Anaheim First Presbyterian Church

1. THE MEMORIAL
WINDOWS
of Faceted Glass
THE MEMORIAL
WINDOWS
of Faceted Glass

2. Throughout the 1970’s, faceted glass windows were
installed and dedicated in the sanctuary of First
Presbyterian Church of Anaheim. Church
leaders decided these windows should be
designed in a contemporary style of the day,
believing the artistic expression conveyed by the
windows would speak to future generations.
From our early Twenty-first Century vantage, we
can truly sense that the divine inspiration of
God guided this previous generation of leaders
in the choices they made, both in design concept
and in selection of the man they trusted to bring
their vision to reality – artist/craftsman, Jos
Maes.
Enjoy reading the story and descriptions of our
beautiful faceted glass windows as drawn from
the booklet “Memorial Windows” printed in
THE MEMORIAL
WINDOWS
of Faceted Glass
THE MEMORIAL
WINDOWS
of Faceted Glass

3. 1
THE MEMORIAL WINDOWS
of Faceted Glass
Art is an expression of the creative forces which lie in the spirit, and much of its importance lies in
what it has to say to us. However, even though some may not understand the message, they can
feel the pleasure of its beauty. There is no doubt that things beautiful are a blessing of God, and
even the most somber existence can be brightened by the small glad touch of something beautiful.
Religious art is one of the highest forms of artistic expression, and as a church family, we see these
magnificent windows as an expression of our delight in God’s work. They are animated by their
brilliance of color, the sweep and flow of design, and the messages they carry, which make them
more than they are. They help to interpret the teaching of all God’s creation to those who view
them. Together they reveal a chronological history of events from the time of creation to the
victory of Christ’s love and the story of His kingdom.
The windows are made of faceted glass, rich and pure of color, and varying in thickness up to one
inch. Designed and made by artist Jos Maes, they possess a vitality and prismatic-like brilliance
due to the chipping and chiseling (or “Faceting”) of the inner surface of the pieces of glass, a
process which helps to magnify light. Unlike traditional stained glass windows, found in early
churches and cathedrals, in which shapes of glass were leaded together, the faceted glass has been
set in a matrix of epoxy and resin. Once dried, a structural unit of great strength and durability has
been formed, and no maintenance is required.

4. 2
THE MEMORIAL WINDOWS
of Faceted Glass
The Aesthetics Committee selected the contemporary style of window because they felt this form
of art would speak to future generations through the artistic expressions of our day. A touch of
tradition is provided through the use of familiar Christian symbols which are seen in the windows.
Our sanctuary, while reflecting Gothic styling, is Neo-Gothic in architecture. It is “new Gothic” or
Gothic which is modified and simplified to reflect the architecture of this age. Gothic is a style of
building which was developed during the Middle Ages. It expressed a growing love of beauty which
flowered during the Renaissance, and also reflected a shift in religious feeling when, during this
period, religion became a thing of the people. Emphasis in Gothic architecture is on the
perpendicular with lofty towers, and spires, and pointed arches and vaulting. In this sanctuary a
pleasing rhythmical pattern is formed by the pointed arches of doorways and aisles which are
repeated in the narrow perpendicular windows, all reaching upward. However, the shape of the
windows presented a challenge to the artist; the restricted width made it necessary to plan the
design with movement in an up-and-downward direction.
The nave windows, on the east, represent stories of symbolic significance from the Old
Testament, and those on the west convey messages from the New Testament. The
monochromatic effects of each window overlap to create a spectrum of color, ranging from the
darker (purple and blue) tones near the rear to the lighter, warm amber tones nearer the front of the
sanctuary.

