Allergies
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This document proposes a narrative music video on a small budget to accompany the song "Blast Off" without being an actual music video. It would start with a countdown then show different spaceships blasting off during the chorus paired with people dancing. The video would show the band walking at night, then at a ticker tape parade as they perform, and finally in a night club full of people until the song ends. The goal is to premiere it on YouTube and share it across social media pages.
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Turn down for what - Music Treatment
The document proposes a treatment for a music video for the song "Turn Down for What" by DJ Snake. The summary is:
The treatment proposes a comedic music video where a man dancing on a rooftop breaks through the ceiling and causes a party to erupt by dancing floor to floor through an apartment building. As the party grows, it eventually falls through to a Taco Bell where partygoers abruptly end up calmly eating fast food to the song's outro, providing an absurd and commercial ending. The treatment aims to humorously depict characters dancing so intensely that destruction and growing chaos ensues.
Film opening analysis black swan
The opening scene of Black Swan establishes the psychological horror genre. It introduces the main character Nina, a ballerina dancing gracefully on stage in a white costume. As she dances with a male partner who takes on a dark role, the camera uses close-ups and movement to follow her intricate footwork. Strange unnatural sounds are added to create tension. The scene sets up the film's exploration of Nina's pursuit to play both the innocent White Swan and the sensual Black Swan in Swan Lake.
Film opening analysis
The document provides an analysis of the opening title sequence of the sitcom F.R.I.E.N.D.S. It summarizes that the opening introduces each of the six main characters through close-ups of their faces as their names appear in the title. Scenes of the characters goofing around together at a fountain establish the comedic and friendship-focused tone of the show. The memorable theme song "I'll Be There For You" plays throughout and reinforces the central theme of friendship.
Sound design
The document discusses the sound design choices made for a film production. It describes using realistic diegetic sounds like doors squeaking and rain along with some non-diegetic sounds like a car and axe for a kill scene. Dark, sinister music called "Personal Demons" was used to represent the antagonist, as well as a "Water Drip Torture" sound whenever he was present. Additionally, calmer "Retro City" dubstep music represented the main characters and was played in contrast to the sinister music during scenes with the antagonist.
Media2014 new sound ideas
The document discusses sound design ideas for a movie trailer called "The Basement". It divides the trailer into three sections for sound design purposes. The first 30 seconds will feature unsettling non-diegetic sounds like nails scraping and knocking to set an uneasy tone. From 30-60 seconds, all non-diegetic sound will cut out during a pivotal scene, then return along with a child's singing and increasing heartbeat rhythm. During the final minute, the heartbeat and other instruments will build to a climax, then cut to just the child's voice and a rising scream for an unsettling effect. The trailer aims to disorient viewers through innovative sound design that enhances the horror elements and leaves a lasting impression.
Analysing the introduction to shutter island.
The opening sequence of Shutter Island establishes the film's themes of mystery and imprisonment through its visuals and audio. It begins with text over a black screen accompanied by unsettling string music. The camera then reveals a ship emerging through dense fog, hinting at uncertainty and suspense. On board the ship, a character is seen being sick near chains, suggesting the story will involve prisoners. The main character Teddy is then introduced in a bathroom, appearing unwell. Later scenes feature chains, handcuffs and muted colors that connote jail. Teddy and another character talk on the deck, establishing them as counterparts. A flashback reveals Teddy's wife may be dead, supported by her bare feet and red nails. The opening
Sound and meaning
Diegetic sound comes from within the scene, like dialogue, while non-diegetic sound comes from outside the scene, like narration or mood music. Synchronous sound is recorded at filming and matches the action, like footsteps, while asynchronous sound occurs naturally but is not precisely synchronized. Sound effects, motifs, bridges, dialogue, voiceovers, mixing, and perspective are all techniques used to enhance meaning and storytelling through sound in television and film.
Institutions
The document summarizes and analyzes a movie trailer. It notes that the trailer begins with the production company logo to identify the producer. It then shows a man stating facts about an incident's date and location before the main victim, Sarah, is introduced moving into her father's home. As Sarah explores the new home, strange noises are heard and her father is found dead. The trailer effectively builds tension and fear through minimal dialogue, unsettling sounds like clock ticking and squeaky floors, and contrasting calm and intense music. It establishes typical psychological horror elements to intrigue viewers into watching the full movie.
