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ARTS
Elements of Art
• Line- is the path of a moving point. Lines define the edges of shapes and forms.
• Shape- is an area enclosed by line. It is 2 dimensional and can be geometric or
organic.
• Forms - are 3-Dimesional. They occupy space or give the illusion that they
occupy the space.
• Color - is the most expressive element of art and is seen by the way light
reflects of a surface and also adds interest and reality to an artwork.
• Value- is the lightness and darkness of a surface. It is often referred to when
shading. Value is also important in the study of color.
• Texture- is the actual surface feel or the simulated appearance of roughness,
smoothness and many others.
• Space- is the distance around, between, above, below, and within an object.
Principles of Art
• Balance- refers to the visual of the elements of the composition. It is a sense that the
painting “feels stable and feels right”.
• Contrast- is the difference between elements of art in the composition, such that each
element is made stronger in relation to the other.
• Emphasis- is when the artist creates an area of the composition that is visually
dominant and commands the viewer’s attention.
• Pattern- is the uniform repetition of any of the elements of art or any combination
thereof.
• Movement- is the result of using the elements of art such that they move the viewer’s
eye around and within the image.
• Rhythm- is created by movement complied through the repetition of elements of art in
a non-uniform but organized way.
• Unity/Variety - is visually pleasing agreement among the elements in a design. It is the
feeling that everything in the work of art works together and looks like it fits.
Arts and Crafts of
Mindanao
Mindanao referred to as “The Land of
Promise”, is the second largest and
southernmost island in the Philippine
Archipelago.
Mindanao also has the largest
concentration of ethnolinguistic
groups and culturally diverse
islands. These groups are:
Muslims of Badjao
Iranun
Kalibugan
Manobo
Maguindanao
Sama Bangingi
Sama Pangutaran
Samal
Sangil
Tausug
Yakan
Lumads
Balangay
The balanghai, also known as balangay or Butuan
Boat, is a large wooden boat used by the
precolonial Filipinos to traverse the seas for trade
or migration. It was first mentioned in the 16th
Century in the Chronicles of Pigafetta, and is
known as the oldest Pre-Hispanic watercraft
found in the Philippines.
Elements: Shape, Form,
Line
Principles: Balance, Unity
Vinta
The sail called vinta, consists of several colors and
geometric shapes, representing the colorful
culture and history of the Muslim people. These
boats are small and not meant to be used for long
ocean travel. They are used for livelihood
activities fishing and diving for pearls and
transportation.
Elements: Color, Form
Principles: Balance,
Pattern
T’nalak
This cloth is made from a special textile
woven from abaca fibers. Only women are
allowed to weave this fabric.
Elements: Line, Shape, Color, Texture
Principles: Pattern, Rhythm, Unity/Variety
Kulintang
A musical instrument composed of eight
different-sized brass gongs laid upon a wooden
rack and hit by a wooden mallet to produce
music.
Elements: Shapes,
Color, Texture
Principles: Pattern,
Balance, Rhythm
Okir
It refers to traditional and unique carving and
prominent to any design among the Moro ethno-
linguistic communities. The name comes from an
old Malayan word which means carve or “ukit” in
Filipino.
Elements: Shape, Color
Principles: Emphasis,
Balance, Pattern
Panolong
The panolong is a wing-like ornament of a
torogan flaring out from the beams. This okir
carving usually features the naga or serpent,
pakorabong or stylized fern, as well as floral and
star-and-bud-motifs.
Elements: Shape, Form,
Texture
Principles: Pattern, Rhythm
Torogan
An ancestral house of the upper-class Maranao. It
is the dwelling place of the datu along with his
wives and children. There could not be any house
larger than torogan of the datu within the
sultanate, forhis signifies rank, prestige and
wealth.
Elements: Shape, Form, Texture
Principles: Unity/Variety, Rhythm, Pattern
Sarimanok
A legendary bird of the Maranao. It comes from the
words “sari” meaning cloth or garment and “manok”
for chicken. It has become a significant symbol of
Maranao art. It is depicted as a fowl with colorful wings
and feathered tail, holding a fish on its beak or talons.
