A typical teen named Marty Mcfly wears Nike tracksuits, a hoodie, and Nike Airmax 95 shoes while traveling back to the 1980s with an old eccentric scientist named Doc using a Volkswagen Golf car. Marty interacts with his parents from the past.
The trailer introduces the main characters, setting, and premise of the film in the beginning. It establishes the character, tone, and genre of the movie within the first few shots and dialogue. The opening of a trailer summarizes the essential who, what, when, and where information for viewers to understand the story being told.
The document provides guidance for conducting a recce, or reconnaissance, of an outdoor filming location. It includes a template to record details of the location, potential audio, lighting, and filming problems, and how to minimize risks. Conducting a recce allows filmmakers to identify anything that could be problematic or unsafe when recording on location.
The girl is running late for school and gets into a mysterious black car. She is given a notebook filled with symbols that are revealed to be names. The driver forces her to choose someone from the list who would have to leave their family and friends to work for them. At school, her friend knows about her strange experience in the car. The notebook reveals she chose a shocking person to disappear and included where they would go. A note in the book warns her not to refuse the driver again, as they know her secret and are in control of her.
The document provides instructions for a group mini-assignment to film a three-scene drama about running late for school. It outlines pre-production tasks like developing a treatment, script, shot list, and schedule. It also includes examples of a storyboard, treatment, and risk assessment for filming locations. The goal is to film all footage for the three acts—getting ready at home, rushing on the way to school, and arriving at school—and edit it into a short film using OpenShot.
This document provides an activity sheet asking students to analyze clips from a film scene. For each clip, students are asked to record the length of the clip, identify the shot type used, and describe the type of lighting. The first two clips are analyzed as examples. The first clip is a 1 second close up shot of the main character's face, using high key lighting. The second clip is a 5 second long shot of a forming wave, using long shot technique and continuing the high key lighting. Students are then asked review and analysis questions about the clip lengths, shot types, and reasoning behind particularly long or short clips.
The document outlines a group project to create a stop motion animation video in 2.5 hours using the app 'stop motion'. It describes how each group member contributed: one created the figures and moved props, another selected sound and props, and the author drew the background and took photos. Their concept was a proposal scene in Paris with a man and woman by the Eiffel Tower at sunset. They used cardboard, paper and coloring pencils to create the background and figures, along with leaves and glue. They planned figure movements, took around 20 photos over 4 seconds, and added music in post-production. Their clear narrative was understandable but they learned they could improve with more time on sound and background details.
This document outlines the pre-production, production, and post-production processes for an audiovisual project across three terms: Autumn 2020, Spring 2021, and Autumn 2021. It details the stages involved such as developing narratives, identifying genres, writing treatments and scripts, planning shots and stop motion projects, conducting location recces, organizing casts and crews, recording footage and audio, editing clips and sound, and getting feedback to improve future work. The document provides guidance on completing learning aims across the three terms to develop media production skills and understand professional practices in the field.
Romantic comedies are set in places with lots of people and bright flowers, use everyday props like phones, and feature minimally made-up characters in colorful outfits. News broadcasts take place in news studios with everyday looks and props like notes under bright lighting. Action films are set in high, bland places with darker lighting, featuring characters with scars and weapons who are strong and inspiring.
The trailer introduces the main characters, setting, and premise of the film in the beginning. It establishes the character, tone, and genre of the movie within the first few shots and dialogue. The opening of a trailer summarizes the essential who, what, when, and where information for viewers to understand the story being told.
The document provides guidance for conducting a recce, or reconnaissance, of an outdoor filming location. It includes a template to record details of the location, potential audio, lighting, and filming problems, and how to minimize risks. Conducting a recce allows filmmakers to identify anything that could be problematic or unsafe when recording on location.
The girl is running late for school and gets into a mysterious black car. She is given a notebook filled with symbols that are revealed to be names. The driver forces her to choose someone from the list who would have to leave their family and friends to work for them. At school, her friend knows about her strange experience in the car. The notebook reveals she chose a shocking person to disappear and included where they would go. A note in the book warns her not to refuse the driver again, as they know her secret and are in control of her.
The document provides instructions for a group mini-assignment to film a three-scene drama about running late for school. It outlines pre-production tasks like developing a treatment, script, shot list, and schedule. It also includes examples of a storyboard, treatment, and risk assessment for filming locations. The goal is to film all footage for the three acts—getting ready at home, rushing on the way to school, and arriving at school—and edit it into a short film using OpenShot.
