The document discusses the concept of spectacle and photography in today's image-saturated world. It references the large number of photos uploaded daily to social media and questions whether photography can still be considered an art form. Several experts and artists offer perspectives on the issues of too many images, the need for critical thinking over passive consuming, and the risk that spectacular images may drown out truly meaningful photos. The document advocates focusing on empathy, community, and following one's passions as possible ways to find an alternative to the surrounding spectacle.
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On My Mind – Spectacle and Photography in the Digital Age
1. On My Mind –
Spectacle and Photography
Actual
Colors
May
Vary.
2.
3. “Life – a movie”
Youtube:
Every minute
+ 72 hours of film.
Facebook:
240 billion saved photos
+ 350 million more
every day.
4.
5. « We must feel more »
Tania Singer (2013):
“In our free market economy
we’re indulging too much in
pure consuming.
Instead we need a healthy balance
between job performance, power, consuming
and caring, thinking of others and empathy.”
7. • Too many pictures
• Drama & Authenticity
• The definition of “Spectacle”
• Détournement & Recuperation
• Follow your passions
• Empathic Communities
• ACMV’s history
• ACMV & The Spectacle
• What we do
8. Robert Frank (2008):
“There are too many images,
too many cameras now.
We’re all being watched.
It gets sillier and sillier.
As if all action is meaningful.
Nothing is really all that special. It’s just life.
If all moments are recorded,
then nothing is beautiful and
maybe photography isn’t an art
any more. Maybe it never was.”
9. Thomas Ruff (2013):
“There cannot be too many photographs,
just like there cannot be
too much information.
The problem most people are facing is
how to select: What is important,
what is not important?
If you preserve your ability to select,
there can be as many pictures as there are,
you simply pick the ones that are
important for you.”
10. Umberto Eco (1979):
“A democratic civilization
will save itself only if it makes
the language of the image into a
stimulus for critical reflection –
not an invitation for hypnosis.”
12. Fred Ritchin (2013):
“The problem here is not so much
the ethics of the dramatization,
but more the anxiety that photographs,
even of pivotal moments,
will no longer be noticed
if they are not rendered
in a more spectacular fashion.”
14. Alex Selwyn-Holmes (2011):
“It almost looks like a glamor shot
magazines like Face or
advertisers like Benetton
often throw your way.
...
Her blonde hair looked so soft,
her manicured fingernails so red,
...
you can almost feel like
it has been staged.”
17. Guy Debord (1967):
“The spectacle grasped in its totality is both
the result and the project
of the existing mode of production.
It is not a supplement to the real world,
an additional decoration.
It is the heart of the
unrealism of the real society.
In all its specific forms, as information
or propaganda, as advertisement
or direct entertainment consumption,
the spectacle is the present model
of socially dominant life.”
21. Asger Jorn (1967):
“Take a 35-year-old man.
Each morning he takes his car,
drives to the office, pushes papers,
has lunch in town, plays pool,
pushes more papers, leaves work,
has a couple of drinks, goes home,
greets his wife, kisses his children,
eats his steak in front of the TV,
goes to bed, makes love,
and falls asleep.
...
22. Asger Jorn (1967):
“Who reduces a man’s life
to this pathetic sequence of cliches?
A journalist? A cop? A market researcher?
Not at all. He does it himself,
breaking his day down
into a series of poses chosen
more or less unconsciously
from the range of
dominant stereotypes.”
29. Roberta Smith (2013):
“The show is the
ultimate confirmation that
... punk was absorbed
by the culture around it,
not least by blue-chip
fashion designers
on the prowl for new ideas.”
40. Communities
“Right now, there is
no alternative to the spectacle,
we all face the economic
pressure of capitalism,
but we think it’s not enough
to complain about it, we should
focus on how to deal with it
together.”