Paul Cézanne was a French post-Impressionist painter born in 1839 who lived and worked in Paris. Some of his most famous works included The Artist's Father from 1866, Girl at the Piano from 1868-69, and a series of paintings done in Auvers-sur-Oise in 1873 after moving there to escape the crowds and pace of Paris. Cézanne is known for developing a style of painting from multiple viewpoints that greatly influenced the development of modern art. He painted still lifes, portraits, landscapes and scenes of bathers throughout his career focusing on the geometric simplification of forms and the structure of nature.
The Rise of Modernism, Part III: The Fracture of Space and TimeGeoffrey Krawczyk
Artists continue their experiments in visual perception, using the picture plane as their laboratory. The advance of technology offers a promise of a progressive utopia but it will soon become clear that there is also a dark side to the beauty of the machine.
Paris Underground is a life lived by the Cataphiles. secret holes below the streets that lead to a world of surprise and dark fun. You will find pubs, fresco, graffiti, sculptures and lot more to this travel route of secrecy and awe.
The Rise of Modernism, Part III: The Fracture of Space and TimeGeoffrey Krawczyk
Artists continue their experiments in visual perception, using the picture plane as their laboratory. The advance of technology offers a promise of a progressive utopia but it will soon become clear that there is also a dark side to the beauty of the machine.
Paris Underground is a life lived by the Cataphiles. secret holes below the streets that lead to a world of surprise and dark fun. You will find pubs, fresco, graffiti, sculptures and lot more to this travel route of secrecy and awe.
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Realism, heroism, bravery, boldness or cowardiceAgha A
'Heroism' and 'realism', 'bravery' or 'cowardice' are powerful words pregnant with multiple meanings and thus often misunderstood in common discussion. This is not exactly an article but a cursory examination of how certain individuals in various stages of world history made remarkable achievements by being 'Heroic' 'Realistic' etc.
The 'Hero' is a man who does not surrender in face of overwhelming odds and thus emerges 'victorious' or is perceived by posterity to have been morally victorious despite having been physically destroyed.
Khalid Bin Waleed, Napoleon, Alexander, Churchill etc may be grouped in the first cate-gory and Joan of Arc, Syed Ahmad Shaheed may be grouped in the latter category. All these men did well and are even today well known figures in history.
We will first examine the issue in relation with the fact 'Whether the hero had an exact knowledge and sufficient time' to assess decisions that he made and which ultimately elevated him to the pedestal of a hero in history! This is important but very often forgotten or not understood at all by many. We will take the 'Rebels' or the 'Freedom Fighters' of 1857 as an example. All existing facts as we know them today prove that these 'Rebels' never really understood the real power and potential of the English East India Company.
ART102Art History IIUnit 6 LectureRealism and Impress.docxfestockton
ART102
Art History II
Unit 6 LectureRealism and
Impressionism
1848-1885
Post-Impressionism
1880-1907
Realism in France occurred around the same
time as the Revolution 0f 1848, largely due to
Courbet. This style champions socialism, which
challenges authority and privilege of the rich.
Courbet has painted an image of a funeral, a scene
of commoners carrying out a simple social ritual.
Devoid of political or philosophical agendas, Realism
can literally be described as real: simple, everyday
scenes and events.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Gustave Courbet
Burial at Ornans
Ca. 1849-1850
Oil on canvas
Musee D’Orsay, Paris
Post-Impressionism
1880-1907
Jean-Francois Millet
The Gleaners
Ca. 1857
Oil on canvas
Musee d’Orsay, Paris
Millet creates a scene of gleaners, who were
beggars of the time. These three women are
picking the leftovers of grain in a field after the
major harvesting (you can see the large harvest in
the wagon). At the time of its exhibition in Paris,
the people were scared of this scene. It reveals at
what cost society has to pay for such wealth for an
upper class.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Manet’s painting is considered to be the one that
turned the Parisian art world on its head, and
propelled the world into the Modern Art Era. It
might not look like much, but this image is actually
ridiculing what the traditionalists viewed as
appropriate subject matter. This is a contemporary
scene, with Parisians having lunch in a park with a
naked woman. Another woman wearing a Roman
toga plays in the water. It is obvious that this scene
would never really happen in real life, and that’s the
message Manet was after. He also painted it with
bold, thick strokes of color.
Edouard Manet
Luncheon on the Grass
Ca. 1863
Oil on canvas
Musee du Louvre, Paris
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Degas developed a painterly approach to his
everyday scenes as Manet had. His compositions
appear off-centered, and elements are cut-off on
the edges, much like a photograph would crop a
scene. This is unusual in painting at the time, and
creates a image of spontaneity, as a snap-shot does.
Edgar Degas
The Dance Class
Ca. 1874
Oil on canvas
Metropolitan Museum of Art
Realism and
Impressionism
1848 ...
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
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3. Girl at the Piano (Ouverture to Tannhäuser), 1868-69,Girl at the Piano (Ouverture to Tannhäuser), 1868-69,
The Hermitage, St. Petersburg.The Hermitage, St. Petersburg.
5. Afternoon in Naples (Rum Punch), 1872-75, National Gallery of Australia, CanberraAfternoon in Naples (Rum Punch), 1872-75, National Gallery of Australia, Canberra
6. The HouseThe House
of Dr. Gachetof Dr. Gachet
in Auvers,in Auvers,
1873,1873,
oil on canvas,oil on canvas,
Musée d'Orsay,Musée d'Orsay,
Paris.Paris.
7. The HouseThe House
of Père Lacroixof Père Lacroix
in Auvers,in Auvers,
1873,1873,
oil on canvas,oil on canvas,
National GalleryNational Gallery
of Art,of Art,
Washington D.C.Washington D.C.
12. Vessels, Basket and Fruit (The Kitchen Table), 1888-90, Musée d'Orsay, ParisVessels, Basket and Fruit (The Kitchen Table), 1888-90, Musée d'Orsay, Paris..
13. Still Life, 1890-94, oil on canvas, private collection.Still Life, 1890-94, oil on canvas, private collection.
14. BoyBoy
in ain a
Red Waistcoat,Red Waistcoat,
1890-95,1890-95,
oil on canvas,oil on canvas,
StiftungStiftung
Sammlung E.G.Sammlung E.G.
Bührle,Bührle,
Zurich.Zurich.
15. Onions and Bottle, 1895-1900, oil on canvas, Musée d'Orsay, Paris.Onions and Bottle, 1895-1900, oil on canvas, Musée d'Orsay, Paris.
16. Still Life with Drapery, 1899, oil on canvas, The Hermitage, St. Petersburg.Still Life with Drapery, 1899, oil on canvas, The Hermitage, St. Petersburg.
17. The Large Bathers, 1900-05, oil on canvas, The Barnes Foundation.The Large Bathers, 1900-05, oil on canvas, The Barnes Foundation.
18. Le Château Noir, 1900-04, National Gallery of Art, Washington D.C.Le Château Noir, 1900-04, National Gallery of Art, Washington D.C.
THE ENDTHE END
