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Cam,tstc,dvd,hd,bd,tvrip
- 1. Â¥Ö÷ ·¢±íÓÚ: 2011-02-26 17:51 µ¹ÐòÔĶÁ ©® Ö»¿´Â¥Ö÷ ©® С ÖÐ ´óÀ´Ô´ÓÚ ¹Ù·½
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CAM -
A cam is a theater rip usually done with a digital video camera. A mini tripod
is sometimes used, but a lot of the time this wont be possible, so the camera
make shake. Also seating placement isn¡¯t always idle, and it might be filmed
from an angle. If cropped properly, this is hard to tell unless there¡¯s text on
the screen, but a lot of times these are left with triangular borders on the top
and bottom of the screen. Sound is taken from the onboard microphone of the
camera, and especially in comedies, laughter can often be heard during the film.
Due to these factors picture and sound quality are usually quite poor, but
sometimes we¡¯re lucky, and the theater will be fairly empty and a fairly clear
signal will be heard.
¡¡¡¡CAMͨ³£ÊÇÓÃÊýÂëÉãÏñ»ú
´ÓµçÓ°ÔºµÁ¼¡£ÓÐʱ»áʹÓÃСÈý½Ç¼Ü£¬µ«´ó¶àÊýʱºò²»¿ÉÄÜʹÓã¬ËùÒÔÉãÏñ»ú»á¶¶¶¯¡£Í¬Ê±
ÓÉÓÚ·ÅÉãÏñ»úµÄ×ùλ²
¢·Ç×ÜÊǿյģ¬Ê¹µÃÓÐʱÅÄÉã²»ÊÇˮƽµÄ¡£Èç¹ûºóÆÚ¼ô²ÃºÜºÃ£¬ÕâºÜÄÑ¿´³ö£¬³ý·ÇÆÁĻϷ½Ó
Ð×ÖÄ»¡£ÓÉÓÚÉùÒôÊÇ´ÓÉãÏñ»ú×Ô´øµÄ»°Í²Â¼ÖÆ£¬ËùÒÔ¾-
³£»á¼µ½¹ÛÖÚµÄЦÉùµÈÉùÒô£¬ÓÈÆäÊÇϲ¾çƬ¡£ÒòΪÕâЩÒòËØ£¬Í¼ÏóºÍÉùÒôÖÊÁ¿Í¨³£¶¼ºÜ²î¡£
µ«ÓÐʱºÜÐÒÔ˵çÓ°ÔºÏ൱¿Õ£¬ÕâÑù»á¼µ½ºÃһЩµÄÉùÒô¡£
TELESYNC (TS) -
A telesync is the same spec as a CAM except it uses an external audio source
(most likely an audio jack in the chair for hard of hearing people). A direct
audio source does not ensure a good quality audio source, as a lot of background
noise can interfere. A lot of the times a telesync is filmed in an empty cinema
or from the projection booth with a professional camera, giving a better picture
quality. Quality ranges drastically, check the sample before downloading the
full release. A high percentage of Telesyncs are CAMs that have been mislabeled.
¡¡¡¡³ýÁËʹÓÃÍâÖõÄÒôÔ
´£¨Ò»°ãÊÇÓ°Ôº×ùÒÎÉÏΪÌýÁ¦²»ºÃµÄÈËÉèµÄ¶ú»ú¿×£©£¬TELESYSNC(TS) ºÍCAM
µÄ±ê×¼ÊÇÏàͬµÄ¡£Õâ¸öÖ±½ÓµÄÒôÔ´²¢²»Äܱ£Ö¤ÊǺõÄÒôÔ
´£¬ÕâÊÇËüÒòΪÊܵ½ºÜ¶à±³¾°ÔëÒôµÄ¸ÉÈÅ¡£ºÜ¶àʱºòTSÊÇÔÚ¿ÕµÄӰԺ¼ÖÆ£¬»òÊÇÓÃרҵÉãÏñ»
úÔÚͶӰÊÒ¼ÖÆ£¬ËùÒÔͼÏóÖÊÁ¿¿ÉÄܱÈCAMºÃ¡£ÖÊÁ¿µÄÆð·ü¿ÉÄܺÜ
´ó£¬ÔÚÏÂÔØÇ°×îºÃ²é¿´SAMPLE¡£ºÜ´ó±ÈÀýµÄTSÊÇ´ÓCAM´íÎó±ê¼Ç³É¡£
TELECINE (TC) -
A telecine machine copies the film digitally from the reels. Sound and picture
should be very good, but due to the equipment involved and cost telecines are
fairly uncommon. Generally the film will be in
correct aspect ratio, although 4:3 telecines have existed. A great example is
the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode ,
which is a visible counter on screen throughout the film.