This document provides an activity sheet asking students to analyze clips from a film scene. For each clip, students are asked to record the length of the clip, identify the shot type used, and describe the type of lighting. The first two clips are analyzed as examples. The first clip is a 1 second close up shot of the main character's face, using high key lighting. The second clip is a 5 second long shot of a forming wave, using long shot technique and continuing the high key lighting. Students are then asked review and analysis questions about the clip lengths, shot types, and reasoning behind particularly long or short clips.
The document outlines a group project to create a stop motion animation video in 2.5 hours using the app 'stop motion'. It describes how each group member contributed: one created the figures and moved props, another selected sound and props, and the author drew the background and took photos. Their concept was a proposal scene in Paris with a man and woman by the Eiffel Tower at sunset. They used cardboard, paper and coloring pencils to create the background and figures, along with leaves and glue. They planned figure movements, took around 20 photos over 4 seconds, and added music in post-production. Their clear narrative was understandable but they learned they could improve with more time on sound and background details.
This document outlines the pre-production, production, and post-production processes for an audiovisual project across three terms: Autumn 2020, Spring 2021, and Autumn 2021. It details the stages involved such as developing narratives, identifying genres, writing treatments and scripts, planning shots and stop motion projects, conducting location recces, organizing casts and crews, recording footage and audio, editing clips and sound, and getting feedback to improve future work. The document provides guidance on completing learning aims across the three terms to develop media production skills and understand professional practices in the field.
Romantic comedies are set in places with lots of people and bright flowers, use everyday props like phones, and feature minimally made-up characters in colorful outfits. News broadcasts take place in news studios with everyday looks and props like notes under bright lighting. Action films are set in high, bland places with darker lighting, featuring characters with scars and weapons who are strong and inspiring.
The girl is running late for school and gets into a mysterious black car. She is given a notebook filled with symbols that are revealed to be names. The driver forces her to choose someone from the list who would have to leave their family and friends to work for them. At school, her friend knows about her strange experience in the car. When the girl smiles at the car, the camera shows the notebook with her shocking choice written down along with a threatening note from the driver saying they are in control of her.
The document provides instructions for a group mini-assignment to film a three-scene drama about running late for school. It outlines pre-production tasks like developing a treatment, script, shot list, storyboard, and production schedule. It also includes examples of a storyboard, treatment, and recce/risk assessment for filming scenes of a student getting ready at home and arriving late at school.
The document appears to be an excerpt from a screenplay describing a scene at the Grand Budapest Hotel. Gustave, the concierge, questions and interviews Zero, a new lobby boy hire. Gustave expresses skepticism towards Zero's lack of experience and education. When asked about his family, Zero nervously only provides his name in response. The screenplay excerpt establishes Gustave's authoritative role in questioning Zero as part of his job trial at the hotel.
A student overslept and had to rush to get ready for school. On the way, they were attacked by a dog but fought it off and continued running to school. When they arrived, the school doors were locked with a sign saying the teachers were on strike so school was closed.
The boy goes through his morning routine of getting out of bed, getting breakfast from the fridge, packing his lunch, and heading out the door to go to school. On the way to school, he is attacked by a dangerous dog. When he arrives at the school, he discovers that it is locked and school is not in session. The summary follows the boy's perspective through three acts as he gets ready for school and encounters obstacles on his journey.
The document discusses various terms used in screenplay formatting including:
1. Sluglines that indicate the location and time of a scene.
2. Action lines that describe the visual action in the present tense.
3. Dialogue that is centered and capitalized with character names.
4. Parentheticals that provide direction to actors on line delivery.
5. Transitions that indicate how the editor should cut between scenes.
This document provides instructions for a home study exercise analyzing film scenes. Students are asked to select a scene of up to 1 minute and record details about the clips within the scene, including length, shot types, and lighting. They are to analyze two sample clips from Avengers: Infinity War and Deadpool, noting the length, shot types, and lighting of each clip. Finally, students are prompted to review the clips again and answer questions about the longest/shortest clips, usual clip lengths, and reasons for particularly long or short clips.
The document outlines a plan for filming a home spy movie scene inspired by Mission Impossible. Shot 1 shows the vault covered in sheets. Shot 2 shows a spy being lowered into the attic on a string. Shot 3 will lower the spy into the vault hovering above the floor like in the film. Shot 4 raises the spy back up to make it appear the laptop is being hacked, playing a YouTube video of a hacking screen. Shot 5 has the spy grab a hard drive plugged into the laptop and bring it back to the attic. Shot 6 shows the spy holding the hard drive that says it contains nuclear launch codes, signifying something important was hacked.
