The document discusses several artists and artworks that remove authorial intent from the creative process: - Laure Prouvost won the 2013 Turner Prize for her multi-screen video installation that used mixed media and back projection. - Morgan Fisher's 2003 work '()', comprised solely of clips from commercial films, removing his own editorial decisions. - Susan Hiller's 2013 work 'RESOUNDING(INFRARED)' incorporates assembled images and sounds, drawing audiences into creating their own meanings rather than expressing the artist's intent.

1. Laure Prouvost
The Artist, 2010
multi screened video installation, mixed media and back projection

3. Removing
himself
from the
authorial
process
Morgan Fisher
‘()’, 2003
Comprised entirely of interests taken from commercial feature films
Bfl.org.uk interview ‘Morgan Fisher: The Man Who Wasn’t There’ by Melissa
Gronlund, 2015

4. • Morgan Fisher created a “rule that
organised the shots for [him]”, saving him
from “making editorial decisions”
• “we are so conditioned to regard the
order of things as expressing intentions”
• “these [paradigms and] procedures let
the artists say that the work was
motivated, there was a reason for it to be
what it was other than personal
expressivity”

5. SUSAN HILLER
‘RESOUNDING(INFRARED)’2013
“Hiller’s repertoire of assembled images, objects or
sounds embodies a delicate balance of the familiar
and unexplained that draws the audience into
becoming participants in creating meaning” Ann
Gallagher , 2011

6. “the decay of image to
refer to memory loss”
- Laura U. Marks , 2002

7. References
• TED, (2014). One more reason to get a good night’s sleep. [video] Available at:
https://www.ted.com/talks/jeff_iliff_one_more_reason_to_get_a_good_night_s_sleep?language=en [Accessed 17
Dec. 2014].
• BBC News, (2013). Turner Prize 2013: Laure Prouvost wins £25,000 prize - BBC News. [online] Available at:
http://www.bbc.co.uk/news/uk-northern-ireland-25175225 [Accessed 8 Nov. 2015].
• Gronlund, M. (2015). The man who wasn’t there: an interview with Morgan Fisher | Sight & Sound. [online] British
Film Institute. Available at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/morgan-fisher-
man-who-wasnt-there [Accessed 9 Oct. 2015].
• Hamlyn, N. (2003). Film art phenomena. London: BFI Pub.
• Marks, L. (2002). Touch. Minneapolis: University of Minnesota Press.
• Underwood, E. (2015). Alzheimer's amyloid theory gets modest boost. Science, 349(6247), pp.464-464.
• Xie, L., Kang, H., Xu, Q., Chen, M., Liao, Y., Thiyagarajan, M., O'Donnell, J., Christensen, D., Nicholson, C., Iliff, J.,
Takano, T., Deane, R. and Nedergaard, M. (2013). Sleep Drives Metabolite Clearance from the Adult Brain. Science,
342(6156), pp.373-377.
•
• Hiller, S., Gallagher, A. and Bois, Y. (2011). Susan Hiller. London: Tate Pub.