¡¡¡¡TELECINE (TC) ʹÓõçÊÓµçÓ°»ú´Ó½ºÆ¬Ö±½ÓÊý×Ö¿½±
´£¬ÆäͼÏóºÍÉùÒôÖÊÁ¿Ó¦¸ÃºÜºÃ¡£µ«ÓÉÓÚʹÓõÄÉ豸ºÍ·ÑÓúܸߣ¬TCºÜÉÙ¼û¡£Í¨³£»áʹÓÃÕýÈ
·µÄ¸ß¿í±È£¬µ«ÓÐʱҲÓÐ4:3µÄ
TC¡£È¥ÄêµÄÙªÂ޼͹«Ô°IIIÊÇÒ»¸öºÜºÃµÄÀý×Ó¡£²»Ó¦½«TCºÍTimeCode(ʱ¼äÂë)»ìÏý£¬Ê±¼äÂëÊ
ÇÒ»¸öÔÚÆÁÄ»ÉϿɼûµÄ¼ÆÊýÆ÷¡£
SCREENER (SCR) -
A pre VHS tape, sent to rental stores, and various other places for promotional
use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen)
a/r, although letterboxed screeners are sometimes found. The main draw back is a
"ticker" (a message that Scrolls past at the bottom of the screen, with the
copyright and anti-copy telephone number). Also, if the tape contains any serial
numbers, or any other markings that could lead to the source of the tape, these
will have to be blocked, usually with a black mark over the section. This is
sometimes only for a few seconds, but unfortunately on some copies this will
- 6. last for the entire film, and some can be quite big. Depending on the equipment
used, screener quality can range from excellent if done from a MASTER copy, to
very poor if done on an old VHS recorder thru poor capture equipment on a copied
tape. Most screeners are tran**erred to VCD, but a few attempts at SVCD have
occurred, some looking better than others.
¡¡¡¡SCREENER(SCR)ÊÇÔÚµçÓ°·¢ÐÐVHS¼Ïó´ø֮ǰË͵½Â¼Ïó³ö×âµê¼°ÆäËûµØ·½ÓÃ×ö
´ÙÏúÄ¿µÄ¡£SCREENERʹÓÃVHS¼Ïó´ø£¬Í¨³£Ê¹ÓÃ4:3£¨È«ÆÁ£©µÄ¸ß¿í±È£¬µ«ÓÐʱҲ»áÓÐ
LETTERBOXED(1.85:1¿íÒøÄ») SCREENER. Ö÷ÒªµÄȱµãÊÇÓС°TICKER¡±
£¨ÔÚÆÁĻϷ½¹ö¶¯µÄÏûÏ¢£¬°üº¬°æȨºÍ·´µÁ°æµç»°ºÅÂ룩¡£Í¬Ê±£¬Èç¹û¼Ïó
´ø°üº¬ÈκÎÐòÁкŻò¿ÉÒÔµ¼Ö³ö¼Ïó´øÀ´Ô
´µÄ¼ÇºÅ£¬ÕâЩ¼ÇºÅ±ØÐë±»ÕÚµô£¬Í¨³£Ê¹ÓÃÒ»¸öºÚ°ßÕÚסÉÏÊö²¿Î»¡£ÓÐʱÕâЩ¼ÇºÅÖ»³öÏÖ¼¸Ã
ëÖÓ£¬ÓÐʱҲ¿ÉÄܲ»ÐÒÔÚÔõ¸öµçÓ°ÖгöÏÖ£¬¶øÇÒÓÐʱ»áºÜ´ó¡£¸ù¾ÝʹÓõÄÉ豸£¬
SCREENERµÄÖÊÁ¿¿ÉÄÜÊǼ«ºÃ£¬Èç¹ûÊÇ´Ó԰濽±´£»Ò²¿ÉÄܺܲÈç¹ûÊǴӷ¼µÄ¿½±
´Â¼ÖÆ£¬Í¬Ê±ÓÖʹÓúÜÀõIJ¶×½É豸ºÍ¼Ïó»ú¡£´ó¶àÊýµÄ
SCREENER±»×ªÖƳÉVCD£¬ÏÖÔÚÒ²³öÏÖÁËSVCD£»ÓÐЩ¿´ÆðÀ´±ÈÁíһЩºÃ¡£
DVD-SCREENER (DVDscr) -
Same premise as a screener, but tran**erred off a DVD. Usually letterbox , but
without the extras that a DVD retail would contain. The ticker is not usually in
the black bars, and will disrupt the viewing. If the ripper has any skill, a
DVDscr should be very good. Usually tran**erred to SVCD or DivX/XviD.
