The document is a collection of Spanish phrases and terms related to light, space, time and graffiti posted on October 28, 2010. Many of the phrases discuss using light to create graffiti or drawings, including terms like "light bomb", "thrown light", "laser graffiti", "light drawings", and "light eyelashes". Other phrases discuss concepts like light in space, Picasso, and the relationship between light, space and time.
A man devised a master plan to propose marriage to his girlfriend. He purchased an engagement ring as the first step. For further assistance, he enlisted help from her parents to pull off a special proposal. As part of his scheme, he made her breakfast plate with a message that became clear as she ate, asking her to marry him. She happily accepted his proposal with a hug and a kiss.
A man devised a master plan to propose marriage to his girlfriend. He purchased an engagement ring as the first step. For further assistance, he enlisted help from her parents to pull off a special proposal. As part of his scheme, he made her breakfast plate with a message that became clear as she ate, asking her to marry him. She happily accepted his proposal with a hug and a kiss.
The document is a collection of Spanish phrases and terms related to light, space, time and graffiti posted on October 28, 2010. Many of the phrases discuss using light to create graffiti or drawings, including terms like "light bomb", "thrown light", "laser graffiti", "light drawings", and "light eyelashes". Other phrases discuss concepts like light in space, Picasso, and the relationship between light, space and time.
A man devised a master plan to propose marriage to his girlfriend. He purchased an engagement ring as the first step. For further assistance, he enlisted help from her parents to pull off a special proposal. As part of his scheme, he made her breakfast plate with a message that became clear as she ate, asking her to marry him. She happily accepted his proposal with a hug and a kiss.
A man devised a master plan to propose marriage to his girlfriend. He purchased an engagement ring as the first step. For further assistance, he enlisted help from her parents to pull off a special proposal. As part of his scheme, he made her breakfast plate with a message that became clear as she ate, asking her to marry him. She happily accepted his proposal with a hug and a kiss.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms for those who already suffer from conditions like depression and anxiety.
Introduction to Information Architecture & Design - 6/20/15Robert Stribley
Events.com wants to revamp its website to become the go-to online resource for people wanting to attend or promote events across the United States. The presentation covers conducting user research through focus groups and surveys, performing a competitive review of similar websites, creating personas based on user research findings, and using card sorting to help organize content and define site navigation. The information architecture process involves defining page types, sketching designs, creating site maps and wireframes, and testing prototypes with users.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Introduction to Information Architecture and Design - SVA Workshop 03/23/13Robert Stribley
The document provides an overview of an information architecture workshop given by Robert Stribley on March 23, 2013. The workshop agenda covers background topics on information architecture including definitions, history and the design process. It then discusses the goals and deliverables of the workshop. Specific activities covered in the workshop include user research, competitive reviews, personas, card sorting, site maps, wireframes and prototypes.
Green Drinks Presentation for McWhinneyguest18bfc1
McWhinney has implemented numerous sustainability practices since 2004 including recycling programs, encouraging alternative transportation, and supporting employee health and wellness. They work with local organizations and have taken steps to reduce the environmental impact of their buildings and communities. McWhinney has also established goals and plans to continue improving sustainability practices across their business.
Introduction to Information Architecture & Design - 2/14/15Robert Stribley
The document provides an introduction to an information architecture and design workshop. It includes an agenda for the workshop that covers topics such as background on information architecture, the design process, user research including card sorting and competitive reviews, conceptual site maps and navigation, and sketching and wireframing. Personas for an events website are presented to illustrate how user research can be synthesized into representative user profiles. The document emphasizes that information architecture follows principles of organization, labeling, and navigation to help users efficiently find and manage information.
Street art has increasingly met the market as its techniques like stencils, wheat pasting and murals have been adopted by corporations in advertising. Once seen as rebellious, street artists like Banksy and Shepard Fairey have seen their work promoted for commercial purposes. New technologies like projections, QR codes and augmented reality provide both street artists and companies novel ways of interacting with public spaces, sometimes blurring the lines between street art, promotion and advertising.
The document discusses different types of light sources, dividing them into natural and artificial sources. Natural light sources can come from the sky like the northern lights or from the earth like lava or bioluminescent organisms in the ocean. Artificial light sources include chemical sources like combustion or electrical sources like incandescent, fluorescent, LED and gas discharge lamps. The document also mentions other light phenomena like lasers and sonoluminescence. It briefly describes the processes of diffusion, where light is scattered, and reflection, where light bounces off a surface.
A luz reciclada é uma técnica que permite reutilizar a luz que já foi emitida por uma fonte luminosa, reduzindo o desperdício de energia e melhorando a eficiência do sistema de iluminação.
El documento lista los nombres y años de vida de varios artistas que trabajan con la luz como medio, incluyendo Lucio Fontana, Dan Flavin, Olafur Eliasson, Chryssa, Frida Blumenberg, Bruce Nauman, Ellis D Fogg, Spencer Finch y James Turrell. Además menciona otros ejemplos de artistas que usan la luz en su obra.