5. 3
THE MEMORIAL WINDOWS
of Faceted Glass
Aside from the specific symbolic references of each window, windows in general may be said to
symbolize the Christian life. As windows glow and become alive and beautiful when sunlight pours
through them, so human life and relationships with others can become rich and radiant when
illuminated by the light of Christ’s love shining through.
We are indeed fortunate to have commissioned the talents of Jos Maes, an artist of excellence and
integrity, who designed and made each of the memorial windows. With his understanding of our
ideas, he has developed these magnificent works of art, which will be enjoyed for generations to
come, and with skillful, creative hands has been able to articulate the thoughts which we wished to
convey.
Although the mind’s eye of each beholder may modify the interpretation of what is seen in each
window, none can fail to feel their enthusiasm and beauty.
We wish to express heartfelt appreciation for the interest, the love, and the sharing of gifts which
have made possible the installation of these beautiful windows.
It is with joy that we recall the glad times and special experiences shared with those loved ones in
whose names these gifts are given. It is in a spirit of Thanksgiving that we dedicate these windows
to the Glory of God, our Father and Creator.

6. THE TRINITY WINDOWS

7. THE TRINITY WINDOWS
Together these windows form a unity of descending and sweeping rays, uniting the
three into one, symbolic of the three persons in one Godhead. A common curve
forms the curvature of the earth, symbolizing the subservience of Man to the
sovereignty of God. Below this curvature is seen the earthly city of Jerusalem,
only a reflection of the heavenly city above. The deepest blues nearest the bottom
of the windows denote darkness and confusion without the sacrifice of Christ.
The bright yellows and whites express God’s wondrous nature, His holiness and
love.

8. GOD, THE FATHER
[Dedicated to Henry L. Martin - October 18, 1970]
God, the Father is symbolized by the
massive, providential hand, thrusting
itself in a protective manner above
the world. The window is a gift of
family and friends.

9. CHRIST, THE LAMB
[Dedicated to the Kingdom of God – October 18, 1970]
“Behold the Lamb of god, which taketh away the sin of
the world.”
John 1:29
We see the lamb standing; near his head, a cross (in red)
representing the triumphant, risen Christ. The
window is a gift of Mr. and Mrs. John C. Knutzen
and family.

10. THE HOLY SPIRIT
[Dedicated to Mr. and Mrs. Bernhard Schlosser - October 18, 1970]
Descending in the vague form of a dove, with his back
slightly arched, and his almond shaped head
surrounded by a nimbus, pointing downward, we
see the symbol of the Holy Spirit. The broad
circle surrounding the dove suggests not only the
wings of the spirit, but the world encompassed by
Spirit-filled influences.
This window was given in loving memory of their parents
by Bernadine Ross, Idaline Miner and Marguerite
Phelps.

11. BAPTISM
Rose Window - East Transept
Dedicated to Rachel Beeman; a tribute from her church family.
The multicolor figures are
representative of people
coming from all directions to
be baptised and accepted
into God’s kingdom. The
upper portion of the window
vaguely reveals the overall
form of the loving Christ.
The sacrament of Holy Baptism is
symbolic of God’s reception of
the baptised as His own, a sign of
entrance into the family of God.
The blue rivulets of water seen in the
lower portion of the window and
the overlay of large droplets
remind us that baptism may be
accomplished by immersion or by
sprinkling, and cause us to recall
the early days of the church when
Christ’s followers were baptised
by immersion in nearby lakes and
rivers.

12. COMMUNION
Rose Window - West Transept
The figures portray the
fellowship of the body of
Christ, the communion of
the faithful everywhere, for
which the Lord’s Supper
offers continued spiritual
nourishment. Overall, in a
loving and protective
posture, is seen the figure
of Christ.
The most important symbol for the
sacrament of Holy Communion is the
chalice, seen in the left portion of this
window. Similar to the actual cup used
by Jesus, the symbol of the chalice
remains as a beautiful and blessed
reminder of the cup which our Lord
took and blessed at the Last Supper.
In the center are portrayed sprays of
wheat to indicate the Bread of Life,
and the bread which is used in Holy
Communion, and prominent are the
grapes in lavender and purple hues,
significant of the communion between
Jesus Christ and the believers.
“This do in remembrance of Me.”