¡¡¡¡DVD-SCREENER(DVDscr)ºÍSCREENERÏàËÆ£¬µ«ÊÇ
´ÓDVDתÖÆ¡£Í¨³£ÊÇ1.85:1¿íÒøÄ»£¬µ«ÊDz»°üÀ¨ÁãÊÛ°æ»áÓеĻ¨Ðõ¡£TICKER¾-
³£²»ÔÚºÚ±ßÀËùÒÔ»áÓ°Ïì¹Û¿´¡£Èç¹ûתÖÆÕßÉÔÓм¼Êõ£¬DVDScrÓ¦¸ÃºÜºÃ¡£Í¨³£
±»×ªÖƳÉSVCD»òDivX/XviD¡£
DVDRip -
A copy of the final released DVD. If possible this is released PRE retail (for
example, Star Wars episode 2) again, should be excellent quality. DVDrips are
released in SVCD and DivX/XviD.
¡¡¡¡DVDRipÊÇ´Ó×îÖÕ°æµÄDVDתÖÆ¡£Èç¹û¿ÉÄÜ£¬Ó¦¸ÃÊÇʹÓÃÔ¤Ê۰棨±ÈÈ磬ÐÇÇò
´óÕ½2£©¡£ÖÊÁ¿Ó¦¸ÃºÜºÃ¡£Í¨³£±»·¢²¼³ÉSVCD»òDivX/XviD¡£
VHSRip -
Tran**erred off a retail VHS, mainly skating/sports videos and XXX releases.
¡¡¡¡VHSRipÊÇ´ÓÁãÊÛ°æVHS¼Ïó´øתÖÆ£¬Ö÷ÒªÊÇ»¬±ù/ÌåÓýÄÚÈݺÍXXX·¢²¼¡£
TVRip -
TV episode that is either from Network (capped using digital cable/satellite
boxes are preferable) or PRE-AIR from satellite feeds sending the program around
to networks a few days earlier (do not contain "dogs" but sometimes have
flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the
"dark matches" and camera/commentary tests are included on the rips. PDTV is
capped from a digital TV PCI card, generally giving the best results, and groups
tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by
the TV scene.
¡¡¡¡´ÓµçÊÓ£¨×îºÃÊÇ
´ÓÊýÂëÓÐÏßµçÊÓ/ÎÀÐǵçÊÓ²¶×½£©×ªÖƵĵçÊӾ磬»ò½ÓÊÕÓÉÎÀÐÇÌáÇ°¼¸ÌìÏòµçÊÓÍø
´«Ë͵ÄÔ¤²¥½ÚÄ¿£¨²»°üº¬¼ÓÃܵ«ÓÐʱÓÐÑ©»¨£©¡£ÓÐЩ½ÚÄ¿£¬±ÈÈç WWF RAW IS
WAR°üº¬¶àÓàµÄ²¿·Ö£»"DARK MATCHES"ºÍCAMERA/COMMENTARY²âÊÔ±»°üº¬ÔÚTVRipÀï¡£PDTVÊÇ
´ÓPCIÊýÂëµçÊÓ¿¨²¶×½£¬Í¨³£Ð§¹û×îºÃ£»Æƽâ×éÖ¯ÇãÏòÓÚʹÓÃSVCDÀ´·
¢²¼¡£VCD/SVCD/DivX/XviD ripsÒ²¶¼±»ÓÃÓÚ·¢²¼TVRip¡£
WORKPRINT (WP) -
A workprint is a copy of the film that has not been finished. It can be missing
scenes, music, and quality can range from excellent to very poor. Some WPs are
very different from the final print (Men In Black is missing all the aliens, and
has actors in their places) and others can contain extra scenes (Jay and Silent
Bob) . WPs can be nice additions to the collection once a good quality final has
been obtained.
