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Audience segmentation in times of
crisis
29 April 2020
ABC research: what are Australians concerned
about? (1)
2
What are Australians concerned about? (2)
SOURCE: https://www.abc.net.au/news/2020-04-28/coronavirus-data-feelings-opinions-covid-survey-numbers/12188608
3
What are museum-goers in
the US concerned about?
SOURCE: http://www.wilkeningconsulting.com/data-stories.html
4
Are people considering visits? (US data)
“… people expect organisations to carry out operational and
programming enhancements designed to recognise a likely new
normal. Only one in four people currently feel comfortable attending
an exhibit-based cultural institution – such as a museum, aquarium, or
historic site – without changes that prioritise guest safety.
Only about one in seven feels comfortable visiting a performance-
based institution – such as a theater or symphony – without
operational and strategic changes to prioritise safety.”
SOURCE: http://www.colleendilen.com/2020/04/27/data-update-how-covid-19-is-impacting-intentions-to-visit-cultural-
entities-april-27-2020/
5
What about members?
• What does membership look like now, and post-COVID?
• And what does this mean in terms of revenue?
• UK work* identified that:
“With two key benefits of membership – free entry to charging exhibitions and
member-only events – currently off the table due to the COVID-19 pandemic, how will
museum membership schemes fare?”
• However, is this why members join?
• Will they continue to support us when they can’t visit us?
• My research suggests supporting institution a key reason to join – how can
we capitalise on that?
* SOURCE: https://www.museumsassociation.org/museums-journal/news-analysis/17042020-impact-of-covid-19-closures-on-
museum-membership-schemes
6
WHY A NEW TYPE OF SEGMENTATION?
• Online audiences are different:
• and COVID-19 / post-COVID audiences may even be different still?
• Who are we trying to reach in these times?
• or are we not too concerned about that – just get something up?
• Pre-COVID digital audiences:
• multiplatform visitor
• box ticker
• organised visitor
• curious visitor
• social visitor
• Googler
• divided visitor
• worried visitor
SOURCE: (post) digital visitors https://musdigi.wordpress.com/2016/04/08/post-digital-visitors/
7
COVID-19 Audience segments?
• Emotional segments:
• People who are bored, adrift
• People who are lonely
• Stressed out / scared people, grieving people
• Angry and stressed teachers
• Education segments:
• Desperate homeschooling parents
• Teachers at sea
• Higher Ed / university / TAFE now teaching online
• Eager learners
• Recreational segments:
• Essential workers looking for some downtime activities
• Museum constituencies (special interest/core audiences for content)
• Those in search of self-enrichment
ADAPTED FROM: Empathetic Audience Engagement During The Apocalypse.
http://www.peakexperiencelab.com/blog/2020/3/25/empathetic-audience-engagement-during-the-apocalypse
8
What do audiences want from virtual content? (1)
SOURCE: http://www.wilkeningconsulting.com/datamuseum/virtual-content-museums-and-the-pandemic-data-story-2
9
What do audiences want from virtual content? (2)
SOURCE: http://www.wilkeningconsulting.com/datamuseum/virtual-content-museums-and-the-pandemic-data-story-2
10
Network of
European
Museums (NEMO)
11
What does this mean for GLAM?
• While anxious about mental health and the economy, Australians don’t want restrictions
lifted in the short-term:
• Probably won’t visit indoor spaces anytime soon?
• Similar worries for US population:
• Economy / livelihoods are major concerns
• Online programs will need to continue on the short-term:
• Will this mean a decrease in physical visitation in future?
• But it’s a crowded market – and people overwhelmed with amount on offer
• Short snippets vs long-form content
• Funding to digital areas has not increased…
• Will motivations / decisions to visit differ between audiences?
• Teachers – digital delivery is easier for them (less paperwork!)
• Parents – hygiene, interactives may be of concern
• Older visitors – ditto, but may be more willing to undertake domestic travel
• Volunteers – when will they feel ‘safe’ to return to work?
• What about membership models??
• Will these need to change?
• Philanthropy may also be a concern
12
More information and readings
• Audiences now and future:
https://musdigi.wordpress.com/2020/04/28/audience-segmentation-in-times-of-
crisis-further-information-and-readings-part-1/
• Post-pandemic audience behavior and business models:
https://musdigi.wordpress.com/2020/04/28/post-pandemic-audience-
behaviours-and-business-models/
• Physical spaces – what can GLAM do post-COVID?