13. THE CENTENNIAL WIDOW
South Rose Window
Looking upward to the Centennial window
with its bold explosion of color, the
worshiper leaves the sanctuary with a
reminder of the expulsive force of
God’s spirit, eager to move forth in
Christian love and service.
Dedicated on July 25, 1971 to the memory
of Christians of Anaheim past.
Members and friends of this church
were invited to participate in the
purchase of the Centennial Window in
commemoration of the 100th
anniversary of the church, and the first
worship service when nine members
met together to celebrate the
Sabbath in March, 1870.
The beautifully faceted window is
resplendent with color, emanating rays
of enlightenment from the nucleus of
Scripture, the authoritative Word of
God, clearly outlined within the center
to guide the lives of all ages through the
spirit of Jesus Christ. With the
Gospel as the foundation, the power of
the Holy Spirit permeates the
darkened areas of existence to reach
out and surround the form of the world
which is seen in the upper left area of
the window. This is the encouraging
reminder of Christ’s promise, “The
Kingdoms of the World shall become the
Kingdoms of our God and of His Christ”.

14. THE SHIP
[Dedicated to Theodore “Ted” Donaldson – January 29th, 1978]
In early days, symbolically speaking, the church
was the ship or the ark of the Lord, a ship in
which Christians sailed the “sea of life”
unharmed. Opposed or tossed about by
stormy waves of persecution, heresy and
many perils, yet it reached its destination.
The traditional type of church building, with the
long, high narrow design such as ours can
be seen to resemble a ship. The word,
“nave”, itself is derived from the Latin word
“navis”, which means ship.
This beautiful window was selected by Betty
and Ted Donaldson as their gift to the
church a few months before Ted’s sudden
death in May 1976. He had served as a
deacon from 1973 to 1076, carrying the
duties of Head Usher for a long period of
time. He was a member of the Worship
Committee, and was ordained as an Elder
in January 1976.

15. THE EAGLE
[Dedicated to the Glory of God – January 29th, 1978]
The eagle, a symbol of divinity is displayed in
the second window, the gift of James
Heidecke. It is a reminder of a favorite
passage of scripture: “They that wait upon
the Lord shall renew their strength; they
shall mount up with wings as eagles; they
shall run and not be weary; they shall walk
and not faint.” (Isaiah 40:31).
The winged eagle is frequently seen as a carving
on front of pulpits, a commonly used
emblem of St. John, the Apostle, author
of the fourth gospel. It was also a symbolic
reminder of our nation’s bicentennial year.

16. THE BROTHERHOOD OF MAN
[Dedicated to the Glory of God – January 29th, 1978]
The three embracing figures of varying hues
symbolize the universal brotherhood of man,
united through Christ.
This window, the gift of Mr. and Mrs. Louis
Middleton (“Tex” and Mary) beautifully
illustrates the words of Christ as related in
John 17:21, “That they all may be one, as
thou, Father, art in me, and I in thee, that
they also may be one in us”....

17. THE VINE AND BRANCHES
[Dedicated to the Glory of God – January 29th, 1978]
Jesus said: “I am the vine, you are the branches;
he that abideth in me bringeth forth much
fruit; without me, you can do nothing”.
(John 15:5)
We are reminded of the communion between
Jesus Christ and the believers as we look
at this lovely window, a gift from George
and Winifred Muller.

18. THE BUTTERFLY
[Dedicated to Evelyn (Mrs. Leo) Sheridan – January 29th, 1978]
A symbol of the resurrection and the eternal
life, because it emerges from the cocoon
with a glorified body able to soar into the
sky, the butterfly also reminds us that we
are born to a new life through Jesus Christ.
This window is a loving memorial from the family
of Evelyn Sheridan who passed away
August 13, 1974.

