Artikkel Skrevet av Thomas Kintel i "GIERDU Movements in the Sami art world - exerpts from the katalouge. Sirdimat sámi duodje- ja dáiddamáilmmis"
SKINN og RDM 2000
ISBN 978-82-997941-1-4 ISBN 978-82-992451-5-9
The sami art festival as temporary position skf 2011ThomasLohneKintel
Article by Thomas Kintel, published in "Hotel Polar Capital", a publication by Sami Art Festival 2011.
"Hotel Polar Capital: accounts from the Sámi Art Festival 2008-2011 : including texts or artistic works"
ISBN 978-82-998333-4-9
2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
The sami art festival as temporary position skf 2011ThomasLohneKintel
Article by Thomas Kintel, published in "Hotel Polar Capital", a publication by Sami Art Festival 2011.
"Hotel Polar Capital: accounts from the Sámi Art Festival 2008-2011 : including texts or artistic works"
ISBN 978-82-998333-4-9
2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
Creative operations teams expect increased AI use in 2024. Currently, over half of tasks are not AI-enabled, but this is expected to decrease in the coming year. ChatGPT is the most popular AI tool currently. Business leaders are more actively exploring AI benefits than individual contributors. Most respondents do not believe AI will impact workforce size in 2024. However, some inhibitions still exist around AI accuracy and lack of understanding. Creatives primarily want to use AI to save time on mundane tasks and boost productivity.
Organizational culture includes values, norms, systems, symbols, language, assumptions, beliefs, and habits that influence employee behaviors and how people interpret those behaviors. It is important because culture can help or hinder a company's success. Some key aspects of Netflix's culture that help it achieve results include hiring smartly so every position has stars, focusing on attitude over just aptitude, and having a strict policy against peacocks, whiners, and jerks.
PEPSICO Presentation to CAGNY Conference Feb 2024Neil Kimberley
PepsiCo provided a safe harbor statement noting that any forward-looking statements are based on currently available information and are subject to risks and uncertainties. It also provided information on non-GAAP measures and directing readers to its website for disclosure and reconciliation. The document then discussed PepsiCo's business overview, including that it is a global beverage and convenient food company with iconic brands, $91 billion in net revenue in 2023, and nearly $14 billion in core operating profit. It operates through a divisional structure with a focus on local consumers.
Content Methodology: A Best Practices Report (Webinar)contently
This document provides an overview of content methodology best practices. It defines content methodology as establishing objectives, KPIs, and a culture of continuous learning and iteration. An effective methodology focuses on connecting with audiences, creating optimal content, and optimizing processes. It also discusses why a methodology is needed due to the competitive landscape, proliferation of channels, and opportunities for improvement. Components of an effective methodology include defining objectives and KPIs, audience analysis, identifying opportunities, and evaluating resources. The document concludes with recommendations around creating a content plan, testing and optimizing content over 90 days.
How to Prepare For a Successful Job Search for 2024Albert Qian
The document provides guidance on preparing a job search for 2024. It discusses the state of the job market, focusing on growth in AI and healthcare but also continued layoffs. It recommends figuring out what you want to do by researching interests and skills, then conducting informational interviews. The job search should involve building a personal brand on LinkedIn, actively applying to jobs, tailoring resumes and interviews, maintaining job hunting as a habit, and continuing self-improvement. Once hired, the document advises setting new goals and keeping skills and networking active in case of future opportunities.
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
The document provides career advice for getting into the tech field, including:
- Doing projects and internships in college to build a portfolio.
- Learning about different roles and technologies through industry research.
- Contributing to open source projects to build experience and network.
- Developing a personal brand through a website and social media presence.
- Networking through events, communities, and finding a mentor.
- Practicing interviews through mock interviews and whiteboarding coding questions.
Google's Just Not That Into You: Understanding Core Updates & Search IntentLily Ray
1. Core updates from Google periodically change how its algorithms assess and rank websites and pages. This can impact rankings through shifts in user intent, site quality issues being caught up to, world events influencing queries, and overhauls to search like the E-A-T framework.
2. There are many possible user intents beyond just transactional, navigational and informational. Identifying intent shifts is important during core updates. Sites may need to optimize for new intents through different content types and sections.
3. Responding effectively to core updates requires analyzing "before and after" data to understand changes, identifying new intents or page types, and ensuring content matches appropriate intents across video, images, knowledge graphs and more.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...Applitools
During this webinar, Anand Bagmar demonstrates how AI tools such as ChatGPT can be applied to various stages of the software development life cycle (SDLC) using an eCommerce application case study. Find the on-demand recording and more info at https://applitools.info/b59
Key takeaways:
• Learn how to use ChatGPT to add AI power to your testing and test automation
• Understand the limitations of the technology and where human expertise is crucial
• Gain insight into different AI-based tools
• Adopt AI-based tools to stay relevant and optimize work for developers and testers
* ChatGPT and OpenAI belong to OpenAI, L.L.C.
The document discusses various AI tools from OpenAI like GPT-3 and DALL-E 2, as well as ChatGPT. It explores how search engines are using AI and things to consider around AI-generated content. Potential SEO uses of ChatGPT are also presented, such as generating content at scale, conducting topic research, and automating basic coding tasks. The document encourages further reading on using ChatGPT for SEO purposes.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
Creative operations teams expect increased AI use in 2024. Currently, over half of tasks are not AI-enabled, but this is expected to decrease in the coming year. ChatGPT is the most popular AI tool currently. Business leaders are more actively exploring AI benefits than individual contributors. Most respondents do not believe AI will impact workforce size in 2024. However, some inhibitions still exist around AI accuracy and lack of understanding. Creatives primarily want to use AI to save time on mundane tasks and boost productivity.
