Este documento describe una fotografía que cumple con las leyes de la fotografía para el tema del "Día del Libro". La fotografía muestra un libro abierto con una vela y una frase en el segundo plano. La fotografía tiene un plano medio, ángulo medio frontal y encuadre simple a nivel. La composición incluye un primer plano, segundo plano y fondo, con la luz lateral y sombra propia de los objetos.
Este documento fornece uma receita para um gratinado de peixe e legumes. A receita inclui peixe, massa, vários legumes como brócolos e couve-flor, natas, e queijo para gratinar no forno durante 20 minutos. Dá dicas como usar uma massa grande e substituir os legumes de acordo com as preferências.
Le fotografie di moda hanno lo scopo di valorizzare: capi d’abbigliamento, accessori, brands e testimonials.
Ogni buon fotografo ha un precesso di concettualizzazione studiato nei dettagli ed approfondito.
La fotografia di moda implica uno studio ed un’organizzazione prima della produzione che non lascia nulla al caso,
al fine di consegnare all’utente finale un messaggio limpido, diretto ed efficace.
La fotografia di moda è comunicazione, ma è soprattutto una soave emozione.
La fotografia di moda è arte ma è anche il miglior strumento per le aziende di catturare gli occhi dei clienti
mediante una comunicazione efficace che valorizza il prodotto e mira a raggiungere il cuore del cliente trasferendo
emozioni positive connesse ai prodotti presentati.
Este documento describe una fotografía que cumple con las leyes de la fotografía para el tema del "Día del Libro". La fotografía muestra un libro abierto con una vela y una frase en el segundo plano. La fotografía tiene un plano medio, ángulo medio frontal y encuadre simple a nivel. La composición incluye un primer plano, segundo plano y fondo, con la luz lateral y sombra propia de los objetos.
Este documento fornece uma receita para um gratinado de peixe e legumes. A receita inclui peixe, massa, vários legumes como brócolos e couve-flor, natas, e queijo para gratinar no forno durante 20 minutos. Dá dicas como usar uma massa grande e substituir os legumes de acordo com as preferências.
Le fotografie di moda hanno lo scopo di valorizzare: capi d’abbigliamento, accessori, brands e testimonials.
Ogni buon fotografo ha un precesso di concettualizzazione studiato nei dettagli ed approfondito.
La fotografia di moda implica uno studio ed un’organizzazione prima della produzione che non lascia nulla al caso,
al fine di consegnare all’utente finale un messaggio limpido, diretto ed efficace.
La fotografia di moda è comunicazione, ma è soprattutto una soave emozione.
La fotografia di moda è arte ma è anche il miglior strumento per le aziende di catturare gli occhi dei clienti
mediante una comunicazione efficace che valorizza il prodotto e mira a raggiungere il cuore del cliente trasferendo
emozioni positive connesse ai prodotti presentati.
Реєстрація на порталі pensia.com.ua - як та навіщоMedirent, RDE
Портал Pensia.com.ua «Ваш пенсійний консультант» створений як дієвий інструмент захисту своїх соціальних прав пенсіонерами та іншими громадянами.
Кому ми можемо допомогти?
- Пенсіонерам, які хочуть перевірити правильність розміру пенсії та, за потреби, здійснити її перерахунок.
- Працюючим громадянам, що зацікавлені спрогнозувати розмір майбутньої пенсії, визначити важливі фактори впливу на неї, одержати консультації по додатковому пенсійному забезпеченню
- Особам, які не працюють, або працюють неофіційно, і для яких стає важливим питання майбутньої пенсії: за яких умов вони можуть її отримати, що для цього необхідно зробити, від чого залежить її розмір?
- Всім, хто має запитання щодо теорії та практики пенсійного законодавства.
- Широкому колу громадськості, професіоналів, консультантів, яким цікаві питання пенсійного забезпечення, які хочуть бути в курсі останніх подій та тенденцій.
- Професійним консультантам, юристам, фахівцям з пенсійної справи, які можуть самостійно використовувати сервіси Порталу у власному бізнесі, або стати нашими партнерами.
- Недержавним пенсійним фондам, банкам, іншим комерційним установам – у пошуку клієнтів серед зацікавленої спільноти, поширенні альтернативних методів пенсійного забезпечення.
- Благодійним та іншим організаціям, які пілкуються про громадян похилого віку – сформувати спільноту, де ті, хто допомагає і ті, хто такої допомоги потребує, могли б знайти один одного.
