ICA 2016: Resisting Surveillance: Counter Conduct of the IncarceratedAram Sinnreich
Presentation given by Jessa Lingel and Aram Sinnreich at the International Communication Conference in Fukuoka, Japan, June 2016. This presentation focuses on how incarcerated populations resist and mitigate surveillance, and what online populations can learn from their acts of "counter-conduct."
LIDA 2016: COPYRIGHT, MEDIA ETHICS, LIBERTY & PRIVACY AN INTERNATIONAL PERSPE...Aram Sinnreich
Presentation given at "Libraries in the Digital Age", June 2016: COPYRIGHT, MEDIA ETHICS, LIBERTY & PRIVACY
AN INTERNATIONAL PERSPECTIVE. Uses international survey data to examine trends in digital culture, and implications for copyright law and library policy
ICA 2016: Slicing the Pie: Towards an Equitable Music EconomyAram Sinnreich
Presentation given at the International Communication Association conference in Fukuoka, Japan, June 2016. This paper analyzes the royalties and revenues accrued by recording artists and composers who distribute their work through various online and off-line channels, and considers pending music policy decisions in light of these analyses.
ICA 2016: Resisting Surveillance: Counter Conduct of the IncarceratedAram Sinnreich
Presentation given by Jessa Lingel and Aram Sinnreich at the International Communication Conference in Fukuoka, Japan, June 2016. This presentation focuses on how incarcerated populations resist and mitigate surveillance, and what online populations can learn from their acts of "counter-conduct."
LIDA 2016: COPYRIGHT, MEDIA ETHICS, LIBERTY & PRIVACY AN INTERNATIONAL PERSPE...Aram Sinnreich
Presentation given at "Libraries in the Digital Age", June 2016: COPYRIGHT, MEDIA ETHICS, LIBERTY & PRIVACY
AN INTERNATIONAL PERSPECTIVE. Uses international survey data to examine trends in digital culture, and implications for copyright law and library policy
ICA 2016: Slicing the Pie: Towards an Equitable Music EconomyAram Sinnreich
Presentation given at the International Communication Association conference in Fukuoka, Japan, June 2016. This paper analyzes the royalties and revenues accrued by recording artists and composers who distribute their work through various online and off-line channels, and considers pending music policy decisions in light of these analyses.