Organizational culture includes values, norms, systems, symbols, language, assumptions, beliefs, and habits that influence employee behaviors and how people interpret those behaviors. It is important because culture can help or hinder a company's success. Some key aspects of Netflix's culture that help it achieve results include hiring smartly so every position has stars, focusing on attitude over just aptitude, and having a strict policy against peacocks, whiners, and jerks.
PEPSICO Presentation to CAGNY Conference Feb 2024Neil Kimberley
PepsiCo provided a safe harbor statement noting that any forward-looking statements are based on currently available information and are subject to risks and uncertainties. It also provided information on non-GAAP measures and directing readers to its website for disclosure and reconciliation. The document then discussed PepsiCo's business overview, including that it is a global beverage and convenient food company with iconic brands, $91 billion in net revenue in 2023, and nearly $14 billion in core operating profit. It operates through a divisional structure with a focus on local consumers.
Content Methodology: A Best Practices Report (Webinar)contently
This document provides an overview of content methodology best practices. It defines content methodology as establishing objectives, KPIs, and a culture of continuous learning and iteration. An effective methodology focuses on connecting with audiences, creating optimal content, and optimizing processes. It also discusses why a methodology is needed due to the competitive landscape, proliferation of channels, and opportunities for improvement. Components of an effective methodology include defining objectives and KPIs, audience analysis, identifying opportunities, and evaluating resources. The document concludes with recommendations around creating a content plan, testing and optimizing content over 90 days.
How to Prepare For a Successful Job Search for 2024Albert Qian
The document provides guidance on preparing a job search for 2024. It discusses the state of the job market, focusing on growth in AI and healthcare but also continued layoffs. It recommends figuring out what you want to do by researching interests and skills, then conducting informational interviews. The job search should involve building a personal brand on LinkedIn, actively applying to jobs, tailoring resumes and interviews, maintaining job hunting as a habit, and continuing self-improvement. Once hired, the document advises setting new goals and keeping skills and networking active in case of future opportunities.
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
The document provides career advice for getting into the tech field, including:
- Doing projects and internships in college to build a portfolio.
- Learning about different roles and technologies through industry research.
- Contributing to open source projects to build experience and network.
- Developing a personal brand through a website and social media presence.
- Networking through events, communities, and finding a mentor.
- Practicing interviews through mock interviews and whiteboarding coding questions.
Google's Just Not That Into You: Understanding Core Updates & Search IntentLily Ray
1. Core updates from Google periodically change how its algorithms assess and rank websites and pages. This can impact rankings through shifts in user intent, site quality issues being caught up to, world events influencing queries, and overhauls to search like the E-A-T framework.
2. There are many possible user intents beyond just transactional, navigational and informational. Identifying intent shifts is important during core updates. Sites may need to optimize for new intents through different content types and sections.
3. Responding effectively to core updates requires analyzing "before and after" data to understand changes, identifying new intents or page types, and ensuring content matches appropriate intents across video, images, knowledge graphs and more.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...Applitools
During this webinar, Anand Bagmar demonstrates how AI tools such as ChatGPT can be applied to various stages of the software development life cycle (SDLC) using an eCommerce application case study. Find the on-demand recording and more info at https://applitools.info/b59
Key takeaways:
• Learn how to use ChatGPT to add AI power to your testing and test automation
• Understand the limitations of the technology and where human expertise is crucial
• Gain insight into different AI-based tools
• Adopt AI-based tools to stay relevant and optimize work for developers and testers
* ChatGPT and OpenAI belong to OpenAI, L.L.C.
The document discusses various AI tools from OpenAI like GPT-3 and DALL-E 2, as well as ChatGPT. It explores how search engines are using AI and things to consider around AI-generated content. Potential SEO uses of ChatGPT are also presented, such as generating content at scale, conducting topic research, and automating basic coding tasks. The document encourages further reading on using ChatGPT for SEO purposes.
Artikkel i "Gierdu - movements in the sami art world"
1. Hva står på spill
i den samiske
kunstverdenen?
Makkár várra
lea sámi
dáiddamáilmmis?
Artikkelforfatter / artihkalčálli: Thomas Kintel
Oversettere / jorgaleaddjit: Språksenteret, Brita Kåven
2. 43
Samisk kunst omtales på samme
tid som noe “annerledes”, “et
alternativ” og “en naturlig del av
det norske kunstlivet”. For å unngå
essensialisering og stereotypisering
av samisk kunst og kunstnere, må
de enten frikoples fra etniske bind-
inger, eller framstå som en egen
og likeverdig størrelse basert på
etnisitet. Men er det i det hele tatt
fruktbart å avgrense en “verden”
konstituert ved “samisk kunst” og
“samiske kunstnere”? Hva gjør den
samiske kunstverdenen særegen?
Den samiske kunstverdenen
befinner seg kulturelt sett mellom
et århundregammelt vestlig kun-
sthistorisk hegemoni og et samisk
kulturelt hegemoni som ble skapt
på 70-tallet, og som forstsatt er
operativtidagenssamfunn.”Samisk
kunst” blir både de andres blikk på
samisk kultur, samens egen reali-
sering av det kulturelle potensialet
i den nye samiske selvforståelsen,
et utrykk for en autonom, mod-
erne og interkulturell størrelse og
et essensielt samisk kulturuttrykk.