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Turn down for what - Music Treatment
The document proposes a treatment for a music video for the song "Turn Down for What" by DJ Snake. The summary is:
The treatment proposes a comedic music video where a man dancing on a rooftop breaks through the ceiling and causes a party to erupt by dancing floor to floor through an apartment building. As the party grows, it eventually falls through to a Taco Bell where partygoers abruptly end up calmly eating fast food to the song's outro, providing an absurd and commercial ending. The treatment aims to humorously depict characters dancing so intensely that destruction and growing chaos ensues.
Film opening analysis black swan
The opening scene of Black Swan establishes the psychological horror genre. It introduces the main character Nina, a ballerina dancing gracefully on stage in a white costume. As she dances with a male partner who takes on a dark role, the camera uses close-ups and movement to follow her intricate footwork. Strange unnatural sounds are added to create tension. The scene sets up the film's exploration of Nina's pursuit to play both the innocent White Swan and the sensual Black Swan in Swan Lake.
Film opening analysis
The document provides an analysis of the opening title sequence of the sitcom F.R.I.E.N.D.S. It summarizes that the opening introduces each of the six main characters through close-ups of their faces as their names appear in the title. Scenes of the characters goofing around together at a fountain establish the comedic and friendship-focused tone of the show. The memorable theme song "I'll Be There For You" plays throughout and reinforces the central theme of friendship.
Sound design
The document discusses the sound design choices made for a film production. It describes using realistic diegetic sounds like doors squeaking and rain along with some non-diegetic sounds like a car and axe for a kill scene. Dark, sinister music called "Personal Demons" was used to represent the antagonist, as well as a "Water Drip Torture" sound whenever he was present. Additionally, calmer "Retro City" dubstep music represented the main characters and was played in contrast to the sinister music during scenes with the antagonist.
Media2014 new sound ideas
The document discusses sound design ideas for a movie trailer called "The Basement". It divides the trailer into three sections for sound design purposes. The first 30 seconds will feature unsettling non-diegetic sounds like nails scraping and knocking to set an uneasy tone. From 30-60 seconds, all non-diegetic sound will cut out during a pivotal scene, then return along with a child's singing and increasing heartbeat rhythm. During the final minute, the heartbeat and other instruments will build to a climax, then cut to just the child's voice and a rising scream for an unsettling effect. The trailer aims to disorient viewers through innovative sound design that enhances the horror elements and leaves a lasting impression.
Analysing the introduction to shutter island.
The opening sequence of Shutter Island establishes the film's themes of mystery and imprisonment through its visuals and audio. It begins with text over a black screen accompanied by unsettling string music. The camera then reveals a ship emerging through dense fog, hinting at uncertainty and suspense. On board the ship, a character is seen being sick near chains, suggesting the story will involve prisoners. The main character Teddy is then introduced in a bathroom, appearing unwell. Later scenes feature chains, handcuffs and muted colors that connote jail. Teddy and another character talk on the deck, establishing them as counterparts. A flashback reveals Teddy's wife may be dead, supported by her bare feet and red nails. The opening
Sound and meaning
Diegetic sound comes from within the scene, like dialogue, while non-diegetic sound comes from outside the scene, like narration or mood music. Synchronous sound is recorded at filming and matches the action, like footsteps, while asynchronous sound occurs naturally but is not precisely synchronized. Sound effects, motifs, bridges, dialogue, voiceovers, mixing, and perspective are all techniques used to enhance meaning and storytelling through sound in television and film.
Institutions
The document summarizes and analyzes a movie trailer. It notes that the trailer begins with the production company logo to identify the producer. It then shows a man stating facts about an incident's date and location before the main victim, Sarah, is introduced moving into her father's home. As Sarah explores the new home, strange noises are heard and her father is found dead. The trailer effectively builds tension and fear through minimal dialogue, unsettling sounds like clock ticking and squeaky floors, and contrasting calm and intense music. It establishes typical psychological horror elements to intrigue viewers into watching the full movie.
Sound glossary
This document defines various types of sounds that can be used in films, including diegetic sounds that originate from within the story, non-diegetic sounds that are external, synchronous sounds that match the visuals, asynchronous sounds that do not match, sound bridges that carry over between scenes, contrapuntal sounds that are inappropriate to the visuals, parallel sounds that match the mood, and soundtracks that complement the narrative.