Curricula challenges of technical and management educationIAEME Publication
The document discusses the challenges facing technical and management education institutions in India. It outlines 3 main challenges: 1) adapting curricula to meet market forces and global trends, 2) managing diverse student and faculty populations, and 3) developing leadership competencies like strategic vision. It also discusses factors influencing educational performance like digitalization and access to technology. Overall, the document argues that curriculum reform and integrating new technologies are needed to equip students with the skills to navigate a changing world and workforce.
Il documento che ha dato vita alla zona euro si trova proprio in questa condizione. Tutti pensano di sapere cosa volesse dire o almeno i tedeschi. La Bundesbank (la banca centrale tedesca) era abbastanza sicura che avrebbe impedito la monetizzazione del debito. C'è scritto proprio così all'articolo 123. Ma l'Unione europea e la BCE (con il loro fedele compagno del FMI) sembrano costantemente però muoversi in un territorio inesplorato. Banche, credito e crisi dei debiti governativi sembra richiedano manovre legali che non sono state esplicitamente specificate. Mentre il resto d'Europa sta a guardare, la BCE man mano che va avanti traccia le linee sulla mappa.
This 9 frame analysis summarizes key shots from the M.I.A music video "Born Free". Frame 1 establishes the artist and song title with a panning shot. Frame 2 shows a special forces member in protective gear monitoring a cage. Frame 3 depicts special forces rushing downstairs with riot shields and gas masks, appearing to prepare for a raid. Frame 4 shows the arrest of a man the special forces were pursuing. Frame 5 places the arrested man alongside other ginger-haired prisoners on a bus. Frames 6-8 depict violence against the ginger-haired prisoners, including the shooting of a young ginger-haired girl. The final frame shows a special forces officer beating the earlier arrested man with a stick, cementing his dominance
9 Frame Analysis for a Music Video (M.I.A. - Born Free)ecss1
This 9 frame analysis summarizes key shots from the M.I.A music video "Born Free". Frame 1 establishes the artist and song title with a panning shot. Frame 2 shows a special forces member in protective gear monitoring a cage. Frame 3 depicts special forces rushing downstairs with riot shields and gas masks, appearing to prepare for a raid. Frame 4 shows the arrest of a man the special forces were pursuing. Frame 5 places the arrested man alongside other ginger-haired prisoners on a bus. Frames 6-8 depict violence against the ginger-haired prisoners, including the shooting of a young ginger-haired girl. The final frame shows a special forces officer beating the earlier arrested man with a stick, cementing his dominance
Michael Moore is an American documentary filmmaker known for his political views and controversial films. This presentation discusses Moore's life and career, and analyzes three of his films - Bowling for Columbine, Fahrenheit 9/11, and SiCKO - looking at their political stances, receptions, and impacts on the documentary genre. Both Bowling for Columbine and Fahrenheit 9/11 were very controversial due to Moore's liberal biases but also hugely popularized documentaries. SiCKO had a less comedic tone as Moore addressed the serious issue of healthcare, though it still advocated for liberal policies. Overall, Moore cemented his status as the most influential documentary filmmaker through popularizing and politicizing the genre
The document investigates Michael Moore and how his films impacted the documentary genre. It analyzes Moore's 2002 documentary Bowling for Columbine as the focus film, which controversially examined America's gun laws and the Columbine massacre. Two related films discussed are Fahrenheit 9/11 and SiCKO. Sources cited include reviews of Moore's films, box office data, interviews with Moore, and his Academy Award acceptance speech, showing how Moore used provocative styles and stances that pushed boundaries and sparked debate in documentaries.
This document describes typical fashion conventions of male indie/electronica genres from the 1990s, including wearing a multi-colored cap, large glasses to appear geeky, and vintage clothing that was trendy in the 1990s such as chinos.
Female fans of indie and electronica music typically wear unusual accessories like religious jewelry not tied to faith or unique hats to stand out from others, and have dyed pink hair and patterned tights as well as vintage clothing from past trends. They are interested in lesser-known artists with new sounds and enjoy attention, which influences their fashion choices to differentiate themselves from mainstream styles.
The call sheet is for a 2 minute 15 second music video shoot in Peterlee, County Durham featuring the song "Sad Eyes" by Crystal Castles. It will take place under some underpasses just outside the town centre and feature Kaye Robertson and Scott Musgrove, using natural lighting from the underpasses. Props include a cigarette, sweets, and an empty alcohol bottle, and the cast should be dressed in a smart, indie style.
