Lezing door Fulco Blokhuis over de juridische aspecten die optreden bij generatieve AI, zoals ChatGPT, Dall-e e.d.
VOGIN-IP-lezing 28 april 2024 Amsterdam
10. The deal requires both consent and compensation before a song is
released that uses a digital replica of an artist's voice.
It added the terms "artist", "singer" and "royalty artist" could only refer
to humans under the agreement.
11. 11
nt & brands
Is het trainen van een AI tool een inbreuk?
Kan de AI tool output beschermd worden door een IE recht?
16. 16
nt & brands
Midjourney:
LAION-5B dataset
5,85 miljard images
Research purposes
lijst van 16.000 artiesten
Cy Twombly, Andy Warhol
Anish Kapoor,
Yayoi Kusama, Gerhard Richter
Frida Kahlo, Ellsworth Kelly,
Damien Hirst, Amedeo Modigliani,
Pablo Picasso, Paul Signac,
Norman Rockwell,
Paul Cézanne, Banksy,
Walt Disney, en
Vincent van Gogh
17. 17
nt & brands
Is training fair use?
VS
20 rechtszaken
Oa
1. Thomson Reuters v. ROSS (samenvattingen van rechtszaken)
2. Getty Images (US) v. Stability AI (beeld)
3. Universal v. Anthropic (muziek)
4. Doe 1 v. Github, Inc. (software)
5. New York Times v. Microsoft and OpenAI (nieuwsberichten)
Chatgptiseatingthisworld.com
18. 18
nt & brands
Is het trainen van een AI tool met
auteursrechtelijk beschermde werken een
inbreuk?
Uitzonderingen:
EU: TDM
19. 19
nt & brands
Tekst en Data Mining
Art 3. voor wetenschappelijk
onderzoek (art 3 Rl 2019/790)
Art 4. voor commerciële doeleinden
met opt-out (art 4 Rl 2019/790)
AI ACT: TDM geldt voor AI training
21. Werktoets
• De eigen intellectuele schepping van de auteur
• Het gaat om vrije en creatieve keuzes van de
auteur, die tot uitdrukking zijn gebracht in het
werk
• Auteur = mens
22. • Auteur = menselijk
David Slater v PETA / Wikipedia
24. 24
nt & brands
Wel beschermd:
De tekst en de selectie, coördinatie en
rangschikking van de geschreven en visuele
elementen van het werk
Niet beschermd: AI output
26. 26
nt & brands
We are approaching new frontiers
How much human input is necessary?
Must that originator be a human being to claim copyright protection?
The answer is “yes.”
In the absence of any human involvement in the creation of the work, the
clear and straightforward answer is the one given by the Register: No.
27. 27
nt & brands
3. Théâtre D’opéra Spatial (USCO)
–
September 5, 2023
28. 28
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• 624 tekst prompts in Midjourney
• Daarna Photoshop en Gigapixel AI
voor upscaling
• The Office accepted Mr. Allen’s claim
that human- authored “visual edits”
made with Adobe Photoshop
contained a sufficient amount of
original authorship to be registered.
• However, the Office explained that the
features generated by Midjourney
and Gigapixel AI must be excluded
as non-human authorship.
• Because Mr. Allen sought to register
the entire work and refused to
disclaim the portions attributable to
AI, the Office could not register the
claim.
30. 30
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Overwegingen USCO
USCO: The RAGHAV app, not Mr. Sahni,
was responsible for determining how to
interpolate the base and style images in
accordance with the style transfer value
Mr. Sahni did not control where those
elements would be placed, whether they would
appear in the output, and what colors would be
applied to them—RAGHAV did.
31. 31
nt & brands
Overwegingen USCO
USCO: The RAGHAV app, not Mr. Sahni,
was responsible for determining how to
interpolate the base and style images in
accordance with the style transfer value
Mr. Sahni did not control where those
elements would be placed, whether they would
appear in the output, and what colors would be
applied to them—RAGHAV did.
32. 32
nt & brands
5. AI Suro’s
Wife’ film
January 8, 2024
AI Film in Zuid Korea wel beschermd
33. 33
nt & brands
5. AI Suro’s Wife’ film
January 8, 2024
1) ensuring consistency in the images from
prompt engineering, so that they were not
just random, which involved “the process of
selecting text, pictures, voices, etc. at each
stage and reaching the final result can itself be
close to creation,”
(2) edits through “Photoshop, out-painting
and in-painting were repeated dozens of times,
even the parts that AI could not capture were
enlarged and depicted,”
(3) editing the images in Midjourney and
Stable Diffusion,
(4) incorporating images into the video, and
(5) relying on their own small language
model for some elements, such as to help
incorporate the Korean song “Surorbun” into
the work.
34. 34
nt & brands
China
1. In de zaak Feilin v. Baidu verwierp BIC in 2018 de auteursrechtelijke
bescherming van een door AI gegenereerd verslag wegens gebrek
aan originaliteit.