Before filming at a location, it is important to conduct a recce or reconnaissance of the area to identify any potential issues. The recce of a house location identified wind as a possible audio problem that could be minimized by recording on calm days. Lighting may also be an issue if filming too late in the day, which could be addressed by shooting earlier. No other filming problems or safety risks were identified at the house location. Recces are important to evaluate locations and mitigate issues in order to get the best footage.
Daniel created a stop motion video with Elliot using Lego mini figures. They set up a homemade green screen. Daniel's concept was two Lego characters fighting in a boxing ring. He used an app called Stikbot Studio to film frame-by-frame and add a green screen effect. The production process involved moving the characters slowly between frames to create the illusion of motion. Daniel added sound effects in post-production and was pleased with how they enhanced the video. He learned that green screens can improve stop motion and that patience is needed when creating the videos.
Two actors are having a conversation while sitting indoors. A typical studio setup would place the two actors centrally facing each other with three light sources - a key light, fill light, and back light. Multiple cameras would be positioned to capture mid shots of each actor's head and shoulders. Microphones would also be placed and adjusted to properly capture the actors' dialogue. With access to a studio, students could setup and record this scene from three camera angles to later edit the footage together.
The document discusses experimenting with different props to create sound effects for a Foley project. The most effective prop was using a tub of water to create splashing sounds. The least effective prop was breathing into the microphone. The most unusual prop used was the creator's tongue to make a clicking sound. No obstacles were mentioned.
This is a comedy film directed by Wes Anderson about a group in a ridiculous marine situation. The audience is targeted as adults based on the recognizable cast shown clearly on the poster. The odd font and colors used for the title on the poster along with the non-threatening marine life depicted further establishes this as an comedic narrative aimed at adult audiences rather than children or a horror film.
The document discusses various terms used in screenplay formatting including:
1. Sluglines that indicate the location and time of a scene.
2. Action lines that describe the visual action in the present tense.
3. Dialogue that is centered and capitalized with character names.
4. Parentheticals that provide direction to actors on line delivery.
5. Transitions that indicate how the editor should cut between scenes.
The storyboard document shows each shot within a scene including the movement of cameras or characters, sound, dialogue, text or effects to be added. It also indicates the shot types, angles, and movements used to create variety and meaning, as well as the length of shots. The storyboard provided as an example contains several shots described by their camera shot type, angle, and movement, along with details about lighting and location.
This document provides an activity sheet asking students to analyze film scenes by recording details of clips like length, shot types, and lighting. Students are asked to identify the longest and shortest clips, note the usual clip length and reasons for variation, and consider why certain shots may be longer or shorter. The goal is to develop skills in analyzing digital media production techniques for shots and lighting.
Component 2 activity sheet 1 production stageDanielFergusson
The document discusses the three stages of media production: pre-production, production, and post-production. It provides examples of activities that fall under each stage, such as writing a script, recording audio, and editing footage. Students are asked to list additional activities in the correct column and discuss which stages are new to them and how they can improve their skills.
Component 1 lesson 4 purposes of media productsDanielFergusson
This document discusses the main purposes of media products which are to inform, entertain, or provide escapism. It provides examples of media sectors and asks the reader to identify the intended purpose for products in newspapers, television, radio, and magazines. Additional purposes beyond informing, entertaining, and escapism that media producers may have include making a profit, benefitting the community, raising awareness, gaining critical acclaim, providing inspiration, and innovating. The document encourages identifying these possible additional purposes for each media product.
The document describes a filmmaker's use of different camera shots to tell a story about school bullying. It outlines the shots in sequence: starting with an overhead establishing shot of the school, then a medium long shot of children playing before a bully arrives, a medium shot of the bully, a medium long shot showing the victim being intimidated from a distance, close ups of the victim's face when being attacked and getting punched, low angles making the bully look powerful and the victim weak and insignificant on the floor crying.
Meet up Milano 14 _ Axpo Italia_ Migration from Mule3 (On-prem) to.pdfFlorence Consulting
Quattordicesimo Meetup di Milano, tenutosi a Milano il 23 Maggio 2024 dalle ore 17:00 alle ore 18:30 in presenza e da remoto.