The head is profusely decorated with scroll, leaf and
spiral motifs. It is said to be a symbol of good fortune.
Elements:
Color, Value,
Texture
Principles:
Pattern,
Contrast
Maitum Jar
An earthenware vessel for secondary burial from
Sarangani province. These artifacts were first
discovered in 1991 and are now in the protection
of the National Museum.
Elements:
Texture,
Shape, Value
Principles:
Pattern,
Balance
Badjao Houses
The Bajau, also known as Sama-Bajau, are
the “Sea Gypsies” or nomads of the Sulu Sea.
Their main source of livelihood is fishing and
hunting, thus, most of them live in boat
housesor houses on stilts around the Sulu
archipelago.
Elements: Shape, Value, Texture
Principles: Pattern, Balance, Unity/Variety
Transfiguration Monastery
It is located atop of the hill of Malaybalay,
Bukidnon, founded by Fr. Abbot Eduardo
Africa and run by the Benedictine monks.
The pyramid-like structure was designed by
the National Artist for Architecture, Leandro
Locsin.
Elements: Shape, Value, Line
Principles: Emphasis, Unity/Variety, Balance
Grand Mosque in Cotabato
The largest mosque in the Philippines. It occupies
5000 square meters of five-hectare land. The four
minarets stand at towering 43 meters high.
Elements: Shape,
Form,
Unity/Variety
Principles:
Pattern,
Movement,
Balance
Fort Pilar of Zamboanga
It is also called Real Fuerza de Nuestra Señora del
Pilar de Zaragoza, was founded in 1635 and still
stand strong until today. It was engineered by Fr.
Melchor de Vera, a Jesuit priest. It was built to
protect the people from pirates of the Sulu Sea.
Elements: Shape,
Form, Texture,
Color
Principles:
Unity/Variety,
Balance, Pattern
Face makeup and body ornaments
A distinct form of visual arts of the Yakan is the
facial make-up applied on brides and grooms.
After applying a foundation of white powder, dots
and lines are printed in various patterns on the
faces, creating the effect of formal and elaborate
masks which match the ornate costumes of the
couple.
Elements: Texture, Color, Line
Principles: Pattern, Unity/Variety, Emphasis
THANK YOU!

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Arts 7 Quarter 3 MELC 1-2: Arts and Crafts of Minadanao

  • 1.
  • 2.
  • 4. Elements of Art • Line- is the path of a moving point. Lines define the edges of shapes and forms. • Shape- is an area enclosed by line. It is 2 dimensional and can be geometric or organic. • Forms - are 3-Dimesional. They occupy space or give the illusion that they occupy the space. • Color - is the most expressive element of art and is seen by the way light reflects of a surface and also adds interest and reality to an artwork. • Value- is the lightness and darkness of a surface. It is often referred to when shading. Value is also important in the study of color. • Texture- is the actual surface feel or the simulated appearance of roughness, smoothness and many others. • Space- is the distance around, between, above, below, and within an object.
  • 5. Principles of Art • Balance- refers to the visual of the elements of the composition. It is a sense that the painting “feels stable and feels right”. • Contrast- is the difference between elements of art in the composition, such that each element is made stronger in relation to the other. • Emphasis- is when the artist creates an area of the composition that is visually dominant and commands the viewer’s attention. • Pattern- is the uniform repetition of any of the elements of art or any combination thereof. • Movement- is the result of using the elements of art such that they move the viewer’s eye around and within the image. • Rhythm- is created by movement complied through the repetition of elements of art in a non-uniform but organized way. • Unity/Variety - is visually pleasing agreement among the elements in a design. It is the feeling that everything in the work of art works together and looks like it fits.
  • 6. Arts and Crafts of Mindanao
  • 7. Mindanao referred to as “The Land of Promise”, is the second largest and southernmost island in the Philippine Archipelago.