2. De rechtbank van Shenzhen (2019) kende auteursrechtelijke
bescherming toe aan een AI-gegenereerd artikel in de zaak Tencent
Dreamwriter v. Yingxun.
The selection of factors such as the format of the data that is fed
into the algorithm and the rules that the software must follow.
Are the creative choices made by humans – such as the input
data, trigger rules, templates, and training of the algorithm –
reflected in the final product?
35. 35
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6. Chinese Beijing Internet Court:
Li v. Liu
November 27, 2023
four-element test:
(1) belonging to the fields of literature, art, or science;
(2) possessing originality;
(3) having a form of expression; and
(4) being a result of “intellectual achievement”.
Through Stable Diffusion, Plaintiff selected over 150
prompts, arranged their order and set specific
parameters. He continued to adjust and modify
those prompts and parameters until the final image
aligned with his conception. These steps sufficiently
demonstrate that the disputed image was created as
a result of Plaintiff’s intellectual inputs.
36. Werktoets
• De eigen intellectuele schepping van de auteur
• Het gaat om vrije en creatieve keuzes van de
auteur, die tot uitdrukking zijn gebracht in het
werk
37. Ultraman - Guangzhou Internet Court
• Op de website van een AI-bedrijf konden
gebruikers door AI gegenereerde
afbeeldingen maken. Sommige van deze
afbeeldingen kopieerden afbeeldingen van
Ultraman geheel of gedeeltelijk. Ultraman is
een wereldwijd bekende Japanse
sciencefiction media franchise. Gebruikers
van de tool moesten (bij)betalen om deze
afbeeldingen te creëren, waardoor het
bedrijf extra inkomsten genereerde.
• Zorgplicht: Generatieve AI-bedrijven moeten
hun gebruikers wijzen op het risico van
auteursrechtinbreuk. Bovendien moeten ze
een NTD systeem opzetten.
• Ook moeten ze AI content labelen
39. 39
nt & brands
Hoe stellen we vast wat beschermd is en wat
niet?
Als je creëert, documenteer je creatieproces.
Bewijs van menselijke creatieve keuzes wordt
belangrijk
ML mag mits rechtmatige toegang en mits geen opt-out
Wat is machine leesbaar?
Wat is rechtmatige toegang?
Toepassing in tijd van de beperking? Moeten de modellen vernietigd worden?
https://www.copyright.gov/docs/zarya-of-the-dawn.pdf
15 sept 2022 – verzoek tot registratie
Via social media wist USCO van het gebruik van Midjourney. Kashatnova had dat niet verteld
28 okt 2022 bericht tot intrekking
21 november 2022 reactie advocaat
he Supreme Court has explained that the
term “original” in this context consists of two components: independent creation and sufficient
creativity. See Feist Publ’ns, Inc. v. Rural Tel. Serv. Co., 499 U.S. 340, 345 (1991)
in Burrow-Giles Lithographic Co. v. Sarony, the
Supreme Court held that photographs were protected by copyright because they were
“representatives of original intellectual conceptions of the author,” defining authors as “he to
whom anything owes its origin; originator; maker; one who completes a work of science or
literature.” Based on Ms. Kashtanova’s description, the Office cannot determine what expression in
the image was contributed through her use of Photoshop as opposed to generated by Midjourney.
She suggests that Photoshop was used to modify an intermediate image by Midjourney to
“show[] aging of the face,” but it is unclear whether she manually edited the youthful face in a
previous intermediate image, created a composite image using a previously generated image of
an older woman, or did something else.
https://www.copyright.gov/rulings-filings/review-board/docs/a-recent-entrance-to-paradise.pdf
November 3, 2018 seeking to register this computer-generated work
as a work-for-hire to the owner of the Creativity Machineaugustus 2019 refused to register
March 2020 Thaler had
“provided no evidence on sufficient creative input or intervention by a human author in the Work.
https://ecf.dcd.uscourts.gov/cgi-bin/show_public_doc?2022cv1564-24
https://www.youtube.com/watch?v=lm-fVpsQg9o
https://www.copyright.gov/rulings-filings/review-board/docs/Theatre-Dopera-Spatial.pdf
On September 21, 2022, Mr. Allen filed an application
https://link.springer.com/article/10.1007/s40319-020-00944-9
https://www.chinadaily.com.cn/specials/BeijingInternetCourtCivilJudgment(2018)Jing0491MinChuNo.239.pdf
Decision of the People’s Court of Nanshan (District of Shenzhen) 24 December 2019 – Case No. (2019) Yue 0305 Min Chu No. 14010
The Guangzhou Internet Court emphasized that considering the fact that the generative AI industry is still in its early stages of development, it is necessary to balance between rights protection and industry development, and it is not appropriate to excessively burden service providers, while the service providers should actively fulfill reasonable and affordable duty of care, in order to contribute to the establishment of a Chinese-style artificial intelligence governance system that promotes both security and development, balance and inclusiveness, as well as innovation and protection.