Abbiamo parlato di come Axpo Italia S.p.A. ha ridotto il technical debt migrando le proprie APIs da Mule 3.9 a Mule 4.4 passando anche da on-premises a CloudHub 1.0.
The girl is running late for school and gets into a mysterious black car. She is given a notebook filled with symbols that are revealed to be names. The driver forces her to choose someone from the list who would have to leave their family and friends to work for them. At school, her friend knows about her strange experience in the car. When the girl smiles at the car, the camera shows the notebook with her shocking choice written down along with a threatening note from the driver saying they are in control of her.
The document provides instructions for a group mini-assignment to film a three-scene drama about running late for school. It outlines pre-production tasks like developing a treatment, script, shot list, storyboard, and production schedule. It also includes examples of a storyboard, treatment, and recce/risk assessment for filming scenes of a student getting ready at home and arriving late at school.
The document appears to be an excerpt from a screenplay describing a scene at the Grand Budapest Hotel. Gustave, the concierge, questions and interviews Zero, a new lobby boy hire. Gustave expresses skepticism towards Zero's lack of experience and education. When asked about his family, Zero nervously only provides his name in response. The screenplay excerpt establishes Gustave's authoritative role in questioning Zero as part of his job trial at the hotel.
A student overslept and had to rush to get ready for school. On the way, they were attacked by a dog but fought it off and continued running to school. When they arrived, the school doors were locked with a sign saying the teachers were on strike so school was closed.
The boy goes through his morning routine of getting out of bed, getting breakfast from the fridge, packing his lunch, and heading out the door to go to school. On the way to school, he is attacked by a dangerous dog. When he arrives at the school, he discovers that it is locked and school is not in session. The summary follows the boy's perspective through three acts as he gets ready for school and encounters obstacles on his journey.
The document discusses various terms used in screenplay formatting including:
1. Sluglines that indicate the location and time of a scene.
2. Action lines that describe the visual action in the present tense.
3. Dialogue that is centered and capitalized with character names.
4. Parentheticals that provide direction to actors on line delivery.
5. Transitions that indicate how the editor should cut between scenes.
This document provides instructions for a home study exercise analyzing film scenes. Students are asked to select a scene of up to 1 minute and record details about the clips within the scene, including length, shot types, and lighting. They are to analyze two sample clips from Avengers: Infinity War and Deadpool, noting the length, shot types, and lighting of each clip. Finally, students are prompted to review the clips again and answer questions about the longest/shortest clips, usual clip lengths, and reasons for particularly long or short clips.
The document outlines a plan for filming a home spy movie scene inspired by Mission Impossible. Shot 1 shows the vault covered in sheets. Shot 2 shows a spy being lowered into the attic on a string. Shot 3 will lower the spy into the vault hovering above the floor like in the film. Shot 4 raises the spy back up to make it appear the laptop is being hacked, playing a YouTube video of a hacking screen. Shot 5 has the spy grab a hard drive plugged into the laptop and bring it back to the attic. Shot 6 shows the spy holding the hard drive that says it contains nuclear launch codes, signifying something important was hacked.
Before filming at a location, it is important to conduct a recce or reconnaissance of the area to identify any potential issues. The recce of a house location identified wind as a possible audio problem that could be minimized by recording on calm days. Lighting may also be an issue if filming too late in the day, which could be addressed by shooting earlier. No other filming problems or safety risks were identified at the house location. Recces are important to evaluate locations and mitigate issues in order to get the best footage.
Daniel created a stop motion video with Elliot using Lego mini figures. They set up a homemade green screen. Daniel's concept was two Lego characters fighting in a boxing ring. He used an app called Stikbot Studio to film frame-by-frame and add a green screen effect. The production process involved moving the characters slowly between frames to create the illusion of motion. Daniel added sound effects in post-production and was pleased with how they enhanced the video. He learned that green screens can improve stop motion and that patience is needed when creating the videos.
Two actors are having a conversation while sitting indoors. A typical studio setup would place the two actors centrally facing each other with three light sources - a key light, fill light, and back light. Multiple cameras would be positioned to capture mid shots of each actor's head and shoulders. Microphones would also be placed and adjusted to properly capture the actors' dialogue. With access to a studio, students could setup and record this scene from three camera angles to later edit the footage together.
The document discusses experimenting with different props to create sound effects for a Foley project. The most effective prop was using a tub of water to create splashing sounds. The least effective prop was breathing into the microphone. The most unusual prop used was the creator's tongue to make a clicking sound. No obstacles were mentioned.
