4a documentary modes
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The document discusses six different modes or types of documentaries: 1) The Poetic mode focuses on images and organization rather than continuity, with people appearing as entities. 2) The Expository mode uses voiceover or titles to directly address the viewer and persuade them. Images are used to advance the argument. 3) The Observational mode simply observes what is happening without interference, allowing viewers to relate to the situations. 4) The Participatory mode believes it is impossible to film without influencing events and aims to show how situations are affected. 5) The Reflexive mode puts its own spin on situations to draw attention to specific parts and messages. 6) The Performative mode is strongly
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![Modes Mode Examples Conventions The Poetic Passing summer shower over Amsterdam – this documentary isn't like your typical documentary it does not focus on the play itself but what is going on around it and in the background which most people don’t always pick up on. - The poetic mode moved away from continuity editing and instead organized images of the material, these were set and placed where they were because of the time and the space. - People appeared in these films as entities, just like any other The Expository America’s Most Wanted – This documentary uses a spokes person to speak directly to the people watching the documentary which helps them to relate to what is going on or what is going to happen in the future. ,[object Object],[object Object],[object Object],The Observational Mode Towie (The Only Way Is Essex) – in this programme we watch the life of people who live in Essex and what they get up to on a daily basis, all the gossip/drama every little thing, this is a good documentary as this draws people in as they know this is all real and nothing is rehearsed. ,[object Object],[object Object],The Participatory Documentary's like these are not always on air this is because of what they are trying to get across. They believe because of this that this will not edit or change your fault on the situation they only way to inform you of what has happened or what is going to happen. ,[object Object],[object Object],The Reflexive these are documentaries which take a situation and put their on spin on it to make you look at what they want you to look at such as a specific part of the documentary which, basically making you listen to what they are saying/showing. ,[object Object],[object Object],The Performative ,[object Object],[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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The document discusses the codes and conventions of factual programming and news broadcasts. It outlines 5 types of factual programming - expository, observational, participatory, reflexive, and performative documentaries - and describes their conventions such as use of narration, interviews, and involvement of the filmmaker. It also discusses conventions of news broadcasts such as the role of news readers to research, write, and present news stories while addressing the audience and maintaining an emotionally detached demeanor. News readers are expected to have communication skills, work well under pressure, and dress appropriately for their role.
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Documentaries aim to document real people and events to allow audiences to form opinions. They use techniques like observation, interviews, dramatization, mise-en-scene, and exposition. Documentaries can be fully narrated, fly-on-the-wall, mixed format, self-reflexive, or docudramas. They typically follow a beginning, middle, end structure and focus on conflict to drive the narrative forward. Elements like music, lighting, and visuals are chosen carefully to shape the intended meaning.
Types of documentaries
The document describes Bill Nichols' six types of documentaries: observational, poetic, expository, participatory, reflexive, and performative. It then provides details on observational, poetic, and expository documentaries. For their school documentary project, the author thinks an observational style allowing the audience to form their own opinions, combined with an expository narration presenting a logical argument, would work best. They don't think anyone is confident enough for a participatory or performative approach.
Film Unit I
The document provides an overview of key concepts for analyzing films, including form, structure, meaning, themes, characterization, and narrative elements. It discusses how a film's structure can create meaning and focus audience attention. It also defines different types of conflicts, meanings, symbols, and narrative patterns that can be examined when analyzing a film.
Film Studies Unit 1 Structure/Story/Form
The document discusses various concepts related to analyzing the form and structure of films and how they create meaning, including:
1) It examines different types of conflicts that can be presented in films such as man vs man, man vs society, etc. and how they focus audience attention.
2) It outlines several themes commonly explored in films such as morality, human nature, social problems, human dignity, and complexity of relationships.
3) It describes different types of meaning that can be conveyed in films such as emotional, referential, explicit, and implicit meanings.
Documentary modes
This document outlines 5 modes or styles of documentary filmmaking: observational, poetic, performative, participatory, and reflexive. The observational mode involves following subjects without influencing them. The poetic mode emphasizes personal aspects through music and camerawork. The performative mode addresses audiences and elicits emotional responses. The participatory mode features formal interviews between filmmaker and subject. The reflexive mode engages audiences in judgments and makes them aware of production techniques.
Question 1: Genre research
The document summarizes the opening sequence of a film project. It describes choosing a 15 year old target audience and discusses the storyline involving a missing child. Key shots in the opening include the victim's reaction upon being found, the neighbor's reaction of running away in shock, and interviews between the victim and his sister and mother. Location shots show the poor living conditions in the shed where the victim was kept. The narrative follows Todorov's structure of establishing equilibrium, disrupting it, recognizing the disruption, attempting to repair it, and reinstating equilibrium. Editing and music techniques aim to build tension and emotion throughout the sequence.
Documentary modes
This document discusses different modes of documentary filmmaking:
- Expository mode uses voiceovers and direct addresses to the audience to provide factual information and commentary to illustrate images.
- Observational mode aims to observe events as they happen without interference, using no voiceovers or interviews.
- Interactive mode includes interviews where questions from filmmakers may be included or removed to shape how subjects are portrayed.
- Reflective mode is more experimental and focuses on the filmmaking process as much as the content.
Documentary theory
This document discusses the purpose, history, features, types, and conventions of documentary films. It notes that documentaries aim to present facts about real life using evidence like footage of actual events. Key features identified include observation, interviews, dramatization, mise-en-scene, exposition, inclusion of music/sound, and selection/construction during editing. The history of documentaries is traced from the first use of the term in 1926. Different types are outlined like fully narrated, fly-on-the-wall, mixed, self-reflective, docudrama, and docusoap styles. Conventions like a beginning, middle, and end structure are also mentioned.
Genre analysis
This document discusses different types and features of documentaries. It begins by explaining that documentaries can aim to document events or bring awareness to causes, or can entertain as human interest films. Observational documentaries feature no narration or interviews and allow viewers to make their own judgments. Interviews in documentaries follow conventions like rule of thirds positioning and use graphics to identify subjects. Expository documentaries use narration to construct and explain topics to inform viewers. Documentaries employ techniques like dramatization, mise-en-scene, and different documentary styles like poetic, participatory, and reflective.
Theory of a documentary
Documentaries aim to portray real events and situations to audiences. They can cover topics like politics, history, and culture. While some documentaries only use factual footage, others may include reconstructions if real evidence is unavailable. John Grierson is credited with coining the term "documentary" in the 1920s and focused on portraying factual information. More recently, some argue documentaries have become more creative in their storytelling and less focused solely on facts. Key elements of documentaries include observations, interviews, dramatizations, mise-en-scene, and exposition. However, it is debated how much documentaries can truly capture reality or truth given creative choices that are made.
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