Ikke minst blir den et symbol på
samenes vilje og evne til å skape
egne kulturelle domener.
En ”samisk” kunstverden
Ved siden av å være en (sen)mod-
erne praksis, hører ”samisk kunst”
på mange måter til i en politisk og
politisert sammenheng. Det poli-
tiske handler kort sagt om at kun-
sten har fungert som et effektivt
verktøy i en over tjue år lang politisk
kamp om rettigheter og likeverd.
Dagens samiske kunstpolitikk og
de samiske kunstinstitusjonene
er på mange måter konkrete
resultater av det omfattende same-
politiske arbeidet de siste 20-25
årene. Vi kan snakke om en ”arv”
fra samebevegelsen, der tematiser-
ing omkring etnisitet, autentisitet,
minoritetsproblematikk, urfolks-
aspekter og rettigheter bringes inn
i samtidige diskurser. Den samisk-
nasjonale tilknytningen genererer
et relevant spørsmål: Hvordan skal
”samisk kunst” forstås som en del
av det samiske kulturbildet? Hvor
nær eller fjern skal disse kunst-
nernes praksis være egen kultur?
Det blir videre relevant å spørre
om ”samisk kunst” dreier seg om
”nytte” i forhold til ”det samiske
samfunnet”? Kan man si at ”samisk
kunst” kan sies å ha som formål å
bidra til å styrke, bevare og utvikle
det samiske samfunnet?
En ny generasjon kunstnere
Dette er blant de spørsmålene som
Sámi dáidda máinnašuvvo seam-
ma áiggi dego juoga ”earálága-
nin”, ”molssaeaktun” ja ”lunddolaš
oassin norgga dáiddaeallimis”.
Garvin dihtii sámi dáidaga ja dáid-
dáriid essensialiserema ja stereo-
typa kategoriserema, de fertejit
dat juogo luvvejuvvot čearddalaš
čatnašumiin, dahje čuožžut ovdan
sierra ja ovttaárvosaš sturrodahkan
vuođđuduvvon čearddalašvuhtii.
Muhto leago oppalohkái ávkkálaš
ráddjet ”máilmmi” vuođđuduvvon
”sámi dáidagis” ja ”sámi dáiddári-
in”? Mii dagaha sámi dáiddamáilm-
mi sierraláganin?
Sámi dáiddamáilmmi lea
kultuvrralaččat gaskal
jahkečuohteboares oarji
dáiddahistorjjálaš hegemoniija
ja sámi kultuvrralaš hegemoniija
mii ásahuvvui 70-logus, ja mii
ain lea doaimmas dálá servoda-
gas. ”Sámi dáidda” šaddá sihke
earáid geahčastat sámi kultuvrii,
sápmelaččaid iežaset ollašuhttin
dan kultuvrralaš potensiálas mii lea
ođđa sámi iešáddejumis, dakkár
mii čájeha autonoma, ođđaáigásaš
ja kultuvrraidgaskasaš sturrodaga,
ja essensiealla sámi kulturovdan-
buktima. Muhto dat ainjo šaddá
symbolan sápmelaččaid gálgii ja
dáhttui ásahit iežaset kultuvrralaš
domenaid.
”Sámi” dáiddamáilmmi
Earret leat (maŋŋe)ođđaáigásaš
geavat, de gullá ”sámi dáidda”
máŋggaláhkai politihkalaš ja poli-
tiserejuvvon oktavuhtii. Politih-
kka dás lea oanehaččat dat ahte
dáidda lea doaibman beaktilis
reaidun badjel 20 jagáš politihkalaš
soahtamušas vuoigatvuođaid ja
ovttaárvosašvuođa hárrái. Dálá
sámi dáiddapolitihkka ja sámi
dáiddaásahusatleatmáŋggaláhkai
konkrehta bohtosat dan viid-
dis sámepolitihkalaš barggus mii
lea bistán maŋimuš 20-25 jagiid.
