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Art Migration To New Media
2
Art Migration To New Media
Fourth Edition
Copyright © 2009 by Glen River
Produced by Odysseus Publications
Published by Lulu Publications
860 Aviation Parkway, Suite 300
Morrisville, NC 27560
(919) 459-5858
All rights reserved. No part of this publication may be reproduced, transmitted,
or stored in any form or by any media, mechanical, electronic, photographic, or
any recording devise which now exists or may be created in the future without
the prior permission of the publisher, except as provided by USA copyright law.
Cover illustration, all art and illustrations © 2009 by Glen River
Printed in the United States Of America
ISBN 978-1-4357-4929-0
3
New Media
Off The Canvas
Into The Digital Domain
4
The Big Picture
Installation 13’X 11’
Mixed Media on 30 panels, each panel 20”X 30”
This is a physical metaphor reflecting the impact of the digital window. Parts of
this work continue to migrate into new media. The following pages present
original works and the image as it migrates into new forms. The definitions of
art as we might have known it enter into a relative world. In this world of new
media our experience is defined by evolution and process.
5
The Big Picture
The Big Picture is an expression of my esthetic migration to a synthesis. My
attitude toward creativity described as Zen Process takes the art to a new
resolution. This particular resolution freezes time as well as parts of separate
visions. The start of my path in art was the physical organization of light in the
discipline of painting. The Big Picture Installation is 30 panels which are 20"x
30" each hung in a configuration of 6 columns and 5 rows. The approximate
size of the complete installation is between 13' and 14' tall and 11' wide. The
size and combination of images offers a new canvas able to encompass a
greater scope. Some of the source materials are paintings originally created
from 1965 through 2007. Between dissection and re-painting, the original
context is drastically altered. The images and original intentions continue to
succeed in this migration. The Big Picture is in fact a much closer depiction of
how I experience the life in art construct. This view is now absorbed into my
art and presented as an individual work. This work also depicts periods within
my larger body of art. During these periods, fidelity to local discovery
permeated my consciousness. My overview of a greater vision was realized in
the compression of time. Part of my concept of art is art as intentional artifact
of its time.
The Big Picture was influenced by several art viewing experiences. The world
wide web provided frames of images which would shift and offer new related
or fragmented images. Sometimes the relationships were not immediately
clear. Another influence was a show at The Center for Curatorial Studies at
Bard College . The show required that each artist fit whatever material they
desired into a hanging file folder. These folders contained paintings, prints,
P.R. material, CD and DVD works, and one artist simply cut up a very large
painting into pieces which would fit into the folder. I was intrigued by this
show and went through every folder. I was impressed by the cut up painting
because it took guts to do the cutting and kept the purity of the art. Both the
web and the show at Bard underlined multiple points of view and glimpses
through time. My work has gone through various periods that express my thirst
for discovery. At this time, my need for a gathering up from these periods into
a larger vision reaching toward unity brings me to the present series of works
forming The Big Picture. The greater view includes migration into digital
media and the world wide web.
On The Web:
~ http://glenriver.com/art/Big_Picture/Big_picture_s.html ~
6
7
8
Poetry Cafe
A project expressing the unity of interdisciplinary arts in new media.
Paperback Book
This is not a traditional book. Through print on demand technology it becomes
a series of limited editions. Each edition like software upgrades are identified.
Some are also in hardbound. 224 pages, 6" x 9", perfect binding, black and
white interior ink
poetry, short story, essay, drawing, painting, writing, editing, interior design, cover design cre-
ated in Ms word, Ms Publisher, Adobe PhotoShop, PDF distiller, digital camera
Music and Poetry CD
Variations of performance, poetry, music, spoken and song, composition and
arranging, guitar, keyboard, synthesizers, audio recording, mastering and pro-
cessing, Pro Tools audio mixing and mastering, audio recording Digi 02 inter-
face, sampled sound sequencing and design mirror the digital new media.
Art Book
A series of digital paintings, Printed: 28 pages, 6.63" x 10.25"
painting, editing, interior design, photography, cover design
Ms Publisher, Adobe PhotoShop, PDF distiller, digital camera
9
10
Installation
Modular de-construction and re-construction of megafile and other pictures for
static and dynamic viewing. Process presentations as continuous play DVD. In-
teractive programs allowing a user multiple viewpoints with interactive con-
trols.
Web Site Creation
Text editor, Adobe PhotoShop, assorted task specific programs, digital camera,
HTML, Java code, PHP code, CGI code, FTP & script installation process.
11
12
13
Mega File
Mega file construction is a experimental digital picture which is huge. It can be
experienced with a viewing program. The experience is basically zooming in to
details of the picture which expand into a newly defined interior microcosm.
The clarity of the microcosm contains more levels to zoom in further. The
viewer may at any time roam the picture in any direction as well as zooming in
and out. Although this is a 2D picture, though the experience has a flying feel.
In a later project I will bring it into a virtual 3D space with sculptural move-
ment.