¡¡¡¡WORKPRITN (WP)ÊÇ´ÓδÍê³ÉµÄµçÓ°¿½±´×ªÖƶø³É£¬¿ÉÄÜ»áȱʧ¾µÍ·ºÍÒôÀÖ¡£ÖÊÁ¿¿ÉÄÜ
´Ó×îºÃµ½ºÜ²î¡£ÓÐЩWP¿ÉÄܺÍ×îÖÕ°æ±¾Ïà²îºÜÔ¶¡£(MEN IN
BLACKµÄWP¶ªÊ§ÁËËùÓеÄÍâÐÇÈË£¬´úÖ®ÒÔÑÝÔ±)£»ÁíһЩÔò°üÀ¨¶àÓàµÄ¾µÍ·(Jay and Silent
Bob). WPs¿ÉÒÔ×÷ΪÓÐÁ˺ÃÖÊÁ¿µÄ×îÖÕ°æ±¾ºóµÄ¸½¼ÓÊղء£
DivX Re-Enc -
A DivX re-enc is a film that has been taken from its original VCD source, and
re-encoded into a small DivX file. Most commonly found on file sharers, these
are usually labeled something like Film.Name.Group(1of2) etc. Common groups are
SMR and TND. These aren¡¯t really worth downloading, unless you¡¯re that unsure
- 7. about a film u only want a 200mb copy of it. Generally avoid.
¡¡¡¡DivXRe-EncÊÇ´ÓÔʼVCD·¢²¼ÓÃDivX±àÂë³ÉµÄСһЩµÄÎļþ¡£Í¨³£
¿ÉÔÚÎļþ¹²ÏíÍøÂçÕÒµ½¡£ËüÃÇͨ³£ÒÔFilm.Name.Group(1of2)µÈÐÎʽÃüÃû¡£³£¼ûµÄ·
¢²¼×éÖ¯ÓÐSMRºÍTND¡£ÕâЩ°æ±¾Í¨³£²»ÖµµÃÏÂÔØ£¬³ý·ÇÄã²»Çå³þij²¿µçÓ°£¬Ö»ÏëÒª200MBµÄ°æ
±¾¡£Ò»°ãÓ¦±ÜÃâ¡£
Watermarks -A lot of films come from Asian Silvers/PDVD (see below) and these
are tagged by the people responsible. Usually with a letter/initials or a little
logo, generally in one of the corners. Most famous are the "Z" "A" and "Globe"
watermarks.
¡¡¡¡ºÜ¶à´ÓAsian Silvers/PDVD (²Î¿´ÏÂÃæ)À´µÄµçÓ°
´øÓÐÖÆ×÷È˵ıê¼Ç¡£Í¨³£ÊÇÒ»¸ö×Öĸ£¬Ãû×ÖËõд»òͼ±ê£¬Î»ÓÚÆÁĻһ½Ç¡£×îÓÐÃûµÄÊÇ"Z",
"A"ºÍ"Globe".
Asian Silvers / PDVD -
These are films put out by eastern bootleggers, and these are usually bought by
some groups to put out as their own. Silvers are very cheap and easily available
in a lot of countries, and its easy to put out a release, which is why there are
so many in the scene at the moment, mainly from smaller groups who don¡¯t last
more than a few releases. PDVDs are the same thing pressed onto a DVD. They have
removable subtitles, and the quality is usually better than the silvers. These
are ripped like a normal DVD, but usually released as VCD.