The document summarizes the digipak for Deadmau5's album "4x4=12". The front cover features his neon green logo with his name and album title in black and white text. The back lists the 11 songs on the album and uses the same font and sizing as the front. The CD inside has the same logo and text but in blue instead of neon green.
Crystal Castles is an experimental electronic music duo known for albums like III, which includes the song "Kerosene." The treatment discusses plans for a music video interpreting "Kerosene" that focuses on a girl's drug-fueled night, showing her progression from taking drugs to hallucinating to coming down. It will include scenes of her at parties and wandering streets, and feature close-ups and shots of her to help audiences identify with her experience. The video will have a vintage, VHS-style look with colorful editing effects to match the song and genre conventions.
The music video begins with Tyler Joseph curled up alone in a public bathroom contemplating something distressing. It then cuts between close-up shots of Joseph looking uneasy and distressed as he pulls out a pair of clippers. Joseph proceeds to vigorously shave off all of his hair while cutting between shots of his actions and a disorienting purple static overlay, depicting his character's inner turmoil through his isolated and impulsive actions.
The music video begins with the band Travis asleep in a car that arrives in a town inhabited only by pregnant women. This suggests the song lyrics are about having a child. The lyrics describe holding a child for the first time and being alone before, then seeing the child grow up to have children of their own. In the video, the band sees the pregnant women going about their daily lives.
Shaun Anderson completed a personal skills audit to assess the digital technology, post-production, research and planning, and creativity skills they acquired and will develop for an A2 project. They used a Panasonic video camera, tripod, green screen studio, Blogger, Final Cut Express, and Photoshop to produce a product with their partners. Shaun plans to improve their camerawork, editing, and logo design skills during the next project.
The document provides an analysis of the music video for "You Only Live Once" by the indie rock band The Strokes. It summarizes that the video initially shows the band performing in a small, bright room wearing matching white outfits. However, tobacco tar then starts flooding the room, submerging the band as they continue playing until they are completely underwater. This narrative element adds meaning to the lyrics and challenges conventions of typical rock music videos. The target audience is identified as mainly males aged 16-35, but it could also appeal to some females and serve as a message about the dangers of substance abuse.
This document discusses how a media product represents social groups. It summarizes that the sequence portrays teenagers of different ethnicities and social classes, seen through a young English working boy and teen. Only males are featured, implying it's male-dominated but aimed at all audiences. The goal was to appeal to teenagers by including various ethnicities and social classes, though it could have been improved by adding females and more varied social classes.
Реєстрація на порталі pensia.com.ua - як та навіщоMedirent, RDE
Портал Pensia.com.ua «Ваш пенсійний консультант» створений як дієвий інструмент захисту своїх соціальних прав пенсіонерами та іншими громадянами.
Кому ми можемо допомогти?
- Пенсіонерам, які хочуть перевірити правильність розміру пенсії та, за потреби, здійснити її перерахунок.
- Працюючим громадянам, що зацікавлені спрогнозувати розмір майбутньої пенсії, визначити важливі фактори впливу на неї, одержати консультації по додатковому пенсійному забезпеченню
- Особам, які не працюють, або працюють неофіційно, і для яких стає важливим питання майбутньої пенсії: за яких умов вони можуть її отримати, що для цього необхідно зробити, від чого залежить її розмір?
- Всім, хто має запитання щодо теорії та практики пенсійного законодавства.
- Широкому колу громадськості, професіоналів, консультантів, яким цікаві питання пенсійного забезпечення, які хочуть бути в курсі останніх подій та тенденцій.
- Професійним консультантам, юристам, фахівцям з пенсійної справи, які можуть самостійно використовувати сервіси Порталу у власному бізнесі, або стати нашими партнерами.
- Недержавним пенсійним фондам, банкам, іншим комерційним установам – у пошуку клієнтів серед зацікавленої спільноти, поширенні альтернативних методів пенсійного забезпечення.
- Благодійним та іншим організаціям, які пілкуються про громадян похилого віку – сформувати спільноту, де ті, хто допомагає і ті, хто такої допомоги потребує, могли б знайти один одного.
Curricula challenges of technical and management educationIAEME Publication
The document discusses the challenges facing technical and management education institutions in India. It outlines 3 main challenges: 1) adapting curricula to meet market forces and global trends, 2) managing diverse student and faculty populations, and 3) developing leadership competencies like strategic vision. It also discusses factors influencing educational performance like digitalization and access to technology. Overall, the document argues that curriculum reform and integrating new technologies are needed to equip students with the skills to navigate a changing world and workforce.