Sáhttit hállat sámelihkadusa ”árb-
bis”, mas čearddalašvuođa, auten-
tisitehta, minoritehta- ja eamiálb-
motbeliid fáttát, ja vuoigatvuođat
bohciidit daid áiggiid diskurs-
saide. Sámi-nationála čatnašupmi
bohciidahttá gažaldaga mii šaddá
dasaguoski: Mo galgá ”sámi dáida-
ga” áddet oassin sámi kulturgo-
vas? Man guhkin dahje lahka galgá
dáid dáiddáriid geavat leat iežas
kultuvrra? Dasto šaddá dasagu-
oski jearrat ahte leago ”sámi dáid-
da” ”ávkki” birra ”sámi servoda-
ga” ektui? Sáhttágo dadjat ahte
”sámi dáidaga” sáhttá meroštallat
dainna ulbmilin ahte nannešii,
3. 44
blir relevante når en ny generasjon
kunstnere med samisk bakgrunn
slipper til i den samiske kunstver-
denen. De unge kunstnerne som
utover 90-tallet meldte seg inn i
SDS, bar med seg både slike mani-
festerognyeideeromhvordanman
kunne kombinere rollen som kun-
stner og same. Dette ga uttrykk for
et generasjonsskifte som foregikk i
hele den samiske verdenen utover
90-tallet. Flere av disse kom fra de
delene av den samiske befolknin-
gen som hadde vært mest utsatt
for stigmatisering og assimilering,
som i Kåfjord. De hadde en smal
samisk kulturell ”kompetanse”,
og hadde derfor lavest rang i det
tradisjonsbaserte samiske statushi-
erarkiet. I dag snakkes det om en
Kåfjordgenerasjon (Ságat 11.04.08)
bestående av unge kunstnere som
tar i bruk nye måter å tematisere
samiskhet og samisk kultur på, og
som utfordrer etablerte verdier og
ideer i det samiske samfunnet. De
nye måtene å tematisere samisk
kunst og samtidig det relativt nye
begrepet ”samisk samtidskunst”
på, må forstås som et forsøk på å
unngå det mest dikotomiske synet
på ”samisk kunst” i en tradisjonell
kunsthistorisk kontekst og motset-
ning til det norske, som stod sterkt
i samebevegelsens avgrensning av
”det samiske” som noe ulikt, men
likeverdig. Det dreier seg om en
ny generasjon kunstnere som ikke
ønsker og kanskje ikke behøver
problematisere “samiskhet” på
samme måte som tidligere. De sim-
pelthen bare er samer, og samtidig
kunstnere i verden utenfor. Samti-
dig har mangfoldet av kunstnere
og den store variasjonen av kunst-
neriske uttrykk gjort det klart at
minoritet/majoritets-situasjonen
og same/dáza-kontrasten i seg selv
er for trange til å forklare sidene
ved og omfanget av samisk kulturell
aktivitet og selvforståelse.
Kulturelle dekodere
I den helt spesielle koblingen til
den samiske fellesdiskursen og dis-
kursen om samiskhet, er samisk
kunstverden å forstå som en ”trans-
formator”, hvor etablerte ideer,
hegemoniske strukturer, gamle og
nye erfaringer blir tatt tak i, be-
arbeidet og presentert gjennom de
kunstneriske praksisene. Ved siden
av at samisk kunstverden på den
måten i seg selv blir en endrings-
agent i forhold til samebevegel-
sens konvensjoner, fungerer kunst-
nerne som ”kulturelle dekodere”
og er blant de første til å tema-
tisere endringsprosesser i dagens
seailluhivččii ja ovddidivččii sámi
servodaga?
Ođđa buolva dáiddárat
Dát leat daid gažaldagaid gaskkas
mat šaddet áššáiguoski go ođđa
buolva sámi duogáš dáiddára
bohtet sámi dáiddamáilbmái. Dat
nuorra dáiddárat guđet 90-logu
mielde dieđihedje iežaset SDS:i,
válde mielde sihke daid manifest-
taid ja eará ja ođđa ideáid das
mo sáhtášii ovttastahttit dáiddára
ja sápmelačča rolla. Dát lei buol-
vamolsuma ovdanbuktin, mii lei
miehtá sámi máilmmi 90-logu bot-
ta. Máŋgasat sis bohte daid osiin
sámi álbmogis mat ledje eanemus
stigmatiserejuvvon ja assimilisere-
juvvon, nugo Gáivuonas. Sis lei
gáržžes sámi kultuvrralaš ”gealbu”,
ja belohahkii danne vuolemuččas
árbevuođđuduvvon sámi árvo-
hierarkiijas. Dál hállojuvvo gái-
vuonabuolvvas (Ságat 11.04.08),
masa gullet nuorra sámi dáiddárat
guđet ođđa vugiid atnigohtet go
galget tematiseret sámevuođa ja
sámi kultuvrra, ja guđet sámi ser-
vodagas hástalit sajáiduvvan árv-
vuid ja ideáid. Dat ođđa vuogit
mo tematiseret sámi dáidaga,
ja dan mielde, hui ođđa doaba:
”sámi dálááigedáidda”, ferte ád-
dejuvvot ahte geahččaluvvo garvit
daid eanemus dikotomalaš beliid
”sámi dáidaga” oainnus, go lea
árbevirolaš dáiddahistorjjálaš kon-
teavsttas ja vuostálasvuođas dážii,
mii lei nanus go sámelihkadus rád-
djii ”sámevuođa” earaláganin, muh-
to ovttaárvosažžan. Dás lea sáhka
ođđa buolvva dáiddáriin, guđet eai
dáhto eaige soaitte dárbbašit prob-
lematiseret ”sámevuođa” seamma-
láhkai go ovdal. Sii nappo dušše leat
sápmelaččat, ja seammás dáiddárat
máilmmis olggobealde. Seammás
lea dát dáiddáriid girjáivuođa ja
dáiddalaš ovdanbuktimiid diver-
sitehta bokte, šaddan čielggasin
ahte minoritehta/majoritehta-
dillli ja sámi/dážavuostálasvuohta
iešalddes leat menddo gáržžit
čilgemis sámi iešáddejumi ja
kultuvrralaš doaimma girjáivuođa
ja duhkodaga.
Kultuvrralaš dekodat
Dan áibbas erenomáš oktavuođas
sámi oktasašdiskursii ja diskursii
sámevuođa birra, de áddejuvvo
sámi dáiddaeallin ”transformah-
toran”, gos sajáiduvvon ideát,
hegemonalaš struktuvrrat, boares
ja ođđa vásáhusat dustejuvvojit,
daiguin bargojuvvo ja dat ovdan-
buktojit dáiddalaš geavadiid bokte.