¡¡¡¡Asian Silvers / PDVDÊÇÑÇÖÞµÁ°æÉÌ·¢ÐÐӰƬµÄ£¬Í¨³£±»Ò»Ð©·¢²¼×éÖ¯¹ºÂòÀ
´µ±×öËûÃÇ×Ô¼ºµÄ·¢²¼¡£SilversºÜ±ãÒË£¬Ôںܶà¹ú¼Ò¶¼ºÜÈÝÒ×ÕÒµ½¡£·
¢²¼SilversºÜÈÝÒ×£¬ËùÒÔÏÖÔÚÓкܶ෢²¼£¬Ö÷ÒªÊÇÓÉһЩСµÄ×éÖ¯·¢²¼£»ÕâЩ×é֯ͨ³£·
¢²¼¼¸¸öRELEASEºó¾Í²»¼ûÁË¡£PDVDºÍSilverÒ»Ñù£¬²»¹ýÊÇѹÔÚDVDÉÏ¡£PDVDͨ³£ÓÐÍâ¹Ò×ÖÄ»£
¬ÖÊÁ¿Ò²±ÈSilverºÃ¡£PDVDÏóÆÕͨµÄDVDÒ»ÑùתÖÆ£¬µ«Í¨³£ÓÃVCDµÄ¸ñʽ·¢²¼¡£
Scene Tags
¡¡¡¡·¢²¼ÎļþµÄ±êÖ¾
PROPER -
Due to scene rules, whoever releases the first Telesync has won that race (for
example). But if the quality of that release is fairly poor, if another group
has another telesync (or the same source in higher quality) then the tag PROPER
is added to the folder to avoid being duped. PROPER is the most subjective tag
in the scene, and a lot of people will generally argue whether the PROPER is
better than the original release. A lot of groups release PROPERS just out of
desperation due to losing the race. A reason for the PROPER should always be
included in the NFO.
¡¡¡¡¸ù¾Ý·¢²¼¹æÔò£¬×îÏÈ·¢²¼Telesync (TS)µÄ×éÖ¯Ó®µÃ(TS·¢²¼µÄ)±ÈÈü¡£µ«ÊÇ£¬Èç¹ûÕâ¸ö·
¢²¼°æ±¾ÖÊÁ¿ºÜ²î£¬Í¬Ê±ÁíÒ»×éÖ¯ÓÐÁíÒ»TS°æ±¾(»òÖÊÁ¿¸üºÃµÄͬһƬԴ)£¬ÄÇÃ
´±ê¼ÇPROPER±»¼Óµ½Ä¿Â¼ÉÏÒÔ±ÜÃâÖظ
´¡£PROPERÊÇÒ»¸ö×îÖ÷¹ÛµÄ±ê¼Ç£¬ºÜ¶àÈË»áÕùÂÛÊÇ·ñPROPER±ÈÔʼ·¢²¼°æ±¾ºÃ¡£ºÜ¶à·
¢²¼×éÖ¯Ö»²»¹ýÒòΪÊäµôÁË·¢²¼±ÈÈü¶ø·¢²¼ PROPER¡£·¢²¼PROPERµÄÔ-
ÒòÒò¸Ã×ÜÊÇ°üº¬ÔÚNFOÎļþÀï¡£
SUBBED -
In the case of a VCD, if a release is subbed, it usually means it has hard
encoded subtitles burnt throughout the movie. These are generally in
malaysian/chinese/thai etc, and sometimes there are two different languages,
which can take up quite a large amount of the screen. SVCD supports switch able
subtitles, so some DVDRips are released with switch able subs. This will be
mentioned in the NFO file if included.
