Learn about the culture and arts of the Pacific Northwest Coast. This session will discuss the purpose of masks and the different types. A mask from our collection will be the focus.
6. Types of Masks
Frontlet
Headdress placed on forehead
Used for ceremonial dance: Potlatch, Mortuary,
Welcome
Balance of power between supernatural identity
and social one
“His successful quests in the world of spirits was
symbolized by the frontlet headdress he wore
(McLaren 1977). “
Face
Direct contact with supernatural powers
Used by shamans and Medicine Men
Spirit in human or animal form
Transformation
Open and close by the wearer through strings
Interchangeable mouthpieces to change
character/expression
7. Ceremonial
Masks
Masking tradition
spanning about 4,000
years
Mostly used in the
Northern and Central
part of the Northwest
Coast culture area
Made from wood,
primarily cedar and
occasionally maple
Usual colors are white,
red, black, yellow, blue
8. What is Masking?
Manifestation of powerful ancestral spirits
Used to make the supernatural world more visible
License to defy the rules because it removes from reality
Distinguishing features between regional, tribal, & personal styles
10. Pacific Northwest
Coast Native Cosmos
Keep in mind!
Not every group believes their
cosmos has all the domains
Supernatural inhabitants have the
power to travel between realms
12. Undersea World
Equal in power to Sky World
Deity Copper Maker lives here
under the water
Sea Eagle, Sea Raven, Sea Bear,
Sea Wolf, Whales, Sea Monsters
13. Mortal World
Ancestors in animal form named
places and walked the earth
Changed into human after flood
Wolf, Grizzly Bear, Land Birds
14. Spirit World
Not a single space
Some believe the location is
the milky way, underground,
or beyond the horizon
Realm of ghosts
16. Potlatch
Gift-giving winter feast
Primary governing and economic system
Demonstrates leader’s wealth and held for major
events
Music, dancing, storytelling
Banned in 1884 under the Federal Indian Act urged
by missionaries
Decriminalized in 1951
19. Object History
Collected by Omaha Native Florence Sunderland
-World Traveler
-Oregon Archaeology Society Member
-Anthropology Curator at Portland Museum
-Identified basketry and pottery in our collection
-Assisted with our archaeology fieldwork in 1955
Purchased object in 1953 for $25 ($240 in 2020)
Sunderland noted the object was still used in
ceremonies on Vancouver Island
No mention of how she obtained it or from which
culture group on Vancouver Island
20. Brief History of Mask
Collecting
Scientific collection of masks began in the
late 19th century
Rise in souvenir masks during the 1950s
How to tell authenticity? Use wear, straps,
wooden bite piece
22. Is it a Sky World
Thunderbird?
“In a late nineteenth-century Nuu-chah-
nulth Thunderbird forehead mask, the
creature is characterized by the feathered
plumes which extend above the head
(Macnair).”
“[Frontlet] mask may be worn projecting
from the forehead, revealing the dancer’s
face to indicate the duality of bird and man…
(Macnair).”
24. Sources
1976 Carlson, Roy et al.
Indian Art Traditions of the Northwest Coast: Symposium on the
Prehistory of Northwest Coast Indian Art: Papers.
1977 McLaren, Carol
“Unmasking Frontlet Headdresses : An Iconographic Study of
Images in Northern Northwest Coast Ceremonial
Headdresses.” Retrospective Theses and Dissertations,
1919-2007. T, University of British Columbia.
1998 Macnair, P., Joseph, R., & Grenville, B.
Down from the shimmering sky: Masks of the Northwest Coast.
Vancouver, WA: Douglas & McIntyre.
1994 Malin, Edward
A world of faces: Masks of the Northwest coast Indians. Portland,
Or.: Timber Press.