservatorio «G. Frescobaldi»
2012 - 2013 Orchestral Training, Training Lab Orchestral
Ferrara - Conservatory "G. Frescobaldi”
2011 - 2012 Orchestral Training, Training Lab Orchestral
Ferrara - Conservatory "G. Frescobaldi”
2010 - 2011 Orchestral Training, Training Lab Orchestral
Ferrara - Conservatory "G. Frescobaldi”
2009 - 2010 Orchestral Training, Ferrara - Conservatory "G. Frescobaldi”
2008 - 2009 Repertory Ensemble for Instrument and Laboratory Training orchestral,
8. for undergraduate and graduate courses of specialization, Venice - Conservatory "B.
Marcello”
2008 - 2009 Orchestral Training, Venice - Conservatory "B. Marcello”
2007 - 2008 Orchestral Training, Ferrara - Conservatory "G. Frescobaldi”
2006 - 2007 Orchestral Training, Bolzano - Conservatory "C. Monteverdi”
2005 - 2006 Start to Conducting and Orchestral Training Workshop,
for the courses of the MA Specialization, Benevento - Conservatory of Music
2005 - 2006 Orchestral Training, Benevento - Benevento Conservatory
2004 - 2005 Orchestral Training, Ferrara - Conservatory "G. Frescobaldi” with temporary assignment
at the Conservatory "E. R. Duni "of Matera
2002 to 2004 Experimental Composition and Harmony and Counterpoint, Verona - Conservatory
"F.E. dall'Abaco”
from 1999 to 2002 Harmony and Counterpoint, Palermo - Conservatory "V. Bellini "(placing on the role)
1998 - 1999 Choir Direction for Education, Castelfranco Veneto - Conservatory "A. Steffani”
1997 - 1998 Choir Direction for Education, Adria - Conservatory "A. Buzzolla”
1996 - 1997 Reading Practice of voice and piano, Bolzano - Conservatory "C. Monteverdi”
from 1994 to 1996 Choir Direction for Education, La Spezia - Conservatory "G. Puccini”
1993 - 1994 General Music Culture, Bolzano - Conservatory "C. Monteverdi”
1993 Direction d 'Orchestra and Orchestral Training, Cluj-Napoca (Romania), Academy' Dima
as Assistant Conductor Maestro Emil Simon
1992 - 1993 Harmony, Counterpoint, Fugue and Composition, Bolzano - Conservatory "C. Monteverdi”
1991 Orchestral Training, Verona - Conservatory "F.E. dall'Abaco”
7. Commissioner of jury
2016 Conservatory of Ferrara - Commissioner for Internal Auditions for Soloist and Orchestra
2016 Conservatory of Ferrara - Commissioner for Internal Auditions for the opera "Hansel und
Gretel" by E. Humperdink
2015 Florence - Cherubini Conservatory - Commissioner external examinations Experimental
Composition and Traditional Composition
2015 Conservatory of Ferrara - Commissioner for Internal Auditions for Soloist and Orchestra
2014 Conservatory of Ferrara - Commissioner for Internal Auditions for Soloist and Orchestra
2013 Florence - Cherubini Conservatory - Commissioner external examinations Experimental
Composition
2012 Conservatory of Parma - Commissioner Conducting external examinations
2012 Cherubini Conservatory in Florence - Commissioner external examinations Experimental
Composition
2012 Conservatory of Ferrara - Commissioner for Internal Auditions for Soloist and Orchestra
2011 Conservatory of Parma - Commissioner Conducting external examinations
2011 Conservatory of Ferrara - Commissioner for Internal Auditions for Soloist and Orchestra
2009 Conservatory of Parma - Commissioner Conducting external examinations
2008 Conservatory of Parma - Commissioner Conducting external examinations
9. 2008 Katrineholm - Swedish International Duo Competition (Jury Commissioner)
2007 Pedrotti Competition for Young Conductors (Jury Commissioner - section preliminaries)
2007 Conservatory of Parma - Commissioner Conducting external examinations
2005 Competition Agimus City of Padua by category Solo instrument and Orchestra - President of
the Jury
2003 Palermo Bellini Conservatory - Commissioner external examinations Composition
2003 Vito d'Asio - Asc - Composition Competition for Choir "Enzo Fiorello Cedolin"
2001 Auditions for the Choir of the Teatro Massimo in Palermo (Jury Commissioner)
2001 Auditions for the Orchestra of the Teatro Massimo in Palermo (Jury Commissioner)
LANGUAGE SKILLS
Written Comprehension Conversation
German Good Good Good
English Sufficient Sufficient Sufficient
Spegnolo Poor Poor enough
Russian beginner beginner beginner
COMPUTER SKILLS
Operating system Mac
Office Package
Software for the Finale music notation
Tools for Internet browsing and e-mail
ACTIVITY OF VOLUNTEERING
1970 - 1986 Actress in the Teather "piccola Ribalta" of Venice
1989 -1991 Female Conductor of the Orchestra of the Women FIDAPA
2001 - 2016 Donor blood AVIS
INTEREST
President and Treasurer of the Cultural Musical "Catterino Cavos" in Venice
Drama Theatre
Reading
Sports practiced: Swimming and Running
Cultivating friendships
I authorize the treatment of my personal data pursuant to the Decree Legislativo196/2003
Luisa Russo