  • 8. Mindanao also has the largest concentration of ethnolinguistic groups and culturally diverse islands. These groups are:
  • 16. Samal
  • 19. Yakan
  • 21. Balangay The balanghai, also known as balangay or Butuan Boat, is a large wooden boat used by the precolonial Filipinos to traverse the seas for trade or migration. It was first mentioned in the 16th Century in the Chronicles of Pigafetta, and is known as the oldest Pre-Hispanic watercraft found in the Philippines.
  • 23. Vinta The sail called vinta, consists of several colors and geometric shapes, representing the colorful culture and history of the Muslim people. These boats are small and not meant to be used for long ocean travel. They are used for livelihood activities fishing and diving for pearls and transportation.
  • 25. T’nalak This cloth is made from a special textile woven from abaca fibers. Only women are allowed to weave this fabric.
  • 26. Elements: Line, Shape, Color, Texture Principles: Pattern, Rhythm, Unity/Variety
  • 27. Kulintang A musical instrument composed of eight different-sized brass gongs laid upon a wooden rack and hit by a wooden mallet to produce music.
  • 29. Okir It refers to traditional and unique carving and prominent to any design among the Moro ethno- linguistic communities. The name comes from an old Malayan word which means carve or “ukit” in Filipino.
  • 30. Elements: Shape, Color Principles: Emphasis, Balance, Pattern
  • 31. Panolong The panolong is a wing-like ornament of a torogan flaring out from the beams. This okir carving usually features the naga or serpent, pakorabong or stylized fern, as well as floral and star-and-bud-motifs.
  • 33. Torogan An ancestral house of the upper-class Maranao. It is the dwelling place of the datu along with his wives and children. There could not be any house larger than torogan of the datu within the sultanate, forhis signifies rank, prestige and wealth.
  • 34. Elements: Shape, Form, Texture Principles: Unity/Variety, Rhythm, Pattern
  • 35. Sarimanok A legendary bird of the Maranao. It comes from the words “sari” meaning cloth or garment and “manok” for chicken. It has become a significant symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf and spiral motifs. It is said to be a symbol of good fortune.
  • 37. Maitum Jar An earthenware vessel for secondary burial from Sarangani province. These artifacts were first discovered in 1991 and are now in the protection of the National Museum.
  • 39. Badjao Houses The Bajau, also known as Sama-Bajau, are the “Sea Gypsies” or nomads of the Sulu Sea. Their main source of livelihood is fishing and hunting, thus, most of them live in boat housesor houses on stilts around the Sulu archipelago.
  • 40. Elements: Shape, Value, Texture Principles: Pattern, Balance, Unity/Variety
  • 41. Transfiguration Monastery It is located atop of the hill of Malaybalay, Bukidnon, founded by Fr. Abbot Eduardo Africa and run by the Benedictine monks. The pyramid-like structure was designed by the National Artist for Architecture, Leandro Locsin.
  • 42. Elements: Shape, Value, Line Principles: Emphasis, Unity/Variety, Balance
  • 43. Grand Mosque in Cotabato The largest mosque in the Philippines. It occupies 5000 square meters of five-hectare land. The four minarets stand at towering 43 meters high.
  • 45. Fort Pilar of Zamboanga It is also called Real Fuerza de Nuestra Señora del Pilar de Zaragoza, was founded in 1635 and still stand strong until today. It was engineered by Fr. Melchor de Vera, a Jesuit priest. It was built to protect the people from pirates of the Sulu Sea.
  • 47. Face makeup and body ornaments A distinct form of visual arts of the Yakan is the facial make-up applied on brides and grooms. After applying a foundation of white powder, dots and lines are printed in various patterns on the faces, creating the effect of formal and elaborate masks which match the ornate costumes of the couple.
  • 48. Elements: Texture, Color, Line Principles: Pattern, Unity/Variety, Emphasis
  • 49.