Il documento che ha dato vita alla zona euro si trova proprio in questa condizione. Tutti pensano di sapere cosa volesse dire o almeno i tedeschi. La Bundesbank (la banca centrale tedesca) era abbastanza sicura che avrebbe impedito la monetizzazione del debito. C'è scritto proprio così all'articolo 123. Ma l'Unione europea e la BCE (con il loro fedele compagno del FMI) sembrano costantemente però muoversi in un territorio inesplorato. Banche, credito e crisi dei debiti governativi sembra richiedano manovre legali che non sono state esplicitamente specificate. Mentre il resto d'Europa sta a guardare, la BCE man mano che va avanti traccia le linee sulla mappa.
This 9 frame analysis summarizes key shots from the M.I.A music video "Born Free". Frame 1 establishes the artist and song title with a panning shot. Frame 2 shows a special forces member in protective gear monitoring a cage. Frame 3 depicts special forces rushing downstairs with riot shields and gas masks, appearing to prepare for a raid. Frame 4 shows the arrest of a man the special forces were pursuing. Frame 5 places the arrested man alongside other ginger-haired prisoners on a bus. Frames 6-8 depict violence against the ginger-haired prisoners, including the shooting of a young ginger-haired girl. The final frame shows a special forces officer beating the earlier arrested man with a stick, cementing his dominance
9 Frame Analysis for a Music Video (M.I.A. - Born Free)ecss1
This 9 frame analysis summarizes key shots from the M.I.A music video "Born Free". Frame 1 establishes the artist and song title with a panning shot. Frame 2 shows a special forces member in protective gear monitoring a cage. Frame 3 depicts special forces rushing downstairs with riot shields and gas masks, appearing to prepare for a raid. Frame 4 shows the arrest of a man the special forces were pursuing. Frame 5 places the arrested man alongside other ginger-haired prisoners on a bus. Frames 6-8 depict violence against the ginger-haired prisoners, including the shooting of a young ginger-haired girl. The final frame shows a special forces officer beating the earlier arrested man with a stick, cementing his dominance
Michael Moore is an American documentary filmmaker known for his political views and controversial films. This presentation discusses Moore's life and career, and analyzes three of his films - Bowling for Columbine, Fahrenheit 9/11, and SiCKO - looking at their political stances, receptions, and impacts on the documentary genre. Both Bowling for Columbine and Fahrenheit 9/11 were very controversial due to Moore's liberal biases but also hugely popularized documentaries. SiCKO had a less comedic tone as Moore addressed the serious issue of healthcare, though it still advocated for liberal policies. Overall, Moore cemented his status as the most influential documentary filmmaker through popularizing and politicizing the genre
The document investigates Michael Moore and how his films impacted the documentary genre. It analyzes Moore's 2002 documentary Bowling for Columbine as the focus film, which controversially examined America's gun laws and the Columbine massacre. Two related films discussed are Fahrenheit 9/11 and SiCKO. Sources cited include reviews of Moore's films, box office data, interviews with Moore, and his Academy Award acceptance speech, showing how Moore used provocative styles and stances that pushed boundaries and sparked debate in documentaries.
This document describes typical fashion conventions of male indie/electronica genres from the 1990s, including wearing a multi-colored cap, large glasses to appear geeky, and vintage clothing that was trendy in the 1990s such as chinos.
Female fans of indie and electronica music typically wear unusual accessories like religious jewelry not tied to faith or unique hats to stand out from others, and have dyed pink hair and patterned tights as well as vintage clothing from past trends. They are interested in lesser-known artists with new sounds and enjoy attention, which influences their fashion choices to differentiate themselves from mainstream styles.
The call sheet is for a 2 minute 15 second music video shoot in Peterlee, County Durham featuring the song "Sad Eyes" by Crystal Castles. It will take place under some underpasses just outside the town centre and feature Kaye Robertson and Scott Musgrove, using natural lighting from the underpasses. Props include a cigarette, sweets, and an empty alcohol bottle, and the cast should be dressed in a smart, indie style.
The document summarizes the digipak for Deadmau5's album "4x4=12". The front cover features his neon green logo with his name and album title in black and white text. The back lists the 11 songs on the album and uses the same font and sizing as the front. The CD inside has the same logo and text but in blue instead of neon green.