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Art Migration To New Media

  • 1. 1 Art Migration To New Media
  • 2. 2 Art Migration To New Media Fourth Edition Copyright © 2009 by Glen River Produced by Odysseus Publications Published by Lulu Publications 860 Aviation Parkway, Suite 300 Morrisville, NC 27560 (919) 459-5858 All rights reserved. No part of this publication may be reproduced, transmitted, or stored in any form or by any media, mechanical, electronic, photographic, or any recording devise which now exists or may be created in the future without the prior permission of the publisher, except as provided by USA copyright law. Cover illustration, all art and illustrations © 2009 by Glen River Printed in the United States Of America ISBN 978-1-4357-4929-0
  • 3. 3 New Media Off The Canvas Into The Digital Domain
  • 4. 4 The Big Picture Installation 13’X 11’ Mixed Media on 30 panels, each panel 20”X 30” This is a physical metaphor reflecting the impact of the digital window. Parts of this work continue to migrate into new media. The following pages present original works and the image as it migrates into new forms. The definitions of art as we might have known it enter into a relative world. In this world of new media our experience is defined by evolution and process.
  • 5. 5 The Big Picture The Big Picture is an expression of my esthetic migration to a synthesis. My attitude toward creativity described as Zen Process takes the art to a new resolution. This particular resolution freezes time as well as parts of separate visions. The start of my path in art was the physical organization of light in the discipline of painting. The Big Picture Installation is 30 panels which are 20"x 30" each hung in a configuration of 6 columns and 5 rows. The approximate size of the complete installation is between 13' and 14' tall and 11' wide. The size and combination of images offers a new canvas able to encompass a greater scope. Some of the source materials are paintings originally created from 1965 through 2007. Between dissection and re-painting, the original context is drastically altered. The images and original intentions continue to succeed in this migration. The Big Picture is in fact a much closer depiction of how I experience the life in art construct. This view is now absorbed into my art and presented as an individual work. This work also depicts periods within my larger body of art. During these periods, fidelity to local discovery permeated my consciousness. My overview of a greater vision was realized in the compression of time. Part of my concept of art is art as intentional artifact of its time. The Big Picture was influenced by several art viewing experiences. The world wide web provided frames of images which would shift and offer new related or fragmented images. Sometimes the relationships were not immediately clear. Another influence was a show at The Center for Curatorial Studies at Bard College . The show required that each artist fit whatever material they desired into a hanging file folder. These folders contained paintings, prints, P.R. material, CD and DVD works, and one artist simply cut up a very large painting into pieces which would fit into the folder. I was intrigued by this show and went through every folder. I was impressed by the cut up painting because it took guts to do the cutting and kept the purity of the art. Both the web and the show at Bard underlined multiple points of view and glimpses through time. My work has gone through various periods that express my thirst for discovery. At this time, my need for a gathering up from these periods into a larger vision reaching toward unity brings me to the present series of works forming The Big Picture. The greater view includes migration into digital media and the world wide web. On The Web: ~ http://glenriver.com/art/Big_Picture/Big_picture_s.html ~
  • 6. 6
  • 7. 7
  • 8. 8 Poetry Cafe A project expressing the unity of interdisciplinary arts in new media. Paperback Book This is not a traditional book. Through print on demand technology it becomes a series of limited editions. Each edition like software upgrades are identified. Some are also in hardbound. 224 pages, 6" x 9", perfect binding, black and white interior ink poetry, short story, essay, drawing, painting, writing, editing, interior design, cover design cre- ated in Ms word, Ms Publisher, Adobe PhotoShop, PDF distiller, digital camera Music and Poetry CD Variations of performance, poetry, music, spoken and song, composition and arranging, guitar, keyboard, synthesizers, audio recording, mastering and pro- cessing, Pro Tools audio mixing and mastering, audio recording Digi 02 inter- face, sampled sound sequencing and design mirror the digital new media. Art Book A series of digital paintings, Printed: 28 pages, 6.63" x 10.25" painting, editing, interior design, photography, cover design Ms Publisher, Adobe PhotoShop, PDF distiller, digital camera
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  • 10. 10 Installation Modular de-construction and re-construction of megafile and other pictures for static and dynamic viewing. Process presentations as continuous play DVD. In- teractive programs allowing a user multiple viewpoints with interactive con- trols. Web Site Creation Text editor, Adobe PhotoShop, assorted task specific programs, digital camera, HTML, Java code, PHP code, CGI code, FTP & script installation process.
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  • 13. 13 Mega File Mega file construction is a experimental digital picture which is huge. It can be experienced with a viewing program. The experience is basically zooming in to details of the picture which expand into a newly defined interior microcosm. The clarity of the microcosm contains more levels to zoom in further. The viewer may at any time roam the picture in any direction as well as zooming in and out. Although this is a 2D picture, though the experience has a flying feel. In a later project I will bring it into a virtual 3D space with sculptural move- ment.
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