This is a comedy film directed by Wes Anderson about a group in a ridiculous marine situation. The audience is targeted as adults based on the recognizable cast shown clearly on the poster. The odd font and colors used for the title on the poster along with the non-threatening marine life depicted further establishes this as an comedic narrative aimed at adult audiences rather than children or a horror film.
The document discusses various terms used in screenplay formatting including:
1. Sluglines that indicate the location and time of a scene.
2. Action lines that describe the visual action in the present tense.
3. Dialogue that is centered and capitalized with character names.
4. Parentheticals that provide direction to actors on line delivery.
5. Transitions that indicate how the editor should cut between scenes.
The storyboard document shows each shot within a scene including the movement of cameras or characters, sound, dialogue, text or effects to be added. It also indicates the shot types, angles, and movements used to create variety and meaning, as well as the length of shots. The storyboard provided as an example contains several shots described by their camera shot type, angle, and movement, along with details about lighting and location.
This document provides an activity sheet asking students to analyze film scenes by recording details of clips like length, shot types, and lighting. Students are asked to identify the longest and shortest clips, note the usual clip length and reasons for variation, and consider why certain shots may be longer or shorter. The goal is to develop skills in analyzing digital media production techniques for shots and lighting.
Component 2 activity sheet 1 production stageDanielFergusson
The document discusses the three stages of media production: pre-production, production, and post-production. It provides examples of activities that fall under each stage, such as writing a script, recording audio, and editing footage. Students are asked to list additional activities in the correct column and discuss which stages are new to them and how they can improve their skills.
Component 1 lesson 4 purposes of media productsDanielFergusson
This document discusses the main purposes of media products which are to inform, entertain, or provide escapism. It provides examples of media sectors and asks the reader to identify the intended purpose for products in newspapers, television, radio, and magazines. Additional purposes beyond informing, entertaining, and escapism that media producers may have include making a profit, benefitting the community, raising awareness, gaining critical acclaim, providing inspiration, and innovating. The document encourages identifying these possible additional purposes for each media product.
The document describes a filmmaker's use of different camera shots to tell a story about school bullying. It outlines the shots in sequence: starting with an overhead establishing shot of the school, then a medium long shot of children playing before a bully arrives, a medium shot of the bully, a medium long shot showing the victim being intimidated from a distance, close ups of the victim's face when being attacked and getting punched, low angles making the bully look powerful and the victim weak and insignificant on the floor crying.
Meet up Milano 14 _ Axpo Italia_ Migration from Mule3 (On-prem) to.pdfFlorence Consulting
Quattordicesimo Meetup di Milano, tenutosi a Milano il 23 Maggio 2024 dalle ore 17:00 alle ore 18:30 in presenza e da remoto.
Abbiamo parlato di come Axpo Italia S.p.A. ha ridotto il technical debt migrando le proprie APIs da Mule 3.9 a Mule 4.4 passando anche da on-premises a CloudHub 1.0.
Gen Z and the marketplaces - let's translate their needsLaura Szabó
The product workshop focused on exploring the requirements of Generation Z in relation to marketplace dynamics. We delved into their specific needs, examined the specifics in their shopping preferences, and analyzed their preferred methods for accessing information and making purchases within a marketplace. Through the study of real-life cases , we tried to gain valuable insights into enhancing the marketplace experience for Generation Z.
The workshop was held on the DMA Conference in Vienna June 2024.
Instagram has become one of the most popular social media platforms, allowing people to share photos, videos, and stories with their followers. Sometimes, though, you might want to view someone's story without them knowing.
Ready to Unlock the Power of Blockchain!Toptal Tech
Imagine a world where data flows freely, yet remains secure. A world where trust is built into the fabric of every transaction. This is the promise of blockchain, a revolutionary technology poised to reshape our digital landscape.
Toptal Tech is at the forefront of this innovation, connecting you with the brightest minds in blockchain development. Together, we can unlock the potential of this transformative technology, building a future of transparency, security, and endless possibilities.
Discover the benefits of outsourcing SEO to Indiadavidjhones387
"Discover the benefits of outsourcing SEO to India! From cost-effective services and expert professionals to round-the-clock work advantages, learn how your business can achieve digital success with Indian SEO solutions.
1. Wears Nike tracksuitsanda hoodie
The car is a wolsvagengolf
Wears Nike Airmax 95
Modernday travelsbackto the 80s
Characters:Marty Mcflya typical
teen
Doc: An oldeccentricman
His parents