19. THE ANCHOR CROSS
[Dedicated to Leo A. Pauly – January 29th, 1978]
When the top part of an anchor is in the shape
of a cross, it is called an Anchor Cross, a
symbol of Jesus Christ, our sure anchor,
carried over from the days of Christian
persecution before Constantine. These
early Christians were able to see the
anchor as a symbol of sure and steadfast
hope and salvation, while non-Christians
saw nothing but an anchor.
Like the fish symbol, its use was intended to
conceal its true significance from spies and
informers. Viewing this window causes us to
feel a thankfulness for the early saints who
persisted in their faith in spite of
persecution.
It is a memorial gift from the family and friends of
Leo A. Pauly, father of George Pauly.

20. THE CROSS AND CROWN
[Dedicated to Lewis Marion Pickel – January 29th, 1978]
“...be thou faithful unto death, and I will give thee
a crown of life.” (Rev. 2:10) Triumph over
death which is promised to those who are
faithful, is symbolized by the familiar design
of the cross and crown.
The window, a gift of family and friends, is a
loving memorial to Lewis Marion Pickel,
who, at the time of his death in December
1973, had served as an Elder at First
Church for almost 25 years.

21. THE CANDLE
[Dedicated to Frank and Eda Tschann – January 29th, 1978]
Jesus said, “I am the light of the world; he that
followeth me shall not walk in darkness, but
shall have the light of life.”
This beautiful window with its brilliant candle
glow helps us to call to mind these assuring
words of scripture.
Elder Gordon Jones and his wife, Jeanne,
have given this window in loving memory of
her parents.

22. Small Window, West Transept
[Dedicated to Susan Talevich – January 29th
, 1978]
“Praise ye the Lord. Praise God in his
sanctuary . . . Praise Him with the timbrel
and dance: Praise him with stringed
instruments and organs.”
The people of the church have learned to
express their deepest feelings and religious
sentiments through sacred music. The
mighty pipe organ symbolizes joy and music,
and has been called the “king of
instruments”.
It seems most fitting that this window depicting
the pipe organ, should honor Susan
Talevich, who has served faithfully as
church organist since December 1945. It is
the gift of her church family.

23. THE CREATION
[Dedicated to Abbott Hatch – January 29, 1978]
“In the beginning God created the heaven and the earth” . . .
Genesis 1:1
The warm amber tones seem to proclaim God’s words: “Let there be light!”, and
we see the forms of sun moon and stars. In the lowest area of the window is
the Tower of Babel, symbolic of man’s efforts to act as God’s equal, and
the flaming sword, indicating the Fall of Man. The two figures, denoting
Adam and Eve, are surrounded by many elements designating Paradise,
these elements arranged in the form of a tree. The foliage and fruit are
recognized as the Tree of Knowledge of Good and Evil.
This window is a loving tribute from the family and friends of Abbott Hatch, who
died November 16, 1976. Abbott had served as a deacon prior to his
ordination as an Elder in 1971.
Nave Window -
East

24. THE COVENANT
[Dedicated to Mrs. Flora V. Ward – June 27, 1971]
“Now the Lord said to Abraham ‘Go from your country and your kindred and your
father’s house to the land that I will show you. And I will make of you a great nation,
and I will bless you, and make your name great, so that you will be a blessing’ ”.
Genesis 12:1
God’s plan for triumph began with a Covenant, symbolically revealed to us in this
window. In brilliant reds we see the flames that lick and swirl from the lower
portion, a reminder of the burning bush that signifies Moses’ encounter with
the Almighty. Looking upward, we see the figure of Abraham with a coal
burner (gray smoke) offering his son, Isaac, as a sacrifice. From the darkness
beam many stars, one of which shines most brightly, the dream of Abraham, in
which he saw the multitude of stars, the one larger and most brilliant,
designating the Messiah. Uppermost is the rainbow, in remembrance of
God’s promise to Noah, and a symbol of God’s promise to all persons in
every stage of human development.
Nave Window -
East