Storyboard
The document outlines the shots, visuals, durations, cameras, instructions, dialogue, and sounds for several scenes in a film. The first scene is a 0:30 high angle shot panning over Alice exhausted on her bed with only diegetic sound effects. The second scene is a 0:17 midshot of Alice and Tupla with comically non-diegetic music. The third scene is a 0:10 low angle rush shot of Alice improving with non-diegetic music and sound effects. The fourth scene uses Alice's POV to show her searching disappointingly with no sounds. The fifth scene is a 1:00-1:30 conversation between Alice and her true friend using shot reverse shot with diegetic
Soundtrack
This document discusses the use of soundtracks in various movies, TV shows, and videos. It provides examples of how DMX's "X Gon' Give It To Ya" was used in Deadpool to portray aggressive characters. For a scene in the same movie, a composed song created a "bad guy atmospheric feel." The document also discusses how the soundtrack in Empire synchronized with a character's singing to convey his emotions. A rock song in the Spiderman animated intro was catchy and appealing to younger audiences. Soundtracks are generally used to set moods and engage audiences.
Sound
Sound is important in horror films to enhance the audience's emotional experience and create tension. Music can underline characters' unspoken thoughts, build continuity between scenes, and signal when tension rises or falls. Effective horror film soundtracks represent characters, set locations and time periods, parallel the action, and create convincing atmospheres. Iconic horror film scores, like those in A Quiet Place, The Return of the Living Dead, It Follows, Halloween, and The Descent use music, effects, and silences to generate anxiety and fear in viewers.
Silent Cinema
The document discusses several aspects of silent films from the early days of cinema. It notes that silent films were reproduced at 16 frames per second, slower than the 24 frames per second needed for completely realistic movement, resulting in slight interruptions that slowed the pace. To counter this, films were sped up slightly. It also discusses the use of subtitles to convey dialogue, overacting by actors to express emotion and stories visually, the role of live music in setting the mood and helping audiences follow plots, and theatrical makeup techniques used to accentuate facial features and convey different emotions or tones.
Opening sequence analasys
The document provides a summary and analysis of key elements in the opening sequence of the film "Black Swan." It summarizes that the opening credits use dark, bold text on a dark background to set a sinister tone. When the main character, a ballerina, begins dancing, the non-diegetic music starts light but then adds an ominous rumble as a man enters, heightening the tension. Low key lighting is used in the dark room where the ballerina dances alone, establishing an eerie atmosphere. Close ups of her dancing feet are used to suggest the story will move quickly and focus on her life as a dancer. Shot reverse shot editing is used as the ballerina talks with her overbearing mother
Moulin rouge
The music video for "El Tango de Roxanne" from Moulin Rouge uses lighting, costumes, camera work, and editing to tell a story and set the mood. The lighting in the brothel scene is dim to set a sensual atmosphere, while the lovers' scene uses cold lighting to show tension. Costumes and props are strategically chosen to enhance the brothel setting and storyline. The camera work uses different angles like zooms and low shots to highlight movement and expressions. Editing employs sharp cuts between scenes to build tension, with color tints like deep red and blue used to further impact the mood.
Step outline
This document outlines the song and music video steps for Pendulum's "Show Down". It provides the lyrics for both the album and radio/music video versions. It then lists 13 steps describing the protagonist being followed and attacked by an antagonist, with references to specific lyrics occurring during certain steps of their confrontation and fight. The protagonist initially tries to escape but is ultimately beaten by the antagonist.
Moulin rouge
The opening scene of Moulin Rouge uses various cinematic techniques to establish mood and character. A single continuous shot introduces the main character, an English poet in 1900s Paris played by Ewan McGregor, as he sits depressed on the floor of his cluttered apartment. Expressive lighting highlights his distressed facial expressions and body language while a melancholy song plays on the soundtrack, conveying the character's sadness.
Woman in Black Review
1) The play tells the story of a solicitor named Arthur Kipps who is sent to clear out the paperwork of a deceased woman from Eel Marsh House and discovers that the house is haunted by the ghost of a woman in black.
2) The set was simple with few props but effectively created tension through minimal changes that revealed new areas of the haunted house.
3) The actors effectively switched between playing the main characters in different ages through changes in posture, movement, and voice. This helped tell the story while transitions between scenes occurred on stage.
Task 4 - analysis of music videos
The video begins with an establishing shot that then cuts to Drake in a darkly lit doorway. Shots alternate between Drake in dark lighting and a woman in a dark, shaky scene depicting destruction. Throughout the video, the editing matches the slow tempo of the song with slow camera movements and prolonged shots. The video starts and ends with the same shot to bookend the narrative.