Earret dan ahte sámi dáiddamáilm-
4. 46
samiske samfunn. Importen eller
dekoderfunksjonen støttes opp av
den generelle samfunnsutviklin-
gen. Samene blir del av en stadig
voksende akademisk ”klasse” i
den vestlige delen av verden, der
kunst i økende grad står på dags-
orden og der en generell estetiser-
ing av hverdagen bidrar til å viske
ut grensene mellom hverdag og
kunst og samfunn og kunst.
Særskilte konvensjoner i det
samiske
Man skal ikke undervurdere ver-
dien av forrådet av dagsaktuelle
temaer og problemstillinger en
kunstner eller en forsker har å
trekke på i det samiske samfunnet.
Heller ikke muligheten for å føre
dette tilbake til og delta i en samisk
offentlighetsdiskurs. Det finnes
imidlertid en annen dimensjon
enn selve inspirasjonen knyttet til
motviasjon og deltakelse i diskurser
omkring det samiske. Det foregår
stadig en konsolidering, insitu-
sjonalisering og økende samepoli-
tisk forvaltning i det samiske sam-
funnet, også innenfor den samiske
kunstverdenen. ”Samisk kunst” og
de samiske kunstnerne innehar en
helt annen, og kanskje viktigere
posisjon i det samiske samfunnet
enn på Masigruppas tid, i likhet
med samisk forskning. Bakgrun-
nen er at en rekke ontologiske og
ideologiske referanser allerede er
innvevd i de sosiale og politiske ut-
trykksformene som ligger til samisk
kunst. For eksempel er uttrykket
”det samiske samfunnet” ikke leng-
er så vesentlig som retorisk påstand
og et verbalt diskursivt hjelpemid-
del, men mer og mer en selvsagt
og håndfast realitet med stadig
videre nedslag og potensial. Store
deler av kunnskapsgrunnlaget
som masterparadigmet hviler på,
ble videreført, som samenes egne
historier, majoritets-/minoritets-
forholdet, ”vi var her først”,
”vi er et folk”, ”Sápmi er vår kult-
urelle arv” og så videre. Dette er
i dag ikke bare allmennkunnskap,
akseptert som korrekt og auten-
tisk, men ”it has not only been
collectivized, if one may use such
an expression, it functions now
more and more as convention-
alized knowledge as non-prob-
lematized and taken for granted
terms for thought and deed in the
Sami life-world”, skriver Eidheim
tidlig på 90-tallet (1992:26). Den
samiske selvforståelsen innebærer
altså spesielle måter å snakke om,
bruke og forstå samisk historie,
språk, kunst, folklore og levemåter
mi dán láhkai iešalddes šaddá nup-
pástuhttinageantan sámelihkadusa
konvenšuvnnaid ektui, de doibmet
dáiddárat ”kultuvrralaš dekodan” ja
leat njunnošiid gaskkas tematiseret
nuppástuhttinproseassaid dálá
sámi servodagas. Importta dahje
dekoderdoaimma doarju dábálaš
servodatovdánahttin. Sápmelaččat
šaddet oassin dađis šaddi
akademalaš ”luohkás” máilmmi
oarjeoasis, gos lassi dáiddalaš áššit
ja árgabeaivvi oppalaš estetiseren
lea mielde sihkkumin rájáid gaskal
árgabeaivvi ja dáidaga ja servodaga
ja dáidaga.
Ereliiggánis
konvenšuvnnat sámevuođas
Ii galgga fuonášit árvvu das mii
gávdno beaiveguovdilis fáttáin
ja čuolmmain maidda dáiddárat
dahje dutkit sáhttet dohppet gitta
sámi servodagas. Iige vejolašvuohta
dán fas máhcahit ja searvat sámi
almmolašvuođadiskursii. Muh-
to dat lea eará dimenšuvdna go
inspirašuvdna mii laktásuvvo
movttiidahttimii ja oassálastimii
sámevuođa diskurssaide. Čađat lea
konsolideren, institušunaliseren ja
lassisámepolitihkalašhálddašeapmi
sámi servodagas, maiddái sámi
dáiddamáilmmis. ”Sámi dáidda” ja
sámi dáiddárat leat áibbas ođđa , ja
soaitá vel dehálabbot posišuvnnas
sámi servodagas go Mázejoavkku
áiggi. Hui seammaláhkai go sámi
dutkamis. Duogáš lea go moanat
ontologalaš ja ideologalaš refer-
ánssa jo leat gođđojuvvon sosiála
ja politihkalaš ovdanbuktinvugiide
mat leat sámi dáidagis. Ovdamear-
kka dihtii ii leat ”sámi servodat”
doaba šat nu dehálaš retoralaš
čuoččuhussan ja verbála diskursi-
ivva veahkkeneavvun, muhto ea-
net aht` eanet diehttelas ja gitta
duohtavuohta mas lea dađis stuorát
dustenmunni ja potensiála. Stuorra
osiin dan máhttovuođus masa mas-
terparadigma lea vuođđuduvvon
dat jotkojuvvo, nugo sápmelaččaid
iežaset historjját, majoritehta/mi-
noritehtagaskavuohta,”miileimmet
ovddimušdáppe”,”miileatoktaálb-
mot”, ”Sápmi lea min kultuvrralaš
árbi” ja nu ain. Dát máhttu ii leat
dál dušše dábálaš máhttu, dohk-
kehuvvon riektan ja autentalažžan,
”it has not only been collectivized,
if one may use such an expression,
it functions now more and more
as conventionalized knowledge
as non-problematized and taken
for granted terms for thought and
deed in the Sami life-world”, čállá
Eidheim árrat 90-jagiin (1992:26).