25. THE LAW
[Dedicated to The Glory of God – January 29, 1978]
“And the Lord came down upon Mount Sinai, on top of the mount: and the Lord
called Moses up to the top of the mount; and Moses went up” . . .
Exodus 19:20
It is fitting that the story of the Law should be related to us in the verdant greens
of grassy hillsides and mountains, for it was to a mountain top that Moses was
called by God. The outline of the mountain symbolizes Mount Sinai where
Moses came into the presence of God, and was given the Law. Signifying
God’s presence is the nimbus of light atop the mountain. In the profile of the
mountain, are seen the tablets of the law, and ascending from the bottom of
the window are the figures, representative of the Israelites, breaking God’s
command in making offerings to the golden calf.
This magnificent window is the gift of Nancy and Harold Burney.
Nave Window -
East

26. PRAISE
[Dedicated to The Glory of God – January 29, 1978]
“Praise the Lord! Praise the Lord from the heavens, praise him in the heights!
Praise Him all his angels, all His hosts! Praise Him, sun and moon, praise Him all
you shining stars!
Psalm 148
We see moon, stars, sun – all creation exalting the Lord. The people with hands
raised in adoration, heads and hearts lifted in hymns of praise, offer flowers.
Vaguely seen in the lower area is the lyre, encouraging all persons to “Sing
unto Him a new song.” Overall, this is a visual portrayal of Psalms, an
outpouring of praise and adoration to the Lord, our God.
The gift of this window was made possible through the accumulation of many
memorial contributions throughout the years. It is dedicated in loving
remembrance to the following individuals who have shared in the fellowship of
this church:
Content Barnes / Anna Beebe / Burnetta Block / /Robert Broadfoot / Ethel Bruce /
Ardis Chambers / Charles Cook / Anna Crago / Beulah Dean / Clyde R. and Harriett Dickey /
Florence Eaton / Katie Edwards / Blanche Epstein / Edith Fordtran /
Ruthann and Willard A. Findlay / Olive Gauer / Miriam Garner / Grace L. Garner / Richard Glover /
Winifred Goley / Sidney T. Hammond / Marie Hartelt / William E. Hauser / Edward A. Hess /
Barbara Ann Hessel / Ruth Henderson / Andrew J. Hendrix / Charles Holiday / Margaret jackson /
Lee Johnson / Helen Jones / Emma Elizabeth Karlen / Allie Fawn Krum / Al Marcoux /
Boyd Y. Martin / Faye Morris / James L. Morris, Jr. / Margaret T. Muller / I.H. Myhre /
Blodwen MacMath / Grace McElroy / Gertrude McGeachy / William T. Peebles / John A. Planting /
George L. Rains / Flo and Hudson Rennie / Oma Scherr / Forrest Simonton /
Thomas Spaeenhower / Emma Stanley / Josephone Stodart / John Stout / Bill Storey /
Maxine E. Withers / Mary Jewel Watts / Kathryn Wheeler / Claudia Walker
Nave Window -
East

27. PROPHECY
[Dedication information not available]
“The wilderness and the dry land shall be glad, the desert shall rejoice and blossom
like a rose. It shall blossom abundantly, and rejoice with joy and singing.”
Isaiah 35:1-2
Reminding us of the promised coming of Christ and the flourishing of His
kingdom is the Messianic rose, a symbol of hope, prominently seen in the
uppermost portion. The Chi-Ro is seen as the nucleus of the sun of
righteousness, illuminating the heavenly and earthly Jerusalem. The Prince
of Peace, the sword and plow bring to mind the scriptural promise of peace
among nations: “They shall beat their swords into plowshares.”
Nave Window -
East

28. BIRTH
[Dedicated to Richard H. Morley – January 29, 1978]
In predominance in this amber toned window, the Star of Nativity shines on the
outline of a manger containing figures, symbolic of the birth of mankind, in the
new life of Christ. This nativity window inspires us with the thought that God
revealed his presence to us, in the birth of our Lord.
The window was a gift of the family and friends of Richard Morley who died on
April 5, 1977. He was the husband of June Morley and the son of Burt
Morley and his wife Blanche, who joined this church on December 29, 1912,
#73 in the Church Registry.
Nave Window -
West