Phantom of the opera lesson
This document provides an overview of the musical The Phantom of the Opera. It begins with reviewing vocabulary related to musical theater like plot, character, melody, motif, duet, and solo. It then summarizes the basic plot of the musical, which is about a disfigured phantom who haunts the Paris Opera House and falls in love with a young soprano. Key songs like "Music of the Night", "All I Ask of You", and "Point of No Return" are discussed in relation to how they progress the story and develop characters. Videos of song performances are provided for students to analyze.
"Just Go" Video Shoot
The document describes the layout and areas of a potential location for shooting a music video. It notes the staircase leading to the stage and crowd area, and another staircase toward the street and bar area. It provides views of the stage from the crowd and balcony, as well as potential spaces for the crowd, bar, and filming. Contact information is given for inquiries.
Pendulum show down script
This document contains a script for a short film set to the song "Pendulum" by Pendulum. The script describes shots of the protagonist encountering and confronting the antagonist. As the song plays, the two begin fighting. The antagonist overpowers the protagonist and leaves them defeated on the ground as the song ends. The script syncs story moments like punches thrown and escapes attempted to lyrics in the song.
Soundtrack
The document discusses the use of soundtracks in various movies, TV shows, and videos. It provides examples from Deadpool, Empire, Spiderman, and YouTube videos. Soundtracks are used to set the mood, portray emotions, engage audiences, and make content more memorable. They can be aggressive to match intense scenes or composed to create atmosphere. Syncing soundtracks to performances gives the audience a feeling of raw emotion. Catchy theme songs for animated shows appeal to younger viewers and help them remember the content.
4. pre production mv 2018
The music video will be shot to appear as a single continuous shot following the main character through his house as he tries to figure out what happened the night before. It will be graded blue to match the album art and have bright lighting during the day and darker lighting at night. The background will feature empty bottles and cans to indicate it is the morning after a party. The video will include freeze frames revealing events from the previous night and eventually rewind to the beginning with the character on the floor again.
First treatment
The document provides shooting directions for a music video to accompany the song "How to Save a Life" by The Fray. It describes a series of shots that show a character walking sadly through an alley and sitting on a bench while lip syncing the lyrics. During the chorus, there is an extreme close-up of someone about to play guitar before panning to show the full band. Later shots show the character arguing with another person and then finding them taking drugs. The character is then shown crying in bed before the scene cuts to someone opening a door angrily. The directions state that certain lines should be spoken rather than sung to add realism.
Scene analysis.Blackmail
Blackmail, directed by Alfred Hitchcock in 1929, was one of the first hybrid silent/sound films and an early example of film noir and murder mystery movies. It was originally intended to be silent but was converted during production to include some sound elements like dialogue and music. Hitchcock skillfully incorporated sound into the film without letting it hamper the visual storytelling. Though the sound technology was still limited, Hitchcock used it creatively to add literal meaning and impact. Blackmail helped establish conventions for using sound in movies going forward.
Blink 182 – adam's song
This document proposes music video ideas for three songs:
1) Blink-182's "Adam's Song" would tell the story of a man struggling with depression who is ultimately led to hope through a small light. It would be filmed in a dark, ambient setting symbolizing his mood.
2) Neck Deep's "Don't Wait" would have a retro, surreal aesthetic depicting an oblivious family watching fake news in a post-apocalyptic world outside.
3) Shinedown's "State of My Head" would be a live performance montage showing the band generating hype across multiple concert venues through shots of their playing and engaged crowds.
5 genres 3 videos
This document summarizes the genre conventions represented in various music videos. It discusses how Taylor Swift's "Shake It Off" incorporates different genres through costumes and settings. It also analyzes Olly Murs' "Beautiful to Me" for its natural lighting and relatable storyline. The document provides overviews of several other music videos and how they fit conventions of genres like pop, rock, alternative, country, and rap.
Question 8
The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
Initial plans musicvideo.2
This document contains initial plans and ideas for music videos for various songs by different artists. It discusses 5 potential ideas before settling on "Angels" by Tom Walker as the final idea. For this song, it provides biographical information on the artist, describes the genre as indie pop/rock, and summarizes the meaning and tone of the song based on an interview with Walker. It then outlines plans for shooting the music video, including using different transitions between clips timed to the beat and incorporating various scenarios to tell a story reflecting the genre. Techniques like varying camera angles and shot lengths are discussed, as well as conventions like consistent lighting across locations.
