Sea-sensei’s Art Collection Art 101
After Rain Daniel Wall 2009 Oil on Stretched Canvas 36’’x 30’’ A forest path after the rain. The way the water reflects off the path and the vibrant colors of the trees really make this piece stand out .
Vue de Marly 	 Antoine   Pierre   Mongin c.1800 A French garden painting in the early 19th century. The use of blue, even on the trees which would typically be green.
Gay Head Lighthouse Eve Wheeler Watercolor on paper 2002 The lighthouse overlooking the ocean. The lighthouse is watching the sun set as the ocean moves calmly before it.
Sunset IV Jenna Freedman December 22, 2008 Photograph Puerto Penasco Mexico Mexican Sunset The yellows and oranges light up the sky for the last brief moments of the day as the sun descends into the horizon.
Statuette of a Hippopotamus Egyptian ca. 1981-1885 B.C Faience H. 4 3/8 in.,  L. 7 7/8 in.  The blue coloring of the hippo and all the designs on it using line and shape to make them look like fans.
Wallace   Fountain Lebourg, Charles-Auguste 1872 Cast Iron The symmetry as well as the details like the dome scales and the women’s clothing.
The Sydney Opera House; western profile of Opera House Jørn Utzon 1973 Bennelong Point, Sydney, Australia 4.5 acres of interior space; 221 feet tall The white fins on top of the house make it stand out for miles.
Ponte Vecchio Attributed to Taddeo Gaddi Florence, Italy 1345, Corridoio: 1565 The arches in the bridge and the stone texture.
Maya with Doll Picasso Traded art Piece Picasso’s Daughter 1983 The distortion of his daughter as well as the bright colors bring to life child-like qualities.
Untitled (rug) Isermann, Jim 1996 hand-braided cotton twill 11 1/2 x 23 ft I like the slowly descending and/or rising yellow to to dark blue and back again.
Ewer Leach, Bernard stoneware glazed 4.5 cm (height) The pitcher The small white stature of the pitcher is not fully painted. It doesn’t look smooth but it doesn’t look rough.
Madame Cézanne (Hortense Fiquet, 1850-1922) in the Conservatory Paul Cézanne Picture I don’t like 1891 Oil on canvas 36 1/4 x 28 3/4 in. Her hands look distorted and there are a lot of earth tons in the picture. It doesn’t look finished.
Conclusion Most of the art pieces had bright colors. It was hard to find statues that I was fond of and I learned to appreciate different kinds of art other then paintings and drawings. I like the bridge in Florence and learned to like architecture a lot more.

Art 101 pres

  • 1.
  • 2.
    After Rain DanielWall 2009 Oil on Stretched Canvas 36’’x 30’’ A forest path after the rain. The way the water reflects off the path and the vibrant colors of the trees really make this piece stand out .
  • 3.
    Vue de Marly Antoine Pierre Mongin c.1800 A French garden painting in the early 19th century. The use of blue, even on the trees which would typically be green.
  • 4.
    Gay Head LighthouseEve Wheeler Watercolor on paper 2002 The lighthouse overlooking the ocean. The lighthouse is watching the sun set as the ocean moves calmly before it.
  • 5.
    Sunset IV JennaFreedman December 22, 2008 Photograph Puerto Penasco Mexico Mexican Sunset The yellows and oranges light up the sky for the last brief moments of the day as the sun descends into the horizon.
  • 6.
    Statuette of aHippopotamus Egyptian ca. 1981-1885 B.C Faience H. 4 3/8 in., L. 7 7/8 in. The blue coloring of the hippo and all the designs on it using line and shape to make them look like fans.
  • 7.
    Wallace Fountain Lebourg, Charles-Auguste 1872 Cast Iron The symmetry as well as the details like the dome scales and the women’s clothing.
  • 8.
    The Sydney OperaHouse; western profile of Opera House Jørn Utzon 1973 Bennelong Point, Sydney, Australia 4.5 acres of interior space; 221 feet tall The white fins on top of the house make it stand out for miles.
  • 9.
    Ponte Vecchio Attributedto Taddeo Gaddi Florence, Italy 1345, Corridoio: 1565 The arches in the bridge and the stone texture.
  • 10.
    Maya with DollPicasso Traded art Piece Picasso’s Daughter 1983 The distortion of his daughter as well as the bright colors bring to life child-like qualities.
  • 11.
    Untitled (rug) Isermann,Jim 1996 hand-braided cotton twill 11 1/2 x 23 ft I like the slowly descending and/or rising yellow to to dark blue and back again.
  • 12.
    Ewer Leach, Bernardstoneware glazed 4.5 cm (height) The pitcher The small white stature of the pitcher is not fully painted. It doesn’t look smooth but it doesn’t look rough.
  • 13.
    Madame Cézanne (HortenseFiquet, 1850-1922) in the Conservatory Paul Cézanne Picture I don’t like 1891 Oil on canvas 36 1/4 x 28 3/4 in. Her hands look distorted and there are a lot of earth tons in the picture. It doesn’t look finished.
  • 14.
    Conclusion Most ofthe art pieces had bright colors. It was hard to find statues that I was fond of and I learned to appreciate different kinds of art other then paintings and drawings. I like the bridge in Florence and learned to like architecture a lot more.