Crystal Castles is an experimental electronic music duo known for albums like III, which includes the song "Kerosene." The treatment discusses plans for a music video interpreting "Kerosene" that focuses on a girl's drug-fueled night, showing her progression from taking drugs to hallucinating to coming down. It will include scenes of her at parties and wandering streets, and feature close-ups and shots of her to help audiences identify with her experience. The video will have a vintage, VHS-style look with colorful editing effects to match the song and genre conventions.
The music video begins with Tyler Joseph curled up alone in a public bathroom contemplating something distressing. It then cuts between close-up shots of Joseph looking uneasy and distressed as he pulls out a pair of clippers. Joseph proceeds to vigorously shave off all of his hair while cutting between shots of his actions and a disorienting purple static overlay, depicting his character's inner turmoil through his isolated and impulsive actions.
The music video begins with the band Travis asleep in a car that arrives in a town inhabited only by pregnant women. This suggests the song lyrics are about having a child. The lyrics describe holding a child for the first time and being alone before, then seeing the child grow up to have children of their own. In the video, the band sees the pregnant women going about their daily lives.
Shaun Anderson completed a personal skills audit to assess the digital technology, post-production, research and planning, and creativity skills they acquired and will develop for an A2 project. They used a Panasonic video camera, tripod, green screen studio, Blogger, Final Cut Express, and Photoshop to produce a product with their partners. Shaun plans to improve their camerawork, editing, and logo design skills during the next project.
The document provides an analysis of the music video for "You Only Live Once" by the indie rock band The Strokes. It summarizes that the video initially shows the band performing in a small, bright room wearing matching white outfits. However, tobacco tar then starts flooding the room, submerging the band as they continue playing until they are completely underwater. This narrative element adds meaning to the lyrics and challenges conventions of typical rock music videos. The target audience is identified as mainly males aged 16-35, but it could also appeal to some females and serve as a message about the dangers of substance abuse.
This document discusses how a media product represents social groups. It summarizes that the sequence portrays teenagers of different ethnicities and social classes, seen through a young English working boy and teen. Only males are featured, implying it's male-dominated but aimed at all audiences. The goal was to appeal to teenagers by including various ethnicities and social classes, though it could have been improved by adding females and more varied social classes.
The document discusses how the filmmakers of "Hidden" analyzed techniques used in horror films like "The Shining" to classify and develop their piece as a supernatural horror. They incorporated elements of horror conventions seen in other films, such as eerie music, establishing shots, high camera angles, and a cliffhanger ending. However, they realized late in production that their film lacked a strong supernatural feel. While they effectively set a mysterious atmosphere, they could have better supported the horror genre by including more typical elements like ghosts or a stronger supernatural presence.
The filmmakers initially targeted teenagers as their audience because they felt teens enjoyed the horror genre more than other age groups. To attract this audience, they included typical horror elements like mystery, blood, and weapons in the death of a character named Elliott. Feedback from friends confirmed that these mystery elements and eerie music engaged the target teenage audience. The main character Shaun's costume was made more stylish and trendy while still being smart to appeal to teenagers, while Elliott's own teenage clothing also suited the target audience. Including ethnic diversity in the film could also attract minority viewers and widen the overall audience.
The document outlines a plan for filming a second rough cut of a film sequence by the weekend. It details that props like a hammer and fake gun will be needed, and assigns roles for who will bring costumes, makeup, the camera, and other props. The goals are to get more shots to finish the opening sequence, improve the lighting which was too bright previously, and adjust background dialogue in editing.
The opening sequence establishes the psychological horror elements of the film. It begins with a woman comforting her terrified son after a nightmare. Scenes of her doing chores around her home seem idyllic but have an unsettling quality, with strange noises distracting her. She finds a note about going on a "Triangle Hunting" trip by boat, despite her son's cries of protest. The sequence ends with her driving to the boat with ominous music playing, suggesting this voyage could end tragically.
The opening sequence of the film Triangle establishes the mysterious and psychological tone. It begins with a woman crying over her son who had a bad dream, expressing fear and unease. The sequence then shows images of a peaceful suburban neighborhood, but with unsettling musical cues and the woman seeming confused. It climaxes with her finding a toy boat knocked over in a pool, symbolizing a coming yacht accident and creating a sense of foreboding, before she walks away with the toy in hand.
The document discusses recce shots. Recce shots are reconnaissance shots taken by military forces to gather intelligence on enemy positions and terrain before an attack. They involve sending small teams ahead of the main force to photograph and record details that will help plan forthcoming operations.