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Sound glossary
This document defines various types of sounds that can be used in films, including diegetic sounds that originate from within the story, non-diegetic sounds that are external, synchronous sounds that match the visuals, asynchronous sounds that do not match, sound bridges that carry over between scenes, contrapuntal sounds that are inappropriate to the visuals, parallel sounds that match the mood, and soundtracks that complement the narrative.
Storyboard
The document outlines the shots, visuals, durations, cameras, instructions, dialogue, and sounds for several scenes in a film. The first scene is a 0:30 high angle shot panning over Alice exhausted on her bed with only diegetic sound effects. The second scene is a 0:17 midshot of Alice and Tupla with comically non-diegetic music. The third scene is a 0:10 low angle rush shot of Alice improving with non-diegetic music and sound effects. The fourth scene uses Alice's POV to show her searching disappointingly with no sounds. The fifth scene is a 1:00-1:30 conversation between Alice and her true friend using shot reverse shot with diegetic
Soundtrack
This document discusses the use of soundtracks in various movies, TV shows, and videos. It provides examples of how DMX's "X Gon' Give It To Ya" was used in Deadpool to portray aggressive characters. For a scene in the same movie, a composed song created a "bad guy atmospheric feel." The document also discusses how the soundtrack in Empire synchronized with a character's singing to convey his emotions. A rock song in the Spiderman animated intro was catchy and appealing to younger audiences. Soundtracks are generally used to set moods and engage audiences.
Sound
Sound is important in horror films to enhance the audience's emotional experience and create tension. Music can underline characters' unspoken thoughts, build continuity between scenes, and signal when tension rises or falls. Effective horror film soundtracks represent characters, set locations and time periods, parallel the action, and create convincing atmospheres. Iconic horror film scores, like those in A Quiet Place, The Return of the Living Dead, It Follows, Halloween, and The Descent use music, effects, and silences to generate anxiety and fear in viewers.
Silent Cinema
The document discusses several aspects of silent films from the early days of cinema. It notes that silent films were reproduced at 16 frames per second, slower than the 24 frames per second needed for completely realistic movement, resulting in slight interruptions that slowed the pace. To counter this, films were sped up slightly. It also discusses the use of subtitles to convey dialogue, overacting by actors to express emotion and stories visually, the role of live music in setting the mood and helping audiences follow plots, and theatrical makeup techniques used to accentuate facial features and convey different emotions or tones.
Opening sequence analasys
The document provides a summary and analysis of key elements in the opening sequence of the film "Black Swan." It summarizes that the opening credits use dark, bold text on a dark background to set a sinister tone. When the main character, a ballerina, begins dancing, the non-diegetic music starts light but then adds an ominous rumble as a man enters, heightening the tension. Low key lighting is used in the dark room where the ballerina dances alone, establishing an eerie atmosphere. Close ups of her dancing feet are used to suggest the story will move quickly and focus on her life as a dancer. Shot reverse shot editing is used as the ballerina talks with her overbearing mother
Moulin rouge
The music video for "El Tango de Roxanne" from Moulin Rouge uses lighting, costumes, camera work, and editing to tell a story and set the mood. The lighting in the brothel scene is dim to set a sensual atmosphere, while the lovers' scene uses cold lighting to show tension. Costumes and props are strategically chosen to enhance the brothel setting and storyline. The camera work uses different angles like zooms and low shots to highlight movement and expressions. Editing employs sharp cuts between scenes to build tension, with color tints like deep red and blue used to further impact the mood.
Step outline
This document outlines the song and music video steps for Pendulum's "Show Down". It provides the lyrics for both the album and radio/music video versions. It then lists 13 steps describing the protagonist being followed and attacked by an antagonist, with references to specific lyrics occurring during certain steps of their confrontation and fight. The protagonist initially tries to escape but is ultimately beaten by the antagonist.
Moulin rouge
The opening scene of Moulin Rouge uses various cinematic techniques to establish mood and character. A single continuous shot introduces the main character, an English poet in 1900s Paris played by Ewan McGregor, as he sits depressed on the floor of his cluttered apartment. Expressive lighting highlights his distressed facial expressions and body language while a melancholy song plays on the soundtrack, conveying the character's sadness.