Sámi iešáddejupmi mearkkaša nap-
5. 47
po erenomáš vugiid mo hállat sámi
historjjá, dáidaga, álbmotmuittuid
ja eallinvugiid birra, geavahit ja ád-
det dan čearddalaš searvevuođa
mearkan.Dátbealitváldojedjemiel-
de vokabuláras ja symbolalaš gielas
”which made it possible to speak of
Sami distinctiveness and selfunder-
standing internally, and about the
same relationships externally in in-
tercultural space” (ibid:24).
Ávki ja geatnegasvuohta
Dákkár konvenšuvnnat leat dehálaš
dovdomearkkat distinkta sámi
dáiddamáilmmis. Dat čujuhit ear-
ret eará muhtin muttu geatne-
gasvuhtii. Geatnegasvuohta da-
gaha ahte sámi dáiddamáilmmi
oassálastit šaddet oassin dakkár
diskursii mas čearddalaš identiteh-
ta lea eaktun searvamii. Dat fállá
vejolašvuođaid, gullevašvuođa,
searvama ja beroštumi juogaman
ektui mii dovdo dehálažžan hui ollu
olbmuide – sámi kultuvrii. Sáhttit
dan gohčodit muhtinlágan eallin-
vuorbesearvevuohtan – masa vel
dutkit, kurahtorat, intendánttat,
journalisttat, olbmot jna. seaguhuv-
vojit rahčamušas hábmet metodaid
ja doahpagiid ovttaárvosaš muhto
earalágan “sámi dáidagii”.
Lahka geatnegasvuođa lea dáidaga
erenomáš ávkeárvu sámi servodah-
kii. Dat boahtá oidnosii máŋggaid
smávit ja stuorát digaštallamiin,
“sámi dáidaga” jurddašeamis ja
tematiseremis. Erenomáš bures
boahtá dat ovdan Sámedikki
gieskat hábmejuvvon dáiddapoliti-
hkas, vuordámušaiguin ođđa sámi
dáidagii mas galggašii leat áibbas
erenomáš sadji ja ovddasvástádus
sámi servodatovdáneami ektui.
Lagaš dáiddaásahusaid geavadiinge
boahtá geatnegasvuohta oidnosii.
Sámi Dáiddačehpiid Searvvi miel-
lahtuin ovdamearkka dihtii ferte
leat sámi gullevašvuohta eaktun.
Sámi Dáiddaguovddáš deattuha
sámi-nationála árvvu ja das lea
sierra hálddašanovddasvástádus
sápmelaččaid ráhkadan dáidagii.
RiddoDuottarMuseat hálddaštit
bealisteaset sierra sámi
dáiddačoakkáldaga, ja dakko bokte
vuođđoávdnasiid sámi dáiddamu-
seii ja sámi dáiddahistorjái.
Essensialisma
ja girjáivuođa gaskkas
Dilli lea dualisttalaš. Nuppi ravdda
proseassat dagahit ahte ráját viid-
diduvvojit ja molsudahttojit dáid-
dáriid girjáivuođain ja dáiddalaš
ovdanbuktimiid – ja ovdanbuktin-
vugiid diversitehtain. Nuppi ravd-
das doalvvuhit dát čearddalaš
på som tegn på etnisk fellesskap.
Denne tilnærmingen ble integrert i
vokabularet og i et symbolsk språk
” which made it possible to speak
of Sami distinctiveness and self-
understanding internally, and about
the same relationships externally in
intercultural space” (ibid:24).
Nytte og forpliktelse
Slike konvensjoner er viktige kjen-
netegn på en distinkt samisk kun-
stverden. De indikerer blant annet
en grad av forpliktelse. Forplik-
telsen bidrar til at deltakere i den
samiske kunstverdenen blir del av
en diskurs der etnisk identitet er en
forutsetning for å delta. Den tilbyr
muligheter, tilhørighet, deltakelse
og engasjement i forhold til noe
som oppleves som viktig for svært
mange mennesker – samisk kultur.
Vi kan kalle det et slags sjebne-
fellesskap hvor også forskere,
kuratorer, intendanter, journalister,
publikum osv. blir innlemmet i en
streben etter å formulere metoder
og begreper for en likeverdig, men
likevel annerledes ”samisk kunst”.
Kunstens særskilte nytteverdi for
det samiske samfunnet er nært
knyttet til denne forpliktelsen.
Den kommer til uttrykk i en rekke
små og store diskusjoner og gjen-
nom tenkning og tematisering av
”samisk kunst”. Vi finner den igjen
i Sametingets nyformulerte kunst-
politikk, med forventninger om en
moderne samisk kunst med en helt
spesiell rolle og ansvar i forhold til
samisk samfunnsutvikling. Også
i kunstinstitusjonenes arbeid har
denne forpliktelsen slått rot. Samisk
Kunstnerforbund opererer for
eksempel med samisk tilhørighet
som kriterium for å delta. Samisk
Kunstnersenter understreker den
samisk-nasjonale statusen og har
et særegent forvaltningsansvar for
kunstskaptavsamer.RidduDuottar-
Museat forvalter en egen samisk
kunstsamling og med det basis-
materialet for et samisk kunst-
museum og samisk kunsthistorie.