¡¡¡¡¶ÔÓÚVCD·¢²¼¶øÑÔ£¬SUBBEDͨ³£±íʾ×ÖÄ»±»Ñ¹½øÁ˵çÓ°¡£ËüÃÇͨ³£ÊÇÂíÀ
´Óï/ÖÐÎÄ/Ì©Îĵȣ¬ÓÐʱÓÐÁ½ÖÖÓïÑÔ¡£ËüÃÇ¿ÉÄÜÕ¼¾ÝÁ˺Ü
´óÒ»²¿·ÖÆÁÄ»¡£SVCDÖ§³ÖÍâ¹Ò×ÖÄ»£¬ËùÒÔDVDRipÓÃÍâ¹Ò×ÖÄ»·¢²¼¡£ÕâЩÐÅÏ¢
¿ÉÒÔÔÚNFOÎļþÖÐÕÒµ½¡£
UNSUBBED -
When a film has had a subbed release in the past, an Unsubbed release may be
released
¡¡¡¡µ±Ò»²¿µçÓ°Ôø¾·¢²¼¹ýÓÐ×ÖÄ»µÄSUBBED°æ±¾£¬Ã»×ÖÄ»µÄUNSUBBED°æ±¾Ò²¿ÉÄÜ·¢²¼¡£
LIMITED -
A limited movie means it has had a limited theater run, generally opening in
less than 250 theaters, generally smaller films (such as art house films) are
released as limited.
¡¡¡¡LIMITEDµçÓ°Ö¸¸ÃµçÓ°Ö»ÔÚÓÐÏ޵ĵçÓ°Ôº·ÅÓ³£¬Í¨³£ÉÙÓÚ250¼Ò¡£Í¨³£½ÏСµÄµçÓ°£¨±ÈÈç
ÒÕÊõµçÓ°£©µÄ·¢ÐÐÊÇLIMETED¡£
INTERNAL -
- 8. An internal release is done for several reasons. Classic DVD groups do a lot
of .INTERNAL. releases, as they wont be dupe¡¯d on it. Also lower quality
theater rips are done INTERNAL so not to lower the reputation of the group, or
due to the amount of rips done already. An INTERNAL release is available as
normal on the groups affiliate sites, but they can¡¯t be traded to other sites
without request from the site ops. Some INTERNAL releases still trickle down to
IRC/Newsgroups, it usually depends on the title and the popularity. Earlier in
the year people referred to Centropy going "internal". This meant the group were
only releasing the movies to their members and site ops. This is in a different
context to the usual definition.
¡¡¡¡INTERNAL·¢²¼Óм¸¸öÔÒò¡£¾µäµÄDVD×éÖ¯Óкܶà.INTERNAL.·
¢²¼°æ±¾£¬ÕâÑù²»»áÒýÆð»ìÏý¡£Í¬Ê±£¬µÍÖÊÁ¿µÄ·¢²¼»á¼ÓÒÔINTERNAL±ê¼Ç£¬ÕâÑù²»»á½µµÍ·
¢²¼×éÖ¯µÄÉùÓþ£¬»òÓÉÓÚÒѾ·¢²¼µÄÊýÁ¿¡£INTERNAL·
¢²¼¿ÉÒÔÕý³£µÄÔÚ×éÖ¯µÄ»áÔ±ÍøÕ¾ÉÏ»ñÈ¡£¬µ«Ã»ÓÐÆäËûÍøÕ¾¹ÜÀíÔ±µÄÒªÇóËüÃDz»¿ÉÒÔ±»½»»»µ
½ÆäËûÍøÕ¾¡£Ò»Ð©TERNAL·
¢²¼ÈÔÈ»Á÷µ½IRC/NEWSGROUP£¬Õâͨ³£È¡¾öÓÚµçÓ°¼°ÆäÁ÷Ðжȡ£½ñÄêÔçЩʱºò£¬ÈËÃÇ°ÑCENTRO
PY×öΪINTERNAL¡£Õâ±íʾ·¢²¼×éÖ¯Ö»ÏòÆä»áÔ±ºÍÍøÕ¾¹ÜÀíÔ±·¢²¼¡£ÕâºÍÆäͨ³£Òâ˼²»Í¬¡£
STV -
Straight To Video. Was never released in theaters, and therefore a lot of sites
do not allow these.
¡¡¡¡STV±íʾµçÓ°´ÓδÔÚµçÓ°Ôº·ÅÓ³¹ý¾Í±»·¢²¼£¬Òò´ËºÜ¶àÍûÍøÕ¾²»ÔÊÐíSTV¡£
ASPECT RATIO TAGS -
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.