Woman in Black Review
1) The play tells the story of a solicitor named Arthur Kipps who is sent to clear out the paperwork of a deceased woman from Eel Marsh House and discovers that the house is haunted by the ghost of a woman in black.
2) The set was simple with few props but effectively created tension through minimal changes that revealed new areas of the haunted house.
3) The actors effectively switched between playing the main characters in different ages through changes in posture, movement, and voice. This helped tell the story while transitions between scenes occurred on stage.
Task 4 - analysis of music videos
The video begins with an establishing shot that then cuts to Drake in a darkly lit doorway. Shots alternate between Drake in dark lighting and a woman in a dark, shaky scene depicting destruction. Throughout the video, the editing matches the slow tempo of the song with slow camera movements and prolonged shots. The video starts and ends with the same shot to bookend the narrative.
Phantom of the opera lesson
This document provides an overview of the musical The Phantom of the Opera. It begins with reviewing vocabulary related to musical theater like plot, character, melody, motif, duet, and solo. It then summarizes the basic plot of the musical, which is about a disfigured phantom who haunts the Paris Opera House and falls in love with a young soprano. Key songs like "Music of the Night", "All I Ask of You", and "Point of No Return" are discussed in relation to how they progress the story and develop characters. Videos of song performances are provided for students to analyze.
"Just Go" Video Shoot
The document describes the layout and areas of a potential location for shooting a music video. It notes the staircase leading to the stage and crowd area, and another staircase toward the street and bar area. It provides views of the stage from the crowd and balcony, as well as potential spaces for the crowd, bar, and filming. Contact information is given for inquiries.
Pendulum show down script
This document contains a script for a short film set to the song "Pendulum" by Pendulum. The script describes shots of the protagonist encountering and confronting the antagonist. As the song plays, the two begin fighting. The antagonist overpowers the protagonist and leaves them defeated on the ground as the song ends. The script syncs story moments like punches thrown and escapes attempted to lyrics in the song.
Soundtrack
The document discusses the use of soundtracks in various movies, TV shows, and videos. It provides examples from Deadpool, Empire, Spiderman, and YouTube videos. Soundtracks are used to set the mood, portray emotions, engage audiences, and make content more memorable. They can be aggressive to match intense scenes or composed to create atmosphere. Syncing soundtracks to performances gives the audience a feeling of raw emotion. Catchy theme songs for animated shows appeal to younger viewers and help them remember the content.
4. pre production mv 2018
The music video will be shot to appear as a single continuous shot following the main character through his house as he tries to figure out what happened the night before. It will be graded blue to match the album art and have bright lighting during the day and darker lighting at night. The background will feature empty bottles and cans to indicate it is the morning after a party. The video will include freeze frames revealing events from the previous night and eventually rewind to the beginning with the character on the floor again.
First treatment
The document provides shooting directions for a music video to accompany the song "How to Save a Life" by The Fray. It describes a series of shots that show a character walking sadly through an alley and sitting on a bench while lip syncing the lyrics. During the chorus, there is an extreme close-up of someone about to play guitar before panning to show the full band. Later shots show the character arguing with another person and then finding them taking drugs. The character is then shown crying in bed before the scene cuts to someone opening a door angrily. The directions state that certain lines should be spoken rather than sung to add realism.
Scene analysis.Blackmail
Blackmail, directed by Alfred Hitchcock in 1929, was one of the first hybrid silent/sound films and an early example of film noir and murder mystery movies. It was originally intended to be silent but was converted during production to include some sound elements like dialogue and music. Hitchcock skillfully incorporated sound into the film without letting it hamper the visual storytelling. Though the sound technology was still limited, Hitchcock used it creatively to add literal meaning and impact. Blackmail helped establish conventions for using sound in movies going forward.
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Similar to Allergies
Blink 182 – adam's song
This document proposes music video ideas for three songs:
1) Blink-182's "Adam's Song" would tell the story of a man struggling with depression who is ultimately led to hope through a small light. It would be filmed in a dark, ambient setting symbolizing his mood.
2) Neck Deep's "Don't Wait" would have a retro, surreal aesthetic depicting an oblivious family watching fake news in a post-apocalyptic world outside.
3) Shinedown's "State of My Head" would be a live performance montage showing the band generating hype across multiple concert venues through shots of their playing and engaged crowds.