Mellom essensialisme og
mangfold
Situasjonen er dualistisk. Prosess-
ene på den ene ytterkanten bidrar
til at grensene utvides og nyanseres
med mangfoldet av kunstnere
og den store variasjonen i kunst-
neriske uttrykk og uttrykksmåter.
På den andre ytterkanten fører de
til etnisk inkorporering og avgren-
sning av et lite, eksklusivt samisk
kunstnerfellesskap. Mens det
arbeides med å holde same-
6. 48
politikken og kulturkampen på
en armlengdes avstand, danner
samebevegelse, politikk og rettig-
hetsspørsmål grunnlaget for hyp-
pige refleksjoner i hverdagen. Og
mens det arbeides med å dekon-
struere eksisterende kunsthisto-
riske kontekster, forvaltes ”samisk
kunst” både i og utenfor det
samiske samfunnet som vesentlige,
kulturelle objekter.
I lys av essensialiseringen av stør-
relsene ”same” og ”samisk kunst”
og i skjæringspunktet mellom en
vestlig kunstverden og en samisk
livsverden, framstår det som en
nødvendighet å stille spørsmål ved
etablerte strukturer og selvfølgelig
kunnskap. Men de samiske kunst-
nerne må kjempe mot både ”de
andres” konstruksjoner og forvent-
ninger og sine egne reproduksjoner
av disse. I tillegg må de forhandle
om hvilken rolle kunsten skal ha i
den generelle samiske samfunnsut-
viklingen, noe som innebærer en
stadig søken, både på et kollektivt
og personlig plan, alt etter hvilket
ansvar eller rolle den samiske kun-
sten har i forhold til det samiske. I
noen tilfeller er forholdet allerede
institusjonalisert. Her kan nevnes
forholdet mellom kunst og duodje,
som er manifestert både som et
eget samisk kunstbegrep og i insti-
tusjonenes arbeid. Et annet områ-
det er den norsk-samiske dikoto-
mien som er innebygd i prosesser
som regulerer innlemmelse og ute-
lukkelse, deltakelse og tilgang til
særskilte goder i samisk kunstver-
den. Åpner man fellesskapet for
ikke-samer, åpner man rettigheter
for andre enn kunstnere med etnisk
tilknytning. Eksluderer man duoja-
rat fra billedkunstverdenen, og byg-
ger man en samisk kunsthistorie i
for stor grad på ikke-samisk kunst,
vil hele den samiske kunstverdenen
slik vi kjenner den stå på spill. Der-
for er det rundt disse temaene de
hardeste forhandlingene foregår og
motsetningene oppstår. Her trekkes
og vedlikeholdes også grensene.
Samtidig med heterogenitet,
mangfold og variasjon, finnes det
altså en forsterket konvergens i
den samiske kunstverdenen. Store
sosiale forskjeller og ulikheter i den
samiske selvforståelsen forsterker
behovet for, eller nødvendigheten
av et felles grunnlag for forvaltning
av “samisk kunst” og “samisk kun-
stner”. Åpnes fellesskapet, vil pros-
esser som lukker det bli satt igang.
I den andre ytterkanten vil felles-
skapet konvergere, det vil si deltak-
inkorporeremii ja ráddjemii uhca, eks-
klusiivva sámi dáiddasearvevuhtii.
Ja barggadettiin doallat sámepoli-
tihka ja kultursoahtamuša dobbe-
labbos, bidjá sámelihkadus, poli-
tihkka ja vuoigatvuođagažaldagat
vuođu beaivválaš eallimis
ollu jurddašeapmái. Ja barg-
gadettiin dekonstrueret dálá
dáiddahistorjjálaš konteavsttaid,
hálddašuvvo “sámi dáidda” sihke
sámi servodaga siste ja dan olg-
gobealde dehálaš, kultuvrralaš ob-
jeaktan.
Essensialiseremačuovggas“sámi”ja
“sámi dáidaga” sturrodagain, de lea
dego dárbbašlaš “russenčuoggás”
gaskal oarji dáiddamáilmmi ja sámi
eallinmáilmmi, bidjat gažaldagaid
ásahuvvonstruktuvrrainjadiehttel-
as-máhtu ektui. Muhto sámi dáid-
dárat fertejit dalle soahtat vuostá
sihke “earáid” konstrukšuvnnaid ja
vuordámušaid ja fas dáin iežaset
reprodukšuvnnaid. Lassin ferte-
jit sii gávnnahit guđe rolla dáida-
gis galgá leat dábálaš sámi servo-
datovdáneamis, mii mearkkaša
ovtto ohcama, sihke kollektiivva
ja persovnnalaš dásis, dan mielde
makkár ovddasvástádus dahje rolla
sámi dáidagis galgá leat sámevuođa
ektui. Muhtin háviid lea dát gaska-
vuohta jo institušunaliserejuvvon.
Dás sáhttá namuhit gaskavuođa
gaskal dáidaga ja duoji, mii lea
nannejuvvon sihke sierra sámi
dáiddadoahpagin ja institušuvnna
geavadiin. Eará suorgi lea dáža-
sámi dikotomiija mii lea mielde
proseassain mat muddejit laht-
tudeami ja hilguma, oassálastima
ja beassama erenomáš buriide
sámi dáiddamáilmmis. Jus dán
searvevuođa rahpá sidjiide guđet
eai leat sápmelaččat, de rahpá
daid vuoigatvuođaid earáide go
čearddalaš gullevaš dáiddáriidda,
de hilgu duojáriid govvadáid-
damáilmmis ja jus hukse sámi dáid-
dahistorjjá menddo sakka dáidagii
mii ii leat sámi, de šaddá dat vár-
ran visot dan sámi dáiddamáilbmái
nugo mii dan dovdat. Danne lea-
ge dáid fáttáid birra dat garrasa-
mos šiehtadallamat ja eanemus
vuostálasvuođat. Dása sárgojuv-
vojit maiddái ráját ja divvojit.