https://musdigi.wordpress.com/2020/04/29/physical-spaces-what-can-glam-do-
post-covid/
• Plus notes from this session
13
Dr Lynda Kelly
DIRECTOR
+61 436 032 253
lyndakelly61@gmail.com
https://lyndakellynetworks.com
https://musdigi.wordpress.com/
14

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Audience segmentation in times of crisis

  • 1. Audience segmentation in times of crisis 29 April 2020
  • 2. ABC research: what are Australians concerned about? (1) 2
  • 3. What are Australians concerned about? (2) SOURCE: https://www.abc.net.au/news/2020-04-28/coronavirus-data-feelings-opinions-covid-survey-numbers/12188608 3
  • 4. What are museum-goers in the US concerned about? SOURCE: http://www.wilkeningconsulting.com/data-stories.html 4
  • 5. Are people considering visits? (US data) “… people expect organisations to carry out operational and programming enhancements designed to recognise a likely new normal. Only one in four people currently feel comfortable attending an exhibit-based cultural institution – such as a museum, aquarium, or historic site – without changes that prioritise guest safety. Only about one in seven feels comfortable visiting a performance- based institution – such as a theater or symphony – without operational and strategic changes to prioritise safety.” SOURCE: http://www.colleendilen.com/2020/04/27/data-update-how-covid-19-is-impacting-intentions-to-visit-cultural- entities-april-27-2020/ 5
  • 6. What about members? • What does membership look like now, and post-COVID? • And what does this mean in terms of revenue? • UK work* identified that: “With two key benefits of membership – free entry to charging exhibitions and member-only events – currently off the table due to the COVID-19 pandemic, how will museum membership schemes fare?” • However, is this why members join? • Will they continue to support us when they can’t visit us? • My research suggests supporting institution a key reason to join – how can we capitalise on that? * SOURCE: https://www.museumsassociation.org/museums-journal/news-analysis/17042020-impact-of-covid-19-closures-on- museum-membership-schemes 6
  • 7. WHY A NEW TYPE OF SEGMENTATION? • Online audiences are different: • and COVID-19 / post-COVID audiences may even be different still? • Who are we trying to reach in these times? • or are we not too concerned about that – just get something up? • Pre-COVID digital audiences: • multiplatform visitor • box ticker • organised visitor • curious visitor • social visitor • Googler • divided visitor • worried visitor SOURCE: (post) digital visitors https://musdigi.wordpress.com/2016/04/08/post-digital-visitors/ 7
  • 8. COVID-19 Audience segments? • Emotional segments: • People who are bored, adrift • People who are lonely • Stressed out / scared people, grieving people • Angry and stressed teachers • Education segments: • Desperate homeschooling parents • Teachers at sea • Higher Ed / university / TAFE now teaching online • Eager learners • Recreational segments: • Essential workers looking for some downtime activities • Museum constituencies (special interest/core audiences for content) • Those in search of self-enrichment ADAPTED FROM: Empathetic Audience Engagement During The Apocalypse. http://www.peakexperiencelab.com/blog/2020/3/25/empathetic-audience-engagement-during-the-apocalypse 8
  • 9. What do audiences want from virtual content? (1) SOURCE: http://www.wilkeningconsulting.com/datamuseum/virtual-content-museums-and-the-pandemic-data-story-2 9
  • 10. What do audiences want from virtual content? (2) SOURCE: http://www.wilkeningconsulting.com/datamuseum/virtual-content-museums-and-the-pandemic-data-story-2 10
  • 12. What does this mean for GLAM? • While anxious about mental health and the economy, Australians don’t want restrictions lifted in the short-term: • Probably won’t visit indoor spaces anytime soon? • Similar worries for US population: • Economy / livelihoods are major concerns • Online programs will need to continue on the short-term: • Will this mean a decrease in physical visitation in future? • But it’s a crowded market – and people overwhelmed with amount on offer • Short snippets vs long-form content • Funding to digital areas has not increased… • Will motivations / decisions to visit differ between audiences? • Teachers – digital delivery is easier for them (less paperwork!) • Parents – hygiene, interactives may be of concern • Older visitors – ditto, but may be more willing to undertake domestic travel • Volunteers – when will they feel ‘safe’ to return to work? • What about membership models?? • Will these need to change? • Philanthropy may also be a concern 12
  • 13. More information and readings • Audiences now and future: https://musdigi.wordpress.com/2020/04/28/audience-segmentation-in-times-of- crisis-further-information-and-readings-part-1/ • Post-pandemic audience behavior and business models: https://musdigi.wordpress.com/2020/04/28/post-pandemic-audience- behaviours-and-business-models/ • Physical spaces – what can GLAM do post-COVID? https://musdigi.wordpress.com/2020/04/29/physical-spaces-what-can-glam-do- post-covid/ • Plus notes from this session 13
  • 14. Dr Lynda Kelly DIRECTOR +61 436 032 253 lyndakelly61@gmail.com https://lyndakellynetworks.com https://musdigi.wordpress.com/ 14