5 genres 3 videos
This document summarizes the genre conventions represented in various music videos. It discusses how Taylor Swift's "Shake It Off" incorporates different genres through costumes and settings. It also analyzes Olly Murs' "Beautiful to Me" for its natural lighting and relatable storyline. The document provides overviews of several other music videos and how they fit conventions of genres like pop, rock, alternative, country, and rap.
Question 8
The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
Initial plans musicvideo.2
This document contains initial plans and ideas for music videos for various songs by different artists. It discusses 5 potential ideas before settling on "Angels" by Tom Walker as the final idea. For this song, it provides biographical information on the artist, describes the genre as indie pop/rock, and summarizes the meaning and tone of the song based on an interview with Walker. It then outlines plans for shooting the music video, including using different transitions between clips timed to the beat and incorporating various scenarios to tell a story reflecting the genre. Techniques like varying camera angles and shot lengths are discussed, as well as conventions like consistent lighting across locations.
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and house/electro music. The video needs to reflect youth culture and appeal to their desire to party wildly and freely. It must match the tempo of the song, building from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property depict the audience as "animals" and match their rebellious culture. Rapid editing between close-ups captures the fast pace and excitement to engage viewers.
Red 1
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful culture of being wild and free. It must match the tempo of the song, which builds from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property appeal to the rebellious nature of the target audience. Camera techniques like close-ups, rapid cuts, and slow motion are used to match the fast pace of the music. Digital effects are minimal to maintain focus on the excitement of dancing and partying.
Analysing music videos
This music video tells a narrative story of an elephant escaping from the zoo to find "paradise." It features no performance from Coldplay apart from at the very end, as part of the storyline. Using a narrative structure allows Coldplay, as a famous band, to create a video that will encourage discussion and re-watching to follow the story. The video feels like a movie with its opening titles, showing Coldplay's commercial success and large-scale productions.
Alan Goodwin's Theory - Owl City 'Fireflies'
1) Andrew Goodwin proposes 6 features that are often found in music videos, including relationships between lyrics and visuals, music and visuals, genre characteristics, record label demands, notions of looking, and intertextual references.
2) In the music video for "Fireflies" by Owl City, the visuals directly represent and amplify the lyrics, and illustrate the dream-like childhood theme of the song through toys coming to life synchronized with the music.
3) The video also demonstrates 1980s genre characteristics through the use of toys and instruments popular at that time, and focuses on close-ups of the solo artist as demanded by the record label.
Mv production assignment form 2019 thea
The document provides guidance for a music video assignment, including templates for pre-production tasks like generating song ideas, researching other music videos, and developing a final concept. It instructs students to customize the templates with their own work, such as selecting a song, developing multiple video ideas, and summarizing their chosen concept. The templates are meant to guide students through the pre-production phase to develop their music video project.
Red
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to reflect youth culture and appeal to their desire to be wild and free. It must match the tempo of the song, building from slow to fast beats and climaxes. While the lyrics are minimal, the video depicts a group of people in animal masks dancing and later destroying a car to represent being "animals". The fast-paced video uses various shots and rapid editing to match the tempo changes in the song and create excitement for the young audience.
Research task 1 + 4.pptx
The first music video is for the song "Friday I'm in Love" by Yo La Tengo. It follows a narrative structure showing a woman singing as the Earth is destroyed by hearts, relating to the song's lyrics about love and the end of things. The targeted audience is ages 21-50 since it's a cover of an older Cure song.
The second music video is for Kurt Vile's "Pretty Pimpin." It tells a short story about questioning identity and existentialism, representing feelings of self-discovery that many teenagers and young adults experience. Both videos generally follow conventions of their folk/alternative rock genres but also have some unconventional elements.
Reasearch Task 1 - music video 2 (1).pptx
This music video for Childish Gambino's "This is America" tells a narrative story through its imagery and scenes of violence in the background of Gambino's dancing. It uses symbols and references to comment on gun violence and the Black experience in America. Camerawork follows Gambino and draws attention to the chaotic background. Facial expressions reference minstrel shows and scenes reference the Charleston church shooting and movie "Get Out".
Billie Eilish's "When the Party's Over" music video features her in an all-white room drinking from a glass of black liquid. This liquid overwhelms and causes her to cry, symbolizing how toxic relationships take over people. Inspired by a fan drawing, the black
Music video research
The document outlines ideas for a music video assignment, including research on sample music videos, potential songs and techniques, a final idea to film dancers at a park set to the song "Hunnybee" using bright colors and lyric signs, and pre-production planning covering locations, equipment, personnel, props, and a storyboarded structure for the video.