El documento describe las características del impresionismo como movimiento artístico que se desarrolló en Europa en la segunda mitad del siglo XIX. Los impresionistas se enfocaron en capturar la luz más que las formas, dividiendo las formas en trazos de colores que reflejan la luz. Aunque sus pinturas parecen cerradas desde lejos, de cerca solo muestran fragmentos. El impresionismo no intenta imitar completamente la realidad sino resaltar detalles que normalmente pasamos por alto.
Este documento discute cómo las representaciones de las cosas, como palabras y obras de arte, a menudo no son lo mismo que las cosas mismas. Usa el famoso cuadro de Magritte "Esto no es una pipa" para mostrar que asumimos erróneamente que las representaciones y las cosas son idénticas. También analiza cómo artistas surrealistas como Duchamp desafiaron esta relación al alterar las propiedades habituales de los objetos o colocar objetos cotidianos en galerías de arte.
Las texturas visuales evocan experiencias táctiles pasadas almacenadas en la memoria, aunque la vista engaña sugiriendo materiales que no son reales. Esta cualidad permite a las artes visuales expresarse.
El documento describe dos tipos de textura: la textura física o real que se puede percibir táctilmente, y la textura implícita o visual que parece tener un objeto aunque solo se vea. Las diferentes texturas se asocian a experiencias táctiles anteriores como lo suave, áspero o rugoso. Sin embargo, no siempre tienen características positivas o negativas, ya que también dependen del objeto al que acompañan.
Diseñadores y colecciones de moda de diferentes temporadas, incluyendo Alexander McQueen primavera 2010, Karl Lagerfeld para Chanel, Mary Katranzou otoño 2009, Jean Paul Gaultier otoño 2009, y Basso & Brooke primavera 2009.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms for those who already suffer from conditions like depression and anxiety.
Introduction to Information Architecture & Design - 6/20/15Robert Stribley
Events.com wants to revamp its website to become the go-to online resource for people wanting to attend or promote events across the United States. The presentation covers conducting user research through focus groups and surveys, performing a competitive review of similar websites, creating personas based on user research findings, and using card sorting to help organize content and define site navigation. The information architecture process involves defining page types, sketching designs, creating site maps and wireframes, and testing prototypes with users.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Introduction to Information Architecture and Design - SVA Workshop 03/23/13Robert Stribley
The document provides an overview of an information architecture workshop given by Robert Stribley on March 23, 2013. The workshop agenda covers background topics on information architecture including definitions, history and the design process. It then discusses the goals and deliverables of the workshop. Specific activities covered in the workshop include user research, competitive reviews, personas, card sorting, site maps, wireframes and prototypes.
Green Drinks Presentation for McWhinneyguest18bfc1
McWhinney has implemented numerous sustainability practices since 2004 including recycling programs, encouraging alternative transportation, and supporting employee health and wellness. They work with local organizations and have taken steps to reduce the environmental impact of their buildings and communities. McWhinney has also established goals and plans to continue improving sustainability practices across their business.
Introduction to Information Architecture & Design - 2/14/15Robert Stribley
The document provides an introduction to an information architecture and design workshop. It includes an agenda for the workshop that covers topics such as background on information architecture, the design process, user research including card sorting and competitive reviews, conceptual site maps and navigation, and sketching and wireframing. Personas for an events website are presented to illustrate how user research can be synthesized into representative user profiles. The document emphasizes that information architecture follows principles of organization, labeling, and navigation to help users efficiently find and manage information.
Street art has increasingly met the market as its techniques like stencils, wheat pasting and murals have been adopted by corporations in advertising. Once seen as rebellious, street artists like Banksy and Shepard Fairey have seen their work promoted for commercial purposes. New technologies like projections, QR codes and augmented reality provide both street artists and companies novel ways of interacting with public spaces, sometimes blurring the lines between street art, promotion and advertising.
The document discusses different types of light sources, dividing them into natural and artificial sources. Natural light sources can come from the sky like the northern lights or from the earth like lava or bioluminescent organisms in the ocean. Artificial light sources include chemical sources like combustion or electrical sources like incandescent, fluorescent, LED and gas discharge lamps. The document also mentions other light phenomena like lasers and sonoluminescence. It briefly describes the processes of diffusion, where light is scattered, and reflection, where light bounces off a surface.
A luz reciclada é uma técnica que permite reutilizar a luz que já foi emitida por uma fonte luminosa, reduzindo o desperdício de energia e melhorando a eficiência do sistema de iluminação.
El documento lista los nombres y años de vida de varios artistas que trabajan con la luz como medio, incluyendo Lucio Fontana, Dan Flavin, Olafur Eliasson, Chryssa, Frida Blumenberg, Bruce Nauman, Ellis D Fogg, Spencer Finch y James Turrell. Además menciona otros ejemplos de artistas que usan la luz en su obra.