¡¡¡¡*ws*±íʾ¿íÒøÄ»£¬*FS*±íʾȫÆÁÄ»¡£
RECODE -
A recode is a previously released version, usually filtered through TMPGenc to
remove subtitles, fix color etc. Whilst they can look better, its not looked
upon highly as groups are expected to obtain their own sources.
¡¡¡¡RECODEÊÇÒÔÇ°ÒѾ·
¢²¼¹ýµÄ°æ±¾£¬Í¨³£ÓÃTMPGenc±àÂë¹ýÂËÒÔÈ¥³ý×ÖÄ»£¬¾ÀÕýÑÕÉ«µÈ¡£ËäÈ»ËüÃÇ¿´ÆðÀ
´ºÃһЩ£¬µ«Í¨³£²»ÈÏΪÕâÊǺõÄÐÐΪÒòΪ·¢²¼×éÖ¯Ó¦¸ÃÈ¥ÕÒËûÃÇ×Ô¼ºµÄƬԴ¡£
REPACK -
If a group releases a bad rip, they will release a Repack which will fix the
problems.
¡¡¡¡Èç¹û·¢²¼×éÖ¯·¢²¼ÁËÒ»¸ö»µµÄ°æ±¾£¬ËûÃǻᷢ²¼REPACKÀ´½â¾öÕâЩÎÊÌâ¡£
NUKED -
A film can be nuked for various reasons. Individual sites will nuke for breaking
their rules (such as "No Telesyncs") but if the film has something extremely
wrong with it (no soundtrack for 20mins, CD2 is incorrect film/game etc) then a
global nuke will occur, and people trading it across sites will lose their
credits. Nuked films can still reach other sources such as p2p/usenet, but its a
good idea to check why it was nuked first in case. If a group realise there is
something wrong, they can request a nuke.
¡¡¡¡Ò»¸ö·¢²¼¿ÉÄÜÒòΪ¶àÖÖÔÒò±»NUKEµô¡£ÓÐЩÍøÕ¾»áÒòΪΥ·¸ËûÃǵĹæÔò¶øNUKE·
¢²¼(±ÈÈç²»ÔÊÐí·¢²¼TS°æ±¾)¡£µ«Èç¹û·¢²¼µÄ°æ±¾ÓкܴóµÄÎÊÌâ(Èç20·ÖÖÓûÓÐÉùÒô£¬CD2ÊÇ
´íÎóµÄµçÓ°»òÓÎÏ·)£¬ÄÇôËùÓеÄÍøÕ¾¶¼»áNUKEÕâ¸ö·
¢²¼¡£ÔÚÕâЩÍøÕ¾ÉϽ»»»NUKED°æ±¾µÄÈË»áʧµôËûÃǵÄÐÅÓþ¡£µ«NUKED·
¢²¼ÈÔÈ»¿ÉÒÔͨ¹ýP2P/USENET´«²¥£¬ËùÒÔÓ¦¸Ã×ÜÊÇÊ×ÏÈÕÒµ½Æä±»NUKEµÄÔÒòÒÔ·ÀÍòÒ»¡£Èç¹û·
¢²¼×éÖ¯·¢¾õËûÃǵķ¢²¼ÓÐÎÊÌ⣬ËûÃÇ¿ÉÒÔÒªÇóNUKE¡£
NUKE REASONS :: this is a list of common reasons a film can be nuked for
(generally DVDRip)
³£¼ûµÄNUKEÔÒò(ͨ³£ÊÇDVDRIP)£º
** BAD A/R ** :: bad aspect ratio, ie people appear too fat/thin
´íÎóµÄ¸ß¿í±È£¬¼´»ÃæÌ«ÅÖ»òÌ«ÊÝ¡£
** BAD IVTC ** :: bad inverse telecine. process of converting framerates was
incorrect.
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** INTERLACED ** :: black lines on movement as the field order is incorrect.
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DUPE -
Dupe is quite simply, if something exists already, then theres no reason for it
to exist again without proper reason.
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