29. LOVE OF CHRIST
[Dedicated to Dorothea B. Schutz – June 27, 1971]
The brilliant splashes of reds and golds denote the brightness and joy of the love
of Christ. From the top section, the hallowed Christ looks down in
compassion, his elongated gown stretching to the bottom of the window,
signifying his all-encompassing attitude of forgiveness and healing.
In the center section we see the form of Christ, gathering his people into his arms.
We are left with a visual impression of God seeking His people, and through
Christ, reaching out to all humanity in His love.
Nave Window -
West

30. PRAYER
[Dedicated to Guy Crow – January 29, 1978]
“Then shalt thou call, and the Lord shall answer; thou shalt cry and he shall say,
Here I am”.
Isaiah 58:9
In vivid and glorious greens, we see the figure knelt in prayer and we think of
Christ praying in the hills; we remember him in the garden of Gethsemane.
Over all, this is a rendition of man’s petitions to God, his prayers of
supplication to his creator.
Nave Window -
West

31. SERVICE
[Dedicated to Lloyd S. Ross – January 29, 1978]
“I was a stranger and you took me in; . . . I was sick and you visited me; I was in prison
and you came to me” . . .
Matthew 25:35-40
In the lower portion of the window, we see the figure of Jesus kneeling and
washing the feet of His disciple, and we remember the words of our Lord: “If
I, your Lord and Master, have washed your feet, you also ought to wash one
another’s feet”. In the center portion, we recognize the form of our Savior
bent with the weight of the cross, which he bore for all mankind. Again and
again we are reminded that we cannot truly love without serving.
Christ’s life exemplified the full meaning of self-denial and service. In countless
ways he taught that we should serve one another, as he humbled himself to
carry out the life of a servant.
This window is a loving tribute from the family and friends of Lloyd Ross, who
joined the Anaheim Church as a boy of 10 years, and served as an Elder for
37 years prior to his death on October 22m 1974.
Nave Window -
West

32. THE RESURRECTION
Dedicated to Richard and Oma Lee Scherer; donated by Jenny, Lara, and Cindy
Giese.
Jesus said, “I am the resurrection, and the life: he that believeth in me, though he
were dead, yet shall live” . . .
John 11:25
As we gaze upward, it is with a sense of sadness that we look upon the form of our
Savior, crucified upon the cross, and think of his suffering and death for all
persons. But we remember joyfully the redemptive power of his death and
the victory of his love. Portrayed in rich deep hues of lavender and amethyst,
the radiant open tomb, the banner, and the cross emphasize for us the victory
of life over death. It is this belief which is the very foundation of the church.
In the lower portion, and symbolic of Pentecost (the church as the creation of
the Holy Spirit) are the seven fiery tongues, indicative of the seven gifts of
the spirit.
Nave Window -
West

33. CHANCEL WINDOWS
[Dedication information not available]
"Make a joyful noise unto the Lord, all ye lands."
"Serve the Lord with gladness: come before his
presence with singing.“
Psalm 100:1-2
Few people take the opportunity to gaze upon
the chancel windows, save the chancel choir
itself. But they are among the most colorful,
vibrant and joyful of all the tall windows in
the sanctuary. Each of the windows
incorporates the same sweeping colors and
lines as seen in the Trinity Windows – and
each window symbolizes the “joyful noise” we
make to our Lord. Represented in the
windows are common musical instruments
from biblical times, such as the horns, harps
and lyres; while modern musical instruments
are also represented in the piano, trumpet
and French horn. Each of the windows
portrays choirs singing, with the notes of the
page being translated into sounds of praise
and worship as they are offered to our Lord.
Chancel
Window West
Chancel
Window
Chancel
Window