Oktan heterogeniseremiin,
girjáivuođain ja diversitehtain, lea
nappo nannejuvvon konvergeansa
sámi dáiddamáilmmis. Stuorra
sosiálaerohusatjaearaláganvuođat
sámi iešáddejumis nanne dán dárb-
bu, dahje dárbbašlašvuođa oktasaš
vuđđui hálddašit “sámi dáidaga” ja
“sámi dáiddára”. Jus searvevuohta
Lena Stenberg Bandage Muorra, beallemas, akryla / Tre, lerret, akryl, 148 x 45 x 45, 1994
Foto: RDM Marvin Pope
7. 51
erne samler seg rundt noen få felles
multiplum. De er “samer” og “kun-
stnere”, de lager “samisk kunst” og
er medlemmer i et samisk kunst-
nerfellesskap. Lukkes fellesskapet
vil sterke krefter forsøke å åpne det.
Det er denne bevegelsen, mellom
lukket og åpen, og motsetningene
og forhandlingene som oppstår i
den, som langt på vei gjør samisk
kunstverden til en særegen kunst-
verden.
Introduksjon av nye begreper som
”samisk samtidskunst” skaper der-
for ikke debatt og forhandling i like
stor grad som man skulle kunne
forvente. Kanskje er det fordi be-
grepet langt på vei gir det innholdet
og rommet som er nødvendig for å
holde den samiske kunsten i det
samme eksklusive rommet, men
samtidig sørger for åpenhet for et
litt større mangfold av kunstneriske
uttrykk?
Svært forenklet kan vi oppsum-
mere de ulike prosjektene slik:
For å unngå essensialisering og
stereotypisering av samisk kunst og
kunstnere, må de enten frikoples
fra etniske bindinger, eller framstå
som en egen og likeverdig stør-
relse basert på etnisitet. Strategien
i begge tilfellene er å etablere egne
institusjoner og egne begreper for
kunst i en samisk sammenheng.
Arbeidetmedårekodifisere”samisk
kunst” gjennom dekonstruksjon og
kritikk av vestlig kunsthistorie er
fortsatt i startgropen. Motivasjon-
er og problemstillinger forbundet
med en egen samisk kunstverden
er mer eller mindre ukjent utenfor
det samiske kunstnerfellesskapet.
For eksempel er spørsmålet hva
”samiske kunst” egentlig er fortsatt
dominerende. Hvem er en samisk
kunstner? Og hva er hensikten med
å operere med en egen samisk
kunst?
rahppojuvvo, de álggahuvvojit
proseassat mat dan giddejit. Nuppi
ravddas konvergere searvevuohta,
namalassii oassálastit čoagganit
birra moatti oktasaš multipluma. Sii
leat “sápmelaččat” ja “dáiddárat”
ja sii ráhkadit “sámi dáidaga” ja
leat sámi dáiddasearvevuođa miel-
lahtut. Jus searvevuohta giddejuv-
vo, de geahččalit nana fámut dan
rahpat. Dát lihkasteapmi dat lea,
giddema ja rahpama gaskkas, ja
vuostálasvuođaid ja šiehtadallamiid
mat das čuožžilit, mii guhkás dahká
sámi dáiddamáilmmi distinkta
máilmmin.
Ođđa doahpagiid ihtin, nugo “sámi
dáládáidda”, ii danne liikká bohcit
dan digaštallama ja šiehtadallama
maid galggašii sáhttit vuordit – dát
soaitá leat danne go doaba guh-
kás bidjá dan sisdoalu ja lanja mii
dárbbašuvvo doalahit sámi dáidaga
seamma eksklusiivva lanjas, muhto
seammásdoallárabasvuođaveaháš
stuorátgirjáivuhtiidáiddálašovdan-
buktimiin?
Hui álkiduvvon sáhttit
čoahkkáigeassit daid sierra
prošeavttaid ná: Garvin dihtii
sámi dáidaga ja dáiddáriid es-
sensialiserema ja stereotypa
kategoriserema, de fertejit dat
juogo luvvejuvvot čearddalaš
čatnašumiin, dahje čuožžut ovdan
sierra ja ovttaárvosaš sturrodahkan
vuođđuduvvon čearddalašvuhtii.
Goappašiid molssaeavttuid strate-
giija lea sámi oktavuođas ecegget
sierra ásahusaid ja sierra doahpagi-
id dáidagii. Bargun rekodifiseret
“sámi dáidaga” dekonstrukšuvnna
ja oarji dáiddahistorjjá kritihkain lea
ain dušše álggus, ja motivašuvnnat
ja čuolmmat das ahte sierra sámi
dáiddamáilbmi gávdno, lea uh-
cit eanet amas olggobealde sámi
dáiddasearvevuođa. Ovdamearkka
dihtii gullo ain dat gažaldat ahte mii
lea aitosaččat “sámi dáidda”. Gii lea
sámi dáiddár? Ja mii lea áiggan doa-
lahit sierra sámi dáidaga?
8. 52
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