Analysing a music video using Narrative Theory
This video illustrates the song through visuals that match the lyrics. The singer uses physical gestures like making a phone symbol by his ear when singing lyrics about calling. Scenes of the singer by a pool reinforce lyrics about being "in the deep end." The structure of the video is circular, beginning with the characters waking up after a party and then showing flashbacks of how they ended up there through the night. Applying Levi-Strauss' theory, the binary opposites are day and night as the video transitions between morning and later times. Using Barthes' codes, the video contains action codes that establish through visuals like drinks that it depicts a party.
Media Deconstruction 3 - All Time Low - Weightless
This document summarizes the music video for the song "Weightless" by All Time Low. It analyzes the camera shots, camera movements, settings, costumes, lighting, editing, sound, genre, representation, and narrative of the video. Key details include medium shots of the singer, close-ups of the band performing, settings at a concert and backstage, the band members' stage costumes, upbeat blue lighting, fast editing to match the song's pace, and a narrative of the band performing live.
Research task 1 + 4.pptx
The document provides summaries of two music videos that exemplify conventions of their genres while also incorporating unconventional elements. The first video, "Friday I'm In Love" by Yo La Tengo, follows conventions of alternative rock genres like incorporating a narrative storyline related to the lyrics. However, it breaks conventions by featuring an older female protagonist rather than younger subjects typically shown. The second video, "Pretty Pimpin" by Kurt Vile, also ties its narrative to the lyrics as folk/alternative rock videos usually do, but focuses more on the individual character rather than environments like most. Both videos effectively balance genre traditions with unique artistic perspectives.
Red
The music video for "Animals" by Martin Garrix effectively appeals to its target audience of 16-25 year olds who enjoy clubbing and electronic music. It matches the fast tempo and climactic buildup of the song through rapid editing between shots of a group dancing wildly and destroying property. Close-up shots of excited faces and bodies establish the rebellious "animal" spirit of youth culture that the lyrics and genre aim to portray.
NEA research
The document provides background information on the artist Low Roar and the song "I'll Keep Coming". Low Roar is the stage name of singer Ryan Karazija, who created his self-titled debut album as a way to cope with moving to Iceland in 2010. "I'll Keep Coming" is the fourth track on Low Roar's second album "O". The song has received over 5 million YouTube views. Initial ideas are presented for a music video combining a narrative story with live performance elements. The narrative would follow a young man's life journey and hardships, relating to the song's lyrics of endurance. Filming locations of an open field and dark room are proposed. Guidelines are provided to thoughtfully consider
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful, wild culture and match the tempo of the song as it builds up speed. Scenes of people dancing, partying, and acting like "animals" would appeal to this audience. The lyrics are minimal to match the genre and allow for dancing. Shots of people dancing and a climactic scene of "animals" destroying a car are used to engage the target audience and match the increasing tempo and energy of the song.
Treatment sheet real
The document provides details on the treatment for a music video for the song "Sea Fog" by Keane. It will tell a narrative story of a man dealing with sadness and uncertainty after the loss of his wife. Key elements include slow camera movements and natural lighting to match the gentle tempo of the song. Locations like a house, field, street, forest, and beach will represent lyrics and the man will lip sync during a piano performance in the theater. Camera angles and a drone shot are planned to capture a field performance from a distance.
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Media Deconstruction 3 - All Time Low - Weightless
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- 2. Not massively popular Hard to find lyrics for the song blast off Not a music video for blast off
- 3. THE IDEA • This is meant to be a narrative/performance type performance that follows they lyrics on a small budget to make sure they don’t make a loss • Should premiered on YouTube but shared to all the allergies social media pages •
- 4. INTRO • For the intro there will be a countdown that appears with the intro countdown then when the song transitions to the intro the intro the intro animation will play
- 5. STARTS WITH A COUNTDOWN
- 6. For the chorus there is a animation different spaceships blasting off with the lyrics over the top of the animation. Paired with a animation of people dancing on a dance floor this will appear every time the chorus plays.
- 7. video starts by the allergies walking through the town at night drinking
- 8. When the song talks about ticker tape the scene transitions and they are actually at a ticker tape parade when he tells the sound man to prepare the mic a sound man brings the mic and he performs
- 9. Shows them performing in a night club full of people until the end of the song.
- 10. THANKS FOR WATCHING THIS PRESENTATION