El documento describe las características del impresionismo como movimiento artístico que se desarrolló en Europa en la segunda mitad del siglo XIX. Los impresionistas se enfocaron en capturar la luz más que las formas, dividiendo las formas en trazos de colores que reflejan la luz. Aunque sus pinturas parecen cerradas desde lejos, de cerca solo muestran fragmentos. El impresionismo no intenta imitar completamente la realidad sino resaltar detalles que normalmente pasamos por alto.
Este documento discute cómo las representaciones de las cosas, como palabras y obras de arte, a menudo no son lo mismo que las cosas mismas. Usa el famoso cuadro de Magritte "Esto no es una pipa" para mostrar que asumimos erróneamente que las representaciones y las cosas son idénticas. También analiza cómo artistas surrealistas como Duchamp desafiaron esta relación al alterar las propiedades habituales de los objetos o colocar objetos cotidianos en galerías de arte.
Las texturas visuales evocan experiencias táctiles pasadas almacenadas en la memoria, aunque la vista engaña sugiriendo materiales que no son reales. Esta cualidad permite a las artes visuales expresarse.
El documento describe dos tipos de textura: la textura física o real que se puede percibir táctilmente, y la textura implícita o visual que parece tener un objeto aunque solo se vea. Las diferentes texturas se asocian a experiencias táctiles anteriores como lo suave, áspero o rugoso. Sin embargo, no siempre tienen características positivas o negativas, ya que también dependen del objeto al que acompañan.
Diseñadores y colecciones de moda de diferentes temporadas, incluyendo Alexander McQueen primavera 2010, Karl Lagerfeld para Chanel, Mary Katranzou otoño 2009, Jean Paul Gaultier otoño 2009, y Basso & Brooke primavera 2009.
Issey Miyake, diseñador japonés nacido en 1938 en Hiroshima, estudió Diseño Gráfico y fundó su propio estudio en 1970. En los años 80 empezó a experimentar con nuevas técnicas de plisado que se convirtieron en su sello distintivo. Una de sus innovaciones fue el proceso APOC que utiliza una tejedora programada para crear tubos continuos de tela con forma y patrón integrados, permitiendo al cliente personalizar las mangas y faldas para reducir el desperdicio y participar en el diseño
Eiko Ishioka es una directora de arte japonesa galardonada con un Oscar por su diseño de vestuario para la película Drácula de Francis Ford Coppola. Ha trabajado en diversas áreas como vestuario, impresos, publicidad y dirección para películas como Drácula, The Cell y The Fall, así como para Cirque du Soleil.
El documento define un módulo como una forma idéntica o similar que se repite en un diseño. Explica que hay diferentes tipos de repetición de módulos, como en hilera, espejado vertical u horizontalmente, y con distintas simetrías. También menciona que dentro de un módulo puede haber submódulos, y que muchos elementos forman un supermódulo.
El documento habla sobre los módulos, que son formas idénticas o similares que aparecen más de una vez en un diseño. Explica que hay diferentes tipos de repetición de módulos, como la repetición de figura, tamaño, color o dirección. También menciona que es posible encontrar ejemplos de módulos en el arte de diferentes culturas como el arte islámico, budista o japonés.
El documento habla sobre los desafíos de componer volúmenes en tres dimensiones en lugar de dos. Explica conceptos como jerarquía, tensión/equilibrio y armonía que son importantes para crear composiciones tridimensionales cohesivas que se mantengan desde diferentes ángulos. Incluye ejemplos de obras tridimensionales de artistas como Peter Eisenman, Henry Moore, Constantin Brancusi y Alexander Calder.
The document discusses several key concepts related to species, ecosystems, and evolution. It describes how species exist within ecosystems, interacting with each other and participating in the exchange of energy and materials. Species are seen as dynamic systems that evolve over time through the processes of descent with modification, as variable replicators and sorting devices generate and select new variations within a changing adaptive landscape.
This document discusses analyzing compositions as systems of forces. It states that compositions have a limited area that can be subdivided into areas of greater or lesser energy. Elements within a composition can be identified according to their relative strength. These principles apply to both figurative and non-figurative compositions. Examples of abstract paintings by Malevich and Kandinsky are provided to illustrate this point.
El documento describe cómo pensar en cualquier cosa como un sistema de fuerzas en juego, incluyendo la neutralidad cuando no hay fuerzas en juego, la tensión cuando las fuerzas están en movimiento pero no hay equilibrio, el equilibrio cuando las fuerzas se compensan mutuamente, y el desequilibrio cuando el equilibrio se rompe.
La autora describe su práctica artística enfocada en explorar las fronteras borrosas entre la ciencia y el arte mediante el uso de materiales biológicos. Se interesa particularmente en líneas celulares como la HeLa, debido a su naturaleza ambigua y su capacidad de cuestionar las distinciones binarias adoptadas por la biología. Su proyecto The Anarchy Cell Line involucró añadir su propia sangre a la línea celular HeLa para explorar temas como la propiedad de los tejidos y la representación